63 résultats
1881QQ0306Macmillan and Co 1881. Full red cloth black decor and lettering to front board and spine; black publisher's insignia to rear board. Much worn: spine darkened; boards bubbled and tide-marked at base. 8vo. Front hinge slightly slack. Front endpapers cracked at gutter; rear endpapers likewise with rear free endpaper now attached to inside rear board at base thanks to water damage. Pictorial bookplate of Edward Chesterton father of Cecil and G. K. Chesterton to inside front board with pen inscription to verso of front free endpaper: 'E. C. from M. M. J.' or M. M. F. Oct-Birth-/82'. Pencil annots to blank verso of half-title: what appear to be street or house names S. Parade Seaview and lists of times: these have every appearance of being notes taken in a professional capacity by Edward Chesterton who worked as an estate agent. Pencil annots in a child's hand to publisher's advertisement pages to rear: lists of words with their French German Latin and Greek translations perhaps the work of one of the young Chestertons G. K. Chesterton would have been 8 in 1882. To recto of rear free endpaper is a pencil sketch of a flamingo with an inordinately long neck tied in knots together with an Edward Lear-esque beetle-man with spectacles and antennae. These could be the work of either an older G. K. Chesterton an inveterate sketcher in book-margins or of his father of whom Chesterton notes in his 1937 autobiography that 'I have inherited or I hope imitated his habit of drawing' p. 41: the bookplate at the front of the vol. which has signature E. C. is almost certainly his design. G. K. Chesterton was later to write memorably on De Quincey as 'the first and most powerful of the decadents' in his 1913 'The Victorian Age in Literature' p. 24. Whether the drawings here are by father or son they stand as testament to their shared delight in the fanciful and fantastic. Robust packaging. Tracking can be added to overseas orders on request. Used books are exempt from USA tariffs. 1st edition. Hardcover. Poor/Fine. vi 200 4pp. Macmillan and Co Hardcover
19001577212022436<p>Author: Westcott Edward Noyes. illustrator: B. West Clinedinst. In-Text Drawings: C. D. Farrand.<br />Title: David Harum A Story of American Life.<br />Publisher: New York D. Appleton & Company 1900. First Illustrated Edition.<br />Language: Text in English.<br />Size: 8 " X 5.5 ".<br />Pages: xvii-417 pages.<br />Binding: Very good half green morocco leather binding finely bound hinges fine overall slightly worn and scuffed - as shown under a protective removable mylar cover. Upper edge gilt.<br />Content: Very good content bright tight and clean rare light foxing - as shown.<br />Illustrations: Complete with the 9 full-page illustrations by B. West Clinedinst and the numerous in-text illustrations by C. D. Farrand.<br /> <br />The book: Attractive First illustrated edition nicely bound of David Harum; A Story of American Life is a best-selling novel of 1898 whose principal legacy is the colloquial use of the term horse trading.</p> New York, D. Appleton & Company, (1900). First Illustrated Edition. hardcover
1900BOOKS5789New York NY: D. Appleton & Company. Very good condition-cover soiled-DJ ragged 85%/Dust Jacket. 1900. 1st illust ed. 8vo. 410 pp. . D. Appleton & Company unknown
1900BOOKS5039New York NY: D. Appleton & Company. G/NO DUSTJACKET. 1900. 1st illust ed. Cloth. #569 of 750 copies. . 8vo. 410 pp. cover soiled . D. Appleton & Company hardcover
186713607New York: Hurd & Houghton / Townsend / James Gregory 1867. First Edition in this Format. Hardcover. Book condition is Very Good- in elaborately embossed boards with gilt decorations. Wear at spine base and heal to most volumes including some minor tearing. A few small bumps and tears to edges of exterior. Minimal foxing/spotting to end papers. A few small chips and tears to edges of a few pages. Small bookseller stamp inside front cover of most volumes inside rear cover of a few volumes. Owner name and date to front end page of a few volumes. Small label on spine of "Ways of the Hour" reads "32" presumably the final volume of the set received by the original owner. Text is clean and unmarked. Each volume illustrated with steel engravings reproducing the original illustrations of Darley including in-text illustrations frontispiece and engraved title-pages. ; 8vo 8" - 9" tall. Hurd & Houghton / Townsend / James Gregory hardcover
1889H3503Boston: Little Brown & Co 1889. First printing. Hardcover. Very Good. First edition thus 1889 2 volumes large 8vo contemporary half calf gilt red and green spine labels marbled boards very good light wear to bindings contents fine. Little, Brown & Co hardcover
18981577212023950<p>Author: Laura E. Richards. W. H. W. Bicknell illustrator after drawings by Frank T. Merrill.<br />Title: Captain January Edition de Luxe Being the Centennial Edition or the Hundredth Thousand.<br />Publisher: Boston Estes and Lauriat 1898. Centennial Edition. First De Luxe Edition. Limited to 1000 copies. This one is copy 91/100 on Japanese Hand-made paper. Signed by the publisher and the author. Signed also by the illustrator on all second state de luxe plates.<br />Language: Text in English.<br />Size: 6.5" X 4.5".<br />Pages: 128 pages.<br />Binding: Attractive and fine stunning binding of 3/4 red Morocco leather with marbled boards and matching marbled endpapers with the spine featuring raised bands and gilt floral motifs hinges fine under a protective removable mylar cover. Upper edge gilt.<br />Content: Near fine content bright tight and clean - as shown.<br />Illustrations: Complete with 12 illustrations 6 in two different state one being signed by the illustrator W. H. W. Bicknell.</p><p>Estimate: Scarce with no or few other copies available for sale worldwide.</p><p>The book: Captain January by Laura E. Richards is a classic piece of children's literature first published in 1891. This Edition de Luxe being the Centennial Edition is particularly special as it celebrates the 100000th copy of the book limited to a total of 1000 copies this one being copy 91/100 on Japanese hand-made paper. The book tells the heartwarming story of Captain January a lighthouse keeper and his adopted daughter Star Bright. The narrative set against the picturesque backdrop of the Maine coast explores themes of love duty and the passage of time. The luxurious binding and fine etchings make this edition a collector's gem.</p> Boston, Estes and Lauriat, 1898. Centennial Edition. First De Luxe Edition. Limited to 1000 copies. This one is copy 91/100 on J hardcover
1842B5735London: George Virtue 26 Ivy Lane c. 1842. . A fine example with text and plates clean and crisp. A handsome set in attractive contemporary binding. Binding: Contemporary quarter green-brown calf with matching cloth boards spine with four raised gilt designed bands; compartments in blind and gilt floral design gilt title on two and four; matching marbled endpapers; all edges marbled; with tissue guards. Notes: “Bartlett made four voyages to the United States and Canada between the years 1836 and 1852 the fruits of which appeared in American Scenery in 1840 and Canadian Scenery in 1842 with text by N.P. Willisâ€Harper. “In autumn of 1836 in company with Willis he visited Niagara Falls and presumably was briefly in Canada. Journeyed from Halifax to Niagara in 1838 completing 117 sepia wash drawings which were engraved and published with text by Willis in a two volume Canadian Scenery in 1840†DNB. The engravings were produced by Willis Cousen and others. <br> Size: Quarto 274mm x 210mm. Illustration: Illustrated with one signed portrait of Bartlett by H. Room and B. Holl vol I; one full page map of Canada vol I plus 119 engraved plates by Bartlett both vols.; these include two engraved titles - each with a large vignette: “Wigwam in the Forest†vol I and “The horse-shoe fall†vol II - and a frontispiece to vol II entitled “Montreal from the Mountainâ€. <br> Volume: Two volumes. Provenance: Manuscript notation on verso of first upper free endpaper of vol I: “Mr. Coudani Copy // Albert Britnelâ€; third upper free endpapers of vols I&II manuscript note possibly signature of owner: “Allenâ€. References: Ref: Alston 7673; Sabin 3786; Lande 2310 Pages: P. Vol I: manuscript note bl. 2 owner’s signature frontispiece portrait engraved title “Wigwam…†bl. title printer’s note list of engravings bl. 2 map of Canada 1-128 with 53 engraved plates throughout the text; vol II: bl. 4 owner’s signature frontispiece “Montreal…†engraved title “The horse-shoe fall†bl. title printer’s note list of engravings bl. 1-116 with 63 engraved plates throughout the text. Category: Book Canada; Book Plate Books General; George Virtue, 26, Ivy Lane hardcover
190077693New York: Harper Brothers 1900. Hardcover. Near Fine/Fine. 2 volumn set may require additional shipping costs These are beautifully bound in a cream cloth with very bright decorations. They are still in the blue pebbled cloth Dust jackets that are in virtually fine condition. This is a true collector's copy. Harper Brothers hardcover
1830D7399Italy c. 1830. Hardcover. Very Good. Modern half morocco and marbled boards gilt-stamped lettering and ornament on spine; 430 x 560 mm; contains 26 anatomical drawings in red and grey chalk most of them full-page but also including double-page spreads tipped onto stubs. Spine tips and corners gently bumped; some faint dampstaining; a few leaves with repaired tears. Images of skeletal and muscular representations of arms legs feet torsos and heads. <br/><br/> hardcover
190015849AB1900. ca. 1900 24 : 18 cm. 8 double-page hand-coloured paltes partly in aquatinta. Japanese boards with tile-label on front cover. Eight beautiful double-page coloured plates showing different Japanese landscapes. In birght shinning colours. Each plates with description in Japanese. - Binding loose. hardcover
1857D11024Aix-en-Provence probably 1857-1860. Hardcover. Near Fine. Marbled paper over boards backed in red sheep gilt-stamped lettering in spine compartments; 311 x 230 mm; contains 70 double-page pen-and-ink drawings open they measure 311 x 445 mm some enhanced with ink wash or watercolor each with the artist's name and the professor's signatures 4 signatures in all. Boards and spine rubbed and scuffed; top corner of front board lacking. Contents are very near fine -- just some light foxing and a few small spots of soiling. <br/><br/>Highly skilled technical drawings by Michel Clement a student at the École Impériale d'Arts et Métiers d'Aix. The period of training was set at three years with the first year devoted to arithmetic geometry and drawing; the second year to descriptive geometry trigonometry and mechanical drawing of both stationary and moving parts; and the third year to industrial mechanics and advanced drafting techniques. This album affords a fascinating glimpse into the type and extent of the skills required of graduates of French technical schools in the mid-19th century. The course in design cours de dessins is structured and presented here in 4 sections: Troisieme division premiere annee; deuxieme division these drawings dated 1858-1859; deuxieme annee; and premiere division. The drawings include ornements 6 architecture 6 lavis 4 lever a l'equerre 1 echelles 1 epures 5 boulons et rivets 2 assemblages 1 geometrie descriptive 22 cinematique 5 organes de machine 3 topographie 2 machine outil 1 engrenages 6 machine a vapeur 1 treuil 1 machine a vapeur 2 hydraulique 1. hardcover
1815G4JCUY01U79OFrance 1815. 20th-century red goatskin morocco sewn on 5 cords with the title "Gouaches érotiques" in gold in the 2nd of 6 spine compartments double-combed marbled endpapers pasted over the original marbled pastdown; spot pattern curled. 4to 26 x 21.5 cm. A matching set of 12 erotic drawings image area about 20 x 16 cm in coloured gouaches each showing a man and woman engaged in manual vaginal or oral sex in a richly furnished interior with furniture lamps clocks vases drapery mirrors books clothing architectural ornamentation etc. Each is drawn on thick paperboard and mounted on the album leaves. A matching set of 12 skilfully executed erotic gouache drawings in numerous colours each showing a naked or more often partly undressed young man and woman engaged in manual vaginal or oral sex. Each is set in an interior in at least most cases domestic most of them richly furnished. Though the drawings depict several different men and women some of them seem to appear in more than one drawing. One drawing appears to show a home library another includes a case full of books and two others have an open book lying on the floor. Another has the woman sitting on the man's lap before a writing desk with a quill pen in her hand. These may be intended to suggest that the man is the young lady's tutor and they got distracted from their lessons. The clothing suggests couples from fairly high social standing. The clothing architectural decoration furniture clocks lamps vases etc. much of it in Empire Style suggest a date around 1815 perhaps in France.The drawings are in good condition and the binding fine. unknown