82 résultats
1966106619New York: Thomas Y. Crowell 1966. First Edition; First Printing. Hardcover. Near Fine in a Near Fine price clipped dust jacket. Minor chip to crown near rear panel. ; 8vo 8" - 9" tall. Thomas Y. Crowell hardcover
1951300004084par le Club bibliophile de France pour l'Union Latine d'éditions 1951. 1951. par le Club bibliophile de France pour l'Union Latine d'éditions unknown
1988022353Concord NH: New Hampshire Historical Society 1988 1988. Hardcover. Near Fine. Color Illustrated Wraps. NA. 1st. 4to - over 9" - 12" tall. SCARCE: Near Fine in color Illustrated wrap-around covers 1 light spine crease Large trade-size. Many B&W and color Illustrations 228 pages. Signed in flat script by both authors on the 1/2 title page preceeding the title page. Also includes an ephemeric piece; Order blank/advertising brochure for this book 1 page folding. <br/> <br/> Concord, NH: New Hampshire Historical Society, 1988 hardcover
198328520The Strange Company: USA 1983. First edition. Oversize pictorial wrappers. No 2. Large octavo single issue pictorial wrappers perfect bound. Weird magazine: 116 pages including covers. Ten issues published in total the first issue in 1973 then a gap of ten years when a further nine issues were published by The Strange Company 1983-1987. ''of special interest in no 2 is an interview with the leading Weird Tales cover artist of the 1930s Margaret Brundage'' plus ''The Room Of Fear'' a previously unpublished short story by William Hope Hodgson'' see Ashley/Tymn: Science Fiction Fantasy And Weird Fiction Magazines pp. 205/206. Fine unread copy. The Strange Company: USA unknown
198728527The Strange Company: USA 1987. First edition & 1st printing. Oversize pictorial wrappers. Tenth and final issue. Large octavo single issue pictorial wrappers perfect bound. Weird magazine: 116 pages including covers. Ten issues published in total the first issue in 1973 then a gap of ten years when a further nine issues were published by The Strange Company 1983-1987. This issue has a mscellany of fiction poetry and essays by Thomas Ligotti ''The Spectacles In The Drawer'' Brian Lumley and others. The emphasis of this issue is on the work of WEIRD TALES author Amelia Reynolds Long and includes two of her short stories and an essay about her work by Chet Williamson. 1000 copies printed. Fine unread copy but for a touch of edge wear. The Strange Company: USA unknown
198520052The Strange Company: USA 1985. Oversize pictorial wrappers. Seventh issue. Large octavo single issue pictorial wrappers perfect bound. 96 pages including covers. Weird magazine: ten issues published in total the first issue in 1973 then a gap of ten years when a further nine issues were published by The Strange Company 1983-1987. This issue has fourteen pieces of fiction including Brian Lumley illustrated throughout plus lots of poetry plus an interview with Joseph Payne Brennan a short piece listing ''The Thirteen Best Obscure Stories From Weird Tales'' and ''Landscapes of Intertextuality'' by Philip E. Kaveny. See Ashley/Tymn: Science Fiction Fantasy And Weird Fiction Magazines pp. 205/206. Near fine NF copy. The Strange Company: USA unknown
1929002348New York: The Macmillan Company 1929. 179 pages. Spine faded with light wear to the head and foot; boards lightly soiled. First Edition. Cloth. Very Good/No Jacket. Thick 4to. The Macmillan Company Hardcover
1982165391Sydney: Ansay 1982. 1st edition. As New. large octavo. hardback with dust jacket 63pp. sepia illusts. Presentation copy inscribed & signed by Paul Deprat on the title-page Ansay hardcover
192116770Berlin: Morawe & Scheffelt 1921. Paperback. Good. 7 1/4 x 8 3/4 inches. 41 pages. Semi-rigid cloth-covered boards. Illustrated with real etchings by Mathey. Condition is Good; Paper missing on spine lightsoiling to cloth covers covers slightly wavy text & illustrations are very clean binding is tight. Text in German. Stk Morawe & Scheffelt paperback
197642138Las Vegas: Nevada Publications 1976. First printing. Hardcover. vg. 1/200. Folio 12 1/4 x 9 1/4". 63 17pp. Original gilt-stamped grey cloth with gold lettering to spine and front cover. Limitation page signed by both the author and the artist. Original etched frontispiece hand-numbered 74/190 and signed by Roy E. Purcell. Illustrated title page. Book housed in its original gilt-stamped brown cloth slipcase. <br /> <br /> "The Cerbat Mountains and other barren ranges in western Arizona along the Colorado River offer to the inquisitive visitor a wide range of unexpected experiences. Tucked away in several canyons are the skeletal remains of abandoned mines and towns. Delight in making friends with these desert ghosts awaits the traveler who can discriminate between solitude and loneliness. <br /> <br /> Illustrated with stunning color illustrations and etchings by Roy E. Purcell as well as numerous "period photographs of the families who lived in this isolated area the small towns with their general stores and saloons and the men who endured the daily drudgery of mine work this book serves as a reminder of the hardships faced by those seeking a living in this remote western area of our country in the late 19th century." From the Publishers.<br /> <br /> Minor shelf-wear to slipcase. Slipcase binding and interior in very good condition. Nevada Publications hardcover
197759363Durham: The Friends of Duke University Library 1977. First Edition. One of 300 numbered copies of which 250 are for public sale specially bound and signed by the author and illustrator this being copy no.92. Octavo 23.75cm; red cloth with titling and decorations stamped in gilt on spine and covers; 46pp; illus. A Fine copy with the original prospectus laid in. The Friends of Duke University Library unknown
198012801FARRAR STRAUS & GIROUX. NY 1980. Fine with no dust jacket. 1980. First Edition. Softcover. UNCORRECTED PROOF. Fine in plain white printed wrappers. . FARRAR, STRAUS & GIROUX. NY 1980 paperback
199474713-K-5Baarn: Arethusa Pers 1994. Cahiersteek met omslag. 50 genummerde exx. Met een extra gesigneerde kleurenets van Antanas Kmieliauskas. Met begeleidend gesigneerd briefje van Blokland. Arethusa Pers unknown
196950314London: Trigram Press Ltd 1969. First edition. Softcover. Very good. Small square quarto 10". 451pp. Lettered cream wrappers head & foot of front hinge rubbed. Illustrated with photographs some nudity on rectos and mostly erotic etchings on rectos. Trigram Press Ltd unknown
1970024583Petersburg Press 1970. Book. Fine. Hardcover. 1st Edition. Dark blue leatherette binding with silver titles to front board. Petersburg Press Hardcover
19993115870New York: PACE/PRINTS. Fine with no dust jacket. 1999. First Edition; First Printing. Softcover. 9780967716206 . First edition. Fine in pictorial printed wrappers. 36pp. 8 1/2" X 11" Gatefold and color images. ; 8 1/2" x 11"; 36 pages . PACE/PRINTS paperback
1977SKU1033467THE FRIENDS OF THE DUKE UNIVERSITY LIBRARY. DURHAM 1977 1977-01-01. Hardcover. Very Good. Signed by Author. The Friends of Duke University Library; Durham 1977. Hardcover. Signed and inscribed by author directly on front free endpaper also signed by author directly on limitation page in rear. A Very Good red cloth binding with gilt lettering on spine and gilt decorative design on boards binding sturdy and intact bit of handling/rub marks to boards some rubbing to board and spine edges age toning to pages without Dust wrapper. A nice clean and unmarked copy. 8vooctavo or approx. 6 x 9 inches. Unpaginated b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scans are available for any item please inquire. THE FRIENDS OF THE DUKE UNIVERSITY LIBRARY. DURHAM 1977 hardcover
1977265828The Friends of Duke University Library 1977. First Edition. Hardcover. Unpaginated. 5-6/8 by 9-1/4 inches. One of 300 signed and numbered copies signed by Reynolds and Roquet. Gold pattern on red cloth binding based on a thirteenth century mosaic in the Church of S. Giovanni battista in Florence. First edition first printing. A touch of edge wear else a fine hardcover copy; no dust jacket. Signed by both the author and illustrator. Copy number 108.<br> The Friends of Duke University Library hardcover
200055192Rochester New York: The Black Bird Press 2000. First limited edition. Hardcover. Very good to fine condition. 29/100. 30 6pp. Original gray cloth with black lettering on cover with small drawings on covers housed in same color slipcase. Half-title with drawing and black and blind-stamped lettering. Signed by poet and artist hand-numbered on colophon. Contains thirty poems and is illustrated with three full page etchings one sepia toned initialed by artist. <br /> <br /> Designed and produced by The Black Bird Press with text hand set in 18 point Centaur and Arrige with titles in Goudy Old Style on Rives BFK paper. Etchings and type are printed by the artist. The edition is numbered one through one hundred. An additional ten copies numbered I through X contain an original graphite drawing. All copies are hand sewn and bound at Olde Ridge Bookbindery Rochester N.Y. Slipcase with very light wear book in fine condition. The Black Bird Press hardcover
19259013300Paris: Le Groupy 1925. paperback. Very good condition. One of 575 numbered soft cover copies loose bound with an original etching on the front cover stamped in black and red. Chips and closed tears to the extremities of the wrapper. Interior is clean. <br/><br/> Le Groupy paperback
1940318481940. S.l. Paris chez l'artiste s.d. circa 1940. Un vol. au format in-4 353 x 252 mm non paginÂŽ en feuilles sous couverture ˆ rabats rempliÂŽs dont le premier plat est occupÂŽ par une large composition gravÂŽe. Tirage unique ˆ 220 exemplaires seulement de cette ''ÂŽdition recherchÂŽe''. in Carteret. Celui-ci comptant parmi les 200 exemplaires du tirage sur Arches ; justifiÂŽ au colophon exemplaire d'artiste et revÂtu de la signature autographe ˆ la mine de plomb de LÂŽon Courbouleix. ''Ce livre contient dont premier plat de couverture 59 planches dont les ornements le texte et les illustrations ont ÂŽtÂŽ gravÂŽs ˆ l'eau-forte. Chaque planche a ÂŽtÂŽ imprimÂŽe ˆ la poupÂŽe en plusieurs couleurs sur la presse ˆ bras de l'artiste. Les lettres capitales ont ÂŽtÂŽ rehaussÂŽes de gouache et d'or ˆ la main''. ''LÂŽon Courbouleix grava ˆ la pointe-sÂche et ˆ l'eau-forte des illustrations pour des auteurs libertins notamment pour l'ÂŽditeur Maurice Glomeau''. in Osterwalder citant la prÂŽsente contribution de l'artiste. ÇÊPrince des poÂtes et poÂte des princesÊÈ Pierre de Ronsard est une figure majeure de la littÂŽrature poÂŽtique de la Renaissance. Auteur dÕune Ãuvre vaste qui en plus de trente ans a touchÂŽ aussi bien la poÂŽsie engagÂŽe et ÇÊofficielleÊÈ dans le contexte des guerres de religions avec Les Hymnes et les Discours 1555-1564 que lՎpopÂŽe avec La Franciade 1572 ou la poÂŽsie lyrique avec les recueils Les Odes 1550-1552 et des Amours Les Amours de Cassandre 1552Ê; Les Amours de Marie 1555Ê; Sonnets pour HÂŽlÂne 1578. Imitant les auteurs antiques Ronsard emploie d'abord les formes de l'ode Mignonne allons voir si la rose et de l'hymne considÂŽrÂŽes comme des formes majeures mais il utilisera de plus en plus le sonnet transplantÂŽ en France par ClÂŽment Marot en 1536 en employant le dÂŽcasyllabe Mon dieu mon dieu que ma maistresse est belle! Les Amours ou Je vous envoye un bouquetÉ Continuation des Amours comme le mÂtre ÇÊmoderneÊÈ de l'alexandrin Comme on voit sur la brancheÉ Second livre des Amours ou Quand vous serez bien vieilleÉ Sonnets pour HÂŽlÂne. Monod II Manuel de l'amateur de livres illustrÂŽs modernes 9902 - Osterwalder III Dictionnaire des illustrateurs p. 419 - Carteret IV Le TrÂŽsor du bibliophile / IllustrÂŽs modernes p. 347. Petite coupe au dos de l'exemplaire. Rousseurs dans le corps d'ouvrage. Du reste belle condition. b42961 unknown
1929005691New York: MacMillan 1929. 179 pp.with 51 high-quality reproductions of etchings nad drawings of churches and cathedrals including Notre Dame Rouen Chartes Bayeux Albi Quimper much more. First printing. Clean. 1st Printing. Cloth. Near Fine/No Jacket. Folio - over 12" - 15" tall. MacMillan hardcover
1947B50032Pittsburgh: University of Pittsburgh Press 1947. Hardcover. Very Good/Very Good. One of fifteen hundred copies! Brown stamped beige cloth boards in dust jacket folio 244pp. illustrated in color and b&w. Book has faint foxing and wear to boards and spine binding tight text clean and unmarked but gently toned throughout. DJ shows mild rubbing and edgewear now in protective mylar wrap. THIS LARGE HEAVY BOOK WILL REQUIRE ADDITIONAL SHIPPING FEES. University of Pittsburgh Press hardcover
1946B7264New York: Heritage Press. 1946. Light wear to slipcases interiors clean and crisp. . Binding: Pictorial paper boards backed in brown cloth. Spines with gilt lettering and decoration. Top edges purple. Housed in brown paper slipcases. <br><br> Notes: A very good example of this set illustrated with reproductions of Piranesi’s renown etchings of Rome. <br><br>Giovanni Battista or Giambattista Piranesi 1720 – 1778 was an Italian classical archaeologist architect and artist famous for his etchings of Rome and of fictitious and atmospheric "prisons" Carceri d'invenzione. He was the father of Francesco Piranesi Laura Piranesi and Pietro Piranesi.<br><br> Size: 8vo. 240 x 160 mm Volume: 3 volumes. Category: Book Classics; Heritage Press. hardcover
197771157Chatham NY: Sagarin Press 1977. Limited edition signed and hand-numbered #155 of 200 copies. Hardcover. Near Fine. Signed by the author and the illustrator in ink on the colophon. 48 pp. Quarto 27 cm; full tan colored cloth with title blind stamped on the front board and printed in brown on the spine. Forest green endpapers. No dust jacket as issued. Only hints of shelfwear and the boards are very subtly bowed at their fore-edges. A nice copy. With the signed and numbered etching by Brauer titled "Offering" and tissue guard laid-in at the front. Four etchings printed and bound within the text by Bauer alongside the twenty-four poems by Fox.<br /> <br /> The colophon reads: "This is the special limited edition of The Juggler by Siv Cedering Fox. It is printed on 70 lb. Mohawk Soft White Superfine text paper and set in Optima type. Printed at the Studley Press and bound by hand at the Bridgeport National Bindery. This edition is limited to 200 copies of which this is #155 hand-numbered Siv Cedering Fox signed Bill Brauer signed. Sagarin Press hardcover