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1766373399Charpentier Paris 1766. Unframed Print. Very Good Condition. FRONTISPIECE ONLY. This intricate frontispiece engraved in mid-18th-century Paris celebrates architectural ornament through a Rococo lens. Cherubs scrolls and Ionic columns frame a portrait of Jacobus Eynhoudts possibly its compiler. Published by Charpentier the work exemplifies French design refinement and classical proportionality echoing the reference in the engraving to Vignolas principles for lovers of fine craftsmanship. Engraving 20 x 34 cms sheet 20 x 34 cms. The detailed engraved page is very clean with only a hint of blemishes in the unprinted margins which will disappear once mounted as will a small tear no loss in the bottom margin. An attractive architectural style engraving. Category: PRINTS : Antiquarian Interest; PRINTS : Historic Interest; Printed before 1800; Special Features. This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. Charpentier unknown
17624595London: Printed By John Haberkorn for the Authors 1762. First edition. Hardcover. Good. Folio unpaginated vintage marbled boards rebacked with corners of canvas new endpapers; Lacks plates 21 & 22 in chapter 4 showing Bacchan pirates turned into dolphins some mostly marginal bookworm tracks; Errata leaf bound in place long vertical tear in the last folding plate. Rare. <br/><br/>This is vol. 1 only: Subsequent volumes appeared into the early 1800s. Fowler 340 . "After their return to London in 1755 Stuart worked on the first volume of Antiquities of Athens which was published in 1762. He wrote and revised the text had the illustrations engraved and designed a binding as well as painting views of Greece and Pola in gouache for exhibition. The first volume contained details of just five buildings in the northern part of Athens but more were promised in further volumes. The first volume had more than 500 subscribers. Few were architects or builders which limited the impact of the work as a design sourcebook. It was however well received by scholars antiquaries and gentleman amateurs. The presentation binding that Stuart designed for Antiquities of Athens had a Neo-Classical design and inspired architect Robert Adam to design similar presentation bindings for his work on the antiquities of Spalatro. Antiquities of Athens helped shape the European understanding of ancient Greece. It brought an entirely new design vocabulary to 18th-century European architecture and design and later became an essential sourcebook for the 19th-century Greek Revival - V&A exhibit on Stuart in 2007." Most of these engravings were engraved by James Basire who ten years later taught engraving to William Blake. I count 78 engravings including head and tail-pieces and two folding plates. A few plates were executed by Edward Rooker who was celebrated for his architectural plates. Printed By John Haberkorn for the Authors hardcover