20 résultats
1871264BB1871. Paris Saillant 1871 555 : 455 cm. Lithographie originale en couleurs. Au Maréchal Bazaine la France Reconnaissante. Un Cordon s'il vous Plait. - Il y a des déchirures plus longues sur le côté mais elles ne sont pas visibles. A été plié en deux. unknown
1870265BB1870. Paris. Cheval ca. 1870 42 : 525 cm. Lithographie estampe en couleurs. unknown
1870254BB1870. Paris 1870 54 : 34 cm. Original lithographie. Faustin Faustin Betbeder dit Soissons 1847 - vers 1914 dessinateur-lithographe. - légèrement froissé et poussiéreux. unknown
1871263BB1871. Paris. Semaine et Fils 1871 555 : 43 5 cm. Lithographie en couleurs. Bord supérieur avec déchirure d'environ 2 cm. Etait plié au milieu un peu poussiéreux. unknown
1870253BB1870. Paris Gabillaud 1870 50 : 32 cm. Lithographie coloriée à la main sur papier. Journal avec texte et illustration montrant Napoléon III et les généraux français signant les termes de la capitulation après la bataille de Sedan. L'Empereur est assis à une table au centre de la scène tourné et tourné vers la gauche et signe un morceau de papier. Un général allemand se penche sur lui et observe. Derrière la table se trouve un général français qui regarde. Debout devant une fenêtre à gauche et dos au spectateur se trouve un homme de petite taille ; il regarde par la fenêtre les destructions causées par la bataille. Imprimer à partir d'un ensemble de caricatures. unknown
1871256BB1871. Paris Deforet & César 1871 275 : 355 cm. Lithographie colorée. unknown
1870251BB1870. Paris Leon 1870 50 : 335 cm Lithographie originale colorée. "Les Élus De Paris". Illustration satirique d'un artiste inconnu avec des caricatures d'hommes politiques français. Lithographie France 1870-1871. unknown
1871261BB1871. Paris Edouard Blot 1871 50 : 315 cm. Lithographie avec texte typographique de Jules Choux. unknown
1871259BB1871. Paris Puissant 1871 585 : 395 cm. Lithographie avec texte typographique. Bords supérieur et inférieur légèrement froissés. unknown
1871257BB1871. Paris Cheval 1871 42 : 52 cm. Lithographie Estampe en couleurs. Collection de caricatures et de charges pour servir à l'histoire de la guerre et de la révolution de 1870-1871. unknown
1871258BB1871. Paris Madré 1871 62 : 47 cm. Lithographie colorée. Un peu poussiéreux avec un pli moyen. unknown
1870255BB1870. Paris ca. 1870 44 : 28 cm. Gravure sur bois coloré avec un text typographique. Planche accompagnée d'un texte de Victor Hugo et d'une complainte signée F. P. unknown
190013597AB1900. Paris Baschet 1900. 31 : 24 cm. 45 pages with many illustrations. Contemporary boards coloured illustrated front wrapper bound in. Includes cartoons by J.-L. Forain Caran d'Ache Henri Pille Willette Godefroy Guillaume and F. Fau. hardcover
183116982AB1831. No. 27 - 52 in 1 volume. Paris Aubert 1831. 33 : 26 cm Pages 208 to 414. Cloth. La Caricature was a satirical weekly published in Paris between 1830 and 1843 during the July Monarchy. 251 issues appeared between 1830 and 1835. The journal was increasingly vocal in its oppossition to Louis-Philippe and was seized more than twelve times. The publisher was prosecuted and Phillipon was jailed for a year. - WITHOUT THE PLATES!! hardcover
1871260BB1871. Paris Blot Edouard 1871 50 : 32 cm. Lithographie avec texte typographique. "dessin par Louis Gabillaud 26 février 1871 présente les membres du Gouvernement de la defense entassés dans une charrette que Jules Favre . 'Ils étaient tellement honnêtes / Qu'ils traitaient les autr's de filous / Oui de filous / Bref ils fabriquèr'nt des boulettes / A rendr' les pâtissiers jaloux Oui jaloux / Mais l' jour de la dégringolade / D'vait arriver pas assez tôt; Assez tôt / Paris d' une bonne ruade / Vient d' les envoyer à Chaillot / Tous à Chaillot / V'la nos vaillants défenseurs. unknown
190000039DISPLAY AD MEASURING 15" BY 12" for R. Faerch's Tobaksfabrik Holstebro ca. 1900. This black & White advertisement for this Danish Chewing Tobacco Company depicts a donkey pulling a cart with 2 Africans one of which is holding a long stick dangling a pack of chewing tobacco in front of the donkey. A typical but highly stylized and quite good bit of the racist art of the times. RARE. R. Faerch's Tobaksfabrik 1900 unknown
181619894AB1816. Second edition. London Martin 1816. 215 : 135 cm. Title Dedication 188 pages 15 hand-coloured aquatint platesdrawn and etched by Rowlandson. Full brown morocco on 5 raised bands spine with gilt floral decoration two title-labesl boards with gilt filets inside dentelles top edge gilt marbled end-papers signed Root and Son 'Humorous narrative of the experiences of an officer in the Peninsula War illustrated by the pre-eminent cartoonist Thomas Rowlandson'. - "To the Subalterns of the British Army. Gentlemen I shall I trust be acquitted of any servile view when in dedicating this humble Essay to the Subalterns of the British Army I adopt the only means in my powers of shewing how much I honour and admire them. I have the honour to be Gentlemen With the greatest respect Your most obedient Servant The Author." Dedication. - With Exlibris Almeric Hugh Paget 1st Baron Queenborough - Almeric Hugh Paget 1st Baron Queenborough GBE 14 March 1861 22 September 1949 was a British industrialist and Conservative Party politician. He was a founder of the Military Massage Service and the Cambridgeshire Battalion of The Suffolk Regiment and treasurer of the League of Nations Union. And Exlibris of C. Robert Bignold. - Ocassionally some minor stains otherwise a fine copy of this curious work on the Napoleon wars in Spain. hardcover
183520141AB1835. 17th off 19th parts in 9 Volumes. London Tilt 1835-1841 Tilt and Bogue 1842-1843 Bogue 1844-1853. 1835 - 1853. 165 : 11 cm. With 3 off 5 2 handcoloured many-folded frontispiece and 172 off 195 etched platges by George Cruikshank wood-engraved text illustrations. Full brown polished calf on five raised bands spine decorativly richly gilt ornamented two back labels gilt ruled board edges inside dentelles marbeld end-papers signed Rivierre & Son. First edition of an almost complete set in a stunning signed binding. - George Cruikshank's Comic Almanack was the most important of a number of comic almanacks of the late Regency period which parodied and subverted the popular almanack genre to poke fun at their educational aspirations and at society at large. The almanac is illustrated throughout with caricatures by Cruikshank with his usual satirical flair and comic wit on full display. - Without volume 1850/1851 volume 1848/49 as often smaller all uniformely bound in same sicze. - Besides the missing volume still a desireable set in a beautiful binding in almost perfect condition. - MORAL: Wile we venerate what is deserving of veneration let us not forgetm that quacjery knavery bigotry and superstition always merit exposure and castigation. hardcover
18101824<p>CARICATURE BOBBIN Timothy aka John Collier 1708-1786: THE PASSIONS Humourishly Delineated containing 25 plates with his portrait title-page and poetical descriptions. London: J Hayes for Edward Orme 1810 several plates watermarked 1825. With 26 hand-colored plates uncolored portrait of Tim Bobbin. Folio xxxiii plates; gilt titled leather-backed marbled boards edges lightly rubbed.</p><p>Collier was the Lancashire Hogarth and celebrated both for his illustrations and his writings. These illustrations evoke the saucy genre paintings of earlier Dutch artwork as well as Hogarth and closer contemporaries such as George Moutard Woodward. They are exceptional though in their economy of composition with little expended on extraneous background and details and in this they stand apart from Woodward Rowlandson and other contemporaries. Topics include love anger mercenary marriage unions the squandering of savings in the pursuit of a Pyrrhic court victory. Dentistry or the torture of tooth pulling is the subject of a number of the plates as is intemperate drinking. The characters depicted are rogues simpletons rakes picaresque types vulgarians the panoply of everyday English society brimming with life if not always virtue.</p> J Hayes for Edward Orme, hardcover
1818BOSTONVB20<br /><br /><b>AN INCUNABLE OF LITHOGRAPHY</b><br /><br />ISABEY Jean-Baptiste 1767-1855 -- Caricatures de J.J. Paris: Chez l'auteur et chez Alphonse Giroux 1818. Album in oblong folio 250 x 335 mm. 19th century green textured cloth and calf spine handsomely titled in gilt. FIRST EDITION. Complete set of 12 lithographed plates the first signed in autograph by Isabey in the l.r. corner othesr signed in plate by Charles Etienne Pierre Motte the French lithographer and printer. Some plates with some foxing but delicately and attractively printed. An incunable of lithography. "Cette suite de caricatures est interessante pour les modes de l'epoque" Colas . An important and rare set with several libertine subjects as plates. Colas 1519; Bibliotheque Esmerian IV lot 62<br /><br /><b>This is one of the earliest known individual artist portfolios in the new medium of lthography </b>"Isabey a respected painter though not an academician clearly did not want to be publicly identified with caricature. The same year he published a portfolio of "serious" lithographic drawings that displayed his full name.A parallel could be drawn to the literary history of the novel which despite its success with the public was not considered a respectable art form; early novelists too often concealed their identity. " Ref: Mainardi P .Another World: Nineteenth-Century Illustrated Print Culture p. 46<br /><br />