134 résultats
189061004Paris: E. Dentu Editeur Libraire de la Societe des Gens de Letteres 1890. Four Vols. Folio. 9.75 x 13 in. xxxi 1 666 2; 4 618 2; 4 670 2; 8 pp unpaginated. with 82 engravings on 70 plates many double-page. Extra-illustrated title page frontispiece in vol. I 100’s of text woodcut-engravings tables diagrams charts decorated head- and tail-pieces decorated initials. Uniformly bound in elaborately decorated gray-lilac-coloured cloth embossed decorative borders in burgundy-colour gilt lettering front covers & spines t.e.g. minor edgewear inner hinges starting in a few places due to weight of the textblock minor wear and slight bumping to corners darkening and more wear to Atlas volume still a VG set. First edition of this nicely printed and weighty set chronicling the fourth great Paris World’s Fair an extraordinary Exposition which refashioned Paris and celebrated the Centennial of the French Revolution and the storming of the Bastille. The Exposition was intended to pull France out of a ruinous recession and attracted over 61000 exhibitors as well as 32 million visitors many of whom came to view the iconic Eiffel Tower and even a profit of 8000000 francs. This lavish production details the development and history of the Exposition the construction of the Eiffel Tower as well as the development of the sites along the Seine. The companion album includes 82 woodcut-engraved images executed by such artists as Baude Baulenaz and Hauger many of them from original photographs shot by Messiers J. Levy et Cie. Levy had also shot photographs for the 1867 Paris L’Exposition Universelle and his photos captured many views of the exhibition grounds and buildings and focused on many in the Javanese Tonkin and Streets of Cairo attractions. E. Dentu, Editeur, Libraire de la Societe des Gens de Letteres, hardcover
1867List01217Boston Paris: J.P. Whitney 1867. First Edition Thus. . 8vo publisher’s green cloth 107 pp. Some tearing and fraying to boards particularly at head of spine text block excellent very good minus overall. Very Good. The scarce Paris Universal Exposition edition of J.P. Whitney’s early title on the silver mines of Colorado. Whitney a wealthy sportsman from Boston with investments in Colorado traveled as the sole commissioner from Colorado to the Paris Universal Exposition in an effort to entice foreign investment in the mining industry which was suffering from a poor reputation as the costs of extraction grew higher. Whitney had published this title in pamphlet form a year earlier. Whitney shipped his own collection of Colorado minerals to France where it was the most extensive of any of the North American regions to be displayed receiving a gold medal from Napoleon III. A new title on Colorado minerals Colorado in the United States of America: Schedule of Ores Contributed by Sundry Persons to the Paris Universal Exposition of 1867 With Some Information about the Region and its Resources. Whitney also brought with him copies of his pamphlet in a special hardcover edition which we offer here. This is the second example we find on the market. Whitney would gain great popularity in Colorado for his efforts which did much to improve its standing. J.P. Whitney unknown
189360192Chicago IL: C.D. Arnold World’s Columbian Exposition Department of Photography 1893. Oblong 4to. Seventeen albumen photographs mounted sized from 7 x 8 up to 7 x 8.5 in. on 9.5 x 8 in. printed studio board photographer’s imprint w/in negative of image and lower corners of board titles imprinted at lower blank board of each image Columbian Exposition medal stamped on versos minor edgewear slight rubbing very minor over-exposure on a few images still a VG bright set of original images. A group of very scarce mounted souvenir albumen photographs shot at the World’s Columbian Exposition in 1893 when patrons carrying small Kodak cameras were required to pay $ 2.00 license fee to bring a camera onto the grounds and no cameras or tripods able to shoot larger than 4 x 5 in. images were allowed. Most visitors bought the printed photo album versions wealthier ones would buy entire souvenir photo albums filled with Arnold images and yet others could buy them as individual mounted shots depicting their favorite or preferred venues. The 1893 Chicago World’s Fair ran almost six months featured grounds and gardens laid out by Fredrick Olmsted covering 630 acres and a Midway skyline dominated by the 250-foot Ferris wheel designed by George Ferris which could carry 2160 patrons when fully loaded. The “On the Midway†photo shows the Ferris wheel still under construction which much of the structure still clad in scaffolding. Others depict throngs of visitors individual exhibits and some Buildings just newly finished such as the U.S. Government Building featuring scaffolding off to the side for future installation to be completed. Arnold 1844-1927 was prior to the Fair an obscure Buffalo NY photographer who had been initially contracted to photograph the construction of the 1893 World’s Fair but proved to be an excellent architectural photographer so so became the Chief of the Fair’s Dept. of Photography. See; Thomas Yanul Charles Dudley Arnold Photographer 1844-1927 Official Photographer Chicago Columbian & Pan-American Expositions 2001. C.D. Arnold, [World’s Columbian Exposition, Department of Photography], unknown
1854BB120<b>CRYSTAL PALACE</b> <i>aka GREAT EXHIBITION</i> <b>Descriptions of the Egyptian Court</b> erected in the Crystal Palace by Owen Jones and Joseph Bonomi with an historical notice of the monuments of Egypt by Samuel Sharpe 71pp <b>The Greek Court</b>. 113pp <b>An Apology for the Colouring of the Greek Court</b> 56pp <b>The Roman Court</b> ii 86pp <b>The Alhambra Court</b> 119pp <b>The Nineveh Court</b> 80pp <b>The Byzantine and Romanesque Court</b> 116pp <b>The Mediæval Court</b> 123pp <b>The Renaissance Court</b> 108pp <b>The Italian Court</b> 91pp <b>The Pompeian Court</b> 73pp <b>Guide to the Crystal Palace and Park</b> by Samuel Phillips 193pp. London: Bradbury & Evans 1854 the last volume 1856. TWELVE volumes bound as three each of the dozen titles with a colored pictorial printed front wrapper folding frontispiece and profusely illustrated including additional folding plates. 8vo 3/4 leather scuffed marbled boards exterior worn internally near-fine. <br />Individually issued as part of the Crystal Palace Library series rarely does one find such a large collection of these small titles bound together detailing the specific contents of each division. The Crystal Palace was a cast iron and plate glass structure originally built in Hyde Park London to house the Great Exhibition of 1851. After the exhibition the Palace was relocated to an area of South London known as Penge Place which had been excised from Penge Common. It was rebuilt at the top of Penge Peak next to Sydenham Hill an affluent suburb of large villas. It stood there from June 1854 until its destruction by fire in November 1936. The nearby residential area was renamed Crystal Palace after the landmark. The park still contains Benjamin Waterhouse Hawkins's Crystal Palace Dinosaurs which date back to 1854. Bradbury & Evans hardcover
190038679Paris France: Imprimeries Lemercier Et Cie. / Ludovic Baschet Editeur. As New. 1900. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE - Lists the 672 paintings and 420 sculptures included in the exposition. 193 black and white plates. Among the artists represented in the exposition: T. A. Ribot Gericault Lhermitte Millet Bonvin Courbet Corot and Bastien-Lepage. Rare. -- with a bonus offer-- . Imprimeries Lemercier Et Cie. / Ludovic Baschet, Editeur hardcover
1852166563London: Printed for the Royal Commission William Clowes & Sons 1852. An exhibitor's copy Presentation edition with a copy presented to every exhibitor at the Great Exhibition of 1851; trade editions were also produced. The book is a key contemporary document for the Exhibition giving the jury awards and details of the 30 categories of exhibit and was selected in Printing and the Mind of Man as the representative book for the Exhibition. Quarto. With 3 chromolithograph plates. Original red cloth spine and front cover lettered in gilt spine and covers decorated with a wreath design in gilt and blind yellow endpapers gilt edges. Preserved in a custom slipcase. Bookplate to front pastedown. Expertly recased spine ends and corners a little rubbed; a very good copy. Printing and the Mind of Man 331. hardcover
183189CDS100LSGIAmsterdam 1831. 8vo. Christiaan Andersen Spin Slightly later neoclassical gold- and richly blind-tooled long-grained red morocco gilt edges. With a lithographed frontispiece. 2 76 8 pp. Very rare and remarkable catalogue of artworks exhibited in Amsterdam to raise funds for the Dutch army. It lists 1985 artworks not only paintings but all kinds of crafts: miniatures drawings engravings lithographs glass painting etc. All works were to be sold in a lottery to raise funds for the 10-day Campaign Tiendaagse veldtocht on 2-12 August 1831 by King Willem I in order to suppress the Belgian uprising. The catalogue includes a lithographed allegorical frontispiece depicting the nation in the form of a bust of King Willem I supported by art. This was designed by court artist Nicolaas Pieneman 1809-1860 and is accompanied by a poem by Jan de Breet. The present copy is the second expanded and final edition published shortly after the first. It lists all the artworks including the later additions. The first edition lists only 1706 items while the present second edition lists 1985. The frontispiece was slightly revised for the 2nd edition. The catalogue is very rare the Dutch union catalogue NCC lists only 1 copy Rijksmuseum 2nd ed. WorldCat also records a copy in the Frick collection. The RKD has a copy of each edition.Minor rubbing on the extremities otherwise in very good condition.l NCC 1 copy; RKD 283621; WorldCat 2 copies. ABE CAT Art History unknown
1894008457San Francisco: H. S. Crocker 1894 Book. Fine. Hardcover. MIDWINTER FAIR. Oblong quarto. 10x13 inches. Three parts bound together. Illustrated with 8 full-page lithographed color plates by Dickman-Jones Co. of San Francisco plus the full set of 24 full-page lithographed color plates by H. S. Crocker Co. plus over 213 full-page black & white photographs with extensive descriptive text including 13 of 14 double-page panoramas. Publisher's binding of three-quarter brown morocco darker cloth sides gilt lettering and pictorial element on cloth cover gilt-lettered spine. Outer hinges and spine ends rubbed 3 corners show light wear. A fine clean copy. First edition. With the bookplate of Thomas Wayne Norris and included in the famous Norris Catalogue. An incredibly scarce tile with the full complement of 24 full-page color lithographs Series I & II of scenes and buildings at the Midwinter Fair also issued by H. S. Crocker Co. and the addition of the souvenir grouping Glimpses of the Midwinter Fair issued by Dickman-Jones Co. to their customers with 8 full-page color lithographs of the Fair bound in with its original wrappers. Sunset City and Sunset Scenes is usually found only with the Taber black & white reproductions. We have never had a copy bound with the full series of color lithographs although over the years we've seen a few odd plates. The large number of black and white photographic reproductions include a number of views of the buildings and grounds of the Midwinter Fair held in Golden Gate Park; they are interspersed with select views of the natural wonders of the State. Nearly all the photographs are by Isaiah W. Taber official photographer of the Fair. The text for the non-Fair images was written by J. M. Hutchings; the twenty-four lithographs issued by Crocker were drawn by the famous western artist H. W. Hansen. Norris Norris Catalogue this copy: 3493; Rocq Glimpses of the Midwinter Fair: 11355; Rocq Sunset City: 11359; no Auction Records that include the color plates. . H. S. Crocker hardcover
1851151696London: Spicer Brothers 1851. With a floor plan of the Great Exhibition First edition of this guide to the Great Exhibition of 1851. This work includes a list of some of the displayed objects and a floor plan of the 100000 exhibits. The exhibition was visited by Charles Darwin Charles Dickens and Karl Marx. Hunt's handbook offered the attendants information on the 8 miles of exhibits from over 25 countries. His work intended to teach the reader about the Victorian material science chemistry engineering and design featured in the exhibition. Hunt enlisted the help of several professionals such as William Brough who wrote about the printing presses and Professor Edward Forbes who wrote on the uses of flax and display of wines and spices on show. "From folding pianos and controversial semi-nude Greek statues to the largest diamond in the world The Great Exhibition of 1851 was unlike anything that had been seen before. It was a triumphant celebration of the most extraordinary achievements of the Victorian age from industry culture and engineering - gathered from all four corners of the world. 'Every conceivable invention!' as Queen Victoria wrote in her private diary"Royal Parks. Robert Hunt 1807-1887 was a chemist and photographer. He worked as a professor of mechanical science for the Royal School of Mines. In 1858 Hunt and the Royal Cornwall Polytechnic Society founded the Miners Association. 2 vols octavo. Folding frontispiece floorplan in Vol I. advertisement leaf bound before frontispiece in Vol. I. Original blue cloth spines lettered in gilt and ruled in blind covers decoratively panelled in blind front covers with vignette of Crystal Palace in gilt pale yellow coated endpapers edges speckled brown binder's ticket of Westleys & Co. on rear pastedown. Soiling and abrasions to cloth spine ends and tips bumped a couple of gatherings proud gutter starting in several places in Vol I. A good copy. "The Great Exhibition of 1851 in Hyde Park" Royal Parks. hardcover
