506 résultats
190563010Portland OR: n.p. 1905. Oblong 12mo. 7.25 x 5.25 in. 40 leaves unnumbered. on thick black paper stock. With 25 silver gelatin photos on Velvet Velox Kodak paper mounted w/ silver corners sized 3.25 x 5 in. 1st leaf w/ reverse duplicate on verso. Padded black ribbed cloth album faint lettering stamped on front cover minor edgewear rubbing some minor bumping to corners slight curling to photos still a VG exemplar from the library of A. Rodney Eckerson 1930-2024 former purchasing agent for the Port of Portland. This souvenir photo album features 25 original photographs documenting two couple’s 1905 visit to the Lewis & Clark Centennial Exposition which marked the anniversary of the famed exploration across the North American continent after the Louisiana Purchase. The album opens with two photographs of the Forestry Building composed entirely of giant Douglas Fir logs; while the following photos capture the giant lagoon constructed from Guild’s Lake the Foreign Exhibits Building Agriculture and Horticulture Palace the U.S. Government Building at the end of the Bridge of Nations and Frederic Remington’s sculpture “Coming through the Rye†later renamed “Off the Trail†of four wild cowboys coming into town. Of special interest is one woman standing at the base of one of the several Native Alaskan totem poles on the shore of Guild’s Lake during the Exposition and later moved to Sitka National Historical Park in Sitka Alaska. Vernacular photo albums composed by amateur photographers during the run of the Exposition are quite uncommon and most fairgoers relied on Robert Reid Shogren and the Kiser Bros. for their souvenir images. n.p., hardcover
190459618Portland: Wonderland Souvenir Company F.H. Kiser 425 Abington Building June 1904. Oblong 4to. 12.5 x 9.5 in. 160 unpaginated pp. Photo-illustrated title page photo-illustrated throughout each with facing page of explanatory text. Original embossed dark-blue-green cloth white lettering on front cover very minor shelfwear slight rubbing minor bumping to couple corners a VG bright copy. First edition of this very scarce photographic souvenir intending to promote the Pacific Northwest for the Lewis & Clark Centennial Exposition marking the anniversary of the famed exploration across the North American continent after the Louisiana Purchase. The Kiser Brothers have included an excellent photographic tour from Mt. Shasta on the south to Mt. Baker on the north encompassing a number of images of the Columbia River Gorge. Also present are images of salmon fishing salmon cannery Northwest Coast Native Americans the Portland Hotel Seattle Waterfront Tacoma and shipping as well as views of the Dalles City sternwheeler sailing through the Cascade Locks Mount Rainier and more. Fred H. Kiser was an accomplished mountaineer and promoter who was one of the most successful and widely known landscape and commercial photographers in the American West during the opening decades of the 20th century. He and his brother Oscar operated the Lewis & Clark Official Photographic Company at the Exposition which gave them their start and he became well known for his images of National Parks and the picturesque Columbia River Gorge. Wonderland Souvenir Company, F.H. Kiser, 425 Abington Building, hardcover
192532877Paris: Vaugirard 1925. First edition. Original wrappers 480 pages plus unnumbered advertisements folding plates. Small chip at the top of the spine else fine. Vaugirard unknown
19292092902144000467Not Available 1929. Soft Cover. Fine. Number of books: 1 Not Available paperback
19662091202133106302Japan World Exposition Association 1966. Soft Cover. Fine. Volume: 1 Japan World Exposition Association paperback
192160991San Francisco CA New York & London: Published for The Panama-Pacific International Exposition Co. by G.P. Putnam’s 1921. Tall thick 8vo. 8.5 x 10.8 in. xvii 1 387 1; x 416; xi 1 410; xi 1 397 1; vii 1 266 170 pp. With 1 large folding colour panoramic view of the PPIE 60 colour plates 539 photo plates & illustrations. Uniformly bound in brick-red cloth lozenge gilt illustration front cover by Perham Wilhelm Nahl 1869-1935 of the famed “Thirteenth Labor of Hercules†forcing the giant cliffs apart gilt lettering on spines t.e.g. minor shelfwear occasional light foxing & toning still a VG bright set from the library of Prof. Marvin Nathan. First edition of this expansive and lavishly illustrated report on the very successful 1915 Panama-Pacific International Exposition in San Francisco CA which managed to attract not only 19 million visitors some of them on weekly or monthly basis but also squeak out a profit of $ 1 million or approx. $ 35 million in 2024 dollars just a rounding error for one of the Bay Area tech giants. Along with extensive details on the organizing construction operations and advertising for the Fair the author has included extended sections on examining the role of Women and the Women’s conferences and building at the PPIE as well as the impact of significant breakthroughs in treating infectious diseases such as Yellow Fever and the Plague and their importance to San Francisco as well. Published for The Panama-Pacific International Exposition Co., by G.P. Putnam’s, hardcover
190462227St. Louis MO: n.p. 1904. Oblong 4to. 10.25 x 7 in. 24 pp unpaginated. on thick black paper stock 27 mounted silver gelatin photographs nearly all sized 3.25 x 5.5 in. annotated below or alongside in white ink manuscript. Contemporary self-printed black paper covers white lettering printed on front cover title in white ink manuscript punch-sewn at spine w/ red silk braid minor edgewear slight bumping to 1 corner minor over-exposure to some of the images still a VG exemplar. An original vernacular souvenir photo album created by an unknown amateur photographer documenting their tour of the famed 1904 St. Louis World Louisiana Exposition World’s Fair using their own camera -- typically after paying an entrance fee as inaugurated at the 1893 Columbia Exposition over 10 years before. The album opens with views of the Palace of Liberal Arts Festival Hall and the fountains Terrace of the States Electricity Palace Education and more. Along with many of the general public fair-goers these photographs reflect a fascination with the ethnological “Human Zoo†exhibits at the Exposition including the Igarrote-Filipino Village with one young child striding in the fore-ground the Philippine Restaurant and view of the Village with huts temple and walled city. Also featured are a few of the Japanese tea garden and pavilion and the Chinese temple exterior and interior. The photographer also captured the Life-Saver’s Exhibit by the Lifesaving Service; the Jefferson City Guards marching in front of the Austria & Sweden Buildings as well as the entrance to “the Pike†with visits to the Japanese Roof Garden Restaurant Beer Garden and German Coffee House. [n.p.], unknown
1908223677Bruxelles : G. van Oest 1908. First Edition. Hardback. Provenance; Newhouse galleries with their bookplate. Good to very good copy in the original gilt-blocked leather-backed pictorial cloth boards. Spine bands and panel edges somewhat rubbed and toned as with age. Remains quite well-preserved overall; tight bright clean and strong.; 8vo 8"" - 9"" tall; 272 pages; Limited edition; number 470 of only 500 copies. Physical description; xvi 272 p. 103 leaves of plates : ill. ; 37 cm. Notes; Many of the plates are accompanied by guard sheets with descriptive letterpress. Includes bibliography. Subjects; Order of the Golden Fleece. Art & Painting - Belgium - Flanders - Bruges - Exhibitions. Bruxelles : G. van Oest hardcover
1925elala680Paris: Éditions DArt Ch. Moreau 1925. 1925. folio. ff. 3. 48 plates. loose sheets as issued in quarter cloth bd. portfolio with ties. some wear to portfolio paste-downs stained library blindstamp on title. Including lighting designs by Edgar Brandt Genet & Michon Sue & Mare Raymond Subes René Lalique &c. A second series with 50 plates was also published. Hardcover. Paris: Éditions DArt Ch. Moreau, 1925. Hardcover
1957118337Calgary: Calgary Exhibition & Stampede Board. 1957. Poster. very good. Original un-mounted poster 41 1/4" X 13" with black metal hanger at top. Shrinkwrapped on foamcore. This historic poster is in very good condition. 1957 Calgary Exhibition & Stampede Board. unknown
19852080302106808520Not Available 1985. Soft Cover. Fine. The book is in fine condition. Not Available paperback
19082080502106905024Not Available 1908. Soft Cover. Fine. The book is in fine condition. Not Available paperback
19702091202133106327Japan World Exposition Association 1970. Soft Cover. Fine. Volume: 1 Japan World Exposition Association paperback
19321603<p>Cover title : "Les Artistes Musicalistes se Présentent" Approximately 40 pp. 1 glossy plate in color ; illus. in black and white with texts in French including manifestos and lists of works by member artists. Oblong 8vo. Very good. Saddle stapled silver foil wrappers printed in red surfaces a bit rubbed and oxidized but surprisingly bright. 1603</p><p><em>Catalog for the December 1932 - January 1933 presentation at Galerie de la Renaissance in Paris including works by Maurice Barret Gustave Bourgogne Jean Carlu Da Silva Bruhns Arne Hosek Henri Valensi and others. The book is striking production with dynamic typography and page designs throughout including an attractive application of Cassandre's "Le Bifur" on the reflective metallic covers. According to our own rough translation the group's manifesto ""It is clear to everyone that the key characters of the beginning of this century are: the applications of science and generalized dynamism which bring into their orbit : rhythm harmony synthesis etc. etc. However the art offering the most dynamism rhythm harmony science synthesis. is Music. For this we realize here that from the aesthetic point of view the musical spirit predominates. Thus we demand "Art must be musicalized". In reality this influence of Music has already developed but unconsciously in all the arts among all artists who can say they are 'sensitive and creative' and simultaneously in several countries." Scarce</em></p> [Impr. de Vaugirard]
19172092902141000926Not Available 1917. Soft Cover. Fine. Size: B5 Not Available paperback
190163092Buffalo NY & Chicago IL: Mackson; Lyman 1901. Archive of 46 original albumen photographs sized from 3 x 6 in. up to 4 x 6 in. all of the images smaller than 4 x 5 in. on albumen paper stock many w/ embossed photographer’s stamps several w/ photographer’s imprint w/in negative some w/ small rubber stamp at lower fore-edge of verso as well as pencil manuscript annotations identifying subject inventory nos. w/ in negatives of several a few w/ evidence of having been previously mounted a couple w/very slight dog-eared corners 1 w/ closed tear at lower fore-edge a couple w/ image evidencing poor process chemicals still an exceptional group of images. This set of photographs was created by two different Illinois & Missouri photographers at the 1901 Pan-American Exposition in Buffalo NY -- both of whom had lived and worked in Chicago at the beginning of the 1890’s offering reasonably priced “unofficial†vernacular images of the 1893 Columbian Exposition World’s Fair followed by the Pan-American World’s Fair. The fair featured a range of acts and attractions featured at the Exposition which included Bostock’s Trained Wild Animals “A Trip to the Moon†“Cleopatra’s Temple†Henry Roltair’s illusionist show “House upside down†and the Battle of Missionary Ridge Cyclorama. Many of the Exposition buildings including the prominent Electric Tower were covered in approximately 2 million 100 watt incandescent light bulbs producing an incredible display when turned on each night attracting millions of people who visited. This Exposition marked a defining moment in Buffalo history with the city becoming the focus of international architectural artistic technological and industrial attention at the Fair. It is sadly largely remembered as the scene of the tragic assassination of President McKinley. Vernacular souvenir photos are quite scarce and these have an unusual sharpness in light of the fact that like the 1893 Columbian all were prevented from bringing in tripods to shoot the Exposition. One of the photographs captures African natives from the Midway’s “African Village†which incorporated Africans from the colonial empires of Great Britain Belgium Germany & France along with participants from Georgia who were “staged†in the “Old Plantation†representing the enslavement of African-Americans in North America. Another Black History exhibit included was the “Negro Exhibit†previously exhibited at the 1900 L’Exposition Universelle in Paris depicting the accomplishments of formerly enslaved people and languished at the far back of the Manufacturers and Liberal Arts Building. Samuel Lyman 1854-1939 was an intrepid tinkerer junk dealer and photographer who shot souvenir photos for his customers during the Columbian Exposition in 1893. Two of his sons Joseph Lyman 1887-1953 and Harry Lyman 1883-1940 became successful photographers in Kansas City MO during the Roaring 20’s. Mackson fl. 1885-1910 immigrated from Russia into Chicago in the 1880’s and operated a small photo studio there until about 1900 before relocating to Kansas City and St. Louis MO during the opening decade of the 20th Century operating photography studios in both cities. See: The Midway Buffalo New York Uncrowned Community Builders 2025. Mackson; Lyman, unknown
1926181547China: The Commercial Press c.1926. The Chinese typewriter comes to America A rare surviving example of the brochure issued by China's largest publisher and maker of scientific instruments to accompany its stand at the 1926 Philadelphia Sesqui-Centennial Exposition. Alongside print publications and cutting-edge laboratory equipment the Commercial Press displayed Shu Zhendong's newly invented Chinese typewriter a major advance in the development of modern information technology. The typewriter advertised and pictured on page 56 promises to solve "a serious problem in office administration in China. It is the miraculous achievement of the inventor that although there are 3000 characters in the font yet a typist after the practice of one or two weeks will be able to locate any character instantly." Online records show copies in the City of Philadelphia archives and six other institutions all in the US Library of Congress the Smithsonian Peabody Essex Temple Californian State University Los Angeles and University of Delaware. Octavo. Folding organization chart illustrations some colour in text; text printed within red borders. Original brown silk wrappers purple xianzhuang stitching spine ends capped with blue silk front cover blocked in gilt. Spine ends rubbed couple of faint stains to covers chart creased where sometime incorrectly refolded: near-fine. unknown
1981216885Beijing. Circa1981. A complete set of 50 black and white photographs of the trial of the Gang of Four during 1980-81. Images clearly show the judges the courtroom and the accused. In excellent condition each photograph is loosely inserted within an A5 polypropylene sleeve all contained in an archival-grade cardboard box. All images measure approximately 20.5 x 15cm. A fascinating series of photos from the trial of the Gang of Four and the remnants of Lin Biao's Central Cultural Revolution Group including images of the court physical evidence and the accused themselves - including though not limited to Jiang Qing Zhang Chunqiao Wang Hongwen and Yao Wenyuan. <br> <br>Included are photos of the accused - in clearly poorer physical health compared to their peak in 1976 - after having reputedly given emotive vitriolic and stubborn statements to the court. Though Jiang Qing and Zhang Chunqiao appear openly hostile or contemptuous to the court - both in their own unique way - Wang Hongwen Yao Wenyuan and the other defendants appear more subdued and mournful in their demeanour seemingly having resigned themselves to their fate. <br> <br>Of particular note is the inclusion of a single page of images of what appears to be the badly charred and broken corpse of Lin Biao as well as the wreckage of his ill-fated flight. These images were presumably supplied to the court by the KGB who had very controversially handled the investigation at the time of the crash despite it having taken place over and within the territory of the Mongolian People's Republic not the Soviet Union. Perhaps to further affirm the position that the corpse was indeed Lin's a forensic-like comparison is made between an image of the body's skull and his distinctive forehead and brow ridge. . unknown
19232091502135501142Peace Memorial Tokyo Exposition 1923. Soft Cover. Fine. Number of pages: 2 Size: 26cm Number of books: 2 Peace Memorial Tokyo Exposition paperback
19402082702114906915Nankoku Tosa Grand Exposition 1940. Soft Cover. Fine. Number of pages: 687 pages illustration table size: 22cm Nankoku Tosa Grand Exposition paperback
1914COL25-09<p><strong><em>Silver prints 7 and glass negatives 10</em></strong> <strong><em>Each about 6 x 8 inches</em></strong><br /><strong><em>Photos with Brown Brothers credit stamp verso</em></strong>. A rare and surreal suite of photographs and glass negatives documenting the objects shown at the "Exposition of Bad Taste" a 1914 satirical display of by-gone decorative sensibilities. It was given the humorous subtitle the "Casket of Domestic Fine Arts Comprising Articles of Home Adornment Chosen for Their Elegant and Genteel Quality" and it was held at Ruby Ross Wood's short-lived Modernist Gallery in New York City.<br /><br />From the objects on display to the sentiment behind it the exhibition was replete with a Duchampian impishness. According to a lengthy New York Times review it offered viewers a chance to behold and ridicule "marble-topped furniture seaweed wax flowers and other treasures under glass; samplers homemade paintings ornate chinaware of every description and countless articles such as were considered extremely genteel in the old days." Also on display was a set of coffee cups for the whole family labeled in gilt letters "Grandpa" "Father" Wife" and" Uncle."" Everywhere hung carefully worked mottos of the type of 'God Bless Our Home' 'No Cross No Crown' etc."<br /><br />Most of the visitors were of the opinion that the exhibits were "screamingly funny" but other older patrons were apoplectic that such cherished objects of the home were the subject of abject skewering. The Exposition of Bad Taste culminated with prizes awarded to the show's "worst horrors." One of top contenders was a daguerreotype from Brooklyn but it was taken out of the competition on account of the profound family associations connected with it.<br /><br />The Times review concludes by writing that those aged-attendees "who were shocked by this mockery of the sampler that sister Letitia worked with her own hands or the horsehair sofa on which Uncle Hiram breathed his last" vented their spleen on the perpetrators of the exhibition. And like an old soothsayer in a Greek tragedy they warned the smirking youngsters that "in the days that were to come the work of the Modernists would itself be made the subject of a similar 'Casket of the Domestic Arts.''<br /><br />The Exhibition of Bad Taste was organized by Ruby Ross Wood one of the 20th-century's eminent arbiters of the opposite. Wood a New York City interior designer and journalist was once dubbed by her protege Billy Badwin as "Quite simply the finest decorator who ever lived." Under the name Ruby Ross Goodnow she wrote fiction poetry and articles about interior design for "The Delineator" a popular women's magazine. She was also the ghostwriter for Elsie de Wolfe's decorating manual "The House in Good Taste" and other publications. After a stint at Wanamakers she opened her own design firm in the 1920s and found long-term success.<br /><br />The Modernist Gallery however did not share the same fate. Its offerings of Weiner Wertkstätte and the like were simply too cutting edge for "Grandpa" or "Wife" and Wood closed its doors later that year.</p>
199032366Osaka Japan: International Garden & Greenery Exposition. New. 1990. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 188 pages; text in Japanese with some English translations. 189 works catalogued and pictured. Among the painters represented: Richet Pelouse Damoye Coignet and many others. Several of the photographers whose works are included are: Kunie Sugiura Adolphe Braun Oliver Wasow & others. -- with a bonus offer-- . International Garden & Greenery Exposition paperback
196158500Smithsonian Institution Traveling Exhibition Service. As New. 1961. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 28 pp. With 20 ills. 26 x 18 cm. -- with a bonus offer-- . Smithsonian Institution Traveling Exhibition Service paperback
199228378New York New York U.S.A.: Universe Pub. New. 1992. Paperback. 0876636237 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Fine -- with a bonus offer-- . Universe Pub paperback
198460569Smithsonian Institution Traveling Exhibition Service. As New. 1984. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in English. 44 pp. With 42 ills. 22 x 25 cm. -- with a bonus offer-- . Smithsonian Institution Traveling Exhibition Service paperback