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Mustafa al-Hajj Beyzade, or BEKZADEBiblio.com

Bayan Sabab Jam' Athar Asar. Menasik-i hac

DICKENS, CHARLES FIRST OR EARLY AMERICAN PRINTINGS OF THREE WORKSBiblio.com

OLIVER TWIST THE LIFE AND ADVENTURES OF NICHOLAS NICKLEBY and AMERICAN NOTES FOR GENERAL CIRCULATION

1839ST16660aPhiladelphia: Lea & Blanchard; New York: Harper & Brothers 1839-42. Various Editions as described below. 16 pp. ads 2 leaves 13-212 pp. 8 leaves inserted ads; viii 13-403 1 pp.; 92 pp. 2 leaves ads. Three separately published works. Oliver Twist in publisher's purple-brown cloth smooth spine with gilt title and depiction of Oliver; "Nicholas Nickleby" in original tan paper boards backed with dark brown buckram smooth spine with paper label; "American Notes" in original brown paper wrappers printed in black in modern green buckram chemise and slipcase red morocco label. Oliver Twist with 24 plates by Cruikshank; "Nicholas Nickleby" with two plates by Phiz Hablot Knight Browne. Oliver Twist with the ex libris of W. Miller/ Dickensiana to the front pastedown additionally with the pencilled ownership inscription "J. B. Finlay Esq. Woodlea Saratoga Springs New York 1864" and an additional ink ownership inscription "Beekman Finlay" to the front flyleaf. "Nicholas Nickleby" with illegible early ink inscription to the front flyleaf. "American Notes" with the early ink ownership inscription of Marshall Whittemore and the pencilled inscription of M. A. Lebbette to the title. Oliver Twist: Wilkins p. 15; Podeschi A31. "Nicholas Nickelby": Podeschi A43; Wilkins p. 17. "American Notes": Podeschi A67; Wilkins p. 24. Bindings rather sunned; "Notes" with the wrappers a bit chipped and soiled "Notes" also rather foxed internally because of poor paper quality though the other two works generally quite clean scattered light stains plates with overall mild toning other trivial defects but all still perfectly acceptable in their solid unrestored original bindings. This is a pleasing group of three early American Dickens printings all in their original publisher's bindings and well preserved when considering the poor state of bookmaking in the United States at the time. Of "Oliver" one of the author's most famous works Day says "the novel's lasting achievement is the symbolic power of the dark underwolrd of the poor. The pitiful figure of Oliver holding out his little bowl and asking for more is an ineradicable symbol of all the needy children in the world pleading for sustenance. In such universalizing lies the magic of Dickens." The work first appeared in America in two volumes published by Lea & Blanchard previously Carey Lea and Blanchard in 1838-39. Our single volume edition followed shortly in 1839 initially in a state containing only two frontispiece etchings and shortly after with the full 24 as here. This copy which retains the original ads before and after the text is from the library of an important Dickens scholar: William Miller was a founding member of the Dickens Fellowship and helped create their journal "Dickensiana." He published a Dickens bibliography "The Dickens Student and Collector" in 1946 and had a large collection of Dickens' works and related ephemera particularly focusing on musical adaptations of Dickens' works. Our copy also belonged to John Beekman Finlay 1810-69 an early president of the First National Bank of Saratoga Springs and a justice of the peace. "Nicholas Nickleby" written during the same period as "Oliver" follows the eponymous character's attempts to get by and to protect his virtuous sister Kate from poverty suitors with evil motives and the pair's cartoonishly cruel uncle Ralph. Day writes that while the plot is "rather hopeless" in this novel "Dickens creates some of the most extraordinary scenes in English literature" with deliciously comic and highly theatrical juxtapositions of character and scene. Originally released in 20 parts by Lea & Blanchard from 1838-39 the present version is the first complete edition released in the United States. Apparently two concurrent states were released one with all 39 of the Phiz illustrations and the second as in our copy with two frontispiece illustrations only. The third work here is probably the most unfavorably received of all of Dickens' books particularly in the States. "Notes" reflects the hearty dislike the author developed for America during his tour there in the winter and spring of 1842. He was disgusted with the Americans' rough-hewn lack of sophistication and especially with the toleration of slavery and the book clearly shows his antipathy. Ours was one of three editions released in November of 1842; there is some disagreement about which of these is truly the first American edition but they all were issued within a few days of each other. Lea & Blanchard; New York: Harper & Brothers unknown

Phillip J. Pirages Fine Books and Medieval Manuscripts · États-Unis2 028,00 $US≈ 1 715,89 €

(BINDINGS - TREE OR POLISHED CALF)Biblio.com

BIOGRAPHIES MEMOIRS AND LETTERS OF SIX DISTINGUISHED BRITONS

1836ST14728eLondon 1836-50. Various editions. 224 x 137 mm. 8 3/4 x 5 1/2". 16 volumes. FINE CONTEMPORARY FULL CALF MOST EITHER TREE OR POLISHED CALF see below raised bands spines intricately gilt in compartments morocco labels marbled endpapers and edges. Some works with frontispiece portraits. Front pastedowns with engraved bookplate of Edward Nicholas Hurt see below. A LOVELY COLLECTION--WITH VIRTUALLY NO SIGNS OF USE. Handsomely bound with beautifully gilt spines and just about uniform in size these volumes make an impressive appearance on the shelf. The six titles here include: 1 DE SAUMAREZ JAMES. ROSS JOHN. "MEMOIRS AND CORRESPONDENCE OF ADMIRAL LORD DE SAUMAREZ." 1838 Two volumes. Polished calf. 2 ELDON JOHN LORD CHANCELLOR. TWISS HORACE. "THE PUBLIC AND PRIVATE LIFE OF LORD CHANCELLOR ELDON." 1844 Three volumes. Polished calf. 3 HORNER FRANCIS. "MEMOIRS AND CORRESPONDENCE OF FRANCIS HORNER M. P." 1843 Two volumes. Tree calf. 4 STANHOPE PHILIP DORMER. "THE LETTERS OF PHILIP DORMER STANHOPE EARL OF CHESTERFIELD." 1845; 1853 Five volumes. Tree calf. 5 TAYLOR WILLIAM. "THE LIFE AND WRITINGS OF THE LATE WILLIAM TAYLOR OF NORWICH." 1843 Two volumes. Tree calf. 6 WARD ROBERT PLUMER. PHIPPS EDMUND. "MEMOIRS OF THE POLITICAL AND LITERARY LIFE OF ROBERT PLUMER WARD ESQ." 1850 Two volumes. Polished calf. The bookplate here is that of notable bibliophile and barrister Edward Nicholas Hurt 1795-1867 of Derbyshire and Marylebone London. He married Caroline Strutt daughter of the immensely wealthy philanthropist and social reformer Joseph Strutt 1765-1844 who was twice Mayor of Derby. As the Strutt arms are incorporated into the escutcheon of Hurt's ornate bookplate the plate can be dated to no earlier than their wedding in 1828. unknown

Phillip J. Pirages Fine Books and Medieval Manuscripts · États-Unis2 600,00 $US≈ 2 199,86 €

WILCOCKE, SAMUEL HULL; or MCGILLIVRAY, SIMON; or ELLICE, EDWARD, the Elder / [HALKETT, JOHN]Biblio.com

A Narrative of Occurrences in the Indian Countries of North America . Earl of Selkirk . Hudson's Bay Company . Colony on the Red River; WITH Statement Respecting The Earl of Selkirk's Settlement Upon the Red River . Its Destruction 1815 and 1816

181726835London: Printed by McMillan Sold By T. Egerton / John Murray Albemarle Street 1817. Book. Very Good. Hardcover. First Edition / Revised and Enlarged. Octavo. 2 Volumes bound in one: 1 A NARRATIVE OF OCCURRENCES IN THE INDIAN COUNTRIES OF NORTH AMERICA SINCE THE CONNEXION OF THE RIGHT HON. THE EARL OF SELKIRK WITH THE HUDSON'S BAY COMPANY AND HIS ATTEMPT TO ESTABLISH A COLONY ON THE RED RIVER; WITH A DETAILED ACCOUNT OF HIS LORDSHIP'S MILITARY EXPEDITION TO AND SUBSEQUENT PROCEEDINGS AT FORT WILLIAM IN UPPER CANADA. London: Printed by B. McMillan Sold by T. Egerton 1817. First Edition. Attributed to Samuel Hill Wilcocke - The Macmillan Dictionary of Canadian Biography / W. Stewart Wallace. Attributed also to Simon McGillivray or to Edward Ellice the elder - National Union Catalog pre-1956 imprints. Pp. xiv 152 iv 87 - Appendix. Volume 2 STATEMENT RESPECTING THE EARL OF SELKIRK'S SETTLEMENT UPON THE RED RIVER IN NORTH AMERICA; ITS DESTRUCTION IN 1815 AND 1816; AND THE MASSACRE OF GOVERNOR SEMPLE AND HIS PARTY. WITH OBSERVATIONS UPON A RECENT PUBLICATION ENTITLED "A Narrative of Occurrencies in the Indian Countries" &c. London: John Murray 1817. A new revised and enlarged edition with the added "Observations Upon a Recent Publication ." published the same year. Pp. viii 194 ii i - xcx - Appendix 4 - publ. adverts dated July 1817. With a frontispiece map of Part of Hudsons Bay Company's Territory. Drawn and engraved by A. Arrowsmith London 12th February 1817. Bound together in half red morocco and comb-marbled boards gilt titles direct to spine top edge gilt others deckled matching marbled endpapers with binders' ticket T.W. Taylor Winnipeg. Covers scuffed front free endpaper splitting near gutter some offsetting to text and map else very good copy. Printed by McMillan, Sold By T. Egerton / John Murray, Albemarle Street Hardcover

Contact Editions · Canada3 000,00 $US≈ 2 538,30 €

HENRY SNEVELY (or SNAVELY)Biblio.com

1802 - 1803 ORIGINAL MANUSCRIPT BOOK OF MATHEMATICS GEOMETRY TRIGONOMETRY AND MORE GEARED TOWARDS THE IRISH IMMIGRANTS NEW TO THE SOUTHEASTERN PENNSYLVANIA TOWNSHIP

18020009162BETHEL TOWNSHIP LEBANON COUNTY PENNSYLVANIA. Good. 1802. On offer is an interesting document of early 19th century education an original handwritten note book covering a myriad of subjects related to mathematics. The owner and creator of this book was a man named Henry Snevely also written as Snavely and the book dates from 1802 - 1803. It seems Snevely was born in the United States and lived his whole life in Southeastern Pennsylvania. At the time of the creation of the book Snevely was almost 50 years old an established land owner in Bethel Township Lebanon County. Why he had a book of mathematics is unknown however I have found records of a Henry Snavely who taught at a school in Bethel Township from 1797 onwards. It may be likely that this book is actual not for Henry himself but for the instruction of his students. Either way the book presents a fantastic overview of early 18th century knowledge. The book covers a very large range of topics however Math pertaining to financial matters is dominant throughout. As well there are conversions of Irish and British currency. The primary immigrants to the area at the time of the book were indeed Scotch-Irish so teaching Irish and British currency conversions wouldnt be too far off. Currency exchange in particular is a primary focus owing to the large amount of immigrants to the area. Individual page headings in the book include Exchange many pages Exchange of Arbitrations Barter Profit and Loss Fellowship Fellowship with Time Allegation Media Alternate Partial and Total Square Root Cube Root Arithmetical and Geometric Progression Compound Interest Single and Double Position Reduction Addition Subtraction Multiplication and Division of Fractions and Vulgar Fractions Rule of Three in Fractions and Questions for Exercise. There is a later manuscript memorandum on rear endpaper dated 1829 bearing the names of additional members of the Pennsylvania Snavely clan Molly George and John. The name Martin Rupp also appears in memorandum and our research confirms various Martin Rupps residing in southeastern Pennsylvania during this time. The book is in fair to good condition. The volume is bound in the original stiff paper wraps. The cover is very worn and the spine is torn and partially detached. There is mild age-toning and occasional staining but the internal pages are generally clean. The black ink is still bold and easily legible throughout. The book contains about 85 pages of manuscript entries and the book itself is approximately 90 pages. It measures 12.5 x 8 inches. Biography: Henry Snavely was born on August 2 1755 in Bethel Township Lebanon County Pennsylvania. .Henry Snavely was a Lutheran. At that time he was considered a good scholar and is said to have been a hard student obtaining his knowledge principally by his own exertion. He taught the school from 1797 to 1807.; A report from 1773 shows his farm had 150 acres 5 horses 4 cattle and no servants. OVERALL: G; Manuscript; Folio - over 12" - 15" tall; KEYWORDS: HISTORY OF HENRY SNEVELY HENRY SNAVELY EARLY 19TH CENTURY KNOWLEDGE SCIENTIFIC REVOLUTION MATHEMATICS GEOMETRY TRIGONOMETRY FINANCIAL CALCULATIONS BARTERING INTEREST TEACHER'S BOOK BETHEL TOWNSHIP LEBANON COUNTY SOUTHEASTERN PENNSYLVANIA COMPLEX MATHEMATICS ALGEBRA MARTIN RUPP PRACTICAL MATH FOR FARMERS 19TH CENTURY AMERICA EARLY 1800S IN THE MID-ATLANTIC STATES CYPHER BOOK AMERICANA HANDWRITTEN MANUSCRIPT DOCUMENT LETTER AUTOGRAPH WRITER HAND WRITTEN DOCUMENTS SIGNED LETTERS MANUSCRIPTS HISTORICAL HOLOGRAPH KEEPSAKE WRITERS AUTOGRAPHS PERSONAL MEMOIR MEMORIAL ARCHIVE DIARY DIARIES JOURNAL LOG ANTIQUITÉ CONTRAT VÉLIN DOCUMENT MANUSCRIT PAPIER ANTIKE BRIEF PERGAMENT DOKUMENT MANUSKRIPT PAPIER OGGETTO D'ANTIQUARIATO ATTO VELINA DOCUMENTO MANUSCRITTO CARTA ANTIGÜEDAD HECHO VITELA DOCUMENTO MANUSCRITO PAPEL . paperback

Katz Fine Manuscripts Inc. · Canada3 055,99 $US≈ 2 585,67 €

DALVIMART [or D'ALVIMART], OctavianBiblio.com

The Costume of Turkey Illustrated by a Series of Engravings; With Descriptions in English and French. ADDITIONAL TITLE-PAGE: Costume de la Turquie; représenté en soixante gravures avec des explications en Anglois et en François.

18026160"ONE OF THE BASIC WORKS ON TURKISH COSTUME" ATABEYFolio 35 x 24.4 cm. Hand-colored vignette title-page in English followed by title-page in French; preface in English and French 8 pp; table of contents in English and French 2 pp.; and 60 hand-colored stipple engravings many on paper with watermarks dated 1796 after Octavian Dalvimart and engraved by John Dadley or William Poole the title-page vignette by R. Jones; each engraving always printed on the verso with facing description page English on recto and French on verso. Occasional light spotting and off-setting from plates to the facing description; plate 1 and tissue guard bound at the beginning preceding English title-page. Early 20th-century red straight morocco by Bayntun-Rivière their stamp in upper left-hand corner of front flyleaf blind- and gilt-stamped tooling on boards turn-ins and spine marbled endpapers; some rubbing but generally excellent.First edition with watermarks dated 1796 of "one of the basic works on Turkish costume which has provided the prototypes for numerous other illustrative material" Atabey. Dalvimart's vivid plates primarily depict the vibrant attire of the ruling classes and their servants but they also showcase traditional garments—especially those worn by women—from the extensive territories of the Ottoman Empire at the time encompassing regions such as Bosnia Albania Greece Syria and Egypt.Octavian Dalvimart remains a somewhat enigmatic figure. He appears to have been active as an artist and engraver in England and France in the early 19th century. According to the preface he traveled to Athens in 1797 and Turkey in 1798 where he created the original drawings for the plates consistently sketching from life. The characters are precisely drawn and handsomely depicted in vivid colors. The accompanying descriptive text is sometimes attributed to William Alexander drawing heavily from the published accounts of Turkey by James Dallaway 1797 Baron de Tott who resided in Constantinople for many years until 1790 and other sources. This first edition was followed by subsequent editions in 1818 and 1820.Little is known about the two engravers John Dadley 1767–after 1807 who worked in London and William Poole active 1803-1807. R. Jones active early 19th century exhibited at the Royal Academy from 1780 to 1812. Abbey Travel 370; Atabey 312; Blackmer 444 ca. 1820 impression Colas 782; H. Hiler Bibl. of Costume 1939; Lipperheide 1422; Vinet 2337; Bénézit III p. 317 Dadley III p. 335 Dalvimart and VI p. 95 Jones no entry for Poole. London, Printed for William Miller, Old Bond Street, by T. Bensley, Bolt Court, Fleet Street hardcover

Martayan Lan, Inc. · États-Unis3 750,00 $US≈ 3 172,88 €

HUET Jean-Baptiste (the younger); Benoit-Louis or Jean-Louis PREVOSTBiblio.com

Fleurs & fruits des quatre parties du monde desseine par Prévost & gravé par J.B. Huet.

1837ABC_47224Paris 1837. Folio ca. 35 x 26.5 cm. Dauty Contemporary half sheepskin maroon watered silk sides title in gold on the front board. With an engraved title-page and 11 of 23 engraved botanical prints: 4 showing 5 kinds of fruits each 3 showing 9 types of flowers each and 4 showing flower bouquets. All prints are stipple engravings and coloured by a contemporary hand some parts glazed with egg white. 12 ll. Extremely rare botanical print series showing both European and exotic fruits and flowers engraved by Jean-Baptiste Huet the younger 1772-1852 after designs of Benoît-Louis Prévost 1735-1804 or Jean-Louis Prévost 1760-1810. It also includes four plates showing bouquets from Europe America Asia and Africa. Only one complete copy is known at the Bibliothèque nationale de France we have traced no copy in sale or auction records and it is not mentioned in the usual botanical bibliographical works. The BnF copy is described in the Inventaire du fonds français après 1800 where the series consists of 23 prints issued all together under this title. The BnF and the IFF date the work ca. 1837-1839 but it is more likely that it is ca. 1837-1838 as Dauty died in 1838 and he printed at Rue de Bibliothèque no. 16 only in 1827 and 1835-1838. The BnF ascribes the designs for the prints to Benoît-Louis Prévost but Jean-Louis Prévost remains a possibility for he produced another famous print series of flowers and fruits in the same style of stipple engravings Collection des fleurs et fruits 1805.With a contemporary inscription "A M.elle Vincent" on the first free endleaf dedicating it to or belonging to the famous French 19th-century botanical painter Henriette Vincent 1786-1834 who was a student of Gerard van Spaendonck and Pierre-Joseph Redouté. Head and foot of the spine damaged and spine slightly worn boards a little rubbed edges slightly worn corners bumped. Some light browning and foxing throughout title-page a little more browned and with a light marginal water stain. Lacking 12 plates according to IFF. Otherwise in good condition. An extremely rare botanical print series vividly hand-coloured.l BnF FRBNF40503621; IFF Inventaire du fonds français après 1800 Huet p. 518; not in Nissen BBI; Pritzel; Stafleu & Cowan. hardcover

Asher Rare Books · Pays-Bas3 250,00 €

[Dunmore, John L or CRITCHERSON, George]Biblio.com

Esquimaux Winter Hut and Its Occupants. The Entrance is seen on the Left

1872303445London 1872. Albumen print measuring 11-5/8 x 16-1/4 in 295 x 412 mm. Laid down on thick cream card with manuscript caption measuring 17 x 21 in. Image slightly faded card chipped with some minor soiling one tear not affecting image. Albumen print measuring 11-5/8 x 16-1/4 in 295 x 412 mm. A rare survival. This image appears in William Bradford's fabled book of photographs Arctic Regions. It was taken by either Dunmore or Critcherson the two professional photographers from Boston who accompanied Bradford on his 1869 expedition to the Arctic on the steamship Panther. It was probably taken at Upernavik a settlement on an island off Greenland's west coast or Godhavn. Arctic Regions included 141 albumen prints in addition to Bradford's account of the voyage. The title of the photograph here varies from the printed caption in the book where it reads: "Plate Number: 116 Esquimaux igloe or winter hut made of turf and stones. The entrance is to the left through a door which is about three and a half feet high. The length of the passage is about twelve or fifteen feet and at the farther end is another door through which one almost has to crawl on his hands and knees. After passing through there is then room to stand erect but one is forced to leave very soon owing to the bad air." This photograph is slightly larger than the one in the book which is 277 x 365mm. Furthermore the image in the book is cropped closer on the right and left margins. The New York Public Library has a folio of 26 images of near identicle size mounted on card. The portfolio was donated to the library in 1892 as part of the Robert Stuart Collection. According to Horch originally all of these images were captioned in manuscript though were later remounted with typed captions as "the original ink-written captions for the photographs had badly faded by 1940." It's interesting that the caption on their duplicate of this image is the same as ours and the image itself has not been cropped. Horch writes that Bradford probably not only selected these images himself but "closely directed the actual taking of the photographs." It's entirely likely that Bradford would have had extra prints made to distribute to friends repay favors and most of all to solicit subscribers to what was a very expensive book to publish. Given how it conforms to the examples in the Robert Stuart portfolio this particular image is probably one of them. Horch Frank. "Photographs and Paintings by William Bradford". American Art Journal 5.2 1973: pp 61-70; cf Parr and Badger I p31Prm/photo unknown

James Cummins Bookseller · États-Unis4 500,00 $US≈ 3 807,45 €

A LARGE GROUP OF ITEMS OF, OR RELATED TO, THEBiblio.com

RUBAIYAT OF OMAR KHAYYAM

1872ST17640-G121872-1921. 60 different editions in 61 volumes. Most items in their original publisher's bindings mostly cloth or wrappers and a few in limp suede; one in half morocco. Condition ranging from very good to very fine; many of the cloth items with light shelfwear rubbing to edges mild soiling fraying to head and tail of spine and minor condition issues internally light scattered foxing and browning a handful of items with more noticeable condition issues spine partially lost rubbed joints moderate browning etc. but on the whole an excellent group. Amassed over the course of many years by a passionate collector of the Rubaiyat this is a very substantial and wide-ranging group of 60 works that attest to the work's enduring popularity more than 150 years after Edward FitzGerald introduced it to the West. Son of a wealthy Irish landowner FitzGerald had enough money to pursue a rather desultory literary career as a "genteel gipsy" in Terhune's words before beginning to study languages in middle age. He started his translation of the quatrains "rubáiyát" in Persian attributed to "Umar Khayyam" in 1856; according to DNB about half of FitzGerald's final work paraphrases rather than directly translates portions of the 11th century poem while the rest is original verse inspired by Omar. "The result is generally seen as being in some ways an original English poem one that is much better known than Omar's poem is in Persian." DNB In Jewett's opinion it certainly earned FitzGerald "a prominent place among the immortals of English literature." In 1858 FitzGerald submitted 25 of the "less wicked" verses to "Fraser's Magazine" only to be rejected. He had 250 copies published anonymously at his own expense but had no luck selling them. Admitting defeat he gave 200 copies to Quaritch; these sold so poorly that they were relegated to the penny bin where Potter says they were discovered--and soon celebrated--by Dante Gabriel Rossetti and Algernon Swinburne. Those copies that remained unsold when Quaritch moved to Piccadilly in 1860 were either lost or destroyed but by 1861 Rossetti and his Pre-Raphaelite brethren along with Celtic scholar Whitley Stokes were evangelizing for the work embracing the lush lyrical verse that would move English poetry away from Victorian orthodoxy and convention. According to Day by the end of the 19th century "a copy of the 'Rubaiyat' upon an Oxford table was a symbol of sophistication. Today . . . it remains the most popular single poem of the Victorian era." The present collection is especially strong in illustrated editions with more than 25 artists represented including Edmund Dulac Elihu Vedder Willy Pogany Adelaide Hanscom Gilbert James Edmund J. Sullivan Arthur Szyk René Bull and Abanindro Nath Tagore. Notable text editions in this group include a Third Edition of FitzGerald's translation; a First Published American Edition; and a signed and inscribed copy of Eben Francis Thompson's translation. There is also a small group of fine press printings including examples by the Gregynog Press Thomas Mosher and Elbert Hubbard. There are no duplicated editions in this collection and there are no trade paperbacks. A full list of the collection's contents is available upon request. unknown

Phillip J. Pirages Fine Books and Medieval Manuscripts · États-Unis4 680,00 $US≈ 3 959,75 €

VIARD, Alexandre or AndreBiblio.com

Le cuisinier impérial

1806145411Paris: Barba 1806. A beautiful copy Scarce first edition of this essential culinary encyclopaedia the most popular work published by a professional cook in the 19th century. Viard a worthy competitor to Carême in terms of celebrity dedicated his book to the famed gourmand and restaurant reviewer Grimod de La Reynière praising Grimod and his fellow food enthusiasts for having elevated culinary discourse. "To judge from his practical knowledge Viard must have been a professional cook at one time thought to have been chef de cuisine to Louis Philippe comte de Ségur and Francis Egerton 8th Earl of Bridgewater but he described himself simply as an homme de bouche food expert probably someone in charge of catering for a large household. Despite his book's impressive title Viard declared he was writing for 'all levels of fortune' in this egalitarian society of citoyens and indeed the polished text includes such basics as pea soup quick-cooked rabbit and salt cod provençale. At a higher level he was the first cook to describe the classic puffy soufflé flavoured with chestnuts frangipane white coffee vanilla or potato still a novelty that became such a symbol of France. The book did well even when the restoration of the French monarchy required a hasty title change to Le cuisinier royale and the 'year of revolutions' in 1848 precipitated another change this time to Le cuisinier national. only to revert to impérial once more under Emperor Napoleon III. The text too underwent hundreds of additions first by Viard and later by colleagues allowing it to remain in print until 1875" Willan running to at least thirty-two editions. Food scholar Darra Goldstein notes that Le cuisinier impérial also contains the first published recipe for apple charlotte. Hector Dubois d'Enghien was a trade bookbinder son of the prominent Brussels binder Joseph-François Dubois d'Enghien 1841-1923. He took over his father's workshop c.1918 and partnered with Edmond Dooms a gilder from De Samblanx in 1923. An accomplished scholar Hector Dubois d'Enghien wrote a history of bookbinding in Belgium published in 1954. The first edition of Le cuisinier impérial is rare both institutionally and commercially. WorldCat Library Hub and KVK locate just six copies institutionally: three copies in Germany Badische LB LB Rheinland-Pfalz Sächsische LB two in the US Harvard Schlesinger Indiana and one in France BnF. We can trace four copies at auction since the 1920s only one of which is dated from within the last 45 years. Octavo 192 x 122 mm. Beautifully bound by Dubois d'Enghien-Dooms in early 20th-century dark green straight-grain half morocco smooth spine lettered in gilt separated into compartments with gilt scrollwork rolls and double fillets floral motifs to first third fourth and fifth compartments marbled boards edges sprinkled blue. Bound like Cagle without the first leaf half-title verso a publisher's advertisement. Fine externally; binder's stamp to front pastedown contents evenly browned and generally clean central gatherings foxed and single stain to sig. 7.7 small spot to p. 387 partly obscuring one word a few ink marks to Index. An excellent copy. Cagle 433; Vicaire 860; Willan pp. 258-9. Not in Bitting see note on p. 478 for later editions. Darra Goldstein The Oxford Companion to Sugar and Sweets 2015. hardcover

Peter Harrington · Royaume-Uni3 500,00 £GB≈ 3 996,30 €

[California Gold Rush]. [France]Biblio.com

Des Millions Pour un Sou! Mines d'Or de la Californie -- Nouveaux Détails

18495043Paris: Typ. Schneider Rue d'Erfurth 1 1849. Very good. Broadside approximately 18 x 13 inches. Matted and framed. A pair of short closed tears repaired at lower edge. Even toning and light creasing. Contemporary manuscript annotation under caption title. A wonderful illustrated faux news broadside published in Paris as gold fever coursed through Europe in 1849. The headline promises "nouveaux détails" of the gold mines in California but the text is in fact a humorous description and light-hearted admonishment of the multitudes thoughtlessly giving up their livelihoods for the hardscrabble life of a gold digger in the California wilderness. The first section runs through a litany of types who are abandoning their lives for adventure and advises them not to consider the difficulties of the journey: "En route pour les mines d'or de la Californie! Partez! Il n'est pas néccessaire que vous preniez de lourds baggages : une cassette et une bonne pioche vous suffriont. Ne vous laissez pas décourager par la peur d'une navigation de cinq mois. elle sera peut-être périlleuse. mais le résultat est si consolant : de l'or!. toujours de l'or!. Qu'importent la colique et les fièvres doublées d'un mal de mer brutal. de l'or!. toujours de l'or!. Qu'importe d'être noir ou jaune en mourant du moment qu'on se repose dans un linceul d'or pour l'éternité! Partez!" The remainder of the text somewhat sardonically describes life in California and warns prospective travelers not long for the comforts of home but rather to concentrate on their sought-after riches: "Par example ne vous attendez pas à jouir de toutes les douceurs de la vie. Vous n'y trouverez ni biftecks au beurre d'anchois ni dinde truffées; car les aliments y sont rares. Mais les racines y sont en grande abondance. Vous vivrez un peu à la manière des anachorètes pour un temps. seulement vous déterrerez de l'or. ce qu'ils ne faisaient pas que l'on sache." The illustration which occupies approximately the top third of the broadside depicts men and women from all walks of life carrying pickaxes on their shoulders and racing for a ship about to depart. The image carries the printed signature of "B. Netter;" a contemporary manuscript note under the caption identifies the publication date as February 17 1849. The Bibliothèque Nationale de France estimates that as many as 40000 French men and women made their way to California between 1848 and 1856. The present broadside is an excellent document of California gold fever in France and the pervasive interest in gold rush news in Europe during the mid-19th century. Rare we locate just four copies at Berkeley UCSD California Historical Society and the BNF. Typ. Schneider, Rue d'Erfurth, 1 unknown

McBride Rare Books · États-Unis4 750,00 $US≈ 4 018,98 €

Dawe, George, engraver No named illustrator or artist besideBiblio.com

The Life of a Nobleman

1825007994London: George Henderson. Printed by George Dawe who also was engraver 1825. First Edition. Full Morocco. Near Fine. Suite of nine hand-colored aquatint plates depicting the louche hedonistic and self-destructive life of a young aristocrat. Bound by Riviere & Son in full red morocco with ruled border raised bands other gilt decoration including turn-ins marbled endpapers. N.d. circa 1820s. 4to. 31 by 25 cm. No title page -- this was issued as a suite of plates not in a book form. A blank sheet in front two in back and tissue guards between plates. Each plate is depicting a scene and basically a step in the descent to self-destruction by the young buck aristocrat. Scenes are The Inheritance The First Party The Night House in other words the bordello The Betting Booth at the racetrack The Gambling House The Usurer The Mess Room clearly the dining room of an elite military unit The Duel and finally The Sick Room. We would note that the Usurer has the casual anti-Semitic trope so prevalent throughout history of the hook-nosed lender. The artwork has a pleasant slightly naive quality with the loosest of adherence to perspective. The settings are generally quite resplendent capturing Regency England grandeur perfectly. Scarce. Yale has several copies. Only two other complete sets held by institutions according to OCLC First Search one at Harvard and one somewhat later and published by Tegg at the Art Institute in Chicago. The Henderson version clearly the first was issued without color we would add. The Harvard Hollis catalogue gives no indication whether the copy at Houghton has hand-coloring -- something that Hollis generally will denote if it does. No copies found in commerce on date of this description was prepared. Light wear to binding. Light soiling in the margins of the plates. Pictorial elements consistently bright and attractive. George Henderson. Printed by George Dawe, who also was engraver unknown

White Fox Rare Books and Antiques · États-Unis5 750,00 $US≈ 4 865,08 €

Vasiliyem or Vasily Timm or василіемъ тиммомъ, artist; N I Grech, accompanying textBiblio.com

Russian art gazette - Ñ€ÑƒÑÑÐºÐ¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶ÐµÑÑ‚Ð²ÐµÐ½Ð½Ñ‹Ð¹ Ð»Ð¸ÑÑ‚Ð¾Ðº

1856B6046St. Petersburg;: Vasily Timm c. 1856 . Title leaf slightly soiled; but overall texts and plates are clean and crisp and in very good condition; tears to leaves # 27 28 29 33 have been expertly repaired. A very attractive example in full contemporary binding. . Edition: First 1856 Edition. Binding: Contemporary quarter morocco over marbled boards; spine with six flat gilt ruled bands forming five blind compartments with gilt lettered title on two and gilt date on four. Notes: Text in Russian. The Russian art periodical publication or gazette of printed collections of lithograph scenes was a chronicle of currents of the life of Russia published by leave of the Royal Family and by the artist himself - painter and draftsman - Georg Wilhelm Timm also known as Vasily Fyodorovich Timm or Ð’Ð°ÑÐ¸Ð»Ð¸Ð¹ Ð¤Ñ‘Ð´Ð¾Ñ€Ð¾Ð²Ð¸Ñ‡ Ð¢Ð¸Ð¼Ð¼ 1820-1895 a Baltic-German painter lithographer and ceramic designer known for his genre and battle scenes; the period extending over 12 years from 1851 to 1862 in St. Petersburg. Having travelled extensively throughout Russia serving as a battle painter during the second phase of the Caucasian War he was chosen in 1852 to accompany the Tsar Nicholas I on a visit to Finland his main task continuing to faithfully share his impressions without criticism or analysis. Later he would make sketches of the Siege of Sevastopol at the height of the Crimean War of 1853-1856. In 1855 this earned him the title "Academician" conferred by the Imperial Academy. In 1860 the collection was compiled and an index of drawings prepared. The publication discontinued in 1862 due to the weakening condition of V.F. Timm's eyes. Scenes from Petersburg life portraits of popular figures reproductions from paintings cartoons etc accompanied by brief explanatory texts had been a great success with the public the complete series of having featured 432 illustrations with Timm referred to as the "Russian Gavarni" having primarily worked with lithography and woodcut engravings. Lithographs were printed in two tones along with a brief explanatory text authored by the Russian publicist and publisher N. I. Grech. and Timm's drawings executed by other artists with lithographs prepared in the workshop of A.E. MÃ¼nster. As of 2013 publications are estimated at 2-2.5 million rubels; in 2007 a reprint of the collection was made in St. Petersburg including three catalogs and three albums with 432 illustrations; publishers have tried to bring all illustrations as close as possible in color to the originals and leather bindings were chosen with covers gilt embossed. Size: oblong folio 528x352mm. Illustration: Illustrated with 19 full-page 16 half-page and 24 smaller lithographs; and one map. Volume: Text leaves and lithogra Pages: 53 text leaves including one map plus 35 large oblong lithographed leaves. Category: Book Russia; Book Plate Books General; Vasily Timm, hardcover

Alexandre Antique Prints, Maps & Books · Canada5 750,00 $US≈ 4 865,08 €

THE BRITISH MUSEUM [PHOTOGRAPHS BY OR AFTER ROGER FENTON AND STEPHEN THOMPSON]Biblio.com

50 Photographs of Antiquities including the Elgin Marbles British Museum Series

1897526A collection of 50 albumen prints from the British Museum Series numerous manuscript captions slight age-related toning photographs mounted to album occasional light marginal foxing not affecting image original maroon cloth with quarter morocco spine retaining studs title gilt to spine slightly rubbed folio London: W.A. Mansell c.1897 The 50 photographs of antiquities in the British Museum covering Greek Roman and Etruscan Statues and Vases including 24 of the Parthenon Frieze. Many of the images are accompanied by manuscript captions. Other photographs include:Horse of Selene Ilissos "Colossal Lion" The Piranesi Vase "Marble Vase found in the Villa of Hadrian at Tivoli" "Mercury" "Venus de Medici" "The "Townley" Venus" "Venus Entering Bath" "Apollo as a Player of the Lyre from Cyrene" "Hercules" Hercules found in Hadrian's villa at Tivoli Drum of Sculptured Column from Temple of Diana Artemision Ephesus "Casts from Balustrade of Temple of Wingless Victory - Athens -" Etruscan Sepulchral Monument in terracotta "Thalia"T. Aurelius Fulvius Antonius Pius Aurelius Antoni Satyr Apollo Demeter Ceres and Sepulchral Rites at the Tomb of a Hero. The Elgin Marbles are a collection of statues and architectural decoration acquired by the Earl of Elgin during his time as Ambassador to the Ottoman Empire. He successfully petitioned the authorities to be able to measure draw and remove figures in various ruins. The most extensive work was on the Parthenon or Temple of Athena but he also received permission to remove sculptural and architectural elements from a number of other ruins including the Acropolis and the Temple of Nike Athena. The most famous of the Elgin Marbles are the Parthenon Sculptures a collection of different types of marble architectural decoration on the Parthenon. The Parthenon Frieze 75 metres in length depicts various scenes including the battle between the Lapitas and the Centaurs at the marriage feast of Peirithoos. Elgin originally intended on using the Frieze as decoration in his private home but due to the collapse of his marriage he sold them to the British Museum. There have been debates over the legitimacy of Elgin's excavation. After an investigation from a Parliamentary Select Committee in 1816 Elgin's actions were found to be entirely legal. Since 1983 Greece has formally requested the British Museum to return all the Parthenon Sculptures in the Museum's collection the British Museum states there are no current discussions with the Greek Government on this issue. Roger Fenton is one of the most celebrated figures in the history of photography. He was a creative and highly influential photographer in the mediums "golden age" of the 1850s. In his role as the British Museum's first official photographer Fenton demonstrated his sure sense as a 'photo artist'. He was initially engaged to photograph cuneiform tablets but that soon developed into taking pictures of other antiquities. As early as 1852 Fenton received permission from the Trustees to photograph antiquities within the museum establishing a small studio inside the museum the following year. He left in 1854 to serve as a photographer in the Crimean War for which he is most widely known but he was re-appointed on his return in 1856 until the termination of his contract in July 1859. The Trustees decided that photography was not cost effective and after they failed to negotiate the South Kensington Museum now the V&A as an alternative Fenton terminated his association with the British Museum. References: The British Museum The Metropolitan Museum of Art Luminous-Lint. W.A. Mansell

Bruce Marshall Rare Books · Royaume-Uni5 000,00 £GB≈ 5 709,00 €

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