117 résultats
1774ZB259278Roma: Per Giovanni Bartolomicchi 1774. Part 1 only; 12mo xi 1 327 pp later plain paper wrappers soiled and chipped previous owner's name on title text very good and an untrimmed copy. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Roma: Per Giovanni Bartolomicchi, unknown
1786h42110Sulzbach: Ze l ben Aharon 1786. Hardcover. Fair. 8vo 8.5 x 7 inches in amateur cloth backed boards mid-20th century fair copy with title page and next leaf in photocopy the leaf after that with damage and loss the remainder of the text in very good condition; last leaf with some edgewear and loss resulting in the loss of some letters. Over 260 leaves seems complete with quite a number of small woodcut illustrations 2.75 x 1.5 inches on average. Tseno Ureno sometimes called the Women's Bible is a Yiddish-language prose work whose structure parallels the weekly Torah portions and Haftorahs used in Jewish prayer services. The book was written by Jacob ben Isaac Ashkenazi 1550–1625 of Janów Lubelski near Lublin Poland and mixes Biblical passages with teachings from Judaism's Oral Torah such as the Talmud's Aggadah and Midrash which are sometimes called "parables allegories short stories anecdotes legends and admonitions" by secular writers. Ze l ben Aharon hardcover
179654848London: Printed for G. Sael 1796. Hardcover. Poor to very good condition. Octavo bound in three quarter calf over marbled boards containing eight pamphlets and ephemera. Binding with front cover and spine detached but present wear along edges with leather at corners missing. Illustrated book plate of Joseph Swift Whistler on inside front cover. Signature of three free endpapers title page and leaf with pages 1-2 loosely laid in. Short New York Times article on Shakespeare dispute from the 1940s laid in. Some sporadic offsetting and light foxing.<br /> <br /> 1. A Comparative Review of the Opinions of Mr. James Boaden Editor of the Oracle. .2 59 1pp. Original cream wraps with black lettering on cover authors and publishing date entered by hand. "It is not because the style or the matter of Mr. Boaden's Critical Examination of the Shakespeare MSS. appears to possess any intrinsic merit that it is made the subject of consideration in the following pages. Much less is this slight attempt dictated by any apprehension that the authenticity of those MSS. will be materially affected either by the arguments of such an examiner or the detection of his sophistry. But when an individual pretends to direct the taste of the public when relying on the fancied ingenuity and importance of his criticism he attempts to depreciate real merit it becomes at least necessary to examine the purity of his motives and the consistency of his conduct. The authenticity of the MSS. in the hands of Mr. Ireland must ultimately be refereed to a higher tribunal" First paragraph. "The "Shakespeare MSS." are the Ireland forgeries. Sometimes ascribed to Matthew Wyatt." Folger Shakespeare Library<br /> <br /> 2. An Historical Account of the Monumental Bust of William Shakespeare in the Chancel of the Church at Stratford-Upon-Avon Warwickshire. With critical remarks on the authors who have written on it by Abraham Wivell Portrait Painter. London. Published by the author. 1827. iv 28pp. Original tan wraps with black lettering and ruling on cover. Frontispiece engraving. With preface to the author's pamphlet of 1825. "The following remarks on the Monumental Bust of Shakespeare in the Church of the Holy Trinity Stratford-upon-Avon in Warwickshire is printed from my Pamphlet 1825 with additions." Page 5.<br /> <br /> 3. Traditionary Anecdotes of Shakespeare. Collected in Warwickshire in the Year MDCXCIII. Now first published from the original manuscript. London. Thomas Rodd. 1838. 19 1pp. Original cream wraps with black lettering on cover. Contains four page advertisement and the letter addressed to Mr. Edward Southwell signed "John at Stiles." The last page contains the printed text "10. April 1693 - From Mr. Dowdall Description of Severall places in Warwickshire" at top and "These for Mr. Southwell p' Sent."<br /> <br /> 4. Observations on an Autograph of Shakespeare and the Orthography of his Name. Communicated to the Society of Antiquaries by Sir Frederic Madden in a letter to John Gage. London Thomas Rodd. MDCCCXXXIII. 16 2pp. Light brown wraps with black lettering and triple framing on cover. Title page with facsimile of Shakespeare signature. Reprinted from the Archaeologia vol. xxvii pp. 113-123 with some corrections.<br /> <br /> 5. For Private Circulation Was Lord Bacon the Author of Shakespeare's Plays A Letter to Lord Ellesmere by William Henry Smith. London: Printed for the Author by Woodfall and Kinder. 1856. 15 pages.<br /> <br /> 6. Shakespeare No Deerstealer or A Short Account of Fulbroke Park Near Stratford-On-Avon. By C. Holte Bracebridge Sometime Hon. Sec. to the Shakespeare House Committee. London: Printed by Harrison and Sons. 1862. 4 original watercolor. 32pp. Extensive appendix notes A through F.<br /> <br /> 7. The Stratford Portrait of Shakespeare. Copies of communications to The Times made subsequent to that which appeared April 5th. The recently discovered portrait of Shakespeare. To the Editor of The Times. Two 1861 letter by Charles Weight with commentary. 4 pages.<br /> <br /> 8. The Stratford Portrait of Shakespeare and The Athenaeum; Also Ben Jonson; and the Macaulay-Penn Controversy; in Connexion with That periodical–or its Editor. "Jones is immortal until he is found out; and then down comes the extinguisher and the immortal is dead and burried." Roundabout Papers NO XII. Text by Charles Weight. 307 Regent Street W. May 31st 1861. 19 pages. "The "New Facts" of the Athenaeum in reference to Ben Jonson Examined. And some facts of real importance in relation to the Macaulay and Penn Controversy Displayed. Printed for G. Sael hardcover
176241877Paris: Chez Moyreau 1762. Folio. 23 1/2 x 19 1/2 inches. Engraved portrait of Moyreau by Nonnette dated 1749 and 100 engraved plates numbered 1-100 with the engraved rococo title being numbered as plate 25. 88 plates engraved by Moyreau and the others by Cochin Chedel etc. The title is engraved by Le Parmentier after J. de la Joue. Included are 5 double page plates and one page with 2 plates on the page. The final 8 plates are numbered in manuscript and the last 2 plates are proofs 'before letters'. Full contemporary calf gilt hinges strengthened<br/> <br/> A rare magnificent collection of engravings showcasing the works of the renowned Dutch Golden Age painter Philips Wouwerman.<br/> <br/> Engraved by master engraver Jean Moyreau the illustrations meticulously reproduce Wouwerman's celebrated equestrian and rural scenes capturing the dynamic compositions intricate details of the originals. Featuring some of the artists finest works carefully selected from the most esteemed collections in Paris and beyond the volume serves as a homage to Wouwerman's enduring artistry.<br/> <br/> Cohen de Ricci 1068; Bulletin Morgand 1889 No. 17315 '1 frontispice et 100 planches; Thiebaud p. 945-946; Brunet V 1480. Chez Moyreau unknown
1769OB1016<p>London: Printed for J. Dodsley. MDCCLXIX 1769. Hard Cover. xvi 200 p.; 18 cm. Schlosser Magnino La Letteratura Artistica p. 656 points out that this was a defense of Sir Joshua Reynolds and introduced many English travelers to Italian painting. "Winckelmann realised that much of its text is derived from a similar book written a little earlier by the eminent painter Anton Mengs" but it was the text by Webb that influenced classicism in England. This copy is bound in full contemporary calf with a new spine. A gift note to Jane North is dated 1772. Very Good; spine misdated "1749." Stock#OB1016.</p> Printed for J. Dodsley..., hardcover
1760223920London : printed for R. and J. Dodsley in Pall-mall MDCCLX. 1760 1760. First Edition. Hardback. Manuscript notation to the front endpaper. Finely bound in full contemporary aniline calf. Raised bands gilt-cross bands. Bands and panel edges somewhat rubbed and toned as with age. Scans on request. ; 8vo 8"" - 9"" tall; 200 pages; Physical description; xvi 200 p. ; 8vo. Subjects; Painting - Appreciation - Early works to 1800. Art criticism - Early works to 1800. Aesthetics - Early works to 1800. Painting - Criticism and interpretation - Early works to 1800. Painting - History - Early works to 1800. Painting - Appreciation and connoisseurship. London : printed for R. and J. Dodsley, in Pall-mall MDCCLX. [1760] hardcover
1750002388Venezia: Giammaria Lazaroni e Domenico Tabacco 1750. Pebbled Half Cloth Faux Leather over Paper Pastedown on Boards. Good Minus. 8vo. 20 568 pp. With fifteen woodcut plates with frontis one for each canto of the Aenied and one for the Bucolica and Georgica respectively. Some soiling throughout. All leaves of the Bucolica and a few of the Georgica have severe wormholing in the lower corner with only trivial touching of text. A few other leaves have corners overtrimmed or with loss. Still an uncommon edition with only three copies located on OCLC. Giammaria Lazaroni, e Domenico Tabacco unknown
1783B6593Ingoldstad Germany : Anton Attenkhouer c. 1783. . A very good example occasional minor browning. Edition: Second edition of Henrich Palmaz Leveling's German Binding: Full recent panelled calf triple gilt outer borders on speckled natural calf; central blind-stamped green panel; spine raised with five 5 bands; titles on two and four and compartments with central gilt ornament dated. Notes: Text in German. Gothic Script.<br>Second edition of Henrich Palmaz Leveling's German translation or Ingolstadt edition after the first of 1781.<br>This second Ingolstadt edition of only 1500 exemplars features beyond twohundred 200 in-text engravings printed from Vesalius’s original woodblocks; the woodblocks were destroyed during the WWII bombings of Munich. Leveling not only translated this work but introduced updated information often relying on the French Winslow as information source. Size: Folio 396x274mm. Illustration: Illustrated woodcut title depicting the dissection lecture hall; printed title with engraved vignette of the portrait of Heinrich Palmatius Leveling flanked on either side by the staff of Aesculapius and a skeleton respectively; headpieces at 2 A1 Bb1 Xx1 Nnn Yyy2r Ccc1r; and tailpieces at Q1 Bb1 Uu1v Eee2 Mmm2v Yyy1v Bbbb2v Hhhh2v 1v or final leaf; ornamental Gothic initials on title and dedication; in-text partial page illustrations at A1 A2v B1r 3 B2r B2v C1r 2 C1v 2 C2r D1r D1v D2r 2 D2v2 E1r E2v 2 F2r 2 G1r G2r 3G2v 3 H1v2 H2r 3 H2v2 I1r3 I2r 4 I2v3 K1v K2r5 L1v L2r6 L2v3 N1v2 O1v2 Nn1r Qq2r Ss1v2 Ss2v Tt1r8 Uu1r Zz1v 2 Aaa2v Bbb2v 2 Ccc1v Ccc2r Ggg2v Iii2v Lll2v Ooo1v Ppp2r Ppprv Qqq1v Qqq2v Rrr1v2 Rrr2r 2 Sss1v Xxx1v Xxx2v 2 Yyy1r Yyy2r Zzz2r Zzz2v Aaaa1r 2 Aaaa2r Aaaa2v 2; in-text half page illustrations often consisting of multiple illustrations at: A1v A2v F1v9 H1v H2r I2v K1v 5L1r2 M1v2 M2r4 M2v O2r15 Q1r Rr1r Rr1v Rr2v Ss1r Ss2r2 Tt2v Xx1r Zz2r Fff1r Nnn1r Nnn2r Ooo1r Ppp2r Qqq2r Sss2r Ttt1v Uuu1r Uuu2r Xxx2r Yyy2v Cccc1r Cccc2r Cccc2v Dddd1v Dddd2r Eeee1r Eeee2r Ffff1r Gggg2r Gggg2v Hhhh1v; in-text full page illustrations at: F1r N2r13 P1r P1v P2r Bb2r Cc2r Dd2r Ee2r Ff2r Gg2v Jj17r Jj2v Kk2v Ll2v Mm2v Nn2v Oo2r Pp2r Xx2v Zz2v Ccc2v folding Eee2v Fff1v Iii2v Kkk1r Mmm12 folding Ooo2v; <br>Moreover two double-paged woodcuts insert of Adam and Eve at Iiii2v. <br> Volume: Seven books in one volum Provenance: Signature: “H.Linder // 1875†on the margin of the upper free endpaper; Stamp on verso of final leaf: “Henry Linder //SCULPTOR Studio … // NEW-YORK.†Some of Linder’s work 1854-1910 renowned New York sculptor is exhibited at the Smithsonian America References: Choulant-Frank 185; Cushing VI A.15; Heirs of Hippocrates 1042; Osler 573; Waller 5752 Pages: Ll: Bl. 2 ill title printed title with portrait vignette of Leveling dedication 3 x1-xx2 preface x1-2 index; A1-Z2 Aa1 1st book Bb1-T2 U1 2nd book ; Xx1-Eee2 3rd book Fff1-Mmm2 4th book Nnn1-Yyy1 5th book Yyy2-Zzz2 Aaaa1-Bbbb2 6th book Cccc1-Hhhh2 7th book Iiii1-2 2 folding plates- of Adam and Eve Kkkk1-Oooo2 summarische Abhandlung 1-2 1 Index; bl.2. Category: Book Medical; Anton Attenkhouer, unknown
1763289753Marco Coltellini 1763. First Edition. Map. Map 7.6 x 10.15 inches; plate margins 8.25 x 10.85 inches; sheet 8.8 x 12 inches. Relief shown by hachures depths by soundings. Published in Il Gazzettiere Americano Vol. 1 opposite p. 146. First edition first printing. Very good copy. Sheet is tanned on margins; chip is missing from front lower left corner outside plate margins. Water staining to rear barely visible on map. Small paper remnants at top rear.<br> Marco Coltellini unknown
179900TP99France 1799. Small handwritten recipe for a glue to hold porcelain together. Blending lead oils paper and flour. Biographical Notes: SIR THOMAS PHILLIPPS 1792-1872. Born in 1792 Sir Thomas Phillipps from childhood was obsessed with the idea of obtaining virtually anything written or printed on paper including cartloads of documents from wastepaper merchants and the entire inventories of booksellers. "I wish to have one copy of every book in the world" he declared to a friend. He very nearly succeeded. His collection ultimately grew to more than 100000 books and at least 60000 manuscripts. As a result of his extravagant purchases Sir Thomas was permanently on the verge of bankruptcy and was constantly pursued by creditors. So many books arrived at his house that it was impossible to unpack his acquisitions much less keep pace with them. Visiting scholars driven to distraction would spend days hunting for an elusive text in the dusty heaps that filled every room. Because Sir Thomas has a morbid dread of fire most of his collection was housed in coffinlike boxes that could be carted away quickly. Visitors to Middle Hill were struck too by the presence of numerous logs a ploy he used to lure beetles away from his books. As Sir Thomas relentlessly pursued his passion the house itself began to crumble and its floors started to sag under the cast weight of hundreds of tons of paper. His neglect of Middle Hill was partly deliberate however. Sir Thomas's chief enemy in life James Halliwell had married his daughter against his wishes. It appears that Halliwell was in Sir Thomas' eyes the worst kind of criminal a book thief who had stolen valuable works from university libraries and even from his father-in-law. Having no sons Sir Thomas was unable to prevent Halliwell from inheriting his estate. To ensure that his detested heir would never receive anything of value Sir Thomas's solution was to allow Middle Hill to fall unto complete disrepair. He even went so far as to chop down and sell for lumber the centuries-old oak trees that lined the majestic mile-long drive to his home. In 1863 Sir Thomas decided to move - in order to accommodate his books. With the aid of 160 men 103 wagonloads of books and papers drawn by 230 horses the books were lumbered from Middle Hill top their new estate in nearby Cheltenham. It is said that for years afterwards the countryside was littered with the remains of carts that had collapsed under the sheer weight of the Phillipps collection. Sir Thomas continues to add to his library until his death in 1872. After Sir Thomas's death his immediate family had no room for his collection. So vast was the library that although individual items and large sections were sold privately or through numerous auction sales the Phillipps collection is still being sold more than a century after the death of its owner. In the course of its sales many treasures have come to light. As late as 1964 part of the long-lost and unique medieval manuscript of the Roman poet Ovid's Metamorphoses appeared and was subsequently reunited with its other half at Magdalen College Oxford. Once destined for destruction as worthless wastepaper this and many other priceless works were saved by the single-minded obsession of the greatest bibliomaniac of all time. Autograph. Manuscript. Good. 16mo - over 5¾" - 6¾" tall. Paperback
1786NS0165Paris Chez. M.DCC. LXXXVI 1786. This is a continuation of the history of "Revolutions in England" by the Jesuit Pierre D'Orleans first published 1695. This <i>Histoire</i> is the story of the Stuarts as rulers and pretenders considered as the legitimate Catholic rulers of England unfairly usurped. Turpin continues the story from the expulsion of James II through efforts to recover the throne. The rarity of these volumes may reflect the fact that France faced a more violent revolution within three years and neither side cared much for the fate of the Stuarts after that. Cioranescu 18th 62562. Hard Cover. Two volumes: 4 leaves xliv pages 4 leaves 446 pages; 4 leaves 439 3 pages; 17.5cm.; 12mo. Bound in full contemporary leather. Vg/ spines worn. Stock#NS0165. Chez... M.DCC. LXXXVI. hardcover
177293442Birminghamiae : Typis Johannis Baskerville 1772. 1st Edition in this form. Hardback. Very good copy in the original gilt-blocked calf-backed marble boards. Slightest suggestion only of dulling and toning to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. ; 307 pages; Physical desc. : 2 307 1 p ; 18 cm. 12mo. . Notes: Sig. G2 is a cancel Gaskell . Subjects; Baskerville John 1706-1775 printer. Latin drama Comedy . Referenced by: Gaskell 47. ESTC t137488. Straus and Dent 94. Language: Latin. Signatures: pi1 A-2Bsup6 2Csup4. Birminghamiae : Typis Johannis Baskerville hardcover
173564772Augsburg: Mertz & Meyer 1735. Vellum. Very Good. 17.5 x 10.5 cm. 16mo. Double-page title page fontispiece single page two color title 24 907pp. Bound in contemporary vellum. Plays in Latin language with German language commentary. Front gutter cracked but still holding. Soiling to the boards. Terrence 190 B.C. - 159 B.C. was a North African slave of a Roman senator Terentius Lucanus. He was the author of 6 major palys. His style deviated from earlier dramatic form. He avoided monologues favoring dialogue that was more like ordinary conversation devoid of flamboyance. His prologues were essays in literary crticism and he was deeply concerned with unity in the plot sometimes incorporating passages from other plays. He moved drama in the direction of realism and was influential on the writings of Cicero Horace and the early Christian Church fathers. This edition of his plays was prepared for German students with extensive notes explaining the most difficult passages the Latin idiomatic expressions and Greek roots of som eof the words. A long preface in German is a commentary on pre-Christian authors and their works. Mertz & Meyer unknown
1714008296London : at Shakespear's Head over-against Catherine-street in the Strand.: Jacob Tonson 1714. 1st Edition . Hardcover. Very Good. 12mo - over 6¾ - 7¾" tall. First edition 1714 in full calf gilt tooled central image a few small marks edge blind tooling tips repaired. Professionally respined gilt & blind tooling gilt titles to black morocco label. Internally title within double ruled border & vignette port. of Shakespeare 8 1 2-247 pp marbled endpapers faded gilt text block edges some edge browning more towards end. Uncommon at printing no other copy available commercially! 188114 mm. The author describes the people customs economy and trade militia as well as the government and democratic institutions. The book was used by William Coxe in his Sketches of Switzerland published in 1779 and was the first significant book on the country by an English traveler. The appendix is an Account of the Allies of the Switzers. <br/> <br/> Jacob Tonson hardcover
179943706London: Published by W. Faden Geographer to His Majesty 1799. 1st Edition. Hardcover. 8vo. 23.6cm first edition second issue with postscript 11661p. complete with half title in the original paper backed blue paper boards untrimmed some slight wear on the board edges and slightly age worn faint ink stamp on the title else very good to fine sound copy rare in boards - with contemporary presentation on the title page date Upper Canada Lande 2207. T.P.L. 734. Sabin 85205. Casey I:853. This is the first published topographical description of Upper Canada. The work is in two parts: the first being the topography of the principal lakes rivers and land formations in the province: the second being a gazetteer of place-names in 18th century Upper Canada. Smith came to Upper Canada in 1792 and serving as quartermaster in the 5th regiment of foot at Niagara he was selected by Simcoe in 1793 to act as first surveyor-general of the new province. This post he filled till his return to England in 1799. The text was written on Simcoe's request to accompany the following map "A Map of the Province of Upper Canada describing all the New Settlements Townships &c. with the countries adjacent from Quebec to Lake Huron. . Published by W. Faden, Geographer to His Majesty hardcover
1707H4643Augustae Vindel. & Dilinae: apud Joannem Casparum Bencard 1707. Hardcover. Very Good. Published 1707 quarto 8 inches 20 cm contemporary polished dark brown calf gilt spine with raised bands red spine label 10 142 8 252 2 250 45 7 62 pp. with title pages for each new title. Very good crisp bright copy with lovely frontispiece of the author. The author an Italian Jesuit preacher was one of the most popular preachers of his time. His work included in this volume Concordia Quietis & Laboris is considered a classic on religious meditation. apud Joannem Casparum Bencard hardcover
1793H3339Madrid: En La Imprenta Real 1793. First printing. Hardcover. Very Good. First edition 1793 original flame calf deep red spine label very good copy 8 290 3 pp. In three parts the first lessons for children on their obligations when they are grown to their king and lord the second addressed to priests and the third part addressed to Pius VI regarding the revolution in France and what it portends. The author was a well known priest orator and educator on very good terms with Spanish royalty who rewarded him by making him a bishop with his base in Rio de la Plata Argentina but also with bishoprics in Cordoba and Catamarca Bolivia. This book would have been part of his efforts to educate South American children on their duties to Spain one of his chief goals. En La Imprenta Real hardcover
1703B7089Paris: Chez Simon Langlois c 1703. near fine with text clean and crisp. . Edition: First Edition. Binding: Contemporary full paper boards expertly rebacked; raised spine with five 5 bands black ink title on vellum label on two; central black fleur de lis design on four. Notes: Provenance: Upper pasted endpaper with owner’s armorial bookplate: “Watkin Williams Esq of Penbedw // in the County of Denbighâ€. Concerning this name Archaeologia Cambrensis states: “1789. Watkin Williams Esq. of Penbedw in the county of Denbigh but owner of property in the parishes of Mallwyd and Llan-y-mowddwy in the county of Merioneth M.P. first for Montgomeryshire and afterwards during nearly thirty years for the Flint contributary boroughs was appointed lieutenant and custos rotulorum for Merionethshire.†Final free endpaper watermarked. <br>This edition of this Canadiana publication is unique in that we are not able to locate another copy of the same anywhere. The second last paragraph of the introduction to the priests clergy and missionaries in this edition states that this publication encloses at the end of the first part or 'Rituel' a second part entitled 'les Statuts Ordonnances & Mandemens.' instructions prepared at various times by the Church for the conduct of all including those entrusted to the clergy that these instructions may not be ignored. The recipient are advised that they are restatements of instructions previously given to be read often just as such given in the Ritual itself; they are to be followed with precisions including all the rules contained not to be lost sight of observed faithfully in all works and ones conduct. The inclusion of this paragraph is unlike the introduction of another edition published at the same time and same location but not including this paragraph or the 'Statuts.'. <br>The present work describing festivals sacraments statutes and ordinances for the use by priests in Quebec is extremely rare and was immediately followed by a second edition published the same year: Gagnon reports that in a copy of the second edition of 1703 now at the Laval University library and previously owned by Abbé Plante a note says that the first edition “would have been almost completely destroyed by the sinking of the ship …carrying it to Canada and for this reason a second edition was immediately made.†<br>On the “privilege†included as the final leaf in our first edition example it is stated that the work was registered on March 30 1703 and completed for print for the first time on March 31 1703; <br><br>Saint-Valier was a supporter of the Counter Reformation. His initial intent in the New World was to engage in the conversion of the indigenous residents. He introduced Jesuits and Recollects in an attempt to evangelize New France. Many of these missions Illinois Louisiana and Mississippi resulted in conflicts between Bishop Saint-Vallier the Jesuits and the seminary of Quebec.<br><br>His various construction projects reflect a desire to restore and renew the authority in the Catholic Church as the main institution of administrative organization. In 1697 Saint-Valier built a palace in Quebec for his clergy and as a place of hospitality. During the same year he also established a nuns monastery in Trois-Rivières Saint-Vallier’s zeal for religious activities and establishments stretched from Quebec Montreal Acadia and Louisiana. His way of life embodied that of the ideals of the Council of Trent.<br><br>The Diocese of Quebec was vast and its population diverse and widespread. It included the whole of French North America or what was called New France divided in seven colonies: Newfoundland Acadia ÃŽle Royale Louisiana Illinois Upper Country and Canada inhabited by Indigenous people and the European settlers. During the tenure of Saint-Vallier immigration from France was mostly over; the European colonists were farmers fishermen sailors merchants and ‘coureurs des bois’ overseen by a small elite of aristocratic leaders but a great demographic explosion occurred between 1685 and 1730 the white population in New France jumping from c. 12000 inhabitants to c. 41500.<br><br>During the same time the number of Amerindian fell from c. 163500 to c. 61500. That loss mainly in the tribes of Louisiana was attributed to warfare and diseases brought to the valley of the Mississippi. The number of Aboriginals compared to white settlers is one reason for the presence of so many religious orders in New France. The missions and conversions to Christianity were deemed very important.<br><br>Priests of the Missions Étrangères of Paris the Jesuits the Recollets and the Sulpicians often worked in collaboration with the nuns from different orders like the Congrégation de Notre-Dame or the Canonesses of St. Augustine of the Mercy of Jesus at l’Hôtel-Dieu de Québec. The arrival of Saint-Vallier and his strong views on what should be the duties of the priests created a shock wave in the orders especially for the Seminary of Quebec newly founded by his predecessor Bishop Laval. … Saint-Vallier's tenure as bishop was defined by interminable quarrels with governmental and religious institutions in French North America. … his active leadership style brought him into conflict with various groups who perceived him as at times domineering and micromanaging.<br>While subject to much criticism Saint-Vallier was also admired in his diocese for his dedication and self-sacrifice. Rather than staying in Quebec or Montreal he tirelessly traveled the back-country. The founding of the Hôpital Général and installation of Jesuits and Recollets at Montreal were also to his credit.<br><br>There was a very strong suspicion in the colonies and in France that the Bishop of Quebec was in fact a follower of Jansenism. . In the beginning of the 18th century the Bishop wrote 3 books; the Ritual the Catechism and the ‘Statuts et ordonnances’ – two of which are bound in the present volume. <br>…the Superior of the jesuite order decided to attack Saint-Vallier’s authority by writing a long critic of those three books seeing them as a "lapse into Arianism Pelagianism Jansenism Lutheranism and Calvinism". Father Bouvart based his accusations on different passages of the works of the Bishop … who eventually appealed to the Sorbonne to have his works rehabilitated. The doctors of the Faculty of Theology declared the Ritual and the Catechism perfectly orthodox and censured the critic of Bouvart. Nevertheless Saint-Vallier decided to re-edit in 1713 the Ritual so as to cast away all doubts about his pretended Jansenist ideas. This book remained in use in the parishes until the middle of the 19th century. The present work is the unedited original and first edition of his ritual and statuts. <br><br>The disputes with the religious orders of New France the government and the merchants gave way to a more peaceful period that lasted until his death. Austere throughout his life he became more and more humble in his way of living and turned toward contemplation and simple duties. .He also took very seriously his duties of Bishop and developed parishes in the farthest corners of the diocese.<br><br> Size: Octavo 213 x133mm. Illustration: Text in French; with some text in Latin<br>Achevé d'imprimer pour la premiere fois ce 31 mars 1703. Relié avec le Rituel du même. <br><br>Illustrated with two printer's devices representing the arms of the archdiocese of Quebec; various head and tail pieces incl. vignettes; in-text music notes on Qiiii-Si; Ggii-iiii. References: Philéas Gagnon: Essai de bibliographie canadienne: Inventaire d'une bibliothèque . Volume 1: 3138 & 3139 p.437; Archaeologia Cambrensis Volume 1 p.142. Pages: Ff. 2 bl. ill. title bl. author to priests on the use of the book 4 Fetes Observe’es 4 604 table 2 errata 3 bl.; ill. title bl. letter 3 8-146 table 2 privilege 2 bl.2; In leaf collation: bl. v A-Z8 Aa-Nn8 Oo-Rr4 iiiff. table; a1 a3-a8 e8 i8 o8 u8 aa8 ee8 ii2 oo8 uu8 aaa1 ii bl. Category: Book Canada; Book Religious Christianity; Chez Simon Langlois, hardcover
1799181979London : Printed by J.W. Myers No. 2 Paternoster-row for Crosby and Letterman Stationer's-Court near PaterNoster-Row; and R. Pitkeathley Tavistock-Street 1799. Second Edition. Hardback. Finely bound in modern aniline calf over marble boards. Raised bands with the original gilt-blocked leather label laid-back. An exceptional copy - scans and additional bibliographic detail on request.; 8vo 8"" - 9"" tall; 461 pages; Physical desc.: xvi4611p. ; 8°. Notes: A reissue of the first edition with a cancel titlepage. With a half-title. ESTC citation no.: T95919. Subject: Anecdotes - Early works to 1800. Biography - Early works to 1800. London : Printed by J.W. Myers, No. 2, Paternoster-row, for Crosby and Letterman, Stationer's-Court, near PaterNoster-Row; and R hardcover
1790194448London: Printed for G. Kearsley 1790. First Edition. Hardback. Closed tear to the title. Finely and period sympathetically bound in modern aniline calf over marble boards. Raised bands with gilt cross-bands and the title blocked direct in gilt. An uncommonly good example; of presentation quality - scans and additional bibliographic detail on request.; 8vo 8"" - 9"" tall; 232 pages; Physical description; xv1232p. ; 8°. Notes; Anonymous. By Leman Thomas Rede the elder. Referenced by: English Short Title Catalog ESTCT100328. Subjects; Judges - Great Britain. Lawyers - Great Britain. London: Printed for G. Kearsley hardcover
1732B5857Amsterdam: Rudolf & Jacob Wetstein and G. Smith c.1732. 3 ff. unnumbered and fully engraved with 6 half page illustrations do according to Brunet account for pp. 265-270. Repaired marginal tear to title to Tome 2 repaired corner tear to 327/8; overall a near fine example of this finely illustrated work with text and plates clean and crisp. . Edition: First Edition Binding: Contemporary decorative calf; expertly rebacked; boards with central gilt medallions; spine with five 5 raised bands flanked by horizontal gilt fillet and decorative rolls with gilt designed corners and centres in compartments and gilt lettered title on morocco label on two; all edges red. Notes: Publius Ovidius Naso or Ovid 43 BC – AD 17/18 was a Roman poet who lived during the reign of Augustus. A contemporary of Virgil and Horace he is often ranked one of the three canonical poets of Latin literature and enjoyed enormous popularity. Augustus sent him into exile where he died. Today he is best known for his Metamorphoses a 15-book continuous mythological narrative written in the meter of epic and for works in elegiac couplets such as Ars Amatoria "The Art of Love" and Fasti. His poetry was much imitated during Late Antiquity and the Middle Ages and greatly influenced Western art and literature. The Metamorphoses remains one of the most important sources of classical mythology. <br>The Metamorphoses Ovid's most ambitious work was written in dactylic hexameter about transformations in Greek and Roman mythology set within a loose mytho-historical framework. The characters in this work undergo many different transformations. Within an extent of nearly 12000 verses almost 250 different myths are mentioned; each myth is set outdoors where the mortals are often vulnerable to external influences. The first book describes the formation of the world the ages of man the flood the story of Daphne's rape by Apollo and Io's by Jupiter; the second Phaethon and the love of Jupiter with Callisto and Europa; the third focuses on the mythology of Thebes with the stories of Cadmus Actaeon and Pentheus; the fourth on three pairs of lovers: Pyramus and Thisbe Salmacis and Hermaphroditus and Perseus and Andromeda; the fifth on the song of the Muses which describes the rape of Proserpina; the sixth on the rivalry between gods and mortals beginning with Arachne and ending with Philomela; the seventh on Medea as well as Cephalus and Procris; the eighth on Daedalus' flight the Calydonian boar hunt and the contrast between pious Baucis and Philemon and the wicked Erysichthon; the ninth on Heracles and the incestuous Byblis; the tenth on stories of doomed love such as Orpheus who sings about Hyacinthus as well as Pygmalion Myrrha and Adonis; the eleventh on marriages of Peleus and Thetis and the love of Ceyx and Alcyone; the twelfth moves from myth to history describing the exploits of Achilles the battle of the centaurs and Iphigeneia; the thirteenth discusses the contest over Achilles' arms and Polyphemus; the fourteenth moves to Italy describing the journey of Aeneas Pomona and Vertumnus and Romulus and the final or fifteenth opens with a philosophical lecture by Pythagoras and the deification of Caesar. The end of the poem praises Augustus and expresses Ovid's belief that his poem has earned him immortality.<br>In analyzing the Metamorphoses scholars have focused on Ovid's organization of his vast body of material. Ovid engages creatively with his predecessors alluding creatively to the full spectrum of classical poetry. <br><br>This 1732 first Amsterdam edition is superbly illustrated employing copper plate engravings attributed to the Dutch: Balthasar Bernaerts engraving c.1711–1737; Jacob Folkema 1692–1767; Wouter Jongman engraving c.1712–1744 Joseph Mulder c.1659/60-; Jan Schenk engraving c.1731–1746; Jan Wandelaar 1690–1759 Philip Van Gunst 1685–1732; the Flemish: Martin Bouche c. 1640–1693 Frederic Bouttats c.1610–1675 Peter Paul Bouche c.1646- and the French: Bernard Picart 1673–1733; after the works of the Dutch: Louis Fabritius Dubourg 1693–1775; Godfried Maes 1649-1700; Jan Punt 1711–1779; Jacob De Wit 1695–1754; the French: Charles LeBrun 1619–1690; Sebastien Leclerc 1637–1714; and the Italians: Giulio Romano 1499–1546; and Pietro Testa 1612–1650. <br> Size: folio 455 x300 mm Illustration: Illustrated with allegorical copper engraved frontispiece by Picart and onehundred twenty-nine 129 copper engravings throughout the text by and after illustrious and notable engravers and artists mostly listed under notes. Illustrations also include two 2 red and black ink printed titles each with a large vignette copper engraving; one 1 copper engraved vignette head piece introducing the dedication to the king; numerous in-text decorative wood-cut head and tail pieces and large thematic or ornamental rubricated initials. The French and Latin texts are in two parallel corresponding columns. Volume: Two tomes in one volume Provenance: watermarked on many leafs including on the 1.free endpaper and dedication to tome 1 as well as title to tome 2: “ BEAVUALS†at centre of leaf. 2.title and final page of tome 1: an upside-down design of a fleur de lis 3.lower free endpaper: “C D“ References: Brunet III: 599; Cohen-de Ricci: 768. Transation: Text in Latin with F Pages: Bl. 2 Frontispiece by Picard bl. Tome I: Red and black ink illustrated title bl. dedication 2 preface 6 1-247 bl. with 69 half page copper engravings. Tome 2: Red and black ink vignette illustrated title bl. 249-264 3 ff. of illustrations 271-524 with 60 half page copper engravings table des matieres 4 bl. 2. Category: Book Classics; Book Europe France; Book Plate Books General; Rudolf & Jacob Wetstein and G. Smith, hardcover
1715ZB533523Venetiis: Apud Paulum Belleonium 1715. small quarto 22 cm. tall three volumes in one as issued with continuous pagination; 4 leaves beginning with half title 711 pp. text double column; contemporary vellum darkened and rubbed signature of early owner on title with his marginalia on paste downs hand stamps of modern owner to the top margin of the title page margins cut down but not close internally clean and tight. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Venetiis: Apud Paulum Belleonium hardcover
1762B6600Romae: Veneunt apud Auctorem in ædibus Comitis Thomati via Felice prope templum SS. Trinitatis in Monte Pincio; c.1762. Fine thick laid 18th century Italian paper with wide margined paper watermarked engravings; spine and corners worn – A handsome and attractive example plates are clean and crisp. Binding: Contemporary half calf; double gilt fillets bordering marbled boards; spine with five 5 matching gilt fillets on raised bands embossed gilt lettered title on two and four; pasted and free endpapers marbled; all edges marbled. Notes: Text in Latin and Italian.<br>This work was dedicated by Piranesi to one of his highly esteemed co-workers during the 1750’s Robert Adam. Concerning this Rome 1762 edition Luigi Ficacci states: “Edition Rome 1762. Engraved title on the title page: The Campus Martius of Ancient Rome the Work of G. B. Piranesi Fellow of the Royal Society of Antiquaries London. The Latin title page bears the title the date of the edition and the dedication to Robert Adam. The address is: “Veneunt apud Auctorem in aedibus Comitis Thomati via Felice prope Templum SS. Trinitatis in Monte Pincioâ€.<br>The volume is composed of 2 title pages Latin and Italian whose sequence varies according to the copy 2 ornamented letters 4 vignettes 42 plates by Piranesi 5 of these plates are composed of several copperplates and 1 engraved by Vesterhout 68 pages of text in Italian and Latin preceded by 6 pages of dedication to Robert Adam and followed by 29 pages of indices. …<br>The genesis of the work goes back to the second half of the 1750s: its publication is announced as imminent in the first volume of Antichita Romane 1756. The large Plan of Campo Marzio and 6 copperplates “Ichnographia†or plan of the Campus Martius ill. 493 executed in collaboration with Robert Adam and dedicated to him is dated 1757 on the plate. The approbatio is dated 1761. The plate by Vesterhout plate XXXI … reproduces the technical solution adopted by Carlo and Francesco Fontana for restoration of the Column of Antonius Pius in 1705.â€<br><br>Plate XXXI depicting the excavation of the Antonine column in 1705 was signed by both its engraver Arnold Van Westerhout or Vesterhout and by its designer and artist Franciscus Fontana. <br>The second illustrated title or title in Italian reads: 'Il Campo Marzio Dell'Antica Roma'.<br><br><br> Size: Folio 542 x 406mm. Illustration: Copper engravings with illustrated title in Latin illustrated title in Italian two half-page head-piece vignettes opening dedication at a1v-2r; two engraved decorative copper initials opening the text at A1v and A2r; two large end-piece vignettes at R2v and R3r; moreover Tab. I-XLVIII with fifty-two 52 copper engraved plates; these include: a double-page plate numbered XXXII two triple or oversized folding plates numbered II and XXXI; a larger oversized engraving 1500x1500mm encompassing plates V-X forming the plan of the Campus Martius; a single page numbered XLVIII depicting three copper plates entitled “Elevazione de’ Teatri…†“Elevazione del Pantheon…†and “Elevazione dell’ Anfiteatroâ€; single pages two half-page copper plates each - numbered XII entitled “Hypsographia…†and “Sectio…†and XLVI entitled “A Reliquiae…†and “Orthographia…†respectively; the remaining copper plates full or single page sized. Provenance: Upper marginal corner of upper pasted endpaper with sticker reading “C.E.Rappaport // Libri Rari // Romaâ€- References: Luigi Ficacci pp. 394-431; Focillon 1964: 428-479; Hind 1978: 85; Millard iv 2000: 91; RIBA Early Pr. iii 1999: 2551; Wilton-Ely 1994: 559-612. Pages: Ll: Bl. 2 Illustrated title in Latin illustrated title in Italian a1-b2 with dedication A1-Q2 R1-3 with approbation and explanatory texts; a1-c2 with Index ; 1-2 1-3 with catalogues; illustrations: Tab.I-XLVIII; bl. 2. Category: Book Art Architecture & Design; Book Europe Italy; Book Plate Books General; Book Antiquities; Veneunt apud Auctorem in ædibus Comitis Thomati via Felice prope templum SS. Trinitatis in Monte Pincio; hardcover
1770B6607Romae/Rome: Veneunt apud Auctorem in ædibus Comitis Thomati via Felice prope templum SS. Trinitatis in Monte Pincio; watermarks indicate: c.1770’s-1790’s. Plates and text crisp and clean near fine. Thick wide margined paper. Binding: Contemporary half calf with marbled boards; spine with five 5 blind raised bands flanked by gilt tooling; gilt lettered title on Morocco label on two; contemporary pasted and free endpapers; all edges speckled red. Notes: Text in Italian; captions in Latin.<br>This work was dedicated by Piranesi to one of his highly esteemed co-workers during the 1750’s Robert Adam. Concerning the Rome 1762 edition Luigi Ficacci states: “Edition Rome 1762. Engraved title on the title page: The Campus Martius of Ancient Rome the Work of G. B. Piranesi Fellow of the Royal Society of Antiquaries London. The Latin title page bears the title the date of the edition and the dedication to Robert Adam. The address is: “Veneunt apud Auctorem in aedibus Comitis Thomati via Felice prope Templum SS. Trinitatis in Monte Pincioâ€.<br>The genesis of the work goes back to the second half of the 1750s: its publication is announced as imminent in the first volume of Antichita Romane 1756. The large Plan of Campo Marzio and 6 copperplates “Ichnographia†or plan of the Campus Martius ill. 493 executed in collaboration with Robert Adam and dedicated to him is dated 1757 on the plate. The approbatio is dated 1761. The plate by Vesterhout plate XXXI … reproduces the technical solution adopted by Carlo and Francesco Fontana for restoration of the Column of Antonius Pius in 1705.â€<br> Size: Folio 542x406mm. Illustration: Etched copper engravings with illustrated title in Latin illustrated title in Italian ornamental head-piece and engraved decorative copper initial at A1r; the initial opens the text. Tab. I-XLVIII plus three full page engravings entitled “Sepulchrum Mariae Honorij Imp. Uxoris …†“Labrum aegyptiacum porphyreticum…†and Nonnulla monumenta sepulcralia quae recensentur…â€; these 51etchings include double-page plates numbered V-X forming the plan of the Campus Martius and one double page plate # XXXII; two triple or oversized folding plates numbered II and XXXI; a single page numbered XLVIII depicting three copper plates entitled “Elevazione de’ Teatri…†“Elevazione del Pantheon…†and “Elevazione dell’ Anfiteatroâ€; single pages two half-page copper plates each - numbered XII entitled “Hypsographia…†and “Sectio…†and XLVI entitled “A Reliquiae…†and “Orthographia…†respectively; the remaining copper plates are full page in size. Plate XXXI was engraved by Vesterhout after Fontana.<br>Thick wide margined paper; many watermarks pointing this Roman edition to the time frame of 1770’s -1790’s. Examples of watermarks: an unlisted on both free endpapers with an inner fleur de lis design within a circle; #19 1790’s at plate 43; #68 probably 1790’s at plate 35; #59 mid 1770’s -1790’s at plates 31 and 32; #64 1790’s also on plate 31; # 12 late 1780’s -1790’s at plate 30; #14 mid 1761 or #16 1790’s at plate 29; #59 mid 1770’s -1790’s and 64 1790’s at insert plate 21 entitled Scenographia Machinae qua Clemente XI. Pont. Max. An. D. MDCCV; #74 1790’s on unnumbered plate entitled “Sepulchrum Mariae Honorij Imp. Uxoris†generally featured as headpiece vignette of the Latin text.; #12 late 1780’s -1790’s on unnumbered plate entitled “Labrum aegyptiacum porphyreticum…†here as full plate otherwise a headpiece of the Latin text. <br>Plate XXXI depicting the excavation of the Antonine column in 1705 was signed by both its engraver Arnold Van Westerhout or Vesterhout and by its designer and artist Franciscus Fontana. The second illustrated title or title in Italian reads: 'Il Campo Marzio Dell'Antica Roma'.<br> References: Luigi Ficacci pp. 394-431; Focillon 1964: 428-479; Hind 1978: 85; Millard iv 2000: 91; RIBA Early Pr. iii 1999: 2551; Wilton-Ely 1994: plates 559-612. Pages: Ll: Bl. Illustrated title in Latin A1-H2 a1-c2 with catalogue and indices; illustrated title in Italian; Tab.I-XLVIII plus three full-leaf unnumbered plates bl. Category: Book Art Architecture & Design; Book Europe Italy; Book Antiquities; Book Plate Books General; Veneunt apud Auctorem in ædibus Comitis Thomati via Felice prope templum SS. Trinitatis in Monte Pincio; [ watermarks indicate: hardcover
1780423856Hartford Connecticut 1780. Unbound. Near Fine. Approximately 7" x 6. 5" on laid paper with a deckled edge. Old folds near fine. Receipt of payment from the Pay-Table Committee of 55 pounds to John Pearce or Pierce Signed as received by him as Pearce. Docketed as received on the verso as Pierce. unknown