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Japan Fashion Illustration AssociationBiblio.com

FASHION ILLUSTRATION 6 books in total

[FASHION -- WOMEN & MEN'S CLOTHING]. [ISRAEL, Clarence Elbert (President)].Biblio.com

The Melville Company distinctive styles for particular women. Salesman fashion sample portfolio fashion designs textiles samples sales forms.

195054848Cincinnati OH: The Melville Company ca. 1950. 4to. 39 8.5 x 11 in. fashion plates with 97 tipped-in fabric samples including cotton cotton blends cotton-rayon blends satin nylon for men & womenâ€™s fashions dresses lingerie pants suits skirts. order blank booklet preserved in original cardboard portfolio w/ company design logo on rear flap an excellent collection. First edition of this scarce and unusually complete salesman sample sales kit for womenâ€™s dresses fashions coats lingerie as well as menâ€™s overcoats underwear & socks and even womenâ€™s outerwear rubber pocket books and overcoats in post-World War II America. The Melville Company was a coordinated direct-sales fashion company supplied by Harford Frocks Inc. which maintained a large mail order tailoring operation in Ohio from the early 1920s up through the 1970s employing 100s of tailors and seamstresses to fill orders together with J.C. Field & Son Inc. direct marketing firm. The company focused on â€œplus sizesâ€ while maintaining how these fashions emphasized trim appearances survived on a constant sales force composed primarily of young women and house wives earning extra money willing to peddle door-to-door and created a high-quality product. The catalogue offers invaluable illustrated historical reference for the colours styles and fabrics during the explosion and impact of Christian Diorâ€™s new designs reflecting the refined femininity with severely cinched waists extra padding to the hips longer and decidedly more romantic skirts and dresses as well as nicely fitted jacket-and-skirt tailored suits. Israel 1901-1991 built and ran this very successful mail order dressmaking operation which also owned the Fashion Frocks Dress Company as well and operated out of the Oesterlein Machine Company historic building in Cincinnati OH now home to the American Sign Museum. The Melville Company, unknown

Zephyr Used & Rare Books · États-Unis375,00 $US≈ 317,29 €

[FASHION -- ADVERTISING DISPLAYS]. NEIMAN, LeRoy (Artist); [WEISBERG, Lawrence R].Biblio.com

The Arrow Man as seen by celebrated artist LeRoy Neiman: The Brigade Collection; The Dover Collection; The Bradstreet Collection; The Trump Collection . . . four original counter displays all featuring Neiman colour printed paintings.

198662982New York & Troy NY: Arrow Company Cluett-Peabody Co. 1986. Four oblong folio colour-printed advertising displays sized 16.5 x 11.25 in. colour-printed on thick card stock all four retaining their original fold back easels on versos slight edgewear very slight bowing still a NF set. First editions of these original counter displays marking Arrowâ€™s attempts to revive their Arrow Man shirts with â€œFanciesâ€ -- coloured shirts and intended to bring back the label in much the same way that Leyendeckerâ€™s striking illustrations had helped the company dominate the market through the first part of the 20th Century. Neiman in the 1980â€™s was not only well-known for his monthly illustrated sporting and lifestyle column in Playboy Magazine but also noted painter of the Indianapolis 500 races Official Painter of five Olympics boxing matches -- with Muhammad Ali a particular favorite as well as capturing basketball boxing hockey gymnastics swimming billiards and more. The Brigade Collection is here depicted by Neiman with an illustration of a boxer heading to the ring at Madison Square Garden; the stylish Dover Collection is depicted with stylish couple in Luteceâ€™s bar in New York City; the finest level Bradstreet Collection which featured white collar and French cuffs is shown here with Arrow man at a horse race walking with his jockey and finally a couple shooting pool represents the cheapest line or â€œopening price pointâ€ Trump collection which was one of the oldest lines dating back to the early 20th Century and after Leyendecker featured illustrations by Frederic Stanley. No copies in Worldcat; See: Philip Dougherty Advertising: Arrow Man is Painted by Neiman New York Times Jan. 6 1986; Carl Johnson Cluett Peabody & Co. Hoxsie! The History of Albany Schenectady and Troy Feb. 7 2012. Arrow Company, [Cluett-Peabody Co.], unknown

Zephyr Used & Rare Books · États-Unis395,00 $US≈ 334,21 €

Black Models Fashion ShowBiblio.com

Color Photograph Archive of 1984 Runway Show Featuring Black Models and Backstage Scenes

1984197351984. Photographic archive 1984 documenting African American participation in fashion runway culture during a period of expanding visibility for Black models within commercial and public-facing fashion events. The images center on runway presentation styling and performance with emphasis on clothing posture and audience reception. The material supports research into Black representation in fashion the aesthetics of 1980s design and the intersection of race visibility and consumer culture within the fashion industry.<br /> Archive of 20 original color photographs dated July 1984. Prints measure approximately 4 x 4.5 inches to 5 x 6 inches. The photographs depict multiple runway scenes featuring Black models in varied outfits including bright casual wear dresses athletic ensembles and business-influenced styles. Specific images include a model wearing a pink lace floral dress with ribbon detailing and white heels figures in coordinated athletic-inspired outfits with bold color accents and a model in a white dress trimmed with pink ruffles and pearl-like ornamentation. One image shows a male model in white flared overalls and sandals. Additional photographs capture audience members of mixed racial identities seated along the runway as well as backstage moments in which models pose against a wall displaying portraits of other figures associated with the production or company. Several prints bear date stamps reading "7/84" on the verso.<br /> Produced during a decade marked by gradual shifts in fashion industry representation these photographs provide visual evidence of Black models occupying central roles in runway presentation while engaging with broader stylistic trends of the period. The inclusion of both runway and backstage scenes allows for study of performance preparation and audience interaction within fashion environments. Light handling wear and minor surface marks; overall very good condition. A cohesive visual record of 1980s runway culture with emphasis on African American representation. unknown

Max Rambod Inc. · États-Unis425,00 $US≈ 359,59 €

[FASHION -- JANTZEN SWIMWEAR POSTER]. [YOST, Roger, FERRIS, Byron & GROENING, Homer].Biblio.com

Those good old days are here again: Jantzen speaks your language. Giant colour lithograph poster reminiscent of the psychedelic poster designs popularly employed and here depicting three muscled swimmers in trunks and tank top framed in stylish lettering.

196861495Portland OR: Jantzen Knitting Mills 1968. One giant colour lithograph advertising poster sized 40.5 x 46.5 in. on thick paper stock minor creasing edgewear agewear and couple closed tears w/ repairs still a bright copy now mounted on archival foam core and shrunk-wrapped from the library of Keith Albert Zilk 1927-2020 Korean War Vet Company D 40th Infantry and photographer with Condit Photo Studio and later with Jantzen Swimwear. First edition of this exceedingly scarce promotional swimwear poster for Jantzen produced under the direction of Roger Yost former Jantzen Art Director & Advertising & Marketing Manager designer Byron Ferris and copywriter Homer Groening 1919-1996 for the 1968 season the year after Jantzen had become the NFLâ€™s first apparel licensee. Replacing the iconic â€œJust wear a smile and a Jantzenâ€ with â€œJantzen Speaks Your Languageâ€ this poster also sports the revised Jantzen Logo created by Thomas Lincoln who created a sort of condensed Bodoni which did not previously exist and worked with John Pistilli a New York type designer to create the entire alphabet. The swimwear advertising campaign featured such athletes as Frank Gifford Jerry West and Paul Hornung wearing wearing the striped trunks and were also used in 30-minute television biopics created by Portland filmmaker Homer Groening for 120 TV stations. We could find no similar surviving example; See: Trudy Chin Jantzen Collaboration Between Design & Advertising in the Jantzen Bullpen Portland Design History 2020; Ash Horn Homer Groening The Vanguard Cartoonist Filmmaker and Ad Man Who Did it All Portland Design History 2020. Jantzen Knitting Mills, unknown

Zephyr Used & Rare Books · États-Unis450,00 $US≈ 380,75 €

[FASHION -- MEN'S SILK TIES]. [WOMEN]. BELL, Faye (Designer).Biblio.com

Cohama cravats: presenting the Cohama Cravat plan -- based on the idea of a consumer-advertised and labeled tie to retail at one dollar. . . .

194061451New York: Cohama Cravats United Merchants & Manufacturers 1412 Broadway 1940. Atlas folio. 13 x 18 in. 34 pp unpaginated. printed on thick tan paper stock with 21 different tipped-in advertising promotional samples including camera-ready newspaper ads sample window & counter display cards and folded promotional brochures for mailing each to be imprinted with the retailer’s name order book tucked into rear pocket mounted on last leaf. Tan boards plastic-comb binding to spine minor bumping to couple corners some dustsoiling minor chipping to foot of spine still a VG bright exemplar. First edition of this exceedingly scarce sales and advertising catalogue designed to present the 1940 plan by the company for their $ 1.00 men’s cravat ties. Featured are the proposed newspaper ad lines for the six different Cohama Cravats in the Spring & Summer including the Briar Bahama Camelot Rangoon Gamester and Seminole. American tie manufacturing emerged as a significant force at the end of the Jazz Age and through the 1930’s as their popularity grew world wide for their heavy use of colours vivid patterns and breaking away from the more sedate colour palate of the British tie industry. Contributing to the explosion of tie manufacturing in the 1930s and 1940s were the need by many men during the Great Depression and then the War years to change their fashion look by adding a decorative tie rather than buying a new suit or set of clothes. The Duke of Windsor heavily influenced ties styles and wearers by not only developing the Windsor knot but also wearing them with many different types of clothing. Cohama was a trademark of United Merchants which was a textile firm originally founded in 1912 as the Cohn-Hall-Marx Co. merging with United Merchants in 1928 and later clothing chains across the East and South through World War II. No copies located in Worldcat; See: Gibbings The tie trends and traditions 1990. Cohama Cravats, United Merchants & Manufacturers, 1412 Broadway, hardcover

Zephyr Used & Rare Books · États-Unis475,00 $US≈ 401,90 €

Multiracial Fashion & ModelingBiblio.com

African American Fashion Modeling Photography Archive Documenting Black Representation in Mid Century and Postwar American Fashion Culture

1950211751950. Archive of fashion photography documenting African American women's participation in commercial and editorial modeling from the 1950s through the 1980s a period in which the American fashion and advertising industries remained overwhelmingly centered on white beauty standards and limited Black representation in print media. Working in Cultural / Representational Mode the material illustrates changing presentations of Black femininity glamour and natural beauty across several decades of American fashion culture. The photographs provide visual evidence of evolving aesthetic conventions surrounding race cosmetics hairstyles leisure and commercial image-making during the postwar and Civil Rights eras. Particularly notable are several 1970s images depicting Black models with natural hairstyles and minimal cosmetic styling reflecting broader cultural shifts associated with Black pride movements and changing representations of African American identity in fashion and advertising imagery.<br /> Collection comprises 23 silver gelatin photographs and one color photograph produced by several professional photographers between the 1950s and 1980s. Images include editorial fashion shoots casting and publicity photographs scanned negatives and studio portraiture featuring predominantly Black women alongside several white models photographed by the same studios. Two 1970s editorial images depict a lean Black model with closely cropped natural hair posed in a leopard-print wrap. Four photographs focus specifically on Black women including close-up portraits emphasizing natural presentation and informal styling. One younger woman appears without visible makeup wearing a bandana and t-shirt while another is photographed in a straw hat with hoop earrings and patterned sash. Additional photographs include a Black model posed in a bikini atop the rim of a classical fountain featuring Aphrodite imagery. Four professional photographs and one casting card depict singer and actress Sylvia Vanderbeilt in commercial studio poses. Several scanned negatives portray a Black female model in multiple outfits and poses characteristic of 1970s fashion photography including one sequence featuring both the model and a young Black girl during apparent test shoots. The latest material consists of scanned negative strips from an apparent 1980s fashion session featuring a Black model with a sleek bob hairstyle modeling padded blazers and contemporary commercial attire. Other photographs depict white women in evening gowns fur wraps and casual mid-century fashions including two images by photographer Lee Brian showing the same model posed in mid-length evening gowns amid neoclassical architectural settings one with an elaborate mink shawl. Several photographs bear photographer or studio stamps on the verso including L.W. Ward of Cedar Rapids Iowa and Lee Brian of Palm Beach Florida.<br /> The archive traces substantial shifts in fashion photography and racial representation across three decades of American commercial imagery from heavily stylized mid-century glamour photography to the more natural aesthetics associated with 1970s fashion editorials and Black cultural self-presentation. The inclusion of both editorial and test photography offers insight into the production practices of commercial modeling studios as well as the visual conventions used in presenting Black women to advertising and fashion audiences during a period of gradual but uneven industry integration. Minor wear and light handling marks throughout; photographs otherwise remain in very good condition overall. A visually strong grouping documenting African American representation within postwar American fashion photography and commercial image culture. unknown

Max Rambod Inc. · États-Unis480,00 $US≈ 406,13 €

[FASHION, TEXTILES & DRY GOODS -- CATALOGUE]. VINSON, A[llen] V[inson].Biblio.com

A.V. Love Dry Goods Company Catalog 1924. . . .

192462500Tacoma WA: A.V. Love Dry Goods Co. 2102-2106 Pacific Ave. 1924. 4to. 4 286 i.e. 338 10 pp. Including 52 pp. of colour lithograph sample pages many w/raised colour-embossed plates of bolts of cloth or fabric samples ribbon samples colour swatches 100’s of text illustrations photo illustrations. Brown-cloth backed colour-illustrated flexible covers cover art of 1920’s bobbed-hair woman measuring bolts of cloth Love Co. advertisement on back cover minor chipping & creasing to corners edgewear minor scuffing couple minor closed tears still VG- copy. First edition of this very scarce and lavishly illustrated wholesaler’s dry-goods catalogue issued by A.V. Love Dry Goods Co. during the Roaring 20’s. As a wholesale catalogue goods and counter displays are depicted and priced such as those for cuff buttons combs hair pins perfumes pipes sewing goods textiles and yarns. Of particular interest are the beautifully colour-printed & embossed inserted sample pages for trimmings silks silk threads yarns underwear towels blankets and more. Sections specifically devoted to work clothes including overalls work gloves boots logger’s plaid work shirts wool flannels and even bathing suits are also featured. Love Sr. 1868-1942 a Virginia grocer first moved to Washington State before 1900 and by 1902 had established his own firm in Tacoma for the A.V. Love Dry Goods Co. eventually with sample showrooms in Seattle Portland Bellingham Bremerton Everett Yakima Walla Walla Aberdeen Eugene Lewiston Wenatchee and Juneau & Fairbanks Alaska Territory. The company erected the Love Dry Goods and Loft Building in 1925 built by Heath Gove and Bell located in the Denny Triangle neighborhood and was an excellent example of Seattle’s early Art Deco Architecture. The company moved their base of operations to Seattle from Tacoma on Pacific Ave. after completion. No copies in Worldcat; See: A.V. Love Dry Goods and Loft Building Photograph Collection Boyle Wagoner Architects Univ. of Washington Lib. Spec. Collects. PH0639. A.V. Love Dry Goods Co., 2102-2106 Pacific Ave., hardcover

Zephyr Used & Rare Books · États-Unis495,00 $US≈ 418,82 €