[San Francisco] [Fashion]Biblio.com
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1999159683San Francisco: Zip Zap Hair Salon Circa 19990. Original hand colored and annotated flyer advertising Zip Zap hair salon San Francisco circa 1990.<br /> <br /> San Francisco's Zip Zap Hair Salon opened on 245 Fillmore Street in 1986 and is still in operation today.<br /> <br /> 8.5 x 11 inches Xerographic duplication colored and annotated with oil pastel. Very Good plus with several small pinholes. Zip Zap Hair Salon unknown
195025923n.p. 1950. Sold individually. Please inquire for images of each. Image approximately 12 x 10 inches plus margins. Sold individually. Please inquire for images of each. Image approximately 12 x 10 inches plus margins. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others.<br /> <br /> In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.<br /> <br /> In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown
195025924n.p. 1950. Sold individually. Please inquire for images of each. Approximately 11 x 10 inches. Sold individually. Please inquire for images of each. Approximately 11 x 10 inches. Reynaldo Luza 1893-1978 pre-eminent fashion artist was born in Lima Peru. He began training as an architect at the University of Louvain Belgium but returned to Peru at the outbreak of World War I where he changed his studies from architecture to art. In 1918 he came to the United States where he earned his living by contributing drawings to several fashion publications principally VOGUE HARPERS BAZAAR and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist a position he was to hold for 27 years. He divided his time between New York Paris and London working closely with all of the leading fashion designers of the times--Poiret Patou Lelong Paquin Douillet Doucet Cheruit Worth Drecoll Callot Soeurs Redfern Martial et Amand Premet Reboux Chanel Vionnet Molyneaux Schiaparelli Hartnell Steibel and Balenciaga among others.<br /> <br /> In 1940 Luza made New York his principal base where over the next few years he continued his activities at Harpers as well as creating fabric and furniture designs and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions he received several honorary appointments from the government of Peru including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.<br /> <br /> In 1950 Luza returned to Peru where he began a second career as a portrait painter exhibiting his work over the next few years in Paris New York and Washington D.C. unknown
197042056Maryland 1970. Small men's 70s denim jacket from a female biker gang or motorcycle club. We find no information or reference to the "Metronettes" but as they were driving Honda's most likely Gold Wings they were probably on the more wholesome - rather than outlaw - end of the spectrum. Blue Wrangler "No Fault" denim jacket size 36. With name "Chan" and zodiac sign - "Pisces" embroidered in yellow above each breast pocket. "Metronettes" and "Md." enbroided in matching color to back of the jacket above and below a period Honda motorcycle patch. Generally fine condition. unknown
1989159713San Francisco: Club Oasis 1989. Original "Majestically Modern" poster announcing an "XQ" fashion show and performance art by "Christi On's Hot Foote Dancers" Thursday August 17 1989 hosted by Live 105 KITS disc jockey "Big" Rick Stewart with DJ Mark Hamilton also a disc jockey with Live 105 KITS.<br /> <br /> The popular San Francisco LGBTQ nightclub Club Oasis first opened in 1982. Following its decline in the early 2000s the club was bought by actor writer musician director producer and choreographer D'Archy Drollinger who reopened the club as an internationally acclaimed drag show nightclub/cabaret in 2015. D'Arcy was appointed as the San Francisco Drag Laureate in 2023 the first Drag Laureate ever in the world.<br /> <br /> 11 x 17 inches on pink paper. Near Fine with some light edgewear. Club Oasis unknown
194657486New York: Lord & Taylor 1946. Tall 8vo. 3 101 4 pp. Double-page frontispiece white crepe-paper Christmas Tree pop-up by The Beistle Co. Illustrated throughout most in black & white 10 colour plates some photographic others a mixed-media effect. Colour-illustrated softcovers wraparound cover art minor shelfwear edgewear at corners light rippling to gutter margin of first couple leaves still a VG copy. First edition of this fashionable post-World War II catalogue celebrating 101 stylish gifts for men women & children following the easing of Wartime restrictions. The impressionistic illustrations were created by the in-house Lord & Taylor artists who were some of the most influential designers during the 1940’s and 1950’s including Dorothy Hood Helen Hall Arnold Hall Jean Karnoff Susan Abbott Betty Offt and Carl Wilson. Many of the 101 items drip with a glamour desired and reflected in post-War film and popular culture and a distinct emphasis on femininity with such items as the “Ermine hug-me-tight†stole Hand-made silk lingerie with French Alencon lace Koret dinner bag the Harem lounging costume by Joseph Whitehead Gloves that go up and up and more. Worldcat locates 1 copy Penn State; See: Keren Ben-Horin July Treasure of the Month: Frances Neady Collection On Pins and Needles July 25 2012. Lord & Taylor, paperback
19822092902137405511Yorudansha 1982. Soft Cover. Fine. Volume: 1 Yorudansha paperback
1998124483Museu de Arte de Sao Paulo Ass 1998. paperback. New. 0x0x0. Brand new gift quality softcover oversized and overweight. D52 Please email for photos. Museu de Arte de Sao Paulo Ass paperback
195046798New York: Reporter Publications 1950-1951. Two vols. Folio. 123 1 16 pp unpaginated insert; 134 2 pp. 100s of colour and black & white illustrations some tipped-in plates over 100 tipped-in fabric samples including nylons worsted wools cotton blends taffeta ribbons quilted fabrics and more. Colour-illustrated softcovers first with Steinberg cover art 2nd w/ classical image of spinning wool minor shelfwear slight creasing VG set. First editions of these two issues of William Segal’s famed American Fabrics magazine that was considered the bible of the fashion industry at the time. All of the issues included sophisticated layout special inserts varied textures fashion design fashion art and promoted fabrics and textiles of the period. The section on Renaissance Florence influences on textiles and patterns is quite nice and the ads are beautiful with many different fashion designs and samples. Reporter Publications, paperback
195052053Amsterdam: International Textiles 1950. Folio. 212 pp. With 100s of text illustrations plates diagrams photos many in colour 1 w/ tipped-in fabric sample of red velvet. Colour-illustrated softcovers cover art by Jean Colin showing the European dove of peace dangling a tailoring manikin below while flying over the Americas plexiglass spiral binding as issued minor shelfwear light soiling to fore-edges still VG copy. First edition of this very rare installment of this post-World War II fashion textiles trade magazine filled with advertising and articles detailing how Europe intended to wean itself off the Marshall Plan aid in order to rebuild. The article on Parisian fashion includes dress designs by Jean Desses Jacques Fath Pierre Balmain and others. There is a remarkable article on seersucker patterns offered for the 1951 season by Cloques which includes photos of the actual factory sample catalogue leaves showing patterns and tipped-in fabric swatches. In addition there are lavish advertisements and beautifully illustrated articles filled with fashion window displays from the Swiss Industries Fair in 1950 revealing the tremendous explosion of Mid-Century Modern designs out of European fashion design houses. International Textiles, paperback
1994013663NY: Fashion Group International 1994. First edition. Quarto. 58 pp; profuse color & b/w illustrations. Tan paperback. Near Fine a clean unmarked copy; covers unmarked numbered ticket laid in. The 11th annual Night of Stars held by Fashion Group International honored Bernadine Morris the chief fashion reporter for the New York Times. The evening featured a live fashion show by nine Paris haute couturiers : Oscar de la Renta for Balmain Karl Lagerfeld for Chanel Gianfranco Ferre for Christian Dior Maurizio Galante Hubert de Givenchy Christian Lacroix Emanuel Ungaro Philippe Venet and Gianni Versace. It features a 4-pp tribute to Bernadine Morris by Bill Cunningham tributes by the nine Paris haute couturiers and others. First Edition. Soft Cover. Near Fine. Fashion Group International Paperback
191056015New York & Tacoma: Alfred Benjamin & Co.; Dege & Milner 1910. 8vo. 16 pp unpaginated. Black & white plates throughout including double-page centerfold pen & ink reminiscent of work of Charles Dana Gibson. Colour-illustrated softcovers cover art of horse-drawn sleigh in the snow slight dustsoiling minor shelfwear still an excellent copy. First edition of this scarce and nicely illustrated catalogue for Alfred Benjamin & Co. fashions for men before World War I. Benjamin Clothes were famed during the opening two decades of the 20th Century for emphasizing their cosmopolitan styling and that they were wholly manufactured and tailored in New York of the highest quality. The plates show well-dressed Benjamin men on the steps of The Met next to the Franz Sigel Statue on Riverside Drive in front of their Brass Era automobile at The Abbey on Lafayette and more. This copy was printed for the Dege & Milner department store in downtown Tacoma which was operated from 1901-1915 by James H. Dege and his partner William Milner before Dege opened the James H. Dege Co. store. No copies located in Worldcat. Alfred Benjamin & Co.; Dege & Milner, paperback
19872091502133535335Gakuseisha 1987. Soft Cover. Fine. Number of books: 1 Gakuseisha paperback
191152192Paterson NJ Allentown PA Williamsport PA Dundee Lake NJ: National Silk Dyeing Company 1911. 8vo. 4 leaves of thick card stock bound in accordion-style format which fold out into 9 x 25.5 in panorama with 178 tipped-in colour skein silk samples in rainbow of colours a few discontinued colours removed along with their inventory numbers. Black cloth gilt lettering on front cover metal snap closure minor shelfwear some rubbing still G reference copy. First edition thus of this excellent sample catalogue filled with dyed silk thread samples including such Edwardian colour names as Desdoux Aloes Salambo Eclipse Champignon Glycine Pistache Oseille Cuite Myrthe and Matelot. The National Silk Dyeing Company began life as the Auger & Simon Silk Dyeing Works which was moved to Paterson in 1884 and grew quickly during the Victorian era but in 1908 Charles Auger chose to merge operations with five other Paterson NJ dye works forming the National Silk Dyeing Company. They would enter bankruptcy during the Great Depression. Worldcat locates 1 copy of 1913 Dyeing catalogue Brooklyn Museum. National Silk Dyeing Company, hardcover
19652091502133904084Not Available 1965. Soft Cover. Fine. Volume: 1 Not Available paperback
19662091502133905455Not Available 1966. Soft Cover. Fine. Volume: 1 Not Available paperback
19662091502133905856Not Available 1966. Soft Cover. Fine. Volume: 1 Not Available paperback
19662091502133905857Not Available 1966. Soft Cover. Fine. Volume: 1 Not Available paperback
19652091502133905855Not Available 1965. Soft Cover. Fine. Volume: 1 Not Available paperback
19900009671Moscow: Sovetskii Khudozhnik 1990. First edition. Hardcover. Fine/fine. 4to 291 pages cloth; in bumped publisher's slipcase <br/><br/>Pictorial treatment of young Soviet artists of the 1980s Sovetskii Khudozhnik hardcover
198581353San Francisco: Last Gasp 1985. First Edition. Quarto. 26cm. Publisher's glossy card illustrated wraps. 92pp. Clean and bright very light wear a near fine copy. Internally clean. A very clean and pretty copy of a half-serious half-tongue in cheek run down of San Francisco subcultures of the early 1980's their peculiarities history and linguistic peculiarities. From Shboom to Miss Thing via Cholo slang and mockery of the Mallbeat. A snowglobe of the SF youth culture of days gone. 81353. Last Gasp unknown
19772090502113716368Not Available 1977. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1962KFZZQ100227Executive Committee of Italian Fashion Creators Exhibition 1962. Soft Cover. Fine. KFZZQ100227 Executive Committee of Italian Fashion Creators Exhibition paperback
192758104New York: B. Altman & Co. Fifth Avenue July-August 1927. Tall 8vo. 7 x 11 in. 46 pp. Illustrated throughout. Colour-illustrated sofcovers stylish Art Deco cover art of flapper woman in stylish hat with cocktail on ocean liner beach fashions on back cover minor dustsoiling shelfwear minor bumping at couple corners still VG copy. First edition of this nicely printed and quintessential Flapper Era in-house fashion magazine and catalogue for B. Altman. Filled with novelties accessories and designs targeting the young flapper along with encouraging the Negligee for every mood marketing summer vacation items such as cameras photo albums even a portable sun dial. Worldcat locates 3 incomplete and broken run holdings of the Altman Magazine Mint Museum U of RI UVA. B. Altman & Co., Fifth Avenue, unknown
1950218271950. Unknown designer fashion illustration archive circa 1950s-1960s documenting women's garment design and construction practices in the mid-twentieth century. The material operates in Cultural/Representational Mode illustrating the aesthetics technical processes and stylistic evolution of women's fashion during the postwar and early modernist period and offering insight into how clothing design was conceptualized drafted and annotated at the working level. The archive reflects shifting silhouettes and decorative approaches associated with mid-century fashion including structured postwar forms and emerging streamlined influences.<br /> Archive comprises over 100 original fashion illustrations each executed in ink on sheets measuring approximately 6.5 x 9 inches. The drawings depict a range of garments including cocktail dresses coats suits blouses and eveningwear with attention to silhouette drapery and surface embellishment. Many sheets include handwritten annotations in cursive along margins and versos detailing construction elements such as measurements fabric choices and stylistic variations. Examples include labeled designs such as "cocktail dress" "coat" and "suit" with notes specifying features like "turtle neck - bare cut out - colors - gold" and "square low neckline with studded pearls. colors - purple - gold." The annotations suggest iterative design thinking with references to materials color palettes and structural adjustments indicating use as a working portfolio rather than presentation-only sketches.<br /> This archive provides detailed evidence of mid-century fashion design practices at the level of individual garment planning bridging artistic representation and technical instruction. The combination of visual sketches and written notes demonstrates how designers translated aesthetic concepts into wearable forms contributing to the study of dressmaking textile use and women's fashion history during a period of stylistic transition. The volume and consistency of the material suggest sustained use potentially within a professional or training context. Light wear and minor handling marks; overall very good condition. A substantial working archive illustrating mid-twentieth-century women's fashion design and construction methods. unknown
