Scavullo, FrancescoBiblio.com
300 résultats
1977012604-XNew York: Random House 1977. Book. Illus. by Author. Very Good. Hardcover. Signed by Authors. Hardcover with the dust jacket 185 page book. Illustrated withbeautiful black and white photos all of males from models and movie actors to men in the arts. The late francesco Scavullo was a Master Photographer .He learned his trade from the bottom up . Condition: Book is Very Good with light rubs at the corner bottom signed by Scavullo on the FF." For Ted Merry Christmas and my Best : Francesco Scavullo 77 " Dust jacket is very good with small nicks and rips see the picture . See this book and others at our book site on photography at : GibbsBooks. Size: 4to - over 9¾" - 12" tall. Random House Hardcover
1975047198Kyoto Japan: Senshoku to Seikatsusha Publishing Co 1975. 1st Edition . Hardcover. Very Good/No Jacket. Folio - over 12 - 15" tall. Folio. 76 pages indexed 104 colour plates. Hardcover in green cloth. Binding has scuffs on front and rear covers. SIGNED by the author on the half title. Text is clean. Text is in English with Japanese translation on the facing page. <br/> <br/> Senshoku to Seikatsusha Publishing Co hardcover
194547397New York: Rosecliff-Quaker 1239 Broadway 1945. Folding sample case portfolio divided into 3 panels w/ flap and snap closure -- 5 x 8.5 x 1.5 in. when folded up; 18.5 x 8.5 when opened up. The left panel with brochure for Firm-edge comfort collar; right hand panel with 7 leaves with 38 cotton gabardine ascot twill Siltex and other blends; center panel with 52 cotton blend & broadcloth samples divided into 5 sections with colour-printed covers. Sample case binding is pebbled black cloth rivets on center panel verso snap for flap 1 minor scuff on flap hinge minor soiling to a few samples hinge repaired still a G copy. First edition of this exceedingly scarce and imaginative salesman sample case for men’s shirts and sport shirts with man in golf shirt on front cover of right hand sample catalogue. The wonderfully engineered catalogues mounted in the folding case display beautifully. Rosecliff-Quaker was best known for their men’s shirts with firm-edge comfort collars and Sanforized or double shrunk so the shirts would not shrink after purchase. The company was founded in 1895 and retained an active sales force for their shirts for years. No copies located in Worldcat. Rosecliff-Quaker, 1239 Broadway, hardcover
194356139Newark NJ: A. Hollander & Sons Ltd. ca. 1943. Folio. 10 x 13 in. Sixteen photographic plates printed on thick paper stock preserved in illustrated printed portfolio in blue & white w/ white lettering & illust. on front cover die-cut window showing assorted fashions within tear to lower fore-edge of die-cut window flap minor edgewear slight creasing still VG copy w/ promotional brochure laid-in for Parisian Fur Coat Co. addressed Erb’s Fur Shop in Kelso WA. This scarce promotional advertising portfolio includes printed camera-ready photographs of Hollander Featherlite Persian fur coats from such notable furriers and fashion department stores as L.S. Ayres & Co. Furs by Robert in Detroit Roy H. Bjorkman in Minneapolis featuring a Chinese Mandarin style fur Jordan Marsh Neiman-Marcus Julius Garfinckel & Co. Bonwit Teller and even an image of Marguerite Chapman 1918-1999 former Powers model who starred in Appointment in Berlin and Destroyer 1943. A. Hollander & Co. was founded in 1889 by Albert Hollander who developed processes for creating soft and silky fur coats from less expensive furs and also for developing the “Hollanderizing†cleaning process immortalized in the 1950 Broadway musical Guys & Dolls which involved swirling minks and sable fur coats in drums full of sawdust & chemicals to clean them up for each season. A. Hollander & Sons, Ltd., unknown
19694729z1969. Soft Cover. Good. PB/pub.1969/Gd. condition - Measure Mark and Try-on Method of Self-Fit. Plastique Overlay Method of Custom Fitting Paper Patterns. F64729z paperback
195660111Cincinnati OH: The Display Publishing Co. 1956. Oblong 4to. 12.5 x 9 in. 4 106 leaves. With 100’s of photo illustrations throughout. Pictorial black ribbed publisher’s cloth white illust. of Men’s torso mannequin front cover w/ sport coat & ties white lettering comb-binding as issued minor shelfwear rubbing at corners still VG copy. First edition of this scarce and lavishly illustrated Mid-20th-Century design instruction work for preparing men’s fashions and styles for window displays counter displays and point-of-sale islands within department stores and men’s stores. Specific instructions include ironing dress shirts pinning pieces properly in place properly tying ties such as the Full Windsor preparing shoes & hat displays and so much more. Buzan 1901-1974 was a longtime salesmen for men’s wear oversaw a Lubbock Texas Department Store after World War II and taught showcard writing and window displays at Texas Tech. The Display Publishing Co., hardcover
196228400<p>New York: Revlon Inc 1962. Very Good. New York: Revlon Inc. 1962. First Edition. Quarto. Bifolium. Seventeen hair color samples mounted to interior. Light edgewear; punctures from hair mounts to rear; general surface scratching overall Very Good. <br /><br />This trade catalog includes Revlon's "Predict-A-Mat" chart to interior indicating how stylists and patrons can change their natural Light Blonde hair to say Light Gold or Sunburst. Rear cover includes an additional chart showing how the competitors have no direct comparable shades to the Ultra-Ash series. A glimpse into the world of early 1960s advertising and fashion. No copies in retail and not located in OCLC.</p> Revlon, Inc
19861001170088Fashion Inst. of Technology 1986. Paperback. Very Good. Nice looking book has minor edge wear. Fashion Inst. of Technology paperback
19802507New York City: Real Life 1980. VG. Staple-bound softcover 24 pages. Mild age-toning couple tiny pockmarks to front cover see image. Contains Richard Princes "Primary Tansfers" and Kim Gordon's "Trash Drugs and Male Bonding" among other pieces. Real Life unknown
1957796891957. FASHION READY REFERENCE FUR INDUSTRY TELEPHONE DIRECTORY VOLUME NO. 33 MAY 1957. New York: Ready Reference Publishing Company Inc. 1957. 569 pp. 4to. flexible green cloth covers with gilt lettering alphabetical thumb-tabbed index at fore-edge. Spine slightly rolled corners bumped. Light rubbing to covers and pictorial endpapers advertising. Very good overall. Metropolitan New York business to business directory. B/w illustrations ads throughout: models machinery fifties graphics. unknown
1987D7M220910009Fashion institute of technology new york 1987-01-01. Paperback. Like New. 11x9x0. A very beautiful copy. Text in mint/unmarked condition. Cover has minor shelf rubbings. Binding is tight. Your Satisfaction Guaranteed. We ship daily. Fashion institute of technology new york paperback
19982020034Parma IT: Ermanno Albertelli Editore 1998 . Hardcover. Fine. 4to 119 pagespublisher;s laminated white pictorial boards; inked name on endpaper <br/><br/>Text with photographs followed by 36 Tables and Plates in color. Ermanno Albertelli Editore hardcover
1921100820<p>New York: Abercrombie & Fitch Co. 1921. 1921. Very good. - Tall narrow octavo 9-1/8 inches high by 4 inches wide. Softcover bound in pictorial light gray stapled wraps with color illustrations of Blue Birds among pussy willows on the covers. The covers are slightly soiled and the bottom corners creased. The wraps are splitting along the head & tail of the spine. 36 pages with profuse black & white illustrations of women's sporting fashion including clothing for camping and hiking riding golf tennis and polo with accessories. Very good.</p> New York: Abercrombie & Fitch Co., (1921). paperback
192658100New York & Chicago: J.L. Taylor & Co. 1926. Thick elephant folio 17 x 23.25 x 2.5 ins. 75 3 pp. printed on thick card stock each mounted on linen hinge. With 17 colour fashion plates illustrating Taylor styles of the period verso of almost all pages with 364 of 375 mounted textile samples in wool wool-rayon blends some felt backed silk moleskin corduroy cashmere waistband sample and more -- all samples clearly marked with prices and availability some of the 12 missing samples are indicated in pencil as being “Out†as well as a few present 1 additional pinned-in numerous illustrations throughout in blue-green colour tinting including Chicago & New York factories some diagrams charts and graphs. Original half-green cloth over gray green cloth corners gilt lettering on front cover colour plate w/ J.L. Taylor tailor mounted front cover some wear & minor bumping to fore-edges corners some minor soiling & occasional foxing to interior leaves -- some of it dust from the wool samples 10-15 samples with minor deterioration and evidence of old predation still a very good unsophisticated and remarkably complete example w/ original 9 x 21 in. double-sided stock list in red & black laid-in. First edition of this scarce and unusually complete salesman sample catalogue for Jazz era men’s suits in 1928-1929. J.L. Taylor maintained a huge tailoring operation in both Chicago and New York until after World War II employing hundreds of tailors and seamstresses to fill orders. The catalogues were very expensive to produce and so were most often found in department stores mercantiles and men’s stores which would have these catalogues on the sales floor for two years or more. The catalogue offers invaluable illustrated historical reference for the colours styles and fabrics during the era of F. Scott Fitzgerald and the Flappers. Most of the colour fashion plates illustrating the available styles have elegantly dressed women and settings in the background including with an emphasis on sporting in summer so golf tennis croquet canoeing boating and swimming all make an appearance. Of particular interest is the wonderful dress chart indicating styles needed clothes accessories and shoes which one would need for Day Wedding Matinee Reception Evening Dress and many others offering an excellent marketing opportunity for the store to sell the customer items to compliment his suits overcoats and other fashion wear ordered from J.L. Taylor. The final plate focuses on the lightweight “Palm Beach†& “Mohair†suits at the height of the 1920’s boom in Florida featuring snappily dressed models in Panama straw hats and a lightweight fedora. Worldcat locates 1 partial copy Preserved at the Library of Congress stripped of samples and used as scrapbook for Wilbur’s Drug Store prescriptions of Portland ME -- not an unusual occurrence. J.L. Taylor & Co., hardcover
1997B12NS1165Premiere Vision Paris 1997. 1st Edition. HARDCOVER. Extra Large Quarto size 4to. in colour printed glossy boards unpaginated approx. 48pp illustrated in colour throughout __CONDITION : An extremely well preserved almost AS NEW copy. . __To see more of our Costume fashion etc type DbbCOSTUME in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Premiere Vision, Paris hardcover
1951200661951. Fashion Women's fashion design sketches dated 1951 document the rapid transformation of female dress following the end of wartime rationing and the international adoption of Christian Dior's "New Look" silhouette. These drawings show designers experimenting with narrow waists structured bustlines wide skirts and dramatic outerwear styles that defined postwar femininity and reshaped global fashion culture in the late 1940s and early 1950s. Such instructional sketches provide visual evidence of how couture aesthetics circulated through design schools and professional training environments during a moment when fashion industries in Europe and the United States were rebuilding after World War II.<br /> <br /> Archive of fifteen original women's fashion design sketches executed on nine illustration boards measuring approximately 11 x 14 inches. Drawings are rendered in pencil ink watercolor and collage techniques and depict coats dresses trench coats and daywear ensembles characteristic of early 1950s style. Several boards include multiple designs including sheath dresses with high necklines and plunging backs bell sleeved coats trimmed with fur and children's pinafore dresses worn over blouses. One design shows a woman wearing a flight jacket cravat and pleated trousers recalling mid century women adopting traditionally masculine tailoring. One board bears the signature "Reindel" on the verso.<br /> <br /> Designs prominently feature hourglass silhouettes associated with Dior's New Look including cinched waists sloped shoulders and flared skirts. Other garments incorporate menswear inspired coats and tailored outerwear reflecting the hybridization of wartime practicality and postwar luxury. Boards show light foxing and minor handling marks. Very good condition. A visual teaching archive illustrating postwar fashion design practice during the early Cold War era. unknown
1950218261950. Fashion design archive. 1950s-1960s. This group documents mid-century women's fashion design practice through a sustained body of original sketches and working notes showing how garments were conceived annotated and prepared for construction during a period of stylistic transition in American dress. The material provides direct evidence of design thinking at the level of silhouette fabric selection and pattern planning including repeated attention to cocktail wear outer garments and formal dress. It captures the movement from structured postwar styles toward more experimental and decorative approaches associated with later mid-century fashion with particular emphasis on the technical and aesthetic decisions made by a designer or dressmaker.<br /> <br /> Archive of over 100 original hand-drawn fashion sketches on individual sheets measuring approximately 6.5 x 9 inches executed in ink with extensive handwritten annotations on rectos versos and margins. The drawings depict a range of women's garments including dresses blouses coats and evening wear with recurring titles such as "cocktail dress" "cocktail cape" and "dress." The figures are rendered with attention to line proportion and textile texture often emphasizing drape fitted bodices and surface embellishment. Annotations provide detailed construction guidance including measurements fabric types and pattern instructions. One design for a strappy dress specifies "Pattern: leopard or zebra fur attached.fabric velveteen.color red -- orange -- black." indicating experimentation with bold materials and color combinations. The consistent pairing of image and instruction suggests use as a working portfolio either for client presentation dressmaking production or formal training.<br /> <br /> Mid-century fashion in the United States expanded through department stores home sewing and professional dressmaking with designers and students producing working sketches that translated style into reproducible garments. The presence of detailed technical notes alongside finished illustrations places this archive within that production process linking aesthetic design to practical construction. Light wear from handling; overall very good. A concentrated record of mid-century women's fashion design practice preserving both the visual language and technical methods used to create garments during a period of evolving style. unknown
194047095Chicago: Sears Roebuck Co. ca. 1940. Tall 8vo. 21 leaves on thick card stock w/ 59 cotton & cotton-blend colour fabric swatches tipped-in all of them marked at lower part of page w/ stock no. Quarter-blue cloth over pictorial boards w/ notches cut into head & foot of spine for black ribbon binding to hold individual sample leaves with matching notches minor dustsoiling some thumbing to text leaves fore-edges minor shelfwear still a VG copy. First edition of this scarce salesman sample catalogue for men’s shirts sold by Sears in the 1940s. This catalogue includes samples for dress shirts as well as comfortable leisure and lightweight Spring & Summer weights. Most of them are woven from an excellent cotton and/or cotton blends with decorative patterns in blues tans greens and plain white or blue. Pilgrim Brand had a very long and successful life as a brand of Sears clothing for men first appearing on men’s socks in 1905 and over the next 60 years extended to men’s shirts ties underwear and even children’s clothing. Pilgrim hit its’ high-water mark in the 1940s when Sears sold Tru-Point Royal Ascot Royalton and Nobility men’s shirts under the Pilgrim label. The name was retired in 1964. Sears, Roebuck Co., hardcover
196554883Tilburg Holland & Thurles Ireland: Wolspinnerij “De Phoenix†n.v.; Phoenix Yarns Ireland Ltd. ca. 1965. Folio. 34 pp. on thick paper stock 7 of the leaves with gilt lettering specific weight colour information as well as warp & weft thread counts with 54 samples of spun wool yarns and finished woven fabrics tipped-in & mounted a number in bright vivid “Mod†colours. Original black 4-ring binder gilt lettering stamped on front cover leaves hole-punched at gutter margin minor shelfwear still an excellent copy. First edition thus of this beautiful and extremely scarce salesman sample catalogue for the splendid 1960s wool yarns and fabrics produced by the noted Dutch spinning mills. The Feitz’s founded the company in Tilburg in 1958 taking over the former textile firm of J.A. Blomjous in Tilburg and also quickly set up a yarn mill in Great Britain. However due to the high import duties the company was moved to Ireland by 1961 and through the popularity of their yarns and Taslan yarn textiles by the end of the 1960s were producing large quantities of high-end fabrics upholstery fabrics and interior decorating textiles for curtains and wall hangings. Their company focused on producing boucle yarns frotte yarns loops and other twisted fancy wool yarns and specialized knitting yarns. After the recession in the 1980s the company ceased woolen yarn production. No copies located in Worldcat. Wolspinnerij “De Phoenix†n.v.; Phoenix Yarns Ireland, Ltd., unknown
1996Q-0884010813Fine Arts Museums of San Francisco 1996-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Fine Arts Museums of San Francisco paperback
194995082Paris: Lucien Lelong 1949. First edition of this notably rare spectacular promotional brochure for Lelong's fragrances with no other copies traced. Largely forgotten today apart from amongst the couture cognoscenti Lelong 1889-1958 was enormously influential. After the First World War Lelong took charge of his parents' small fashion house which was noted for its espousal of the modern look - the chic autobiographical heroine of Colette's 1908 novella Les Vrilles de la vigne is dressed by Lelong - and continued their tradition of innovation advancing the concept of the "kinétique" clothes "constructed in such a way that their true shape would emerge in movement not at rest". Not a designer himself he employed a number of young designers who were later to strike out on their own. Christian Dior Pierre Balmain and Hubert de Givenchy all spent time developing collections for Lelong. His contribution to the success of the house was in his vision and his marketing brilliance: he redesigned his parents' salon decorating entirely in black so that it was said to resemble a black-lined jewellery box he offered discounts to society women who agreed to be photographed in his dresses and was early into the branded perfume market. The first fragrances offered by Lelong were enigmatically named A B C J and N intending to evoke a sense of mystery and romance. The artfully designed bottles were largely the work of Lelong himself. Over 30 years he created a total of 27 different fragrances. This superbly produced catalogue features ten suitably mysterious and evocative plates by Cassandre né Adolphe Jean-Marie Mouron the Ukrainian-born French painter illustrator poster designer and typographer probably best-known for his imposing poster for the great CGT liner Normandie. Octavo. With 10 chromolithographic plates after illustrations by Cassandre and similarly printed plates from photographs of the perfume bottles themselves by Réné Messager. Original plain boards in cream wrapper front panel with company device embossed within debossed cartouche. Wrappers a little rubbed and irregularly toned spine slightly chipped at ends repair to short split at head of front joint contemporary gift inscription to front free endpaper else very good. hardcover
194157736New York: Apparel Arts Esquire Inc. Esquire Building Madison at 46th March 1941. Folio. 10.75 x 14.25 in. 98 pp. Numerous colour plates many double-page colour photographs 23 of 30 fabric samples tipped-in photo illustrations colour photo illustrations. Quarter-blue cloth over colour-illustrated photo boards cover art of divers in swim suits from high dive platforms edgewear rubbing rubbing to corners some dustsoiling still VG- copy. First edition of this World War II-era trade magazine launched in 1931 in the depths of the Great Depression by Weintraub Smart & Gingrich from the Menswear Service Corporation. This issue features illustrations and advertisements by such artists as John Lagatta 1894-1977; Allen for Portis hats the modernist master Paul Rand’s 1914-1996 Summer 1941 poster the iconic fashion illustrator Laurence Fellows 1885-1964 and other mainstays. This installment features advertisements from such menswear brands as Botany Worsted Mills Jockey Manhattan Shirt Co. Dobbs Hats Hickok John Cyril Woolen Co. and even Pittsburgh Plate Glass Co. fashion displays. By the 1940’s the magazine was printed by Esquire Inc. issued 8 times a year continuing in print until replaced by Gentlemen’s Quarterly GQ in 1959. See: Marianne Brown Apparel Arts & Conde Nast May 10 2017. Apparel Arts, Esquire Inc., Esquire Building, Madison at 46th, hardcover
1998BN206390ASSOULINE 1998. 1998. Hardcover. Paco Rabanne <br/><br/>Paco Rabanne Lydia Kamitsis Text; Paco Rabanne Mode ASSOULINE hardcover
193045898Troy NY: Arrow Shirt Co./ Cluett Peabody & Co. Inc. ca. 1930; 1955. Quarter-sawn oak salesman sample counter display case 18.75 x 6 x 6 ins. with glass top & front door in back with catch w/ original label at bottom of the display indicating that this case was only to be used for the display of the Company collars preserving two Arrow Shirt Co. Collars some scuffing and wear to label at bottom of case affecting lettering minor wear to sides of case together with original Leyendecker advertisement printed on canvas w/ oak frame 28.5 x 21.5 ins. the piece has been professionally cleaned and mounted on archival foam core and removed from the original bars which were damaging the image and placed back in the oak frame some sunning faint discoloration to upper left margin still remarkable pieces. A wonderful advertising display for Arrow shirts and collars including pre-World War II counter sample case and 1950s promotional ad reproducing one of the famed Leyendecker images. These pieces originally came out of a small men’s clothing shop in Bend Oregon. The Arrow collars grew from the marketing idea by Cluett Peabody & Co. in Troy NY that it gave women an easier way to clean their husbands’ stained shirt collars without having to wash the entire shirt. In addition the collars wore out a much faster rate than the rest of the shirts so these replaceable collars would extend the life of the garments. This style of detachable collars remained popular up until the mid-1930s and largely declined out of use by the end of World War II.Leyendecker 1874-1951 created the Arrow Collar Man which was an advertising campaign that ran from 1905 - 1931 and was perhaps one of the most successful product brands in history. He created 100s of images and many of them are still synonymous with men’s fashion and styles. This advertisement was part of a revived campaign by Arrow Shirt Co. in the 1950s through early 1960s as they revived the nostalgia of the Leyendecker ads and pushed their shirts with soft collars. Arrow Shirt Co./ Cluett, Peabody & Co., Inc., hardcover
1990160300N.p.: N.p. 1990. Vintage jumbo oversize UK record store poster promoting Depeche Mode's 1990 release "Violator."<br /> <br /> Considered by many to the the most sophisticated and sublime of all their releases Depeche Mode's seventh studio album "Violator" propelled the English electronic New Wave band to international stardom. Preceded by the release of two smash hit singles "Personal Jesus" and "Enjoy the Silence" the triple platinum "Violator" achieved the band's greatest critical and commercial success and lists 167 on Rolling Stone's 2020 list of the 500 greatest albums of all time.<br /> <br /> 40 x 60 inches folded as issued. Some light rubbing on the outer creases else Near Fine. N.p. unknown
