8 résultats
2001WELLER9780679890706Random House 2001. New. New book. Random House unknown books
2010130144Los Angeles: Cotsen Occasional Publications 2010. softcover with french flaps. 4.2 x 5.5 inches. softcover with french flaps. 16 pages. Facsimile of an illustrated manuscript and of a contemporary letter providing its translation by Reverend Allan Salt. Introduction by Ivy Trent. The original was written in Ojibway and painted on birchbark by Soloman James Sound of Thunder Ravens Chief of the Shawanagaw Band of Ojibway Indians for his son Louis. The book illustrates hunting and way of life around Georgian Bay in 1858. Photographs by John Blazejewski. Cotsen Occasional Publications unknown books
2002Embry 189644Clarkson N. Potter 2002. Later printing. Some pages creased fine in fine dust jacket in mylar cover. B&W illustrations and photos. Signed by the author. Clarkson N. Potter, 2002. Later printing. unknown books
201631200Oakland and Chicago: PM Press and The Charles H. Kerr Co. 2016. First Printing. Softcover. Wraps fine like new. ; 8vo 8" - 9" tall; 538 pp . PM Press and The Charles H. Kerr Co. paperback books
2010130143Los Angeles: Cotsen Occasional Publications 2010. hardback with dust jacket. 4.2 x 5.5 inches. hardback with dust jacket. 16 pages. Facsimile of an illustrated manuscript and of a contemporary letter providing its translation by Reverend Allan Salt. Introduction by Ivy Trent. The original was written in Ojibway and painted on birchbark by Soloman James Sound of Thunder Ravens Chief of the Shawanagaw Band of Ojibway Indians for his son Louis. The book illustrates hunting and way of life around Georgian Bay in 1858. Photographs by John Blazejewski. Cotsen Occasional Publications unknown books
200724556Chicago: Charles H Kerr Co. 2007. First Edition; First Printing. Hardcover. A fine copy of the scarce hardcover edition. The complete contents of all the songs from all the editions of the Little Red Songbook 275 songs from 36 editions. Essays indexes lyrics. Issued without dust jacket.; 8vo 8" - 9" tall; 538 pp . Charles H Kerr Co. hardcover books
201711347Rockport ME: Stagenhoe Press 2017. Artist's book one of 5 copies regular issue from a total issue of 15 all on BFK Rives each signed and numbered by the artist in the colophon. Page size: 8 x 8 inches; 8 leaves 16pp; including colophon. Bound by the artist: drum-leaf binding of blue-grey cloth over boards with tan cloth spine duotone print artist self-portrait used throughout book edged in tan inset into front panel housed in blue-gray cloth over boards slipcase. Printed letterpress by the artist in Baskerville Old Face and Century Schoolbook at Maine Media College in a variety of point sizes in blue each page with a series of 4-3-2-1 dots printed in tan in lower right corner of each recto. The artist notes that her poem is "broken up throughout the book and the stilted structure of the verse speaks to the awkward nature of the phone call it describes." The words and tone of the poem are unsparing and relate the desire to be known to those closest to us and the ensuing sadness when we realize this is not possible. The author / artist takes the reader / viewer on an intimate journey highlighted by the use of her self-portrait printed as a duotone on vellum between the last two lines of the poem followed by the same image printed in pale grey with the last line of the poem below the artist's uncompromising gaze. The text is quick and to the point and relevant to us all. Beautifully accomplished this is a wonderful example of an idea made concrete by one artist's talent. Stagenhoe Press unknown books
201711344Rockport ME: Stagenhoe Press 2017. Artist's book one of 10 copies deluxe issue with an original cyanotype printed on vellum laid into the clamshell box from a total issue of 15 #10-15 without cyanotype and in slipcase all on BFK Rives each signed and numbered by the artist in the colophon. Page size: 8 x 8 inches; 8 leaves 16pp; including colophon. Bound by the artist: drum-leaf binding of blue-grey cloth over boards with tan cloth spine duotone print artist self-portrait used throughout book edged in tan inset into front panel housed in blue-gray cloth over boards custom-made clamshell box by Richard Reitz Smith lined with blue cloth printed with darker blue small images of telephone spine with title and artist printed on spine small phone stamped on front panel. Printed letterpress by the artist in Baskerville Old Face and Century Schoolbook at Maine Media College in a variety of point sizes in blue each page with a series of 4-3-2-1 dots printed in tan in lower right corner of each recto. The artist notes that her poem is "broken up throughout the book and the stilted structure of the verse speaks to the awkward nature of the phone call it describes." The words and tone of the poem are unsparing and relate the desire to be known to those closest to us and the ensuing sadness when we realize this is not possible. The author / artist takes the reader / viewer on an intimate journey highlighted by the use of her self-portrait printed as a duotone on vellum between the last two lines of the poem followed by the same image printed in pale grey with the last line of the poem below the artist's uncompromising gaze. The text is quick and to the point and relevant to us all. The elegant cyanotype printed on vellum laid into the back of the slipcase might have seemed ephemeral had the image not been so strong. Instead it is exactly the opposite. The artist's eyes force viewing and consideration of her words. Beautifully accomplished this is a wonderful example of an idea made concrete by one artist's talent. b. Stagenhoe Press unknown books
