113 résultats
1986030189Paris France: Editions Menges 1986. Cloth. Fine/Very Good. 8vo - over 7¾" - 9¾" tall. unpaginated Text in French. Gift inscription in French on the half-title page. The jacket has a 1/4" closed tear at the base of the spine panel. In a solid slipcasewith one worn corner. With 130 color plates of views of Corsica. <br/> <br/> Editions Menges hardcover
1973feb08215Meridiane 1973. Used. 1973; Romanian Edition of Viata de artist Biblioteca de Arta Nr.96; For more details please contact me Meridiane unknown
1988276255Paris: Editions Hervas 1988-01-01. Hardcover. Very Good/Very Good- Dust Jacket. Text mostly in French with some English. Very good hardcover with very good- dust jacket. From a personal collection NOT ex-library. Binding is tight sturdy and square. Text and illustrations unmarked and clean. Boards in great condition. Dust jacket has rubbing and some wear to edges including tearing at head of spine. Ships from Dinkytown in Minneapolis Minnesota. Due to the size/weight of this book extra charges may apply for international shipping. Editions Hervas hardcover
1990165727N.p.: N.p. 1990. Three vintage photographs of models shot by Bettina Rheims each named in manuscript pencil on the verso: Osaki Christelle and Gina. Next to the name of each model also in manuscript pencil is "B. Rheims."<br /> <br /> 5 x 7 inches. Fine. N.p. unknown
2000mon0003907266Independently published 12/25/2020 12:00:01. paperback. Very Good. 1.8200 10.0000 8.0000. Independently published paperback
1960512163Thomas Nelson & Sons 1960. First Edition. Hardcover with Dust Jacket. VERY GOOD/Good. 1489pp. Large 4to sewn binding in publisher's brown buckram. Text with some light foxing around the edges small nick to tail of backstrip clean and unmarked otherwise with solid binding; DJ edgeworn and chipped at tail spine faded dampstain to spine interior now wrapped in mylar. 'The New Testament Octapla presents-for the first time-the full text of eight English translations of the New Testament from Tyndale to the Revised Standard Version arranged on facing pages. It shows the development of the Tyndale-King James tradi-tion in the succession of translations from 1525 to 1611 and in the revisions from 1870 to 1960. Versions included here with dates in parentheses indicating years of original publication are: Tyndale 1525 1535 Rheims 1582 Great Bible 1539 1540 King James 1611 1873 Geneva Bible 1560 1562 RV 1881 ASV 1901 Bishops Bible 1568 1602 RSV 1946 1960 TYNDALE is represented by his final revision the GH edition published in 1535 which is reprinted here for the first time in book form. Miles Coverdale's translation known as the GREAT BIBLE was commissioned by Sir Thomas Cromwell Secretary to King Henry VIII and Vicar General. The first edition published at London in 1539 was the first 'authorized' edition. The second edition used here was published in 1540. The GENEVA BIBLE was published by English Protestants who had fled to Geneva from the persecutions under Queen Mary. Although never 'authorized' it became the household Bible of the English-speaking peoples. The second edition 1562 is used The text of the BISHOPS' BIBLE is that of the revision of 1572 as printed in the edition of 1602. This Bible was authorized by Convocation and its possession enjoined upon the churches. This became the basis of the revision under King James. The RHEIMS translation is copied from the first edition 1582. It was made from the Latin Vulgate by Roman Catholic scholars the larger part of the work being done by Gregory Martin. King James I ordained in 1604 that a translation of the whole Bible be made; in 1611 this version of the Bible was published with a dedication to him. The text of the KING JAMES VERSION here used is taken from the critical edition which was published as The Cambridge Paragraph Bible of the Authorized English Version in 1873. The revision of the 1870's is represented by the AMERICAN STANDARD VERSION 1901 rather than the Revised Version published in England in 1881 for its use led directly to the next major revision the REVISED STANDARD VERSION which appears here as published in 1960. Each of the versions is reproduced in The New Testament Octapla in the edition on which succeeding scholars have based their work. The copy of Tyndale's GH edition in the New York Public Library supplemented by photostats from the Bod-leian Library of Oxford University and photostats of the other sixteenth-century editions were used to ensure accuracy. The spelling punctuation and paragraphing of the selected edition of each version have been retained. Verse numbers have been added to Tyndale and the Great Bible to make for easier comparison.' From the dust jacket. Thomas Nelson & Sons hardcover
2000mon0003907263Independently published 12/11/2020 12:00:01. paperback. Very Good. 1.1900 10.0000 8.0000. Independently published paperback
2000mon0003907265Independently published 12/7/2020 12:00:01 A. paperback. Very Good. 1.7100 10.0000 8.0000. Independently published paperback
2000mon0003907264Independently published 12/8/2020 12:00:01 A. paperback. Very Good. 1.8200 10.0000 8.0000. Independently published paperback
1980858-QBL-53I1980. Hardcover. Very Good. St. Martin's 1980. Jacket is Good only priceclipped with average wear tear and fading. Book is VG with light wear pages yellowed with an occasional minor crease binding firm. hardcover
1980G0285624105I3N00St. Martin's Press 1980. Hardcover. Good. Disclaimer:A copy that has been read but remains in clean condition. All pages are intact and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting and the copy can include previous owner inscriptions. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. St. Martin's Press hardcover
198016485St. Martin's Press. As New. 1980. Hardcover. 0312329652 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - -- with a bonus offer-- . St. Martin's Press hardcover
1966238636New York.: Harry N. Abrams. 1966. First edition. . Decorated hard cover. . Fine copy in glassine wrapper. Folio. . Illustrated in black white and color. Tipped-in plates. Important reference work. Very scarce in this condition. Harry N. Abrams. hardcover
1966004578New York: H.N. Abrams 1966. First Printing of First American Edition. Hardcover. Near Fine/Lacking. 450 pages: illustrations some mounted color ; 32 cm. Folio. Hardcover. Publisher's original pictorial cloth over boards. Book Condition: upper cover with thin scrape else fine. Interior is pristine. A sharp copy lacking the acetate jacket. A massive comprehensive tour de force. Translation of: L'art 1900. Includes index. Description: Contents: Introduction -- Architecture -- Commercial architecture -- Decoration in stone and wrought iron -- Heating -- Locks and fastenings -- Bathroom design -- Painting -- Sculpture -- The applied arts -- Furniture and decoration -- Ceramics -- Glass -- Lighting -- Wallpapers tapestries carpets -- Bibelots -- Jewelry -- Fashion and frivolity -- Typography and bookbinding -- Posters -- Graphics -- Medallions -- Machinery -- Religious and funerary art. Translated from the French by Patrick Evans. <br/><br/> H.N. Abrams hardcover
1966167083New York: Abrams 1966. Hardcover. VG-/VG- light wear to edges and corners of boards light scuffing and some small tears to mylar dj. Multi-colored flowered boards with pink lettering decorative end papers. Clear mylar dust jacket with white lettering. 450 pp. BW and color illustrations some mounted. Originally published as L'art 1900. Paris Arts et Metiers Graphiques 1965. Translated from French by Patrick Evans. Abrams hardcover
19666371Harry N. Abrams Inc. New York 1966; First Edition; Quarto 450 pages; illustrated. Expansive survey of Art Nouveau as it was expressed in painting sculpture architecture furniture bathroom design ceramics lighting glass jewelry applied arts fashion wall paper fabrics carpeting typography book design etc. Authoritative introduction by notable writer poet and art historian Andre Breton. First English language edition translated from the original French by Patrick Evans. Profusely and beautifully illustrated in color and black & white. Near Fine spine very slightly sunned in a Very Good original acetate dust jacket that has small chips at the tips of the upper corners. Clean crisp and attractive. Harry N. Abrams, Inc. unknown
1966312778New York: Harry N. Abrams 1966. Hardcover. Near Fine/Near Fine. First edition. Quarto. Near fine floral design cloth with spine starting to fade in a near fine printed acetate dustwrapper with a small chip at the top of the spine. Harry N. Abrams hardcover
196619262New York: Harry N. Abrams. Very Good in Fair dust jacket. c1966. First Edition; First Printing. Hardcover. First edition/first printing in Very Good condition light sunning to edges and spine in chipped Fair glassine dust-jacket. From the collection of Betty Anderson legendary art director of publisher Knopf in the late 20th century as evidenced by her small and unobtrusive inventory number on front paste down; The international style that swept the entire world like a flash fire and in a very few years changed the appearance of almost everything man made from skyscrapers to intimate jewelry; B&W and Color Illustrations; 4to . Harry N. Abrams hardcover
19663841New York: Abrams 1966. 1st. Hardcover. Fine/fine. Illustrated throughout in black-and-white and color. Bound in publisher's original decorated cloth with a mylar dust jacket lettered in white. Previous owner's name in ink on the front free endpaper. Dust jacket. <br/><br/> Abrams hardcover
1966001649Harry N. Abrams Inc. New York 1966. Book. Fine Condition. Cloth with an Acetate Wrap. Heavily illustrated with 595 black and white photographs of every aspect of the Art Nouveau style in art architecture and design there are also 10 tipped-in color plates of significant Symbolist paintings that epitomize the style by such artists as Gustav Klimt Gustave Moreau John Millais and Louis Anquetin. Extensive text translated from the French is international in scope and democratically includes artists from all of Europe and America where appropriate. Arranged by classification sections include architecture painting sculpture furniture ceramics glass lighting fixtures wallpapers jewelry fashion graphic design and typography and even bookbinding. 450 pp. Bound in appropriately nouveau illustrated boards with peacock feather design duotone endpapers and printed acetate dustjacket all are in fine condition but for some small losses to the crown of the dustjacket at the spine. First American edition. Colors in the pattern of the binding are exceptionally bright and clean. Harry N. Abrams, Inc. New York Hardcover
195039473Paris France: Me. Maurice Rheims Commissaire-Priseur / Galerie Charpentier. As New. 1950. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text in French. 72 lots catalogued; none illustrated. Among the artists represented: Brouwer; Claesz; Steen; Teniers the Younger; and others. -- with a bonus offer-- . Me. Maurice Rheims, Commissaire-Priseur / Galerie Charpentier paperback
1995Q-1557042675Newmarket Press 1995-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! Newmarket Press paperback
1919CNBR440Ditchling Sussex: S. Dominic's Press 1919. First Edition. Wraps. Fine. Gill Eric. Twenty-fourmo size 28 pp. The Saint Dominic's Press founded by Harry Hilary Douglas Clarke Pepler flourished at Ditchling Sussex from 1916 to 1936. The first home of the Press was "a disused stable" with a hundred-year-old Stanhope hand-press which supposedly had belonged to William Morris. Pepler endeavored to do everything possible by hand believing that such would both produce the best results and also be a "more individual or 'humane'.product". He therefore "preferred the handpress to the machine handmade to machine-made paper and handset founder's type to the products of typesetting machines." N.b. quotes and information from "Three Private Presses" by Brocard Sewell. <br /> <br /> Per Taylor and Sewell "The Welfare Handbooks were a series of pamplets mainly concerned with social questions written from a Distributist and Roman Catholic standpoint." This volume contains scriptural passages pertaining to the age-old question of the relative merits of wealth vs. poverty vis-a-vis one's relationship with God. Per the title page "Being extracts from The New Testament of Our Lord and Saviour Jesus Christ as translated from the Latin Vulgate by the English College at Rheims A.D. 1582." <br /> <br /> ___DESCRIPTION: Brown wrappers printed in black string-bound with one engraving Gill's "Christ and the Money-Changers" P 152; Caslon O.F. type on Batachelor hand-made paper twenty-fourmo size 5 3/8" by 4 1/4" pagination: i-iv 1 2-24. <br /> <br /> ___CONDITION: Fine overall the wraps clean except for one small spot on the front wrap and without wear or sunning the string binding strong the interior is clean and bright and entirely free of prior owner markings; perhaps a touch of sunning around the spine and the aforementioned small spot else fine. <br /> <br /> ___CITATION: Taylor and Sewell no. A50; Eric Gill Bibliography no. 270. <br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. S. Dominic's Press unknown
195192856Paris: Editions Arts Du Monde. Near Fine. 1951. First Edition. Hardcover. Hardcover portfolio of unbound pages of text and images notable for its etchings by the French artist Cecile Reims. One of a limited edition of 400 copies this copy marked #336 . Book is in fine condition printed on Rives Velin paper with eleven delicate etchings--ten full-page ones and a smaller one on title page each etching protected by a laid-in glassine sheet. Title and rear page are wrapped in glassine as well. The slipcase is missing from this book and the spine is slightly darkened. Text is in French and Hebrew. Introduction in French only by Raymond Cogniat. A very nice copy of a scarce item by a fine artist. . Editions Arts Du Monde hardcover
1951499080Paris: Editions Arts du Monde 1951. Softcover. Near Fine. First edition. Introduction by Raymond Cogniat. Folio. Loose folded sheets laid into printed folio as issued. Illustrated with eleven original etchings by Cecile Reims: ten full-page etchings and with a smaller etching on the title page. The text is in French and Hebrew.<br /> <br /> The etchings and binding are fine very fresh and bright in the publisher's unprinted glassine and in publisher's tan paper-covered chemise and publisher's slipcase box. Spine of chemise has light wear on spine with small light brown stain on lower spine else very good slipcase is rubbed at extremities and is else very good. <br /> <br /> Limited to 400 numbered copies sur velin de rives paper of the artist's first book. Cecile Reims a French-Jewish artist was born in Paris in 1927. Following the occupation of France she joined the Jewish combat organization in 1943 and at the conclusion of the war in 1945 she discovered that her entire family had been massacred.<br /> <br /> Jean-Noel Jeannerey President of the French National LIbrary stated the following at the opening of the French National Library exhibit "Cecile Reims Engraver" at the Louvre in 2004: "When she was very young her energy was forged in France in the Resistance movement then in Palestine- but shortly thereafter health deficiencies forced her to take up less. intense strenuous combats in the field of art. Initiated in burin engraving in Paris by Joseph Hecht a rigorous master she produced over 60 original works between 1950 and 1960 which attracted much attention. Her encounter with Hans Bellmer afterwards was decisive. No one can deny that her work contributed greatly to extending the universal success of Bellmer. In the same way after 1971 she worked with many drawings by her husband Fred Deus and by Leonor Fini. For the past few years she is once again doing engravings based on her own compositions. Her talent as an interpreter first secretly then revealed ties her to a splendid tradition. Her own talent as an inventor showing both virtuosity and elegance deserves being acknowledged." Psaumes 1951 is her first published work following her first exhibition at the Le Fanal Gallery. Later in the same year the Bezalel Museum in Jerusalem presented her first exhibit of engravings. Uncommon. OCLC locates five holdings. Editions Arts du Monde unknown