[Painting] CANDELLA, FBiblio.com
307 résultats
1900349Sevilla: original 1900. original. Framed. Fine. F. Candella. Watercolor on paper unframed: 6.8" x 4.1" / 17.2 x 10.3 cm ca.1900 signed "FCandel "F" & "C" ligated Sevilla Spain. Colorful and humorous watercolor of a mounted horseman wooing his fair duena. original unknown
18862110502150907973Matsumoto Heikichi-ban 1886. Soft Cover. Fine. Number of books: 1 Matsumoto Heikichi-ban paperback
18982092902141000884Hanshichi Yoshikawa 1898. Soft Cover. Fine. The book is in fine condition. Hanshichi Yoshikawa paperback
18852110502150908399Matsumoto Heikichi-ban 1885. Soft Cover. Fine. Number of books: 1 Matsumoto Heikichi-ban paperback
1885143011885. Iran Art Qajar School Lovers in Embrace gouache painting on paper nineteenth century represents the courtly aesthetic erotic refinement and dynastic visual language that defined Persian painting under Qajar rule. The composition situates a princely male figure and his adorned companion in intimate embrace reinforcing themes of aristocratic leisure romanticized sovereignty and elite identity in Qajar Iran. The work supports research in Persian court painting gender representation in Islamic art Qajar costume and regalia and nineteenth century Iranian material culture.<br /> <br /> Persian Qajar gouache on paper with gold illuminated border. Depicts a young prince wearing blue and gold coat and karakul headgear embracing female companion adorned with tiara and pearls. Floral and animal illuminated margins including deer and monkeys. Image size 18.5 x 11 inches.<br /> <br /> The prince's distinctive headgear confirms Qajar rather than Zand period attribution aligning the work with the heightened stylization and opulent textile rendering characteristic of nineteenth century Tehran ateliers. Comparable compositions appear in Qajar painting traditions associated with artists such as Mohammad Sadiq whose courtly embrace scenes similarly emphasize costume detail glassware and staged intimacy as markers of refinement. The illuminated border populated by floral and animal motifs situates the lovers within a cosmological and decorative framework typical of Qajar manuscript aesthetics adapted to single-sheet painting. Minor browning to margins and discreet restoration to verso margins not affecting image. Very good. A refined example of Qajar visual culture centered on dynastic elegance and performative intimacy. unknown
18852110502150907802Matsumoto Heikichi-ban 1885. Soft Cover. Fine. Number of books: 1 Matsumoto Heikichi-ban paperback
18852110502150908658Matsumoto Heikichi-ban 1885. Soft Cover. Fine. Number of books: 1 Matsumoto Heikichi-ban paperback
18882110502150907803Matsumoto Heikichi-ban 1888. Soft Cover. Fine. Number of books: 1 Matsumoto Heikichi-ban paperback
18852110502150906752Matsumoto Heikichi-ban 1885. Soft Cover. Fine. Number of books: 1 Matsumoto Heikichi-ban paperback
18832092902141302866Junzaburo Morimoto board 1883. Soft Cover. Fine. Number of books: 1 Junzaburo Morimoto board paperback
18862110502150908846Matsumoto Heikichi-ban 1886. Soft Cover. Fine. Number of books: 1 Matsumoto Heikichi-ban paperback
18942110502150900686Hakubunkan 1894. Soft Cover. Fine. Number of books: 4 Hakubunkan paperback
18112111902160200327Igaya Kanemon board 1811. Soft Cover. Fine. Number of pages: 70 pages Size: 18cmx13cm 70p Number of books: 1 Igaya Kanemon board paperback
190022170China: n.p. 1900. Hardcover. Near fine. 8vo. 22 unnumbered pages using verso only. Accordion book bound in Asian style. Wooden boards the upper board carved with the character for Good Luck. Top and bottom edges gilt.<br /> <p><br /> This is followed by 11 sets of two pages the right hand page with the story of a particular lady in Chinese and English and the left hand with a painting on silk illustrating the story and bordered in brocade. The silk paintings are bright and unfaded showing vibrant pigmentation and artistically executed with lovely shading effect Includes the story of Mu Lan basis for the Disney film.<br /> <br /> <p><br /> The typesetting and spelling of the English translation are poorly accomplished the word 'Cbinese' in the title being perhaps the most glaring example. Misspellings misuses of quotation marks and unusual word separations lead us to believe this is the first issue of a title preprinted into the 1930's. <br /> <p><br /> A fine example.<br /> <p><br /> Scarce. n.p. hardcover
1890FF2442London:: William Reeves n.d. ca.1890. 1890. Head of title: Flagellation & the Flagellants. Small 8vo. xi 1 544 pp. Frontis. 20 illus. index. Modern full black calf and triangle-shaped red morocco onlays raised bands gilt stamping upper cover with gilt central "rod and birch" motif all edges gilt marbled endleaves hand bound by Martin Frost with his gilt-stamped monogram label on rear board. Red cloth thumb-hold slip-case. Fine. "THE ALLURE OF THE WHIP!" With a splendid fore-edge painting showing a pair of horse or carriage riders "riding" their partners back-sides prominently showing in the spirit of Thomas Rowlandson and in this case like Martin Frost who often displays a remarkable sense of humor and the exotic for artistry. Frost's signed book label mounted as a bookplate in front dated 2007. The artist is playing with us by making the trees into the shape of a phallus all of them!. Painting also signed "MF". Frost himself describes this as "A Rowlandesque road scene of travelers 'whipping up' themselves as well as their mounts!" / This is one of the early efforts of MF to bind and paint the book himself. William Reeves, n.d. [ca.1890]. hardcover
188280265London:: Kegan Paul Trench & Co. 1882. full gilt straight-grain morocco; gilt paneled spine by Sotheran & Co; a.e.g. Very fine. 8vo. With five folding colored maps. With a fine fore-edge painting by Miss Curre of Mucross Abbey Killarney. Bound in is a calligraphic colophon reading "This is No. 101 of the Books with Fore-edge Paintings by Miss Currie. The Painting under the gold is a view of Mucross Abbey Killarney Signed signature C.B. Currie." Kegan Paul, Trench & Co., unknown
18852110502150909050Hyoyoshi Matsuki version 1885. Soft Cover. Fine. Number of books: 3 discs (Hyoyoshi Matsuki version) paperback
185012846London: printed for Houlston and Stoneman 1850. Eighth edition. Engraved frontispiece of a perfect mother with 2 young children. Pp. viii 183. 16.5 x 10.7 cm. 8vo. contemporary tan russia elaborately stamped in gilt on both sides spine in compartments with raised bands wach panel with a detailed design second panel lettered in gilt all edges gilt with an erotic image of a young couple in bed on the fore-edge. Darkening and a little rubbing to the spine and edges.The fore-edge painting was probably done in the second half of the 20th century and compliments the subject matter of the book perfectly if rather graphically.<br>The book seems to be the usual plea for decorum and modesty from the wife and the joys of subservience to her husband and making a comfortable home. Erotic fore-edge painting - clearly a tip for newly weds printed for Houlston and Stoneman hardcover
18042110502150901305Not Available 1804. Soft Cover. Fine. Volume: 1 Not Available paperback
1801FF2530London:: Printed for T. Cadell Jun. and W. Davies by G.R. Clarke 1801. 1801. Small 8vo. xx ii 232 pp. Original full dark navy blue straight-grained morocco gilt Greek-key tooling surround five raised bands elaborate gilt compartments all edges gilt. Very good . With a fine fore-edge painting under the gilt showing "Christchurch in Hampshire here James Fordyce lived" inscribed in the artist's hand note somewhat unusual handwriting style and the use of parenthesis. With an early typed note in ALL CAPS relating to the painting take note of the sheet being hand-outlined in red. The artist possibly copied the engraving "Christchurch Hampshire" from the print by E. Finden after a picture by W. Westall published in Great Britain Illustrated 1830. This view shows the single rowboat in the foreground similar to the image with this fore-edge painting. Artist unknown; painted ca. 1900-1955. This scene is delicately and skillfully painted. The painting suggests early 20th century work though it is not signed and there are not yet any recognizable characteristics yet to suggest the artist's identity. Very finely painted view. / "Fordyce's delivery and gestures were studied and he drew crowds to Monkwell Street. His topics were didactic but he also satisfied cultured tastes and dealt with the ethics of actual life. David Garrick was impressed; Fordyce associated with Samuel Johnson and introduced him to Blair. He gave sympathetic account in Addresses to the Deity 1785 of Johnson's religious character speaking as an evangelical moderate." DNB. Printed for T. Cadell, Jun. and W. Davies, by G.R. Clarke, 1801. hardcover
18872111902160201351Kaishin-sha 1887. Soft Cover. Fine. Volume: 1 Kaishin-sha paperback
18882111902160201267Not Available 1888. Soft Cover. Fine. Volume: 1 Not Available paperback
18242110502150903366Not Available 1824. Soft Cover. Fine. Number of books: 3 Not Available paperback
19002092902138300605Yonejiro Matsuno 1900. Soft Cover. Fine. Size: 72x49cm Yonejiro Matsuno paperback
18812080502106510996Not Available 1881. Soft Cover. Fine. Number of books: 15 Not Available paperback
