48 résultats
198815973Milano: Institute for Contemporary Art and Fabbri Editori 1988. First edition. Paperback. Very Good . Very tall paperbound quarto. 219 pp. Text in English. Terrific illustrated monograph on Pistoletto. Very good indeed in glossy bound photo-illustrated wrappers. Small light stains to top-edge. French flaps. A large and heavy volume - additional postage charges may apply for international buyers. <br/><br/> Institute for Contemporary Art and Fabbri Editori paperback books
19482298300Lear Publishers 1948. Hard Cover. Very Good/Very Good. Jacket edges rubbed with a few small chips and small tears. 1948 Hard Cover. 63 pp. 8 5/8 x 5 3/4. A definitive edition of the seventy-seven sonnets and their alternate readings in the renowned translation with an introduction and notes by John Addington Symonds and 10 drawings in detail by Michael Angelo. Decorative endpapers. Lear Publishers hardcover books
1969142495Roma: Edizioni dell'Art Club 1969. Softcover. NF interior but with light wear to covers and art museum ex-lib. stamps on front cover. BW card wraps with white lettering. Square. 36 pp. with 14 color plates. Text in Italian. Catalogue from Dec. 4-13 1969 of the works of 14 contemporary Italian artists. Edizioni dell'Art Club paperback books
1997260279San Francisco: Coming Up! 1997. Newspaper. 52p. tabloid newspaper news events reports opinion services & resources photos ads very good on newsprint. Cover story is an interview between Michelangelo Signorile & Jack Fertig. Also 14th Intrnational AIDS Candlelight March.<br/>The tabloid began life as San Francisco Bay Times. That paper folded quickly and was reformed as Coming Up! and went through another change adding the original name and eventually dropping the Coming Up! Coming Up! unknown books
1976134986Rome: Produzioni Europee Associati PEA 1976. Vintage oversize double weight photograph of Donald Sutherland and Cicely Browne getting it on in high style in the 1976 film. <br/><br/>Cattarinich did still photography work for many interesting and prominent directors in the 1970s and 1980s including Pedro Almodovar Joe D'Amato Marco Ferreri and Pier Paolo Pasolini among others. <br/><br/>Producer Dino De Laurentiis saw Robert Redford in the role of Casanova but Fellini refused to cast him. When De Laurentiis bowed out of the project and Fellini signed a new contract with producer Alberto Grimaldi Sutherland was cast in the role requiring that he shave his head and wear both prosthetic nose and chin. <br/><br/>Fellini had to re-shoot parts of this movie including the elaborate Venice carnival scene when approximately seventy reels of film-including the first three weeks of shooting-were stolen at the Technicolor labs of Tiburtino Rome on August 27 1975. Also stolen were portions of Pasolini's "Salo or the 120 Days of Sodom" and Damiano Damiani's Euro Western "A Genius Two Partners and a Dupe."<br/><br/>11.5 x 7.75 inches. Fine. Produzioni Europee Associati [PEA] unknown books
1975018439London: Trustees of the British Museum 1975. Book. Very good condition. Paperback. First edition later printing. Quarto 4to. 160 pages of text. Trade paperback binding with minimal shelfwear; almost near fine condition. Illustrated with dozens of black & white reproductions. This exhibition catalogue was for the 6th February-27th April 1975 exhibit. The text is clean and unmarked. Trustees of the British Museum Paperback books
1973170010Torino: Galleria Narciso 1973. First edition. Small softcover. Exhibition catalog for a show that ran February 17 through March 24 1973. Text in Italian with an essay by Michelangelo Masciotta. Includes numerous black and white illustrations. A near fine copy in wrappers. Galleria Narciso unknown books
1955285853Milano: Electa Editrice 1955. hardcover. very good. In Italian. 263 color and black & white plates. 20pp of text thick 12mo gilt-lettered boards; some toning to edges. Milano: Electa Editrice 1955. A very good copy.<br/><br/> Electa Editrice unknown books
198069479Princeton:: Princeton University Press. Very Good. 1980. Hardcover. 0691072345 . Translated from the Italian with foreword and notes by Creighton Gilbert. Edited with biographical introduction by Robert N. Linscott. First edition thus. Very good or better in burgundy cloth. No dust jacket. . Princeton University Press, hardcover books
196972641London:: Peter Owen. Very Good in Very Good dust jacket. 1969. Hardcover. 0720666163 . Translated from the Italian into verse with notes and introduction by Joseph Tusiani. Second impression thus. Previous owner's book-plate on front free endpaper else very good in a very good light ring stain on front panel minor edge wear dust jacket. . Peter Owen, hardcover books
198671431London:: Peter Owen. Near Fine in Near Fine dust jacket. 1986. Hardcover. 0720666163 . Translated from the Italian into verse with notes and introduction by Joseph Tusiani. Third impression thus. Brief gift inscription on front free endpaper else near fine in a near fine price clipped dust jacket. . Peter Owen, hardcover books
19665202New York. George Braziller. n.d. 1966 Bound in 1/2 brown morocco and cloth covered boards.Raised bands. Gilt titles.Original cloth and paper slipcase. Thick Folio. Illustrated with facsimile plates of the artist's drawings most fold-out and tissue guarded. A lovely and concise compilation of Michelangelo's drawings handsomely presented. Mild wear to spine else Fine in scuffed but Very Good slipcase. George Braziller. hardcover books
1942117902Torino: Societa Editrice Internazionale 1942. Softcover. Good clean interior but with staining and two tears to spine;. Paper wraps with red and black lettering; 335 pp. with duotone illustrations;. Text in Italian; edited by Guido Vitaletti; divided into 6 sections. Societa Editrice Internazionale unknown books
1967297501New York: Reynal 1967. hardcover. near fine/very good. Michelangelo. 32 color plates and 1020 gravure illustrations. 600 pages. Thick folio natural cloth edgeworn d.w. New York: Reynal and Company 1967. Near fine in a very good dust wrapper.<br/><br/> The most comprehensive work on Michelangelo with text by de Tolnay Angelis d'Ossat Baldini et al.<br/><br/> Reynal unknown books
197514084ESacramento CA: The E.B. Crocker Art Gallery 1975. First Edition. Paperbound. An illustrated catalogue issued to accompany an exhibit of prints drawings and small sculpture by Michelangelo from California collections commemorating the 500th anniversary of his birth. Very good plus lightly used copy with a touch of darkening to the covers in printed wrappers. The E.B. Crocker Art Gallery unknown books
1963Embry 155222Stanford U. Press 1963. First edition first printing. Spines very slightly sunned else fine in near fine lightly rubbed publisher's slipcase. Brown cloth. Translated from the original Tuscan Edited & Annotated by E. H. Ramsden. Stanford U. Press, 1963. First edition, first printing. hardcover books
1982Embry 193176Rizzoli 1982. First U.S. edition. Two small faint stains to fore-edge else fine in fine dust jacket in mylar cover. B&W photographs by Liberto Perugi. Rizzoli, 1982. First U.S. edition. unknown books
1960134674Rome: Cino del Duca 1960. Vintage oversize double weight borderless glossy press photograph by Enrico Appetito from the 1960 film. Bold notation on the verso noting that the photograph is from the archives of the French cinephile magazine "Cinema 60."<br/><br/>The first film in Antonioni's famed trilogy followed by La Notte and L'eclisse. A classic scene from the film from the section shot on location in Rome where actresses Lea Massari and Monica Vitti stare wonderingly at the soulless void before them. <br/><br/>9.25 x 11.75 inches. Near Fine. <br/><br/>Criterion Collection 98. Cino del Duca unknown books
1960133246Italy: Nepi Film 1960. Vintage oversize double weight borderless photograph from the 1961 film. A candid on-the-set photograph of director Michelangelo Antonioni cinematographer Gianni Di Venanzo Jeanne Moreau and others working on a balcony shot part of the long party sequence that makes up the last third of the film. <br/><br/>The second film in the trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Shot on location in Milan. <br/><br/>Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair."<br/><br/>In a custom museum-quality frame archivally mounted with UV glass. 9 x 12 inches. Near Fine. <br/><br/>Criterion Collection 678. Eureka Masters of Cinema 61. Nepi Film unknown books
1960138792Italy: Nepi Film 1960. Vintage borderless photograph from the set of the 1961 film. A candid aerial photograph of Mastroianni Moreau and two other cast members conversing around a table. With a stamp for Telecine and a few annotations on the verso. <br/><br/>The second film in the trilogy that begins with "L'Avventura" 1960 and ends with "L'Eclisse" 1962. Shot on location in Milan. <br/><br/>Probably no one has ever said it better than Bosley Crowther who reviewed the film for the New York Times in 1961: "Too sensitive and subtle for apt description are Antonioni's pictorial fashionings of a social atmosphere a rarefied intellectual climate a psychologically stultifying milieu-and his haunting evocations within them of individual symbolisms and displays of mental and emotional aberrations. Even boredom is made interesting. There is for instance a sequence in which a sudden downpour turns a listless garden party into a riot of foolish revelry exposing the lack of stimulation before nature takes a flagellating hand. Or there's a shot of the crumpled wife leaning against a glass wall looking out into the rain that tells in a flash of all her ennui desolation and despair."<br/><br/>9.5 x 7.5 inches. Near Fine. In a custom museum-quality frame archivally mounted with UV glass. <br/><br/>Criterion Collection 678. Eureka Masters of Cinema 61. Nepi Film unknown books
199637882New York: Abbeville Press Publishers 1996. First American Edition. Folio 33.5cm.; publisher's boards in pictorial dust jacket; 271pp.; color illus. throughout including folding leaves. Near Fine condition. Abbeville Press Publishers unknown books
199750611New York: Harry N. Abrams Inc 1997. First English Language Edition. Quarto 32.5cm.; publisher's boards in pictorial dust jacket; 207pp.; color illus. throughout including 150 colorplates. Text block slightly cocked mild toning to margins of text block otherwise boards and text block tight clean and unmarked. Quarter inch nick to front flap of jacket text unaffected else Fine book in Fine jacket. Harry N. Abrams, Inc unknown books
196283562Garden City:: Doubleday & Company. Near Fine in Very Good dust jacket. 1962. Hardcover. B000RB4GYI . Two volumes. THE AGONY AND THE ECSTASY was made into the 1965 film by the same title. I MICHELANGELO SCULPTOR is from the translation by Charles Speroni. THE AGONY AND THE ECSTASY is a later printing. I MICHELANGELO SCULPTOR is a stated first edition. The first volume is near fine in a near fine dust jacket the second is near fine in a very good areas of age toning small chip at the base of the spine dust jacket. Housed in a very good minor shelf wear publisher's illustrated slipcase. . Doubleday & Company, hardcover books
19132293316Constable & Company Ltd 1913. First Edition. Hard Cover. Near Fine/No Jacket. First edition. Front hinge repaired spine a bit faded. 1913 Hard Cover. xiv 2 335 1 pp. 8vo. A biography of the famous painter of the Sistine Chapel sculptor of the Medicean tombs architect and writer compiled from his own letters and papers. Translated and edited by Robert W. Carden. Includes frontispiece and 11 plates. Constable & Company Ltd hardcover books
1980UMICCOM00HMRPrinceton University Press 1980. Very Good. Michelangelo. Complete Poems and Selected Letters of Michelangelo. Gilbert translator Creighton. Princeton New Jersey: Princeton University Press 1980. 317pp. 8vo. Paperback. Book condition: Very good with bumped corners. Princeton University Press paperback books
