13 résultats
1899D4-KJE8-TE621899. Hardcover. Very Good. 1st ed Houghton Mifflin 1899. Extremities rubbed with a hint of fraying to spine tips gilt remains bright. Pages yellowed with occasional minor blemishes. hardcover
1819D6089late-18th and early-19th century. Paperback. Near Fine. Wraps with black ribbon closure; oblong 11 x 8.5 inches; contains 33 engraved portraits average size is about 6-by-9 inches gathered from a variety of unknown sources and neatly tipped to the verso only of brown leaves. A few portraits very faintly foxed else fine. Dating primarily from the late-18th and early-19th centuries the portraits include: Helion de Villeneuve Adriaan Reinierszoon Cromhout Louis XV of France Marie Anne Schotte Sebastian Ricci and more. <br/><br/> paperback
1893DEMO009910ILondon: Fine Art Printers 1893. First Limited. Hardcover. Good. Sir John GILBERT. Folio 32 pages edgeworn orig. cloth repaired w. black leather panel centered on the top cover. <br/><br/>Text & biography of Gilbert by Temple this copy lacks 2 leaves of descriptions. No.28 of only 75 copies on Hand-made paper. Not to be confused with the quarto edition of 1893. Fine Art Printers hardcover
1865BOOKS332545New York NY: Johnson Fry and Company. Good/NO DUSTJACKET. 1865. . Hardcover. 4to. 208 pp. shelfwer front hinge slightly cracked . Johnson, Fry and Company hardcover
1900D11289Brooklyn c. 1900. Hardcover. Very Good. Contemporary green morocco gilt-stamped lettering and ornament in spine compartments 5 raised bands; 3 volumes 120 x 190 mm; containing a total of 37 silver prints 92 x 140 mm mounted to the recto only of grey heavy cardstock leaves with the name of the studio blindstamped in the lower right corner of the mount. Features one mustachioed gentleman "trying on" different postures identities and costumes in the studio including businessman's attire tuxedos ethnic costume sombrero! swimming costume behold the Speedo!. He flexes his biceps he smokes a cigar -- he WORKS IT for the camera. Spine somewhat sunned; some light scuffing along edges of boards. One leaf detached otherwise internally bright and clean. <br/><br/> hardcover
1892131205New York / London: MacMillan and Co. 1892. Limited Edition. Leather Bound. Very Good. 8vo 7.75 - 9.75'' tall. Leather Bound. Condition: Very Good. MacMillan and Co. New York / London 1892. Limited Edition. 113 pages. '200 copies of This Edition were printed on handmade paper October 1892'. First Edition. 1st Printing. Leather spine and board tips marbled boards. Nice Firm Clean copy ! Moderate general wear. Size: 8vo 7.75 - 9.75'' tall. Shortly before he died Tennyson told his son Hallam to ""put 'Crossing the Bar' at the end of all editions of my poems"". This book does not have 'Crossing the Bar.' Poetry::Before 1900 6163 6163 MacMillan and Co. hardcover
189012This 6 1/2" x 4 1/4" albumen cabinet card of a male Japanese sitter was produced by Schumacher Portraits in Los Angeles California c. 1890. There are very lite scattered surface abrasions otherwise in fine condition. Embossment on recto 'Schumacher 107 North Spring St. Los Angeles Cal.' Schumacher logo embossed on recto. Schumacher Portraits label with address printed on verso.<br /><br /><b> Price includes discount </b>
1833246869London: Charles Knight Pall-Mall East 1833. 168 engraved portraits. 7 vols. 8vo. Half lavender pebbled morocco. Some rubbing else very good. 7. 168 engraved portraits. 7 vols. 8vo. Charles Knight, Pall-Mall East unknown
189076014V.p.: V.p. 1890-1920. The soft leather-covered album measures 15.5 x 11.5 inches and contains fifty extant pages containing a total of 164 original photographs of varying sizes. The album has had some of its pages removed and there are missing photos from extant pages. There are an additional 23 fine photos either unmounted or on partial pages that have been removed from the album but are present in this offering. Altogether there are 187 photographs in this grouping. Several of the photos are over 9 x 13 inches in size. The photographs whether still in the album or separated from it are in Fine condition. Harriette Hattie Elizabeth Hill Foster Goldnamer 1868-1940 assembled the album and wrote the white ink photo descriptions in a wonderful cursive hand. According to Hughes’ Artists in California Hattie married “… Daniel Foster and moved to Fresno CA in 1886. In 1904 she moved to San Francisco where she studied at the Mark Hopkins Art Institute and privately with Frederick Bauer. A widow by 1910 she had married Wm. Goldnamer. She then settled in Oakland where she remained until her demise on May 2 1940.†As an artist Hattie worked in charcoal and oil and specialized in still life and figure studies. This album is one of three family photographs she put together that we acquired together. Although the family names are the same in all three each stands alone and we are offering them individually. All but nine of the 164 photographs in the album are fine portraits of her family and friends and several of herself. Surnames identified in the album include Hill Foster McNeil Gardner Potter Bryer Gould Pierce Page Oust Le Blanc Ryan McKenzie Holden Oberwetter Russell Hutchens Eldred Dunbar King Brown Scholler Holaday Radley Hutchens and many others. From the identification inscriptions beneath the photos along with photographers’ imprints many of Hattie’s family and friends were from the Illinois-Nebraska area and California. There are a number of oval portraits of identified individuals both male and female dated 1900. The other nine images in the album are large photos of the Hill Dunbar and Oberwetter ranches in Nebraska and Wyoming circa 1895-1900.The photo with the “Louis Fleckenstein / Los Angeles†blind stamp is of Loraine Stebinger who signed the photo’s mount “Most sincerely Loraine Stebinger Dec. 25 1918.†Removed from the album the photograph of the musician shows her playing the piano and measures 7 x 10 inches on a 10 x 13.5 inch cream colored mount. Fleckenstein 1866-1943 was an internationally known pictorialist photographer before moving to Los Angeles in 1907 to open up a portrait studio. He and a colleague had already organized the Salon Club of America to give support to regional camera clubs interested in pictorial photography where the emphasis was on photography as an art form rather than a documentary tool – aesthetics over reality! In 1914 along with Edward Weston and others Fleckenstein helped found the Camera Pictorialists of Los Angeles. In 1924 he relocated to Long Beach where he continued his work in photography. His photos are now in most major museum collections of photography.Another unattributed photo of Stebinger has an ink presentation “To my dearly beloved Friend Harriet Goldnamer from Lorraine Stebingerâ€. That presentation photo was key to identifying Hattie Goldnamer as the compiler of all three albums acquired at the same time of which this is one. Of interest is the penciled note on the back that attributes it along with several other shots of Stebinger in the same dress to Fleckenstein. However that has not been verified. V.p. hardcover
187229260AB1872. London Vanity Fair 1872. Folio. 208 208 pages. Complete set. Interleaved with 51 chromolithographic portraits. Beautifully restored original Hardcover half-leather with orginal spine gilt letttering and ornament. With new linen-covered boards using the original pastedowns and endpapers. A stunning Volume in excellent condition. All illustrations in wonderful colour. Portraits include: 1. Caricature of Marie Joseph Louis Adolphe Thiers President of France. Caption read "Faute-de-mieux Premier" / 2. Caricature of Richard Edmund St Lawrence Boyle 9th Earl of Cork and 9th Earl of Orrery 1829-1904. Caption read "Master of Her Majesty's Buckhounds" / 3. Caricature of Dr Frederick Quin 1799 - 1878. Caption read "Homoeopathic Society" / 4. Men of the Day No.38: Caricature of Mr. James Anthony Froude. Caption reads: "He created Henry VIII exploded Mary Stuart and demolished Elizabeth" / 5. Caricature of Wilkie Collins 1824-1889. Caption read "The Novelist who invented Sensation" / 6. Caricature of Spencer Horatio Walpole 1806-1898. Caption read "He defended Hyde Park" / 7. Caricature of John Ruskin. Caption read "The realisation of the Ideal" / 8. Caricature of George Grenfell Glyn M.P. 1824-1887. Caption read "The Whip" / 9. Alexander William Kinglake 18091891 - British politician military historian writer and traveler. Caricature / 10. Caricature of William Henry Smith 1825 1891. Caption read "Newspapers" / 11. Caricature of Sir Roundell Palmer. Caption reads: "He refused the Woolsack and voted against the Disestablishment of the Irish Church" / 12. Caricature of Mr.John Francis Maguire MP. Caption reads: "A Home Ruler" / 13. Caricature of Charles Kingsley 1819-1875. Caption read "The Apostle of the Flesh" / 14. Caricature of John Tyndall. Caption read "The Scientific Use of the Imagination" / 15. Caricature of Reverend John Cumming. Caption read "The End of the World" / 16. Caricature of The Rt Hon Gathorne Hardy MP DCL. Caption reads: "Conservative" / 17. Caricature of Mr William Hepworth Dixon. Caption reads: "He discovered New America and Free Russia" / 18. Caricature of King Amadeus of Spain. Caption reads "He would be a King" / 19. Caricature of Sir Wilfrid Lawson 2nd Baronet MP 1829-1906. Caption reads: "Permissive Prohibition" / 20. Caricature of The Hon Hamilton Fish. Caption reads: "Consequential damages" / 21. Caricature of The Hon. Charles Sumner 1811-1874. Caption reads: "The Massive Grievance" / 22. Caricature of Ulysses S. Grant. Caption read "Captain Tanner Farmer General Imperator" / 23. Caricature of Thomas Hughes M.P. 1822-1896. Caption read "Tom Brown" / 24. Caricature of Mr S Morley MP. Caption reads: "Dissent" / 25. Caricature of Sir Arthur Wellesley KG PC MP 2nd Duke of Wellington. Caption read "The son of Waterloo" / 26. Caricature of Frederic Leighton 1830-1896. Caption read "A sacrifice to the Graces" / 27. Caricature of Michael Costa 1808-1884. Caption read "Orchestration" / 28. Caricature of Mr George Leeman MP. Caption read "A Yorkshire Solicitor" / 29. Caricature of Horace Greeley. Caption reads: "Anything to beat Grant" / 30. Caricature of The Rt Hon Edward Pleydell-Bouverie MP. Caption reads: "He did not decline the Speakership." / etc. hardcover
189263140New York Boston and Philadelphia John C. Yorston & Co. Masonic Publishers 1892. 4to 350 x 280 mm. Five volumes uniformly bound in publisher original full cloth with gilt lettering and ornamentation to front boards. Small paper-labels pasted on to spines. Light wear to extremities and a few scratches to edges of boards. A few plates with marginal brownspotting otherwise fine and clean. With numerous fine steel engraving. <br/><br/><em>Large Paper Edition of this grand and finely produced biographical compendium of American Freemasonry profusely illustrated with engraved portraits of prominent members across the United States. </em> hardcover
1860D9231c. 1860s. Hardcover. Very Good. Hand-tooled gilt morocco; small 4to; period album with brass clasp; contains 38 playful images mostly pen-and-ink drawings but also including 4 cartes-de-visite and 1 tintype with hand-drawn elements like a pipe extra hair or gender-benders. Perhaps a gift for Humphrey and Meta the results are delightful character sketches: a stern Italian nurse portraits of Humphrey and Meta aged 1 and screaming and 8 and 9 and later not screaming their rivals Madame Gorgonzola with her nose in the air Cousin Rubicon Reverend Brimstone and more. <br/><br/> hardcover
1824ST18708London: Robert Triphook 1824. FIRST EDITION. 233 x 143 mm. 9 1/8 x 5 3/4". 2 p.l. v 3 206 pp. 1 leaf ads. <br/> HANDSOME SCARLET MOROCCO BY RIVIERE & SON stamp-signed on front turn-in front cover WITH FIVE MINIATURE PORTRAITS OF SHAKESPEARE on ivory under glass ALMOST CERTAINLY BY MISS C. B. CURRIE surrounded by delicate gilt tooling rear cover and spine compartments framed by double gilt fillets raised bands gilt lettering to two compartments gilt-ruled turn-ins olive green silk endleaves top edge gilt other edges untrimmed. In a maroon fleece-lined slipcase. With five engraved plates reproducing portraits of Shakespeare. Jaggard pp. 586-87. Slight wear to silk endleaves at front hinge isolated small printing smudges or other trivial defects final leaf ads with short closed tear at head otherwise A VERY FINE COPY the text with no signs of use and the splendid binding in perfect condition.<br/> <br/> This analysis of portraits purporting to depict Shakespeare is the perfect vehicle for a Cosway binding used here to present the leading contenders on the front cover these likenesses also appear on engraved plates in the book. The portrait at the center of our cover is considered the most authoritative being that done by Martin Droeshout for the First Folio of 1623. The other portraits shown in the plates and in the miniatures are the Chandos Head the Stratford Bust the engraving by W. Marshall from the 1640 edition of the poems and the Jansen portrait of 1610. A Shakespeare scholar who raised the alarm about forgeries of Shakespeare manuscripts in the 1790s Boaden 1762-1839 sets forth here as indicated in the preface "a careful examination of the evidence" by which "the pretended portraits have been rejected and the genuine confirmed and established." The so-called "Cosway" binding with painted miniatures inlaid in handsome morocco--either inside or as here on the outside of the front cover--apparently originated with the London bookselling firm of Henry Sotheran about 1909. In that year G. C. Williamson's 1905 book entitled "Richard Cosway" which celebrated the career of this leading Georgian and Regency miniature painter was remaindered by Sotheran and presumably given this special decorative treatment in order to boost sales. The name "Cosway" then was used to describe any book so treated whatever its subject. The finest miniatures on Cosway bindings were executed by Caroline Billin Currie 1849-1940 who is known to have created such paintings for Sotheran's from 1910 until her death usually from designs by J. H. Stonehouse and typically for bindings executed as here by Riviere. Not present in this volume is an inserted leaf acknowledging Currie's work--something normally seen with Cosway bindings featuring her miniatures; but she has a distinctive deftness to her brush strokes and a recognizably refined execution that are clearly present here. The precision and detail of these portraits and the wonderfully expressive eyes are hallmarks of her work. Robert Triphook unknown