Manet, Rodin, Millet, et alBiblio.com
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1889H28396London and New York: Boussod Valadon; Charles Scribner's Sons 1889. Hardcover. Very good. Large 4to 13 x 10 inches 3/4 cherry red morocco and marbled boards raised bands heavily gilt decorated spine compartments very good minimal wear and rubbing to tips joints and corners contents very good and bright deckled fore-edge printed on heavy bright paper. Prints two months with title pages for each and colored frontispieces for each the first by Francois Flameng the second by Millet. September has an article on Soho by Filon illustrated by Flameng Charles d'Hericault on Marat with several plates Geffroy's article on Rodin including several plates of sculptures and what appears to be an original etching by Rodin of Victor Hugo some foxing to top edge of sheet not affecting image; the second part of "Xaviere by Fabre with plates by Boutet de Monvel Sarcey's essay on Mounet-Sully of the Comedie Francaise with etching of the actor by Geux after a painting by Chartran. October has what looks like a colored lithograph frontispiece by Millet continues with the third part of "Xaviere" with more engravings by Boutet de Monvel an article on women's dress during the Revolution and Directorate with engravings by Louis Morin all colored an article on the Hotel Rothschild with engravings after "clichets" by Chalot article on Theophile Gauthier with engraved plates and a survey of the exhibition at the Champ de Mars by Dayot with two engravings after paintings by Manet: Woman with Parasol and Portrait of Antonin Proust and engravings after Millet Delacroix Gericault Corot and others. Boussod, Valadon; Charles Scribner's Sons hardcover
186973544Paris: Alphonse Lemerre 1869. Fine. Alphonse Lemerre Paris 1869 12 x 18.50 cm relié Charles Baudelaire. Sa vie et son uvre Alphonse Lemerre Paris 1869 12 x 18.5 cm half morocco First edition on thick paper of the first biography devoted to Charles Baudelaire who had died two years prior. Half navy morocco over marbled paper boards Bradel binding by Alfred Farez the spine slightly faded marbled endpapers and pastedowns covers and spine preserved. This copy complete with the 5 etching portraits of Charles Baudelaire by Edouard Manet Gustave Courbet Emile Deroy and Charles Baudelaire himself. Edouard Manet engraved the two of his Félix Bracquemond the three others. Autograph inscription signed by Charles Asselineau to the publisher and bibliophile Léon Techener. Alphonse Lemerre hardcover
186782102Paris:: E. Dentu 1867. First edition. handsome later half morocco and marbled sides t.e.g.; elaborately gilt spine. Some extremely light marginal foxing to the margins of the text; original etching of Olympia and the portrait fine; binding fine. . 8vo. Accompagnee d'un portrait d'Ed. Manet par Bracquemond et d'une eau-forte d'Ed. Manet d'apres Olympia. E. Dentu, unknown
1884H1370Paris: Imprimerie de A. Quantin 1884. First printing. Wraps. Very Good. Ecole Nationale des Beaux-Arts Exposition des Oeuvres de Edouard Manet Preface de Emile Zola Catalogue Prix: 1 Fr. Paris: Imprimerie de A. Quantin 1884. First printing. Paperback. First edition Janvier 1884. Small 8vo original printed gray wraps 72 pp including the Discourse by Antonin Proust at rear. VG copy with subtle reinforcement of the spine original spine paper laid down in dyed japanese paper contents VG if a little tanned minor wear to fore-edges of wraps. Very RARE and with heady results at auction including a fine copy at Galerie Bassenge in 2011 for 3250 Euros and another copy at Pierre Berge Paris 2016 for nearly 2400 Euros. The exposition included famous and notorious works including “Olympia†and “Le Dejeuner sur l’herbe.â€. Imprimerie de A. Quantin unknown
187077292s. l. Paris 1870. Fine. s. l. Paris s. d. ca 1870 23.40 x 28.10 cm une feuille Original etching on Chine appliqué mounted on heavy paper engraved by Félix Bracquemond after Manets 1861 painting probably depicting Léon Leenhoff the painters natural son. unknown
18691321869. Etching and aquatint on cream laid watermarked Rives paper. 6 5/8 x 5 inches 167 x 126 mm. Sixth and final state a posthumous impression. A fine inky impression with full margins and deckle right and bottom sheet edges. Faint time stain and light adhesive residue from a previous mount on the recto well outside of the image area. Otherwise in excellent condition. <br /> <br /> Moreau-Nélaton 19 Guérin 53 Harris 65. unknown
186052351860. Manet Edouard. Manet Edouard. LE GAMIN. Etching 1862 but a later printing probably from Duret's 1902 book on Manet which included this etching and "Olympia.". Harris 31 second state. 8 1/4 x 5 7/8 inches with margins of 3/4 to 1 1/4 in. Also present is a tissue guard with the title "Le Gamin au Chien 1860 eau-forte originale." Printed in sepia on paper without a watermark. Excellent condition. unknown
186336847Paris: Published by A. Cadart and F. Chevalier Editeurs rue Richelieu 66 1863. Etching. Printed on watermarked laid paper. Full sheet in excellent condition with the Cadart waternark. This is a rich early impression of Manet's famous print "The Gypsies."<br/> <br/> One of the most influential artists of the impressionist movement Manet is also regarded as one of the most important printmakers of the modernist era. This famous etching reproduces a painting that Manet executed in 1862. This print is the only evidence we have of the composition of the work since the original oil only exists today in separate fragments. According to Harris we know that the oil painting must have resembled the composition of the etching because a contemporary cartoonist penned a sketch of the work when it was on display in Manet's one-man show at the Pont de L'Alma. This image is considered one of the boldest etchings of Manet's oeuvre and technically it is a tour de force with its deeply bitten lines and open hatching. This effect creates a lively play of light across the surface producing a dynamic tension within the image that is truly compelling. In this finished state Manet has reworked the whole plate adding additional lines and hatching to reinforce the dark shadows within the image. He has added foliage and other details that did not exist in the trial proof state of this print creating a sense of depth within image which was lacking in the earlier state. Harris mentions a few known impressions before letters for the 1863 Manet portfolio but these images were printed on chine. Harris describes later printings published by Cadart in 1874 Gennevilliers in 1890 Dumont in 1894 and Strolin in 1905 where the lettering has been effaced but this cannot be a pull from those publications since the impression is so rich and the frontispiece states that it is the 1862-1863 edition. This rare image is a true collector's item from one of the greatest masters of modern art. It not only epitomizes Manet's revolutionary work but also demonstrates his skill as an engraver. Between 1862 and 1866 the Societe des Aqua-Fortistes produced a five-volume collection of artists' etchings entitled "Eaux-Fortes Modernes." Printed on laid paper made especially for the series this outstanding collection is one of the seminal publications to spring out of the etching revival in France. The Societe des Aqua-Fortistes was the French equivalent of the Etching Club in England and similarly it aimed to produce a collection of high quality etchings by the leading artists of the period. Like the Etching Club the Societe des Aqua-Fortistes sought to raise the prestige of the medium from a reproductive technique to a fine art. Although the etching revival began somewhat earlier in England the French movement exerted a far greater influence on the medium and included a wider range of prominent artists. The Barbizon painters were among the earliest French artists to participate in the etching revival and their superb prints helped raise the medium to new heights of genius. This unique publication which included works by Manet Corot and Delacroix is an outstanding example of fine art printing at its best.<br/> <br/> Beraldi Les Gravures du XIXe Siecle Guide de l'Amateur d'Estampes Modernes vol. IX p. 207 no. 4 i/I; Harris Edouard Manet Graphic Works; A Definitive Catalogue Raisonne no.18 ii/ii. Published by A. Cadart and F. Chevalier, Editeurs, rue Richelieu 66 unknown
1884281623Paris: A. Quantin 1884. First. hardcover. very good. Edouard Manet. Illustrated with two original Manet etchings "L'Odalisque Couchee" and "La Convelescente." 3 etched plates by Henri Guerard after Manet 6 heliogravure plates after Manet a facsimile letter and other illustrations throughout. 150 pages. 8vo contemporary half black calf over green boards; some scuffing to extremities. Paris: A. Quantin 1884. First edition complete with all illustrations. A very good copy of this scarce book with very clean interior. Inscribed by the author to Gustav Geoffrey on a preliminary page.<br/> <br/> The first biography of Manet written by his good friend Edmond Bazire and published just 9 months after Manet's death. --Guerin 50 & 65.<br/> <br/> A. Quantin unknown
1895033926London: George Bell And Sons 1895. 1st Edition 1st Printing. Hardcover. Very Good. Xvi 367 Pp. Light Green Cloth Gilt Lettering Dark Green Decorations Top Edge Gilt Deckled Edges. Bookplate Of Henry A. Harben 1848-1910 And Inscribed "H. A. Harben From Henry / Xmas 1895". Inscription Bears Some Similarities To Handwriting Of Henry James The Author But In Important Respects Not Similar. Light Wear But Fraying At Spine Ends And At Tips All Gilt Bright Spine Cloth Browning 2" Split At Bottom Of Front Endpapers. <br/> <br/> George Bell And Sons hardcover
