Yann Le Pichon, Paul GauguinBiblio.com
208 résultats
1987BN155183Harry N Abrams Incorporated New York 1987. 1987. Hardcover. Gauguin - Life Art Inspiration <br/><br/>Gauguin - Life Art Inspiration Yann Le Pichon Paul Gauguin Harry N Abrams Incorporated New York hardcover
19742090202120809962Bijutsu shubbansha 1974. Soft Cover. Fine. Volume: 1 Bijutsu shubbansha paperback
19802090502126904892Misuzushobo 1980. Soft Cover. Fine. Number of pages: 370p Size: A5 size Misuzushobo paperback
196439219Paris: Les Beaux Arts 1964. The first catalogue raisonne of Gauguin's paintings. 638 items described and illustrated. Edition limited to 3000 copies. Folio. Bound in publisher's leather. With dustjacket and slipcase. Fine and bright. <br/><br/> Les Beaux Arts hardcover
19712081402110003901Iwanami bunko 1971. Soft Cover. Fine. Number of books: 1 Iwanami bunko paperback
199384534Little Brown. New. 1993. Hardcover. 0356203492 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked tight to the spine - 320 pages over 23 color illustrations; 4to. -- with a bonus offer-- . Little, Brown hardcover
195384547Editions Du Chene. As New. 1953. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 9 39 pages 93 illustrations; folio. -- with a bonus offer-- . Editions Du Chene paperback
198684535Fata Morgana; Et Al. New. 1986. Paperback. 2851943413 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 149 pages; small 8vo. -- with a bonus offer-- . Fata Morgana; Et Al paperback
1921316991921. Paris Editions Georges CrÂs et Cie 1921 sous ÂŽtiquette de relais en page de titre et couverture renouvelÂŽe ˆ l'adresse des Editions Plon 1929. Un vol. au format in-12 188 x 123 mm de 312 pp. catalogue ÂŽditeur in fine brochÂŽ. Edition CrÂs de 1921 sous couverture et ÂŽtiquette de relais ˆ l'adresse des Editions Plon. L'ouvrage s'agrÂŽmente de compositions de Paul Gauguin - dont 3 inÂŽdites - gravÂŽes sur bois par Georges Daniel de Monfreid. Victor Segalen alors tout jeune mÂŽdecin de la marine dÂŽbarque ˆ Tahiti en janvier 1903. Le projet des ImmÂŽmoriaux - paru originellement sous le pseudonyme de Max AnÂŽly - na”t presque aussit™t dÕun contact physique de celui-ci avec la terre la langue et les peuples polynÂŽsiens. ''Pendant deux ans en PolynÂŽsie ÂŽcrira SÂŽgalen jÕai mal dormi de joie''. Le livre - ˆ la dimension tout aussi littÂŽraire qu'anthropologique - se prÂŽsente principalement comme le contre-pied absolu dÕun certain Ç mythe tahitien È dont la miÂvrerie ÂŽtait incompatible avec le projet essentiel de l'auteur. Ce quÕexalte Segalen ce nÕest en effet pas lÕidylle suave avec la nature mais une sociÂŽtÂŽ pa•enne guerriÂre habile au plaisir comme ˆ la cruautÂŽ. Entre rÂŽcit du dÂŽclin et de la chute de la civilisation Maori ce tÂŽmoignage est emprunt d'une extraordinaire invention verbale servie par une puissante architecture dramaturgique. A ce titre il demeure lÕun des livres fondateurs de lÕimaginaire anthropologique moderne.Christian Doumet. Petit manque en pied du dos ainsi qu'en marge droite du premier plat. Petite plissure angulaire aux feuillets liminaires ; lesquels sont en outre lÂŽgÂrement effrangÂŽs. Papier lÂŽgÂrement oxydÂŽ pouvant prÂŽsenter de claires et discrÂtes rousseurs. Petit manque en marge du dernier feuillet catalogue ÂŽditeur. Du reste bonne condition. b42961 unknown
195984553The Art Institute of Chicago. As New. 1959. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B000GWYHEC. 90 pages 51 illustrations including several in color; 8vo. -- with a bonus offer-- . The Art Institute of Chicago paperback
1997BN255625Mainz : Schmidt 1997. 1997. Paul Gauguin Emil Nolde und die Kunst der Südsee : Ursprung und Vision ; eine Ausstellung im Alten Rathaus der Stadt Ingelheim 27. April bis 29. Juni 1997. Internationale Tage Ingelheim. Veranst. Boehringer Ingelheim. Red. Patricia Rochard . <br/><br/>Paul Gauguin Emil Nolde und die Kunst der Südsee : Ursprung und Vision ; eine Ausstellung im Alten Rathaus der Stadt Ingelheim 27. April bis 29. Juni 1997. Internationale Tage Ingelheim. Veranst. Boehringer Ingelheim. Red. Patricia Rochard . Rochard Patricia und Paul Ill. Gauguin Mainz : Schmidt unknown
1983Q-0810909839Harry N. Abrams Inc 1983-04-15. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Harry N. Abrams, Inc hardcover
1983Q-0810953358Easton Press 1983-06-01. Leather Bound. New. In shrink wrap. Looks like an interesting title! Easton Press hardcover
194957547The Hyperion Press. As New. 1949. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 168 page monograph; 160 copper engravings; 16 large color reproductions -- with a bonus offer-- . The Hyperion Press hardcover
195884537T. Yoseloff; Bittner Art Book. As New. 1958. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Corresponds to ASIN: B000YBZ9JM. 40 pages of text; 126 illustrations; 4to. -- with a bonus offer-- . T. Yoseloff; Bittner Art Book hardcover
195884536T. Yoseloff; Bittner Art Book. As New. 1958. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Corresponds to ASIN: B0007DQCH0. 40 pages of text; 126 illustrations; 4to. -- with a bonus offer-- . T. Yoseloff; Bittner Art Book hardcover
1938NF0808GAUGUIN Heinemann ca. 1938 first edition vg in near fine dust-wrapper with 160 illustrations of which many are tipped-in full color plates. Heinemann 1938 unknown
1998Q-3822877638TASCHEN 1998-02-01. Hardcover. New. In shrink wrap. Looks like an interesting title! TASCHEN hardcover
1955322378Oslo: Gyldendal Norsk Forlag 1955. First Edition. Hardcover. Very Good in boards. Published in Norwegian. Spine cocked. Foxing on top text block edge. Gyldendal Norsk Forlag hardcover
199455137Promedia S. A. New. 1994. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 167 pages; 133 works by 21 artists catalogued and illustrated. -- with a bonus offer-- . Promedia S. A. paperback
1975KFZZQ100812DEAGOSTINI 1975. Soft Cover. Fine. KFZZQ100812 DEAGOSTINI paperback
192359175Les Editions G. Cres et Cie Paris 1923. First Edition. Hardcover. Very Good Condition. Size: 8vo 7 3/4 - 9 3/4". 241 pp. Text is in French. Binding firm spine cocked. Endpapers browned text block clean. Jacket sown in to rear of book. Covers slightly marked and worn. Corners bumped. Illustrated. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; Modern; French Language; Pictures of this item not already displayed here available upon request. Inventory No: 59175. . Les Editions G. Cres et Cie hardcover
1964feb1216341964. Used. For more details please contact me unknown
191985790Paris: Galerie Barbazanges 1919. Fine. Galerie Barbazanges Paris 1919 15 x 23.20 cm cousu Exhibition catalogue of Paul Gauguin's works at the Galerie Barbazanges 109 Faubourg Saint-Honoré from 10 to 30 October 1919. Illustrated with Gauguin's splendid colour self-portrait with halo and serpent wood-engraved by Jules Germain. Essay by François Norgelet entitled ""Gauguin au Pouldu"". Catalogue of 28 works by Gauguin including two lithographs and two plaster casts. Minute black spot in the margin of the front wrapper. The exhibition at the Galerie Barbazanges revealed previously unknown works that Gauguin produced during his stay at Le Pouldu in Brittanny between 1889 and 1890. Living alongside Sérusier Bernard de Haan and Filiger Gauguin painted there some one hundred imaginative and colourful canvases inspired by this artistic retreat where they led a vibrant life of plein-air work and conversations in the thick smoke of cigarettes and pipes: ""ils étaient tous trois pieds nus débraillés superbement au verbe sonore. Je vis l'un deux plus tard chez Mallarmé : c'était Gauguin"" They were all three barefoot magnificently disheveled with sonorous speech. I saw one of them later at Mallarmés: it was Gauguin recalled André Gide in Si le grain ne meurt. Gauguin would leave the inn without settling his bill leaving as a deposit most of the works he had created at Le Pouldu with his landlady and mistress Marie Henry. The innkeeper parted with them in 1919 at the time of this exhibitionwith the exception of a Gardeuse d'oies and an Oie which Gauguin had painted directly on the plaster of the Breton inn and were rediscovered in 1924. Galerie Barbazanges unknown
1924782481924. Fine. s. d. 1924 9.30 x 7.80 cm autre Diane et Actéon aux Marquises. Noa Noa. Unique proof of the woodcut drawn and engraved after Paul Gauguin by George-Daniel de Monfreidbetween 1904 & 1924 93 x 78 mm one sheetOriginal proof likely unique of this intermediate state of a woodcut drawn and engraved by George-Daniel de Monfreid after two works by Paul Gauguin. Print on Japan silk annotation by the artist in the left-hand margin. Woodcut drawn and engraved after two works the man holding a branch being a reproduction of a watercolor on page 37 of the Noa Noa manuscript while the full-length woman originally observed by this browser is presented here in bust with her hand to her face model reproduced on a woodcut engraved by Gauguin on page 4 of the manuscript and his original sketch pasted on page 51 evoking a similar scene. The final woodcut will serve as the head of chapter IV of the first true illustrated edition of Noa Noa published by Crès in 1924 the first illustrated work after Paul Gauguin and a majestic tribute to one of the precursors of modern art. Superb engraving synthesizing a watercolor from the original Noa Noa manuscript inspired by the myth of Diana and Actaeon engraved by Gauguin's closest friend and executor the artist George-Daniel de Monfreid heir to the album he would offer to the French State in 1927. A likely unique proof part of 17 known test woodcuts from the early project to publish Noa Noa all made on various fine papers and annotated by the artist. Woodcut engraved after a watercolor reinterpreting the myth of Diana surprised in the bath by Actaeon. In the engraving Monfreid took care to preserve the typical of deer antler shape of the branch seized by the indiscreet which evokes its metamorphosis by the goddess. A very rare work by Gauguin mixing ancient mythology and island exoticism whose subversive power seems entirely carried by the vahine Diana's expression of feint surprise. It is from the original illustrated manuscript of Noa Noa brought back from Tahiti by Segalen on the artist's death in 1903 that Monfreid began producing this fundamental work from as early as 1904. This is the second version of this to read and look at notebook. The first manuscript written on the return of his first voyage and entrusted by Gauguin to Charles Morice in 1893 responded to a different project. Gauguin had composed only the text interspersed with blank pages for Morice's poems. But after several years without news Morice preferred to publish a version entirely rewritten by himself in 1901. Gauguin therefore copied his manuscript and illustrated it during his second stay in Polynesia with sketches watercolors and collages. This album that the artist enriched and safely preserved until his death is preserved today at the Musée d'Orsay. It is therefore from this manuscript the only one illustrated that Monfreid composed the edition of Gauguin's Noa Noa. However although Monfreid's publication was forward it took more than twenty years to complete in part due to a copyright dispute with Charles Morice who wanted to be co-author of the forthcoming edition and whose poems would eventually be preserved. The result of several years of reflection and work the 1924 edition is both faithful to the watercolors and woodcut engravings illustrating the precious manuscript and to the whole of Gauguin's Tahitian work who died in indifference. Monfreid thus engraves several drawings from the original notebook and enriches it with woodcuts made from other works of which he is the custodian. Some of these compositions combine several paintings while scrupulously respecting the artist's line transforming the work into a true journey through the painter's works. The very choice of using wood engraving is a tribute to this technique prized by Gauguin who in Pont-Aven produced 10 woodcuts to illustrate his manuscript between his two Polynesian stays. The in unknown
