208 résultats
196011763JLondon n.d. circa 1960s. First Edition. Original 7 page shooting script belonging to actress Hira Talfrey heavily annotated in the text by her consisting of the portion of the teleplay which has her part. Apparently a television film dealing with the life of artist Paul Gauguin. This script deals with Polynesian characters with the text in both English and Polynesian. Accompanied by an 8 page studio production shooting schedule. Hira Talfrey appeared in such films as The Curse of the Demon The Conqueror Worm The Oblong Box and The Year of the Sex Olympics. unknown
192045044München 1920. Aus dem Manuskript übertragen von Erik-Ernst Schwabach. Diese deutsche Ausgabe erschien vor der ersten französischen Ausgabe Papier stockfleckig. EA Kurt Wolff Verlag 8°. Ln. Kunst unknown
1920458930Munchen: Kurt Wolff Verlag 1920. Hardcover. Very Good. Presumed first edition. Octavo. 240pp. Text in German. Pictorial tan cloth. Foxing on cloth very good without dustwrapper if issued. Kurt Wolff Verlag hardcover
20002080202104504052Hakugado 2000. Soft Cover. Fine. Number of pages: 1 book Size: 34 cm Number of books: 1 book Hakugado paperback
1981C86422Flammarion. As New. 1981. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Corresponds to ASIN: B001BIN0FC. 120 pages with 64 color plates and many black and white illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee uvre Oeuvre -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Flammarion hardcover
198186422Flammarion. As New. 1981. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Corresponds to ASIN: B001BIN0FC. 120 pages with 64 color plates and many black and white illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee uvre Oeuvre Flammarion hardcover
1996Q-0306807009Da Capo Press 1996-03-22. Paperback. New. In shrink wrap. Looks like an interesting title! Da Capo Press paperback
1978Q-0670791733Viking Press 1978-03-28. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Viking Press hardcover
1998Q-0838637493UNKNO 1998-08-01. Hardcover. New. In shrink wrap. Looks like an interesting title! UNKNO hardcover
1922GAUGUINP001014Privately printed for subscribers only by William Heinemann London. 1922. First U.K. edition. Quarto. 138 pages. Three-page Preface by Emile Gauguin. Translated by Van Wyck Brooks. Twenty-four tissue-guarded black and white plates. Buckram covers. Top edge gilt. One of 530 numbered copies.Near fine. No dustwrapper. Privately printed for subscribers only by William Heinemann, London. hardcover
1923466642William Heinemann Ltd 1923. First Edition. Hardcover. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled shadow-stained and rubbed as with age. Bumped corners. Some light foxing to prelims. Remains well-preserved overall. Limited and numbered 255 out of 530 copies. Series; The travellers' library. Physical description; xi 3 138 pages XXIV leaves of plates : illustrations ; 27 cm. Notes; ""This edition printed on English Handmade Paper is limited to five hundred and thirty copies of which five hundred are for sale and thirty for presentation."" -- Half title verso. Subjects; Paul Gauguin 1848-1903 Diaries. Painters France Diaries. William Heinemann, Ltd hardcover
1923316013London: Priv. print. for subscribers only by W. Heinemann 1923. 1st edition. Hardcover. Previous owner's signature. Very good copy in the original gilt-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: xi 138 p. 24 plates: ill.; 27 cm.Notes: Limited ed.Plates accompanied by guard sheets. Subjects:Gauguin Paul 1848-1903. Written works. Painters France. Written works.Painting French. Other names: Brooks Van Wyck 1886-1963. Genre: Illustrated. London: Priv. print. for subscribers only by W. Heinemann hardcover
1923434864London: Privately Printed for Subscribers Only by William Heinemann 1923. Hardcover. Near Fine/Very Good. First edition. Translated by Van Wyck Brooks. Preface by Emile Gauguin. Quarto. 138pp. Illustrated by Gauguin. Beveled boards. Slight soiling on the boards near fine in very good illustrated dustwrapper with a roughly dime-size hole on the spine some age-toning and several short tears. Copy number 48 of 530 numbered copies. Privately Printed for Subscribers Only by William Heinemann hardcover
1923d0737London: William Heinemann. G : in good condition without dust jacket. Rubbed and marked cover. Untrimmed. Darkening to page edges. 1923. Limited Edition 92/530. Beige hardback cloth cover. 270mm x 205mm 11" x 8". 138pp. 24 tissue guarded plates. Privately printed for subscribers only. Heavy item - shipping supplement may apply for overseas. . William Heinemann hardcover
1988572BB1988. Second Edition. New York Little Brown and Company 1988. 24cm x 32 cm. XXVI 519 pages with numerous illustrations. Original Hardcover with original dustjacket in protective collector's mylar. Some staining to the endpaper and halftitle this is the only fault. Otherwise in excellent condition with only very minor signs of external wear. Stunning publication. Includes for Example: Gauguin portrayed by Himself and by others. Chronology: June 1848 - June 1886 / The Impressionist Years / Brittany: The Ceramics Martinique / The First Tahitian Years / Return to France / The Final Years: Tahiti and Hivaoa. Eugène Henri Paul Gauguin French: 7 June 1848 8 May 1903 was a leading French Post-Impressionist artist who was not well appreciated until after his death. Gauguin was later recognized for his experimental use of colors and synthetist style that were distinguishably different from Impressionism. His work was influential to the French avant-garde and many modern artists such as Pablo Picasso and Henri Matisse. Gauguins art became popular after his death and many of his paintings were in the possession of Russian collector Sergei Shchukin. He was an important figure in the Symbolist movement as a painter sculptor print-maker ceramist and writer. His bold experimentation with coloring led directly to the Synthetist style of modern art while his expression of the inherent meaning of the subjects in his paintings under the influence of the cloisonnist style paved the way to Primitivism and the return to the pastoral. He was also an influential proponent of wood engraving and woodcuts as art forms. Wikipedia hardcover
1924782501924. Fine. s. d. 1924 9.30 x 7.80 cm autre Tehura. Original proof engraved after the painting ""Merahi Metua no Tehamana"". Intermediate state for Noa Noabetween 1904 & 1924 93 x 78 cm one sheetOriginal proof likely unique of this intermediate state of Tehura wood drawn and engraved after Paul Gaughin's painting Merahi Metua no Tehamana by George-Daniel de Monfreid. Print on fine cream laid paper annotation by the artist in the left-hand margin. The definitive wood served as the head of chapter VI Le Conteur parle page 81 of the true first edition of Noa Noa published by Crès in 1924 the first illustrated work from Paul Gauguin and a majestic tribute to one of the precursors of modern art. A most important and very first woodcut of Gauguin's masterpiece engraved by his closest friend and executor artist George-Daniel de Monfreid to whom Gauguin offered the painting after two unsuccessful exhibitions. Likely unique proof part of 17 known test prints from the project to publish prematurely Noa Noa all made on various fine papers and annotated by the artist. Precious woodcut after Gauguin's masterpiece Merahi metua no Tehamana showing the painter's wife his main tahitian model. It is from the original illustrated manuscript of Noa Noa brought back from Tahiti by Segalen on the artist's death in 1903 that Monfreid began producing this fundamental work from as early as 1904. This is the second version of this to read and look at notebook. The first manuscript written on the return of his first voyage and entrusted by Gauguin to Charles Morice in 1893 responded to a different project. Gauguin had composed only the text interspersed with blank pages for Morice's poems. But after several years without news Morice preferred to publish a version entirely rewritten by himself in 1901. Gauguin therefore copied his manuscript and illustrated it during his second stay in Polynesia with sketches watercolors and collages. This album that the artist enriched and safely preserved until his death is preserved today at the Musée d'Orsay. It is therefore from this manuscript the only one illustrated that Monfreid composed the edition of Gauguin's Noa Noa. However although Monfreid's publication was forward it took more than twenty years to complete in part due to a copyright dispute with Charles Morice who wanted to be co-author of the forthcoming edition and whose poems would eventually be preserved. The result of several years of reflection and work the 1924 edition is both faithful to the watercolors and woodcut engravings illustrating the precious manuscript and to the whole of Gauguin's Tahitian work who died in indifference. Monfreid thus engraves several drawings from the original notebook and enriches it with woodcuts made from other works of which he is the custodian. Some of these compositions combine several paintings while scrupulously respecting the artist's line transforming the work into a true journey through the painter's works. The very choice of using wood engraving is a tribute to this technique prized by Gauguin who in Pont-Aven produced 10 woodcuts to illustrate his manuscript between his two Polynesian stays. The intermediate woodcuts until then unknown testify to the slow work of composition to restore the artistic richness of Gauguin's work by his most faithful artistic companion and first champion: When I saw Gauguin for the first time I was greatly disconcerted by the details of art that radiated from his works as well as from the conversations of this extraordinary man. You immediately felt that he was the Master in L'Hermitage 1903. unknown
1998Q-3822877638TASCHEN 1998-02-01. Hardcover. New. In shrink wrap. Looks like an interesting title! TASCHEN hardcover
1992Q-1855851016Collins & Brown 1992-11-05. Hardcover. New. In shrink wrap. Looks like an interesting title! Collins & Brown hardcover
1924782511924. Fine. s. d. 1924 9.30 x 7.80 cm Une feuille Original proof likely unique of this intermediate state of a woodcut drawn and engraved by George-Daniel de Monfreid after a watercolor by Paul Gauguin. Print on fine cream laid paper annotation by the artist in the left-hand margin. Woodcut drawn and engraved from the first watercolor of the Noa Noa manuscript pasted on a page of text of the famous album. The final woodcut will serve as the head of chapter X of the first true illustrated edition of Noa Noa published by Crès in 1924 the first illustrated work from Paul Gauguin and a majestic tribute to this precursor of modern art. Superb and significant engraving of the work opening Paul Gauguin's manuscript engraved by his closest friend and executor the artist George-Daniel de Monfreid heir to the album he would offer to the French State in 1927. This likely unique proof part of 17 known test woodcuts from the project to prematurely publish Noa Noa all made on various fine papers and annotated by the artist. Woodcut engraved from the watercolor inaugurating one of the painter's most beautiful albums symbolizing the Tahitian art of living between the nourishing sea and earthly pleasures. It is from the original illustrated manuscript of Noa Noa brought back from Tahiti by Segalen on the artist's death in 1903 that Monfreid began producing this fundamental work from as early as 1904. This is the second version of this to read and look at notebook. The first manuscript written on the return of his first voyage and entrusted by Gauguin to Charles Morice in 1893 responded to a different project. Gauguin had composed only the text interspersed with blank pages for Morice's poems. But after several years without news Morice preferred to publish a version entirely rewritten by himself in 1901. Gauguin therefore copied his manuscript and illustrated it during his second stay in Polynesia with sketches watercolors and collages. This album that the artist enriched and safely preserved until his death is preserved today at the Musée d'Orsay. It is therefore from this manuscript the only one illustrated that Monfreid composed the edition of Gauguin's Noa Noa. However although Monfreid's publication was forward it took more than twenty years to complete in part due to a copyright dispute with Charles Morice who wanted to be co-author of the forthcoming edition and whose poems would eventually be preserved. The result of several years of reflection and work the 1924 edition is both faithful to the watercolors and woodcut engravings illustrating the precious manuscript and to the whole of Gauguin's Tahitian work who died in indifference. Monfreid thus engraves several drawings from the original notebook and enriches it with woodcuts made from other works of which he is the custodian. Some of these compositions combine several paintings while scrupulously respecting the artist's line transforming the work into a true journey through the painter's works. The very choice of using wood engraving is a tribute to this technique prized by Gauguin who in Pont-Aven produced 10 woodcuts to illustrate his manuscript between his two Polynesian stays. The intermediate woodcuts until then unknown testify to the slow work of composition to restore the artistic richness of Gauguin's work by his most faithful artistic companion and first champion: When I saw Gauguin for the first time I was greatly disconcerted by the details of art that radiated from his works as well as from the conversations of this extraordinary man. You immediately felt that he was the Master in L'Hermitage 1903. unknown
19802090502126904892Misuzushobo 1980. Soft Cover. Fine. Number of pages: 370p Size: A5 size Misuzushobo paperback
199486423Editions Avant et Apres 1994. Haqrdcover. Fine/No jacket. Edition enriche de dix-huit monotypes suivie de Art de Papou & Chant de rossignoou La Lutte puor les peintres par Victor Marlhes." In french. Editions Avant et Apres unknown
2000mon0003944293AVANT ET APRES 1/1/2002 12:00:01 AM. hardcover. Very Good. 1.0236 12.8346 9.6063. AVANT ET APRES hardcover
1973stela174Philadelphia: Philadelphia Museum of Art 1973. 1973. 8vo. pp. 148. profusely illus. in b/w some colour. biblio. wrs. sticker residue remains on verso small crease along fore-edge of back cover previous owner's signature on half-title & free-endpaper. Soft cover. Very Good. Philadelphia: Philadelphia Museum of Art, [1973]. paperback
1931205156New York: Albert & Charles Boni 1931. First edition. Fine in a lightly used price-clipped dust jacket. 8vo 340pp; cloth. Illustrated biography of the artist. Albert & Charles Boni unknown
1973122972Philadelphia: Philadelphia Museum of Art 1973. First Edition. Paperback. Very Good. Philadelphia Philadelphia Museum of Art 1973. Small quarto 148 pages with 144 illustrations 7 full-page and in colour. Pictorial card covers; edges foxed; an excellent copy. Philadelphia Museum of Art paperback
