(after) Pablo PicassoBiblio.com
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195674772<p>after Pablo Picasso<br />Owl flower and glass Poster 1956<br />Lithograph <br />Sheet size: 68 x 48 cm<br />One of edition 2000</p><p>Rare lithographic poster designed by Picasso for an exhibition at Galerie 65 Cannes on August 1956. Picasso enjoyed designing graphic works as these posters represent a way to reach the public. For this design the artist drew an Owl Flower and Glass.</p>
193777186Paris 1937. Stor 4to. Originalt typografisk omslag. Omfatter s. 105-164. Gjennomillustrert i svart/hvitt. Med et pochoir kolorert litografi av Juan Miró - “Aidez l’Espagneâ€. Large 4to. Publishers typographical wrappers. Contains pages 105-164. Illustrated throughout in black and white With one pochoir coloured lithograph by Juan Miró - “Aidez l’Espagneâ€. Éditions “Cahiers d’artâ€. Fransk. <br/><br/><em>Eksemplaret er noe slitt men komplett med det berømte litografiet av Juan Miró - “Aidez l’Espagneâ€. Heftet tar for seg artikler om Picasso og hans verk “Guernicaâ€. Litografiet av Miró i meget god stand. This copy is somewhat worn still complete with the very famous lithograph by Juan Miró. The content deals mostly with the works of Picasso and “Guernicaâ€. The Miró lithograph in very good condition. </em> unknown
196723251Paris: Ministère des Affaires Culturelles 1967. Fine. Ministère des Affaires Culturelles Paris 1967 21 x 23.50 cm broché Third printing of this exhibition catalogue held at the Grand & Petit Palais from November 1966 to February 1967. Rich iconography. Discreet ballpoint pen annotations at the head of the first endpaper handsome copy. Ministère des Affaires Culturelles unknown
197378046s. l. 1973. Fine. s. l. s. d. ca 1973 39.40 x 29.30 cm autre Original photographic montage of Picasso s.ls.dca 1973 39.4 x 29.3 cm other Unique original photographic montage produced from a large photograph showing Jean-Pascal Lorriaux in Picasso's house there are two small photographs glued to each side showing Picasso and Lorriaux in the lower margin there are other collages of printed paper forming the title J-P Lorriaux chez Picasso 1881-1973 J-P Lorriaux at Picasso's house 1881-1973. Jean-Pascal Lorriaux was a passionate collector who had the idea of publishing a collection of lithographs presenting the hands of the great artists of his time. Thus Chagall Picasso Fautrier of whom he was the assistant and close friend during the last years of his life Foujita Cocteau Lurcat and Mathieu will visit his studio to engrave their hand on lithographic stone. Lorriaux will not have the time to finalise his project and only a few attempts will be carried out. unknown
197378047s. l. 1973. Fine. s. l. s. d. ca 1973 39.40 x 29.30 cm autre Original photographic montage of Jaime Sabartés and Picasso s.ls.dca 1973 39.4 x 29.3 cm other Unique original photographic montage produced from a large photograph showing Jean-Pascal Lorriaux and Jaime Sabartés on the right-hand margin an original stamp is glued on which there is a portrait of Sabartés by Pablo Picasso in the lower margin there are other collages of printed paper forming the title Sabartés welcoming recevant J-P Lorriaux - 45 années de vie avec Picasso Sabartés welcoming receiving J-P Lorriaux - 45 years of life with Picasso. Jean-Pascal Lorriaux was a passionate collector who had the idea of publishing a collection of lithographs presenting the hands of the great artists of his time. Thus Chagall Picasso Fautrier of whom his was the assistant and close friend during the last years of his life Foujita Cocteau Lurcat and Mathieu will visit his studio to engrave their hand on lithographic stone. Lorriaux will not have the time to finalise his project and only a few attempts will be carried out. unknown
191778126Paris 1917. Fine. Paris 1917 6.30 x 8.60 cm une photographie Original photograph likely unique and unpublished of Pablo Picasso at the Casa di Marco Lucrezio Pompeii spring 1917 Paris 1917 63 x 86 cm one photograph Original photograph depicting Pablo Picasso in the spring of 1917 at the Casa di Marco Lucrezio in Pompeii holding a twig in front of a wall on which there is a Pompeian fresco. Contemporary silver print perhaps unique from Jean Cocteau's personal archives then the Maurice Sachs collection. Exceptional almost undiscovered and probably unpublished photograph taken by Jean Cocteau during the stay. On 16 April 1917 Picasso visits Pompeii accompanied by Jean Cocteau and Léonide Massine to prepare the ballet Parade the first work described as surrealist by Guillaume Apollinaire for the new season of Serge de Diaghilev's Ballets Russes. On his return this initiatory journey inspired his monumental painting: the Parade stage curtain a real visual signature of the ballet marking the beginnings of Picasso's neo-classical period and today preserved at the Musée national d'Art Moderne Georges Pompidou. Pierre Daix in his bibliography dedicated to the painter recounts the aesthetic shock caused by the discovery of the Pompeian frescoes: Giovanni Carandente to whom we owe the best studies on this trip highlights that Picasso was strongly struck by the animation and the sensuality that the cataclysm of the year 79 AD had brutally destroyed. If it is true as he wrote to Gertrude Stein that he immediately drew many Pompeian fantasies which are a little daring attracted as he was by the erotic elation that emerges from these licentious paintings . these memories settled in him to emerge with force thereafter. . Everything that had made up the Pompeian universe was preserved on the site as well as in the National Archaeological Museum of Naples . In its singularity this universe contributed to enriching Picasso's cultural heritage with something more alive more trembling than he had gained from his museum visits until then. He particularly loved the conciseness of the paintings: two or three years later the impressions felt in Pompeii were to translate into a real creative explosion a series of paintings which all bore traces of these never buried memories. This source was to remain alive until La Danse of 1925. Pierre Daix Picasso. Unique and early original photograph of Picasso taken and printed by his friend Jean Cocteau in a mythical place that will influence his aesthetic for the long-term. Provenance: Jean Cocteau's personal archives then the Maurice Sachs collection and Max-Philippe Delatte. unknown
191678127Paris 1916. Fine. Paris 12 août 1916 6.30 x 8.60 cm une feuille Original photograph likely unique taken by Jean Cocteau showing Pablo Picasso and Co in Montparnasse in front of the café La Rotonde the 12 August 1916 Paris 12 august 1916 63 x 86 cm one photograph Original photograph by Jean Cocteau taken on 12 August 1916 showing Manuel Ortiz de Zárate Moïse Kisling Max Jacob Pablo Picasso and the model Pâquerette his girlfriend at the time posing in front of the famous café La Rotonde on Boulevard du Montparnasse in Paris. Contemporary silver print probably unique from Jean Cocteau's personal archives then the Maurice Sachs collection. This image was published in Billy Klüver's book entitled A day with Picasso: twenty-four photographs by Jean Cocteau 1997. However Klüver states that he didn't know the original photograph and used a modern reprint from the negative in the Cocteau archives for his work. We have not found any other copy of our original photograph in international public collections. Billy Klüver has assembled and commented on the twenty-one photographs taken by Jean Cocteau on 12 August 1916 in Montparnasse close to this intersection of the Boulevard Raspail and the Boulevard du Montparnasse which was named Place Pablo-Picasso in 1994. They take us to the café La Rotonde before which a beaming Picasso in a cap speaks with Max Jacob whose baldness shines in the sun behind them Henri-Pierre Roché in uniform and Manuel Ortiz de Zarate sit at a table on the terrace of the same café where Pablo is next to the glowing Pâquerette and the young Polish painter Moïse Kisling. Pâquerette with her hair in a headband a chic dress is the queen of the encounter. . It's the relaxed life at the back. Pâquerette or rather Émilienne Pâquerette Geslot was then a star model of the fashion designer Poiret who was all the rage at the time. A real one-day film of Picasso outside of his studio. Pierre Daix Picasso In his book Klüver questions the presence of all these artistic authorities in the making in a Paris that is deserted by war. The answer is according to him to search in the direction of the Salon d'Antin an exhibition organized by André Salmon in July 1916 in which all the protagonists of our photograph took part with the exception of Pâquerette. It is also on this occasion that Picasso reveals his Demoiselles d'Avignon to the public. This extremely rare image taken by Jean Cocteau with his mother's Kodak camera immortalizes a moment of joy that depicts the artistic all-Montparnasse of the early 20th century. Provenance: Jean Cocteau's personal archives then the Maurice Sachs collection and Max-Philippe Delatte. unknown
1948822901948. Fine. s. d. vers 1948 17.30 x 21.30 cm une feuille n.d. around 1948 Photograph: 17.3 x 21.3cm; Leaf: 18 x 24cm one leaf. Rare original photograph of Pablo Picasso turning towards one of his ceramic creations taken by Michel Sima. Contemporary silver print. Pencil inscription on the back. Very light scratch on the surface not affecting the image. In September 1946 Pablo Picasso set up his workshop in the attic of the Château Grimaldi in Antibes in a former guards room to which the curator Romuald Dor de la Souchère gave him the keys so that he could work there as he pleased. It is the artist Michel Sima sculptor and photographer who introduced the two men. Arriving from his native Poland in 1929 Sima whose real name was Michel Smajewki met Picasso in Paris where he frequented the Académie de la Grande Chaumière and was the pupil of Zadkine. From mid-September to mid-November 1946 in Antibes then from 1947-48 and until the beginning of the 50's in Vallauris Sima regularly photographed Picasso who willingly posed for the camera - alone or with his companion Françoise Gilot in front of completed works or those in progress staring at the lens or on the contrary focusing on his work Anne de Staël L'Atelier des combles 2009. Sublime chiaroscuro shot of the master contemplating his work. Provenance: Paul Destribats collection. unknown
1948822941948. Fine. s. d. vers 1948 17.30 x 21.30 cm une feuille Original photograph of Pablo Picasso in his workshop in Vallauris with his ceramics and plaster s.d. around 1948 Photograph: 17.3 x 21.3cm; Leaf: 18 x 24cm one leaf. Splendid portrait of Pablo Picasso taken by Michel Sima in Picasso's Madoura workshop in Vallauris with his ceramics and a plaster model of his Centaure 1948. Contemporary silver print. Pencil inscription on the back. Thanks to the author of this superb portrait Picasso began his impressive ceramic production at the Madoura workshop in the small town of Vallauris known for its pottery tradition. Sima photographed with vigour the master and his many creations exhibited on the bare walls of his workshop bathed with Mediterranean light. Picasso produced 2000 unique pieces between 1947 and 1948 and revolutionised the forms and techniques of this medium to which he added fragments of pigments saggar broken bricks to the bellies of his ceramics in the form of owls doves fauna invisible women. ""Au mois de septembre 1946 Pablo Picasso installe son atelier dans les combles du château Grimaldi d'Antibes dans une ancienne ""salle des gardes"" dont le conservateur Romuald Dor de la Souchère lui a confié les clés pour qu'il y travaille à sa guise. C'est l'artiste Michel Sima sculpteur et photographe qui a fait se rencontrer les deux hommes. Arrivé de sa Pologne natale en 1929 Sima de son vrai nom Michel Smajewski avait fait la connaissance de Picasso à Paris où il avait fréquenté l'Académie de la Grande Chaumière et été l'élève de Zadkine. De la mi-septembre à la mi-novembre 1946 à Antibes puis en 1947-48 et jusqu'au début des années 50 à Vallauris Sima photographiera régulièrement Picasso qui se prête volontiers au jeu de la pose - seul ou avec sa compagne Françoise Gilot devant des oeuvres terminées ou en cours d'achèvement fixant l'objectif ou au contraire concentré sur son travail"" Anne de Staël L'Atelier des combles 2009. Magnificent contrasting and brilliant print of Pablo Picasso in his creative sanctuary. Provenance: Paul Destribats collection. unknown
197191834Paris Lausanne: Bibliothèque des ArtsClub français du livre 1971. Fine. Bibliothèque des Arts Club français du livre Paris Lausanne 1971 25.4 x 34 cm Reliure de l'éditeur sous étui Deluxe edition specially produced for members of the Club français du livre and printed in 1000 numbered copies. Publisher's special binding in full red cloth smooth spine housed in a black slipcase bearing at the foot of the upper cover the gilt statement : ""cette édition de luxe a été spécialement réalisée pour les adhérents du Club français du livre"". Richly illustrated with an essay by José Bergamin and the French translation prepared by Elisabeth Servan-Schreiber. Nice copy. Bibliothèque des ArtsClub français du livre hardcover
197391826Paris: GLM 1973. Fine. GLM Paris 1973 16.2 x 22.5 cm En feuilles First edition one of the numbered copies on offset paper the only issue after 42 copies on Arches vellum. A pleasing copy. GLM hardcover
195590654Lausanne : Editions Clairefontaine 1955. 285x220mm. 127 photos en hÂŽliogravure CartonnÂŽ sous couverture illustrÂŽe rempliÂŽe de lՎditeur. TrÂs bel exemplaire. 996 Editions Clairefontaine unknown
19611385<p>Paris Draeger Fréres. 1961. Picasso Sabartes Jaime. Picasso Toreros. George Braziller. New York. 1961. Oblong 4to. With four original lithographs. Printed in France by Draeger Fréres. The four original Lithographs 3 in black and 1 in 24 colors were printed by Mourlot Freres. With 103 full page reproductions of bull fight scenes. 1st edition. The red cloth over boards binding in excellent conditon like new with the dust jacket also in perfect condition Picasso Toreros. George Braziller. New York. 1961. Oblong 4to. With four original lithographs. Printed in France by Draeger Fréres. The four original lithographs 3 in black and 1 in 24 colors were printed by Mourlot Freres. With 103 full page reproductions of bull fight scenes. 1st edition. The red cloth over boards binding in excellent condition like new with the dust jacket also in perfect condition This a very important and sought after book by the most famous artist of the 20th century.</p> Draeger Fréres. George Braziller.
1949stela1370Paris: Éditions Cahiers DArt 1949. 1949. folio. French text. 465 illus. printed in heliogravure. wrs. rear upper corner creases tear to foot of spine small stains to head & foot of spine. slipcase. Freitag 7505. Soft cover. Very Good. Paris: Éditions Cahiers DArt, [1949]. Paperback
1966stela1369Basel: 1966. 1966. 4to. unpaginated. 45 tipped-in illus. in colour & b/w. 1 b/w full page illus. & 1 tipped-in fold-out facsimile letter to Leo Stein from Picasso. bio. wrs. some surface loss to front outer hinge head and foot of spine bumped corners bit creased minor wear to top edge. Exhibition catalogue. Hardcover. Good. Basel: [1966]. Hardcover
1960stela1367Barcelona: 1960. 1960. 8vo. unpaginated. 26 b/w & 4 colour illus. wrappers with lithograph on cover by Picasso short tear at foot of spine frontis & half-title loosely inserted. Edition limited to 1000 unnumbered copies. Signed Presentation copy from Juan Gaspar. Goeppert 109. Signed by Authors. Soft cover. Very Good. Barcelona: 1960. Paperback
1985stela234New York: The Metropolitan Museum of Art / Random House 1985. 1985. oblong 4to. pp. 166. 157 illus. in colour & b/w. biblio. cloth. dw. free end-paper torn in upper right hand corner minor edge wear. Published in connection with an Exhibition. Hardcover. Fine/Dust Jacket Included. New York: The Metropolitan Museum of Art / Random House, [1985]. Hardcover
1968stela892Barcelona: 1968. 1968. 8vo. unpaginated. Spanish text. double-sided page loosely inserted with text by Jamie Sabartés. b/w illus. & 10 colour illus. wrs. previous owners inscription to half-title short tear to bottom edge of back cover. Limited Edition of 50 printed copies. Soft cover. Very Good. Barcelona: 1968. Paperback
1961stela1368Barcelona: 1961. 1961. 8vo. unpaginated. Spanish text. Text by Jose Bergamin. 72 illus. wrappers with lithograph on cover by Picasso bit sunned at extremities couple short tears & creases to extremities one illustration is loosely inserted. Edition Limited to 1000 unnumbered copies. Signed Presentation copy from Juan Gaspar. Goeppert 110. Signed by Authors. Soft cover. Very Good. Barcelona: 1961. Paperback
195772563New York 1957. Folio. Originalbind med smussomslag. 31 s. Med 24 plansjer i farver. Crown Publishers Inc Engelsk. <br/><br/><em>Smussomslaget med bruksspor. </em> unknown
197398895Long Island City NY: Ediciones y Publicaciones Hispanoamericanas Inc. 1973. 1973. Very good. - Quarto 12-5/8 inches high by 9-1/2 inches wide. Softcovers two issues each bound in color pictorial stapled wraps. The covers are very slightly soiled with minor chips to the spine where stapled. There are very minor creases to the edges. 65 & 3 pages including the covers; and 64 & 4 pages including the covers. Both issues are illustrated in color and black & white including profuse depictions of Pablo Picasso and his art work. Very good. <p>The first issue of May 5-11 1973 Volume 2 Number 30 is devoted to the Picasso Museum of Barcelona "El Mejor 'Museo Picasso' del Mundo: BARCELONA". The Barcelona museum has the second largest collection of Picasso paintings in the world only after the Picasso Museum in Paris. It specializes in the early years of Picasso in Spain. This issue publishes articles from the World press on the death of Picasso. Included are articles by Miguel Angel Gozalo Alfonso Barra Eugenio Montes and Andres Travesti. The 11 page article on the Museo Picasso is written by Teresa Toda and is profusely illustrated in color and black & white.<p>The second issue of May 12-18 1973 Volume 2 Number 31 is devoted almost entirely to Picasso and is profusely illustrated in color and black & white. Picasso was a contributor to the Sunday Supplement of "ABC de Madrid". This issue reprints one of his articles where he narrates his life experience and his opinions on the new generation of young people "Picasso Cuenta Cosas de Picasso". There is a lengthy article on Picasso by Salvador de Madariago a 6-page "Galeria Picasso" and an article on Picasso's daughter Paloma and her mother Francoise Gilot. There is a pictorial article "Picasso y sus Contrastes" illustrated in color and black & white. There is also a section on women and Picasso "Las Mujeres y Picasso" containing "Interrogatorio a Picasso" by Jose Maria Peman and an article by Javier Rubio. "Iconografia de Picasso" is a pictorial article illustrated in color and black & white. A concluding article by Jose Camon Aznar is titled "Picasso en su Final".<p>The text is in Spanish.<p>RARE. Long Island City, NY: Ediciones y Publicaciones Hispanoamericanas Inc., (1973). paperback
1947518137Buenos Aires: Editorial Victor Leru 1947. Softcover. Very Good. First Spanish language edition. Translated from the French by B. F. Iribarren. Quarto. 248 120 plates 3pp. Illustrated in black and white along with ten tipped-in color plates. Soiling and stains along the edges and spine corners and spine ends bumped a bit of offsetting on the endleaves very good. Reproduces artwork by Pablo Picasso Paul Cezanne Henri Matisse Tsuguharu Foujita and others and prints essays and criticism by Waldemar George Jules Romains Robert Delaunay Tristan LeClerc Paul Valery and others. Editorial Victor Leru unknown
1969103440New York: Avant-Garde Media Inc 1969. Softcover. Fine. First edition. Fine with a tiny tear on the front panel in wrappers. Avant-Garde Media, Inc unknown
1924345912Paris: L'Union des Artistes Russes 1924. Softcover. Very Good. First edition. Folio. 12pp. Printed self-wrappers stapled. Soiling to the front wrap and edges else very good or better. Title vignette by Victor Barthe. With six full page plates by Boris Chatzman Edouard Manet Pablo Picasso Marie Vassilieff Serge Fotinsky and Nachmann Granovsky. Printed on thick sheets of "Normandy Vellum" paper. Program for the third ball of the Union of Russian Artists in Paris "from midnight to 6 am." Scarce. OCLC locates only 4 copies. From the library of the artists Ben Shahn and Bernarda Bryson Shahn with an estate label designed by their son Jonathan Shahn. L'Union des Artistes Russes unknown
1962619140São Paulo: Massao Ohno 1962. Softcover. Very Good. First edition. Small quarto. Text in Portuguese. Illustrated included a two-page black and white reproduction of "Guernica" and a reproduction of a photograph of the ruins of Guernica. Wrappers worn with toning and soil tiny bit of loss at the spine ends and front cover with a tiny chip tiny red ink spot on the foredge sound and near very good. Copy 224 of 1000 copies numbered and Signed by Ferraz at the limitation statement; this copy additionally Inscribed by Ferraz to poet and longtime Foreign Services worker Niles Bond on the title page. Published on the 25th anniversary of the bombing of Guernica and Picasso's painting. The author also known as Benedito Geraldo Ferraz Gonçalves was a Brazilian Modernist author journalist and literary critic. Six copies in OCLC. Massao Ohno) unknown
