Pablo PICASSO - Antonin ARTAUDBiblio.com
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195768709Paris: Louis Broder 1957. Fine. Louis Broder Paris 1957 13.50 x 16.50 cm relié sous chemise et étui Antonin ARTAUD & Pablo PICASSO .Autre chose que de l'enfant beau .Something Other than a Beautiful Child Louis Broder Paris 1957 13.5 x 16.5 cm full box in custom chemise and slipcase First edition printed in 120 numbered copies on Japon paper ours is one of 100 copies numbered in Arabic numerals. Illustrated with an original drypoint in colour by Pablo Picasso printed in Georges Leblanc's workshops in Paris. Handwritten signature of Pablo Picasso on the print details page. Binding in full grey box title and names of the author and illustrator gold-stamped on the spine boards decorated with an abstract and geometric decoration of gilt and black fillets mouse grey box endpapers covers and spine preserved top edge gilt chemise in half mouse grey box marbled paper boards slipcase edged in mouse grey box marbled paper boards contemporary binding signed Desmules. Using a process used the previous year for the illustration of Autre chose by P. A. Benoit the artist pierced the black mould giving the appearance of an empty circle in the engraving. This circle not pressed by the plate forms a white half-sphere in relief a unique and empty eye of a dismembered character very surely inspired by one of Artaud's great drawings from 1946 L'Homme et sa douleur preserved at the Cantini museum in Marseille. Rare and very beautiful copy perfectly set in a decorative binding comprising the only intaglio produced in colour by Picasso to illustrate the book. Louis Broder hardcover
197398895Long Island City NY: Ediciones y Publicaciones Hispanoamericanas Inc. 1973. 1973. Very good. - Quarto 12-5/8 inches high by 9-1/2 inches wide. Softcovers two issues each bound in color pictorial stapled wraps. The covers are very slightly soiled with minor chips to the spine where stapled. There are very minor creases to the edges. 65 & 3 pages including the covers; and 64 & 4 pages including the covers. Both issues are illustrated in color and black & white including profuse depictions of Pablo Picasso and his art work. Very good. <p>The first issue of May 5-11 1973 Volume 2 Number 30 is devoted to the Picasso Museum of Barcelona "El Mejor 'Museo Picasso' del Mundo: BARCELONA". The Barcelona museum has the second largest collection of Picasso paintings in the world only after the Picasso Museum in Paris. It specializes in the early years of Picasso in Spain. This issue publishes articles from the World press on the death of Picasso. Included are articles by Miguel Angel Gozalo Alfonso Barra Eugenio Montes and Andres Travesti. The 11 page article on the Museo Picasso is written by Teresa Toda and is profusely illustrated in color and black & white.<p>The second issue of May 12-18 1973 Volume 2 Number 31 is devoted almost entirely to Picasso and is profusely illustrated in color and black & white. Picasso was a contributor to the Sunday Supplement of "ABC de Madrid". This issue reprints one of his articles where he narrates his life experience and his opinions on the new generation of young people "Picasso Cuenta Cosas de Picasso". There is a lengthy article on Picasso by Salvador de Madariago a 6-page "Galeria Picasso" and an article on Picasso's daughter Paloma and her mother Francoise Gilot. There is a pictorial article "Picasso y sus Contrastes" illustrated in color and black & white. There is also a section on women and Picasso "Las Mujeres y Picasso" containing "Interrogatorio a Picasso" by Jose Maria Peman and an article by Javier Rubio. "Iconografia de Picasso" is a pictorial article illustrated in color and black & white. A concluding article by Jose Camon Aznar is titled "Picasso en su Final".<p>The text is in Spanish.<p>RARE. Long Island City, NY: Ediciones y Publicaciones Hispanoamericanas Inc., (1973). paperback
193623048New York and Los Angeles: Published by Merle Armitage 1936. First Edition Limited #8 of 12 for Presentation from a total of 112 copes. INSCRIBED "This copy for Mary from Merle '36". 12 mo 5 13/16" x 4 1/2". Frontispiece Lithograph Portrait Of Picasso By Giovanni Napolitano Pulled By Hand From Stone By Lynton Kistler And SIGNED In Pencil By Napolitano. Designed By Merle Armitage Printed By Adcraft Under Supervision Of Lynton R. Kistler. Yellow cloth printed in brown and black. A very good copy light general wear & soiling to covers; slight spine lean; internally clean. An uncommon example of avant-garde book design from the 1930s pairing Picasso's writing with Armitage's design sensibility. Two short essays by Pablo Picasso originally published as magazine articles from 1923 and 1930 and collected here in book form in which he reflects on art creativity and the role of the artist. Pasquale Giovanni Napolitano 1907-1984 was an Italian-American artist and printmaker associated with the Los Angeles art scene. His signed lithograph portrait of Picasso is an important feature of this edition. Published by Merle Armitage unknown
1936028494New York / Los Angeles: Merle Armitage / Lynton Kistler 1936. 1st Edition 1st Printing. Hardcover. Near Fine. Original Signed Lithograph By Pasquale Giovanni Napolitano. 60 Pp. Beige Morocco Blindstamped In Similar But Not Duplicative Design As The Regular Clothbound Issue But In A Larger Format 6 9/16" X 5 3/32" Which Preserves More Of The Original Lithographic Drawing We Also Have Available Separately A Full Page Printing Of The Lithograph Signed And Annotated By Napolitano Which Image Is Abbreviated Even In This Large Paper Copy.There Is A Stated Limitation Of 112 Copies This Copy Numbered 116 One Of Armitage's Copies Of A Small Overage In The Print Run. Designed By Merle Armitage Printed By Adcraft Under Supervision Of Lynton R. Kistler. Frontispiece Lithograph Portrait Of Picasso By Napolitano Pulled By Hand From Stone By Lynton Kistler And Signed In Pencil By Napolitano. Text Printed In Bodoni 12 Pt. Additionally Inscribed By Armitage "A Special Leather Bound Copy For Napolitano Merle Armitage 1936". A Near Fine Copy Slight Rubbing At Corners Of Binding. A Possibly Unique Armitage Printing In This Larger Format. <br/> <br/> Merle Armitage / Lynton Kistler hardcover
1936028488New York / Los Angeles: Merle Armitage / Lynton Kistler 1936. 1st Edition 1st Printing. Hardcover. Fine. 60 Pp. Yellow Cloth Printed In Brown And Black On Front Cover As Issued. 5 13/16" X 4 1/2". First Book Publication Of Two Magazine Articles By Picasso First Published In 1923 And 1930. One Of 112 Copies Designed By Merle Armitage Printed By Adcraft Under Supervision Of Lynton R. Kistler. Frontispiece Lithograph Portrait Of Picasso By Pasquale Giovanni Napolitano Pulled By Hand From Stone By Lynton Kistler And Signed In Pencil By Napolitano. Text Printed In Bodoni 12 Pt. Additionally Inscribed By Armitage To The Illustrator Napolitano And His Wife: "This First Copy- Born On April 3 1936 Is For Emmie And Jonnie Napolitano- Who Like This Book. Merle Armitage". A Fine Copy No Wear Or Stains. <br/> <br/> Merle Armitage / Lynton Kistler hardcover
1968261301968. S.l. chez l'auteur 1968. Un fort vol. au format in-4 305 x 217 mm de 304 pp. Reliure d'ÂŽdition de pleine percaline grÂge sous jaquette illustrÂŽe. Catalogue raisonnÂŽ dÂŽcrivant et reproduisant 290 affiches rÂŽalisÂŽes par Pablo Picasso. ''Picasso s'est mis ˆ exÂŽcuter des affiches parce que sa curiositÂŽ toujours en ÂŽveil a forcÂŽment ÂŽtÂŽ attirÂŽe par cette expÂŽrience ''murale'' rÂŽel affrontement avec le public. Sa force crÂŽatrice et sa fantaisie pouvaient s'y donner libre cours''. DiscrÂtes plissures affectant la jaquette. TrÂs claires rousseurs dans le corps d'ouvrage ainsi qu'en gouttiÂre. Du reste trÂs belle condition. b42961 unknown
1968C91098Chez L'Auteur. As New. 1968. Hardcover. 1399288423 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Chez L'Auteur hardcover
196891098Chez L'Auteur. As New. 1968. Hardcover. 1399288423 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee Chez L'Auteur hardcover
1970187529New York: Random House 1970. First edition. This book reproduces the 347 intaglio prints that Picasso executed at Mougins from March 16 to October 5 1968 at the age of 86. 2 vols oblong quarto. With 347 full-page illustrations and additional 20 page booklet with text in German. Original cream linen-backed black cloth lettering to spine and front covers in gilt top edges gilt purple endpapers. In the original purple velveteen lined black solander box. Some scuffs to spine and covers sharp crease to front endpaper of vol. I: an attractive copy in the slightly worn box. hardcover
1957mon0003335392Jonquieres 1957T. hardcover. Acceptable. . Copy 371. Slipcase is missing the sides detached and heavily tanned. Loose pages in good condition complete. Printed stiff paper wraps lighlty tanned. Jonquieres hardcover
1957112475Paris : JonquiÂres 1957. 385x290mm. brochÂŽ. Couverture rempliÂŽe sous cartable et emboit‰ge rigides imitation paille japonaise. Exemplaire numÂŽrotÂŽ sur papier vÂŽlin du Marais n.¡ 277 / 2226. Bel exemplaire. 2046 JonquiÂres unknown
195724106Paris 1957. Les compositions inédites de Pablo Picasso ont été dessinées sur un exemplaire du Buffon appartenant à Dora Maar Tirage limité No.1443/2000 sur velin du Marais W/G28 Jonqières 2°. br. Kunst unknown
1970239841970. GenÂve Edito s.d. circa 1970. Un vol. au format in-folio 387 x 292 mm de 1 f. de faux-titre 1 page de titre 1 f. de Table 1 f. de dÂŽdicace ˆ Dora Maar sur double-page 40 planches fol. 1 planche sur double-page n.fol. et 1 f. de colophon en ff. sous chemise ˆ rabats rempliÂŽs titrÂŽe et ÂŽtui-chemise cartonnÂŽ dos lisse de demi-basane havane titre dorÂŽ en long. Fac-similÂŽ de l'ÂŽdition Mariani de 1942. Un des exemplaires numÂŽrotÂŽs du tirage sur papier bouffant des Papeteries de Casteljoux. L'ouvrage recÂle outre l'ensemble des illustrations qu'il se doit de contenir une suite desdites compositions prÂŽsentÂŽe sous chemise titrÂŽe et illustrÂŽe. ''Curieuse publication pour l'ÂŽtude de la maniÂre de graver d'un peintre moderne trÂs estimÂŽ''. in Carteret. Cramer 84 - Carteret IV Le TrÂŽsor du bibliophile / IllustrÂŽs modernes p. 85 pour l'ÂŽdition de 1942. Infimes altÂŽrations affectant les coiffes de la chemise. Etui prÂŽsentant quelques t‰ches et abrasions. Du reste trÂs belle condition. b42961 unknown
1937105643Atoriesha. Tokyo. 1937. Atoriesha. Tokyo. 1937. First edition. Disbound collection of 50 b/w plates and 27 pages of Japanese text with illustrations with original paper covers. Lacks spine but everything is present it the original worn sunned and torn slipcase. A lovely collection and scarce in any condition. unknown
1961193440Monte Carlo: André Sauret 1961. With four original lithographs First German edition published simultaneously with the French edition with four lithographs executed by Picasso for this work: La Pique; Le Picador II; Jeu de la Cape; Les Banderilles. Sabartés 1881-1968 was an artist poet and writer as well as a close personal friend of Picasso's "the friendship of Picasso and Sabartés in later years the artist's secretary goes back more than 60 years to their youth in Barcelona" The Artist and the Book 240. This edition was printed in September 1961 by Draeger Frères; the lithographs were printed by Mourlot Frères. Oblong folio. With 4 original lithographs 3 in black 1 in twenty-four colours and 103 full-page illustrations. Original grey cloth lettering to spine in black illustration to front cover in black illustrated endpapers. With the publisher's illustrated slipcase titles to spine in black. Near fine in corner rubbed slipcase. Cramer 113; Freitag 9666. hardcover
1954PICASSOP001144Harcourt Brace New York. 1954. First U.S. edition this being a version in English of the double number 29/30 of the French art magazine Verve. Preface by T�riade. Essay ''Picasso and the Human Comedy'' by Michel Leiris translated by Stuart Gilbert. An Appreciation by Rebecca West. Sixteen of the drawings are reproduced as tissue-guarded colour lithographs. Quarto. Each of the non-lithographs is presented as a full-page illustration. Boards with a design by Picasso made especially for this book.Near fine in very good chipped nicked and slightly torn dustwrapper. It's nice to find a copy of this book which hasn't been plundered for the plates. Harcourt Brace, New York. hardcover
194048600Paris.: Le Degré Quarante et Un. 1940. Loose as issued in original publisher's printed parchment wrappers over card boards with title in black to upper cover original tan patterned paper board chemise and matching slipcase with label with 'ILIAZD / PICASSO' in blue ink to edge. Oblong 4to. 215 x 320 mm. Half-title original aquatint with 'arabesque' title leaf with justification in Russian verso leaf with justification in French leaf with title in French verso leaf with title in Russian leaf with original aquatint with second 'arabesque' and Iliazd's verse in Russian in double columns illustrated with 4 engravings with burin by Picasso final leaf with achevé d'imprimer in Russian. The first of Iliazd's beautiful and typographically inventive illustrated books and the first he produced with Picasso.From the edition limited to 64 copies on 'Montval à la cuve' signed by Picasso and Iliazd in pencil. 'Afat was the first of nine books Iliazd and Picasso collaborated on. All of them were published under the imprint of 'Degré Quarante et Un' a name Iliazd chose in memory of a school of futurist poetry called the 'University of the 41º' which he had founded in Tiflis in 1917 . Afat is a collection of 76 sonnets in Russian by Iliazd the majority of which were written between January and June 1938. In his poems Iliazd writes of love of feminine beauty of the poet's difficult métier and the hidden meaning of words. Three sonnets are about the poet's relationship to 'Pablo' Picasso.' Patrick Cramer.'Afat . contained features that would become signature elements of his work. The book was structured as a whole . The sequencing and number of pages were ordered by a mathematical scheme. The image was not linked to directly to the text thematically or physically and the interaction produced a dialogue rather than subordinating one to the other as illustration and / or caption. The sequence of blank sheets title half title and justification of the edition were laid out symmetrically so that the closing of the book echoed the opening . The typographic style was restrained and the pages produce subtle equilibrium instead of dynamic activity - no confusion no clamor no crowding no elaborate display faces. The sole decoration on the cover was the stamped title Afat a term that invokes unhappiness / and / or beauty that causes it rendered in kufic . With this work Iliazd's architectural approach to book structure with strong emphasis on symmetry and balance made its appearance.' Johanna Drucker.Cramer 33; see Johanna Drucker's 'Iliazd - A Meta-Biography of a Modernist' 2020 pp. 146 - 147. Le Degré Quarante et Un. hardcover
198215963Paris: Futuropolis 1982. Limited Edition. Hardcover. g. 1/1000 copies numbered and signed by Loulou Picasso at free front endpaper in pencil dated 1982. <br /> 4to. Unpaginated. Illustrated cover with black and white lettering. Illustrated endpapers. Monograph of the acclaimed artist Loulou Picasso. Illustrated throughout with full-page b/w paintings of the artist printed on different kinds of paper and color backgrounds. Reprint of the cover painting is loosely laid in. While the cover painting is trimmed this also shows some . Some discoloration and fading to boards and spine with head and tail of spine slightly bumped. Text in French. In good condition. Futuropolis hardcover
198229961Paris: Futuropolis 1982. Bound in gray cloth with cover image affixed to front panel; near fine. First Edition. Small quarto. One of 1000 copies of this masterful work from Bazooka's Loulou Picasso i.e. Jean-Louis Dupré SIGNED in pencil and dated 1982. A combine of his unmistakable collages with poetic texts organized into a series of 10 sections e.g. Agreable No. 1: Un après-midi au club des ouvriers / No. 2: La couveuse électrique. Includes the loose leaf that reproduces the original collage-work for the cover. Paris: Futuropolis unknown
1982766695PN. New. 1982. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
191371213Paris: Mercure de France 1913. Fine. “To Henri Ghéon whose poetry I love Guillaume Apollinaire” Mercure de France Paris 1913 11.50 x 18.50 cm broché First edition one of the first-issue copies press-numbered from a total limitation of just 23 deluxe copies on Holland paper. Illustrated with a frontispiece portrait of Guillaume Apollinaire by Pablo Picasso. Spine sunned with discreet restorations.Our copy is preserved in a red half morocco chemise spine with five raised bands date lettered at the foot paper-covered boards matching paper slipcase edged in red morocco the whole signed by Boichot. Rare signed autograph inscription by Guillaume Apollinaire: « à Henri Ghéon dont j'aime la poésie Guillaume Apollinaire ». Our copy further contains five manuscript corrections in ink by Apollinaire on pages 71 77 92 110 and 189. Also included is an autograph satirical quatrain by Apollinaire composed two years earlier offering a caustic critique of René Fauchois's mediocre play 'Rivoli' devoted to Napoleon. Apollinaire presented this copy to Henri Ghéon literary critic for La Nouvelle Revue Française. The poet took care to correct himself the typographical errors still present in this very first edition corrections likewise found in other presentation and review copies distributed by the author. Upon receiving his copy Ghéon devoted an article to Alcools «Alcools par Guillaume Apollinaire» Nouvelle Revue Française no. LVI 1 July 1913 describing the collection as a «démarche aventureuse». Presentation copies of this work inscribed by Apollinaire are rare and highly sought after. The small autograph satirical quatrain by Apollinaire composed two years earlier offers a caustic critique of René Fauchois's mediocre play 'Rivoli' devoted to Napoleon. Although it makes no claim to the poetic ambition of Alcools the poem nevertheless shares with that celebrated collection several features that illuminate the genesis of Apollinaire's masterpiece. Published under the pseudonym « Montade » in the Mercure de France of April 1911 with five commas the manuscript of the poem is written entirely without punctuation just like the avant-garde poems of Alcools. The very form of this brief poem reveals Apollinaire's curiosity and his constant search for the renewal of poetic expression as evidenced by the introductory note accompanying its publication in the Mercure: « Chantecler a été l'occasion pour les poètes français de reprendre un genre délaissé l'épigramme. . Le Rivoli de M. Fauchois a aussi inspiré des épigrammes. En voici deux qui sont bien tournés. L'une a été insérée dans l'Intransigeant :Après Beethoven Amen ! Après Rivoli au lit !La seconde parce qu'il y a plus de ruelles court les brasseries :Le grand Napoléon au jour de Rivoli Avait fait par ma foi une belle trouvaille Inutile vraiment puisque partout on lit Qu'à l'Odéon Fauchois a perdu la bataille » One also notes the poet's own assessment of his work and his desire for a poetry that wanders freely through the streets and cafés liberated from the constraints of print punctuation and formal rigidity much like the cascading calligraphy of these handwritten verses composed nine years before Calligrammes. Mercure de France hardcover
1913128083Paris: Mercure de France 1913. First edition of Apollinaire's first collection of poems signed by him and Pablo Picasso. Octavo bound in three quarter morocco with gilt titles and raised bands to the spine patterned endpapers frontispiece portrait of the poet by Pablo Picasso. Association copy inscribed by both Apollinaire and Pablo Picasso on front free endpaper "A A P.N. Roinard son admirateur Guillaume Apollinaire" and "et pour Robert Valançay Picasso Paris Janvier 1940 et I." Apollinaire has also made five corrections to the text in ink on pages 71 77 92 110 and 189. The recipient of Apollinaire's inscription Paul-Napoléon Roinard was a French libertarian painter and poet whom Apollinaire befriended in 1903 and considered "one of the most powerful precursors of the new poetry." Apollinaire dedicated his poem Le Brasier included in the present volume on p. 129 to Roinard. The recipient of Picasso's inscription Robert Valançay was a poet translator and literary critic who worked with and admired many of the artists and poets of the surrealist group. He published two major volumes of poetry but was most appreciated and sought after for his translations. He was considered the official translator of Max Ernst and Hans Arp. In near fine condition. Original wrappers bound in. A remarkable association copy linking four major figures of the literary and artistic avant-gardes of the 20th century. French poet playwright short story writer novelist and art critic Guillaume Apollinaire is considered one of the foremost poets of the early 20th century as well as one of the most impassioned defenders of Cubism and a forefather of Surrealism. At the turn of the 20th century he became one of the most popular members of the artistic community of Paris both in Montmartre and Montparnasse. His friends and collaborators in that period included Pablo Picasso Henri Rousseau Gertrude Stein Max Jacob André Salmon André Breton André Derain Faik Konitza Blaise Cendrars Giuseppe Ungaretti Pierre Reverdy Alexandra Exter Jean Cocteau Erik Satie Ossip Zadkine Marc Chagall Marcel Duchamp and Jean Metzinger. He is credited with coining the term "Cubism" in 1911 to describe the emerging art movement the term Orphism in 1912 and the term "Surrealism" in 1917 to describe the works of Erik Satie. Mercure de France hardcover
19622480Paris Imprimerie Mourlot. 1962. Mourlot 382 Bloch 1298. Original lithograph exhibition poster in 3 colors 652 x482 25.66" x 18.97" on paper with two Arches watermarks. From the edition of 2000 impression published by Alex Maguy. In perfect condition with full deckle edge margins. Alex Maguy
193571763Paris: Gallimard 1935. Fine. Gallimard Paris 1935 12 x 19 cm broché First edition an advance copy. Spine and covers lightly soiled without significance. Very precious autograph inscription signed by Marcel Jouhandeau: ""Pour Pablo Picasso avec mon souvenir ému. Marcel Jouhandeau."" ""For Pablo Picasso with my fond remembrance. Marcel Jouhandeau."" Gallimard unknown
193934506Paris: From the Press of Robert Blanchet ca. 1939. No. 161 of a Limited Edition of only 226 copies printed on vélin d'Arches. AN ORIGINAL GRAVURE A LA GOUGE PRINT SIGNED IN CRAYON BY PICASSO. Folio single sheet. A fine copy of the signed engraving. A very important print a signed impression of the original linogravure 'Le Pigeonneau' c. 1939 which is believed to be either Picasso's first or second effort in the technique. From the Press of Robert Blanchet unknown
