Goya, FranciscoBiblio.com
163 résultats
1962blb00130New York : Harry Abrams 1962. 1st. Hardback. Very Good/Near Fine. 1st ed. - Brown Cloth boards with very bright gilt tilte on cover and spine - stamped white titling also - DJ is near fine with very minor rubbing at head of spine and foot of cover - book is almost unread - beautiful plates throughout Harry Abrams hardcover
1971062198New York: Tudor Publishing Company 1971. Cloth 4 volumes illustrations some colour; 30 cm. Translated from the Spanish. COMPLETE SET. All 4 volumes in near-fine condition unmarked with expected age toning. First U.S. Edition. Dust jackets toned with light edgewear protected in mylar covers. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Catalogue raisonne of the Spanish master Goya full name: Francisco Jos de Goya y Lucientes 1746-1828 arguably the greatest painter of the Romantic period. 1st. Hardcover. Very Good/Very Good. 4to. Collectible. Tudor Publishing Company Hardcover
190245005Paris: Librairie de l'Art Ancien et Moderne Ancienne Maison Rouam & Cie 1902. Large 4to 31x24 cm. Orig. printed publisher's wrappers spine broken. uncut. vi192 pp. printed on art paper. With illustrations in text and 14 plates with tissue-guards: 1 frontispiece-portrait engraved by Dezarrois 1 lithograph by Fuchs 8 other engraved plates by Flameng Lafond Jacquemart De Los Rios etc. 1 helio-engraving and 2 photo-engravings all after Goya and 1 original etching "Un Mendiant" long held to be by Goya but nowadays we believe it to have been made by a follower quite close to Goya possibly Eugenio Lucas. - pp. 99 - 188: "Catalogue raisonné de l'oeuvre peint et dessiné de l'oeuvre gravé et de l'oeuvre lithographié. - Good copy of the only edition Librairie de l'Art Ancien et Moderne (Ancienne Maison Rouam & Cie) unknown
1978193556Madrid.: Ediciones de Arte y Bibliofilia. 1978. First edition. . Gilt decorated hard cover. . Near fine copy bottom of spine slightly split. Folio. Illustrated. Important reference work. Ediciones de Arte y Bibliofilia. hardcover
1983BN151064Würzburg : Edition Popp 1983. 1983. Francisco de Goya. Pierre Gassier. Die Übers. aus d. Franz. besorgte Roswitha Beyer <br/><br/>Francisco de Goya. Pierre Gassier. Die Übers. aus d. Franz. besorgte Roswitha Beyer Gassier Pierre und Francisco José de Goya y Lucientes Würzburg : Edition Popp unknown
2000BN207322Galerie Morpheus 2000. 2000. Galerie Morpheus Fantastic Art Calendar 2001 <br/><br/>Galerie Morpheus Fantastic Art Calendar 2001 Clive Barker; Wayne Barlowe; Zdzislaw Beksinski; Gerard Di-Maccio; Ernst Fuchs; Francisco Goya; H.R. Giger; Richard Huck; Judson Huss; Mark Ryden; De Es Schwertberger; Robert Venosa Galerie Morpheus unknown
1980BN254421München : Prestel Verlag 1980. 1980. Goya : das Zeitalter der Revolutionen 1789 - 1830 ; Hamburger Kunsthalle 17. Oktober 1980 - 4. Januar 1981. Hrsg.: Werner Hofmann <br/><br/>Goya : das Zeitalter der Revolutionen 1789 - 1830 ; Hamburger Kunsthalle 17. Oktober 1980 - 4. Januar 1981. Hrsg.: Werner Hofmann Hofmann Werner und Francisco José de Goya y Lucientes München : Prestel Verlag unknown
1989BN252871Museum of Fine Arts Boston 1989. 1989. Goya and the Spirit of Enlightenment Margaret Jupe Herausgeber <br/><br/>Goya and the Spirit of Enlightenment Margaret Jupe Herausgeber Sayre Eleanor A. Alfonso E. Pérez Sánchez and Francisco José de Goya y Lucientes Museum of Fine Arts Boston unknown
19712007220126New York; Tudor Publishing 1971 1971-01-01. Hardcover. Good. 4 volume complete set. Hardcovers and dust jackets. Light wear and soiling to jackets. Good bindings and covers. Foxing to page ends. Interior pages are clean and unmarked with minor edge toning in the margins. This is an oversized or heavy book which requires additional postage for international delivery outside the US. New York; Tudor Publishing [1971] hardcover
19842111902158300928Kobun do 1984. Soft Cover. Fine. Number of books: 1 Kobun do paperback
19911865577Madrid.: Ayuntamiento de Madrid. 1991. Hardcover. Good. 33 cm. 1 carpeta 18 p. 38 h. de lám. Encuadernación en tapa dura de editorial en plena piel. Goya Francisco de 1746-1828. Introducción Luis Montañés. Dibujo. Montañés Fontenla Luis. 1926-2011. Edición especial para el Ayuntamiento de Madrid . Dibujo. Diseño. Artes aplicadas y artesanía. Goya Francisco de 74 Goya Francisco de 74 Ayuntamiento de Madrid. hardcover
192249586Paris: Chez l'Auteur 1922. Near fine. First edition of Delteil's two-part fully illustrated catalogue raisonnée of Goya's etchings and engravings bound in a single volume. 12.25'' x 9.5''. Later beige cloth with gilt-lettered black morocco spine label. Original paper wrappers bound in. Printed by Frazier-Soye. 289 black and white plates by Goya with 3 additional plates of doubtful attribution. Text in French. Minimal wear to cloth. Light soil and small closed tears to original front cover and rear endpapers. Chez l'Auteur unknown
190276514Paris: Librairie de l'Art Ancien et Moderne Ancienne Maison Rouam & Cie 1902. Large 4to 31x23 cm. Orig. printed publisher's wrappers. uncut still unopened vi192 pp. With illustrations in text and 14 plates with tissue-guards: 1 frontispiece-portrait engraved by Dezarrois 1 lithograph by Fuchs 8 other engraved plates by Flameng Lafond Jacquemart De Los Rios etc. 1 helio-engraving and 2 photo-engravings all after Goya and 1 original etching "Un Mendiant" long held to be by Goya but nowadays we believe it to have been made by a follower quite close to Goya possibly Eugenio Lucas. - pp. 99 - 188: "Catalogue raisonné de l'oeuvre peint et dessiné de l'oeuvre gravé et de l'oeuvre lithographié. - Very good copy of the only edition - see pictures Librairie de l'Art Ancien et Moderne (Ancienne Maison Rouam & Cie) unknown
19230006147Madrid: Calcografia for the Real Academia 1923. 5th Edition 1 of 100. Print. Very Good. PRINTS. Francisco Jose de Goya y Lucientes 1746-1828. "Ni por esas Neither do these Los Desastres de la Guerra The Disasters of War Plate 11." Madrid: Calcografia for the Real Academia 1923. 5th edition limited to 100. Aquatint copper-plate etching with lavis drypoint and burin lettered and faintly numbered in plate. Printed black on thin laid paper with vertical chain-lines and Joseph Guarro castle watermark along bottom edge. Sheet: 13 1/4 x 10 5/8 inches. Plate: 8 1/4 x 6 3/8 inches. "War always weakens and often completely shatters the crust of customary decency which constitutes a civilization. Beneath it lies - What Look through Goya's 'Disasters' and find out. The abyss of bestiality and diabolism and suffering is almost bottomless." - Aldous Huxley "The Complete Etchings of Goya" p. 12. "The Disasters of War" produced between 1810 and 1820 was not published until March of 1863 thirty-five years after Goya's death. The 80-to-85 plate series is Goya's caustic though humanitarian witness to the Peninsular War between Spain and Napoleon's French Empire which lasted from 1808 to 1814. Reaching beyond the particulars of Spain's immediate situation Goya instead condemned war's general irrationality and brutality the result of which as seen today in Palestine is always suffering pain and death. As such Goya's series of etchings transcends time and space touching on the eternal nature of man's inhumanity to man. It is considered the seminal work for social protest art. "The Disasters of War" was the title the Royal Academy of Fine Arts of San Fernando gave to the first published edition of Goya's etchings; Goya also referred to the series as "Ravages" and wrote a title on an early album of proofs given to a friend that read "Fatales consecuencias de la sangrienta guerra en Espana con Buonaparte y otros caprichos enfaticos Fatal consequences of the bloody war in Spain with Bonaparte and other emphatic whims." This plate captioned "Ni por esas Neither do these" forms a small sub-series with Plates 9 and 10 all of which deal with sexual violence as a war tactic and its title is a direct continuation of the previous two. Robert Hughes long the art critic for Time Magazine described this print in his 2003 biography of Goya as: "Compositionally the most developed of the three rape scenes an image that shows to a sublime degree what power Goya could develop when his talent for showing awful events in terms of utter compositional starkness was fully at work. The man a French soldier is dragging his victim backward over some obstacle. There is a brutal tension in their arms which creates the unifying diagonal of the design: the man pulling the woman's body helplessly extended. On the earth at her feet is a naked baby torn from her and thrown away. Behind them a second soldier is overwhelming another woman who holds up her hands in a useless prayer of supplication." And to the left of the composition a church haunts this scene of war between two ostensibly Christian countries like a specter. While in the lower right corner of the print almost lost in the darkness is a man hunched over in despair. One infers the man is related to one of the women and is on the verge of witnessing the rape that is likely to follow. Hofer translates the print's captioned title simply as "Or these" and Hughes as "Nor those." Goya's friend Juan Agustín Cean Bermudez 1749-1829 composed the series's piquant titles from Goya's own notes though another hand actually etched them. Their laconic power has been lasting: the contemporary artist John Baldessari 1931-2020 borrowed this print's title for an exhibition and catalog of his own. The print's copperplate is today found in the Calcografia while the original drawing from around 1810 to 1814 is in the collection of the Prado and is numbered 167. The preparatory drawing is in reverse in sepia pen and ink with red crayon retouches. Harris Harris describes the 5th edition of "Disasters" as having a "tendency to over-ink the plates" with "a curious spotty effect." But that same gritty blown-out visuality of the edition movingly parallels Goya's disturbed war-crime imagery in a manner similar to Xerox-ed punk flyers that use the disintegration of the surface image to reflect social disintegration. This print's paper is toned in sections from past matting and has four small pieces of tape on its verso from framing. Otherwise in very good condition. References: Beruete y Moret 113. Delteil 130. Harris 131. Hofer 11. Hofmann 155. Hughes "Goya" pp. 291-292. Huxley "The Complete Etchings of Goya" p. 12. LeFort 155. Loga 695. Mayer III.11. Madrid: Calcografia for the Real Academia unknown
19967853AB1996. Barcelona Fondació Cauxa de Catalunya. 1996. 305 : 205 cm. 5 Blatt 80 Tafeln in Lichtdruck. Original-Halblederband mit Rückenschild. Hervorragende Wiedergaben der Radierungen Goyas zu den Caprichos. - Wohl nur in kleikner Auflage erschienen Ausgabe. Mit einer Erklärung der einzelnen Radierunge der Caprichos von Goya. Text in Spanisch. unknown
19993616527Madrid.: Museo Nacional del Prado. 1999. Hardcover. Good. 36 x 40 cm. 414 p. il. Encuadernación en tapa dura de editorial. Goya Francisco de 1746-1828. Editores Javier Blas José Manuel Matilla José Miguel Medrano. Los caprichos. Blas Benito Javier . ISBN: 8487317820 Artes gráficas 76 Goya Francisco de. Caprichos Museo Nacional del Prado. hardcover
1902KC16634Paris: Librairie George Baranger 1902. First Edition. Hardcover. Near Fine. 190pp. 9 x 12 with French text. An unfamiliar frontispiece self-portrait Self-Portrait with Spectacles c. 1800 engraved by M. Dezarrois by the Spanish master Francisco Goya. Lafonds publication includes 98 pages of text with additional Bibliography Addendum Errata and an extensive Catalog of Paintings Drawings and Lithographs. Illustrated with 14 crisp single-page etchings gravures heliogravures and lithographs and more than 60 reproductions throughout text. The etching Un mendiant A Beggar attributed to Goya and is now known to be by the Spanish painter Eugenio Lucas Velasques 1817-1870 a long-time admirer of Goya's work. Others include: Flameng Lavalley De Los Rios Dezarrois Lafond Jacquemart Fuchs Bracquemond and more after Goya. Nearly fine with gilt lettering on the leather spine and marble covered boards with corners and edges bumped. Interior pages and engravings nearly fine with the first few pages lightly pulling from binding. <br/><br/> Librairie George Baranger hardcover
199913368733Museo del Prado 1999. First R. S. Johnson Fine Art. Softcover. Very Good slight wear and yellowing of pages. Museo del Prado paperback
1910401874Paris: Goupil and Manzi Joyant 1910. Limited edition copy number 1 of 500 copies. Portfolio with one joint separated otherwise a fine set. Folio. Fifty photographic reproductions of Goya's works. Text printed in red and black. Text and plates loose as issued in five printed paper portfolios; half cloth portfolio. Introduction by Paul Lafond. Goupil and Manzi, Joyant unknown
1910188561Paris: Goupil & cie/ Manzi Joyant & cie 1910. 381/500. Hardcover. VG- all plates present but lightly age toned light shelfwear to portfolio. Five oversized volumes in pale green wraps with red and black lettering issued in a green cloth portfolio with gilt lettering. Number 1 has 10 pp text and 8 plates. Number 2 has 11 plates. Number 3 has 11 plates. Number 4 and Number 5 have 10 plates each a total of 50 plates in this set. Issued in edition of 500 copies this being number 381. Text is in French. Each plate preceded by leaf with descriptive letterpress not included in collation. Includes an introduction by Paul Lafond. Goupil & cie/ Manzi, Joyant & cie hardcover
19703003745Madrid. 1970. Hardcover. Good. 52 cm. 10 h. 33 A-6 lám. sueltas. Encuadernación en Láminas guardadas en carpeta de piel. Goya Francisco de 1746-1828. Por Antonio de Horna. presentada por el. Marqués de Lozoya. Ofrecida por. D. Miguel García de Sáez Se ha incorporado a esta edición el prólogo que. realizaron en 1961. Don Juan Belmonte. Don Carlos de Larra y Gullón Curro Meloja Seud. y. Don Daniel Vázquez Diaz. Edición especial facsímil de 2500 ejemplares siendo este el número 2446. Lleva conjunta su correspondiente acta notarial. Portada del artista Luis Brihuega carpeta en piel por Artesanía Española Melarca. Corridas de toros. Obras ilustradas. Horna López Antonio de. Lozoya Juan de Contreras y López de Ayala. Marqués de. 1893-1978. García de Sáez Miguel. 1920-1982. Belmonte Juan. 1892-1962. Vázquez Díaz Daniel. 1882-1969 . Artes gráficas. Grabados. Goya Francisco de Publicaciones de los particulares tipos de sociedades entidades organizaciones. 76 Goya Francisco de 064.3 76 Corridas de toros. Tauromaquia.791.862 791.862 Colecciones de grabados. Goya y Lucientes Francisco de 769 Goya y Lucientes Francisco de 769 hardcover
1922200731Paris: Chez L'Auteur 1922. Paperback. BINDING COPY Some items are missing; book is unbound; textblock is broken; pages are toned as expected with age; some pages are uncut; some pages have light smudging/scuffing; occasionally text pages have heavy scuffing or a tear; on the whole pages themselves are in good condition. Unbound and unpaginated; two volumes in one; richly illustrated. Text in French. This volume is unbound lacking original wraps. This volume appears to be missing section 114-199; however ORIGINAL GOYA ETCHING is present Item #30 in this catalogue -- scarce as such. Chez L'Auteur paperback
192840.404Madrid: Librería de Pedro Videl 1928. 1ª ed. Holandesa tela editorial. 22.5x32. 31 láminas 2h. Librería de Pedro Videl hardcover
19802090202118103472Iwanamishoten 1980. Soft Cover. Fine. The book is in fine condition. Iwanamishoten paperback
1930Biblio1070Estampe. eaux-forte lavis burin . no 69 de la suite "Los desastres de la guerra" publiée originalement en 1863 posthume. Ce tirage de 1930 constitue l'avant dernière 6ième édition sur 7 la dernière et finale tiré à 100 ex sur vergé avec filigrane.voir photo Excellent état.Feuille - sheet = 368 x 278image - 201 x 155 Real Academia de Bellas Artes de San Fernando
