163 résultats
197427348Museum of Fine Arts. As New. 1974. Hardcover. 0878460853 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- with a bonus offer-- . Museum of Fine Arts hardcover
197184379Folio Society. As New. 1971. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 62 pages 71 illustrations; 4to. -- with a bonus offer-- . Folio Society hardcover
199868943Museum. New. 1998. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 240 pp. With 285 ills. 23 col. . 28 x 22 cm. -- with a bonus offer-- . Museum paperback
199884778Prestel. New. 1998. Hardcover. 3791319841 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 108 pages 89 illustrations many in color; 8vo. -- with a bonus offer-- . Prestel hardcover
199184780David R Godine. New. 1991. Hardcover. 0879238976 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 109 pages 97 illustrations; small oblong 4to. -- with a bonus offer-- . David R Godine hardcover
199184779Museum; Et Al. New. 1991. Paperback. 0879239255 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 0879239255. 109 pages 97 illustrations; small oblong 4to. -- with a bonus offer-- . Museum; Et Al paperback
193238256Paris: Les Editions du Balancier 1932. A PRISTINE SET OF ONE OF HERMANN-PAUL'S UNCONTESTED MASTERPIECES. A suite of twelve stunning color woodcuts each depicting a phase of Goya's life. ONE OF ONLY 48 COPIES PRINTED ALL ON JAPON NACRE AND SIGNED BY HERMANN-PAUL. Folio. Loose as issued in original wraps and folding case. FINE AND BRIGHT LIKE NEW. Extremely rare. <br/><br/> Les Editions du Balancier paperback
1991mon0003203045FundacioÔøΩn Juan March 1991T. paperback. Good. . FundacioÔøΩn Juan March paperback
19101043621910. First Edition. GOYA Y LUCIENTES Francisco. Cinquante Planches d'apres sus Oeuvres les Plus Celebres. Paris: Goupil & Cie. 1910. Tall folio 13 by 18 inches plates and text loose as issued in five parts each part in original wrappers the whole housed in three-quarter gray cloth rebacked original paper board portfolio with later cloth ties. $1350.First edition of this finely printed reproduction of 50 of Goya's most famous paintings number 489 of 500 copies.Includes fine folio reproductions of Goya's iconic images such as his self-portrait ""The Third of May 1808"" the portrait of his wife Doña Josefa Bayeu ""The Duke of Osuna and his Family"" ""La Maja Vestida"" and ""La Maja Desnuda"" some of his ceiling frescoes and even a ""black painting"" painted on a wall of his country house La Quinta del Sordo near the end of his life. Many of the originals are in the Prado though this collection brings together paintings found in other museums and collections in Madrid and throughout Europe. Introduction by Paul Lafond. Text in French. Plates and wrappers of parts about fine boards of portfolio expertly repaired. A very good copy. hardcover
19189776Munich: Hugo Schmidt Verlag 1918. Hardcover. Good/No DJ. Limited edition. No. 100 of 500. DESCRIPTION: Intricate embossed leather boards with four ridged spine with leather title plate and detailed gilt decorated panels. Illustrated with 83 reproductions in collotype with protective tissue guards. Language: English. Book Condition: Good: Wear to corners edges and spine ends and edges. Rubbed boards. Tightly bound with intact endpapers and strong hinges. Clean unmarked pages. DJ Condition: No DJ Pages Unpaginated. 83 plates. Size: 30.5cm by 20cm. Hugo Schmidt Verlag hardcover
198938184Madrid: Sílex 1989. FIRST EDITION of this meeting of the minds between the greatest Spanish painter of the 18th and 19th centuries and the greatest Spanish novelist of the 20th. The 80 plates of Goya's Caprichos are reproduced on the odd-numbered pages one to a page. Facing each one are the comments of Camilo José Cela Nobel Prize for Literature 1989. This copy includes AN ORIGINAL DRAWING BY CELA ON THE TITLE-PAGE an imitation of Goya's famous self-portrait plate 1 of the Caprichos WITH SOME OF THE FEATURES ALTERED TO RESEMBLE CELA. Signed in full dated October 10 1991 and localized Guadalajara. With a warm presentation inscription to a friend. Large 8vo. Publisher's cloth with dustjacket. FINE AND BRIGHT WITH NO DEFECTS. Unique. <br/><br/> Sílex hardcover
19607008Madrid: Rafael Casariego 1960. Limited Edition. Hardcover. Near Fine. No DJ. Limited Edition. Hardcover. A stunning collection of facsimile reproductions of Goya's bullfighting engravings. Very scarce. Very minor shelf/edge wear else tight bright and unmarred. Beige cloth boards gilt lettering and pictorial elements tissue guards. Oblong fo. np. Illus. b/w plates. Rafael Casariego hardcover
198747921Madrid: De Horna Eds. - Asoc. Española de Amigos de Goya 1987.- Volumen de presentación 0 10 Vols. numerados con las obras 7; 38; 39; 52; 15; 24; 24; 46; 83; 85; 39 fols.: Profusión de láminas en negro y color; Gran folio imperial 488 x 345 cm; Papel de grueso gramaje; Enc. en Carpetas de Tela negra con la tipografía dorada y cromo de Goya.- CONTIENE: Vol. de presentación 0: Prólogo Presentación Introducción y Acta notarial en el caso de nuestro ejemplar en lugar del acta notarial se incluye una sucinta biografía de Goya escrita y firmada por el Barón Thyssen-Bornemisza; Vol. 1: Obras maestras 1 36 láms. a color; Vol. 2: Obras maestras 2 37 láms a color; Vol. 3: Obras Maestras 3 50 láms. a color; Vol. 4: Los toros de Burdeos 4 láms. en negro; Vol. 5: Aguafuertes primitivas 22 láms. en negro; Vol. 6: Los proverbios Disparates 22 láms. en negro; Vol. 7: La tauromaquia 40 láms. en sepia; Vol. 8: Los caprichos 80 láms. en sepia a medio tamaño; Vol. 9: Las tragedias 82 láms. en sepia a medio tamaño; Vol. 10: Litografías y obras sueltas 35 láms en negro. Edición limitada de 2500 ejemplares numerados siendo éste el número 20 . Horna hizo otra edición de 8 vols. en tapa blanda pero ésta que ofrecemos es la más completa incluye toda la obra pictórica y rara en el mercado. El número 20 a que teóricamente corresponde nuestro ejemplar figura claramente en la carpeta de presentación pero ha sido borrado retirando el pan de oro. Esto podría deberse a que en la misma carpeta no se encuentra el acta notarial supuestamente incluida donde también figura el número y en su lugar tenemos una biografía de Goya por el Barón Thyssen-Bornemisza de la que no hay referencias. Podría por tanto tratarse de un ejemplar especial aunque lo desconocemos. La última lámina de los Vols. 1 2 y 3 tiene una pequeña mancha de óxido en la parte blanca del margen inferior sin afectar la propia imagen. Las carpetas correspondientes a los Vols. 6 y 9 faltas de la solapa interna. Todas ellas cuentan con esquineros dorados a excepción de la primera y la última donde no están presentes. En suma una vistosa colección completa de la obra de Goya con las láminas en excelente estado de conservación. PINTURA DIBUJO Y GRABADO ESPAÑOLES Libro en español De Horna Eds. hardcover
1930Biblio1070Estampe. eaux-forte lavis burin . no 69 de la suite "Los desastres de la guerra" publiée originalement en 1863 posthume. Ce tirage de 1930 constitue l'avant dernière 6ième édition sur 7 la dernière et finale tiré à 100 ex sur vergé avec filigrane.voir photo Excellent état.Feuille - sheet = 368 x 278image - 201 x 155 Real Academia de Bellas Artes de San Fernando
19802090202118103472Iwanamishoten 1980. Soft Cover. Fine. The book is in fine condition. Iwanamishoten paperback
192840.404Madrid: Librería de Pedro Videl 1928. 1ª ed. Holandesa tela editorial. 22.5x32. 31 láminas 2h. Librería de Pedro Videl hardcover
1922200731Paris: Chez L'Auteur 1922. Paperback. BINDING COPY Some items are missing; book is unbound; textblock is broken; pages are toned as expected with age; some pages are uncut; some pages have light smudging/scuffing; occasionally text pages have heavy scuffing or a tear; on the whole pages themselves are in good condition. Unbound and unpaginated; two volumes in one; richly illustrated. Text in French. This volume is unbound lacking original wraps. This volume appears to be missing section 114-199; however ORIGINAL GOYA ETCHING is present Item #30 in this catalogue -- scarce as such. Chez L'Auteur paperback
19703003745Madrid. 1970. Hardcover. Good. 52 cm. 10 h. 33 A-6 lám. sueltas. Encuadernación en Láminas guardadas en carpeta de piel. Goya Francisco de 1746-1828. Por Antonio de Horna. presentada por el. Marqués de Lozoya. Ofrecida por. D. Miguel García de Sáez Se ha incorporado a esta edición el prólogo que. realizaron en 1961. Don Juan Belmonte. Don Carlos de Larra y Gullón Curro Meloja Seud. y. Don Daniel Vázquez Diaz. Edición especial facsímil de 2500 ejemplares siendo este el número 2446. Lleva conjunta su correspondiente acta notarial. Portada del artista Luis Brihuega carpeta en piel por Artesanía Española Melarca. Corridas de toros. Obras ilustradas. Horna López Antonio de. Lozoya Juan de Contreras y López de Ayala. Marqués de. 1893-1978. García de Sáez Miguel. 1920-1982. Belmonte Juan. 1892-1962. Vázquez Díaz Daniel. 1882-1969 . Artes gráficas. Grabados. Goya Francisco de Publicaciones de los particulares tipos de sociedades entidades organizaciones. 76 Goya Francisco de 064.3 76 Corridas de toros. Tauromaquia.791.862 791.862 Colecciones de grabados. Goya y Lucientes Francisco de 769 Goya y Lucientes Francisco de 769 hardcover
1910401874Paris: Goupil and Manzi Joyant 1910. Limited edition copy number 1 of 500 copies. Portfolio with one joint separated otherwise a fine set. Folio. Fifty photographic reproductions of Goya's works. Text printed in red and black. Text and plates loose as issued in five printed paper portfolios; half cloth portfolio. Introduction by Paul Lafond. Goupil and Manzi, Joyant unknown
1910188561Paris: Goupil & cie/ Manzi Joyant & cie 1910. 381/500. Hardcover. VG- all plates present but lightly age toned light shelfwear to portfolio. Five oversized volumes in pale green wraps with red and black lettering issued in a green cloth portfolio with gilt lettering. Number 1 has 10 pp text and 8 plates. Number 2 has 11 plates. Number 3 has 11 plates. Number 4 and Number 5 have 10 plates each a total of 50 plates in this set. Issued in edition of 500 copies this being number 381. Text is in French. Each plate preceded by leaf with descriptive letterpress not included in collation. Includes an introduction by Paul Lafond. Goupil & cie/ Manzi, Joyant & cie hardcover
199913368733Museo del Prado 1999. First R. S. Johnson Fine Art. Softcover. Very Good slight wear and yellowing of pages. Museo del Prado paperback
1902KC16634Paris: Librairie George Baranger 1902. First Edition. Hardcover. Near Fine. 190pp. 9 x 12 with French text. An unfamiliar frontispiece self-portrait Self-Portrait with Spectacles c. 1800 engraved by M. Dezarrois by the Spanish master Francisco Goya. Lafonds publication includes 98 pages of text with additional Bibliography Addendum Errata and an extensive Catalog of Paintings Drawings and Lithographs. Illustrated with 14 crisp single-page etchings gravures heliogravures and lithographs and more than 60 reproductions throughout text. The etching Un mendiant A Beggar attributed to Goya and is now known to be by the Spanish painter Eugenio Lucas Velasques 1817-1870 a long-time admirer of Goya's work. Others include: Flameng Lavalley De Los Rios Dezarrois Lafond Jacquemart Fuchs Bracquemond and more after Goya. Nearly fine with gilt lettering on the leather spine and marble covered boards with corners and edges bumped. Interior pages and engravings nearly fine with the first few pages lightly pulling from binding. <br/><br/> Librairie George Baranger hardcover
19993616527Madrid.: Museo Nacional del Prado. 1999. Hardcover. Good. 36 x 40 cm. 414 p. il. Encuadernación en tapa dura de editorial. Goya Francisco de 1746-1828. Editores Javier Blas José Manuel Matilla José Miguel Medrano. Los caprichos. Blas Benito Javier . ISBN: 8487317820 Artes gráficas 76 Goya Francisco de. Caprichos Museo Nacional del Prado. hardcover
19967853AB1996. Barcelona Fondació Cauxa de Catalunya. 1996. 305 : 205 cm. 5 Blatt 80 Tafeln in Lichtdruck. Original-Halblederband mit Rückenschild. Hervorragende Wiedergaben der Radierungen Goyas zu den Caprichos. - Wohl nur in kleikner Auflage erschienen Ausgabe. Mit einer Erklärung der einzelnen Radierunge der Caprichos von Goya. Text in Spanisch. unknown
19230006147Madrid: Calcografia for the Real Academia 1923. 5th Edition 1 of 100. Print. Very Good. PRINTS. Francisco Jose de Goya y Lucientes 1746-1828. "Ni por esas Neither do these Los Desastres de la Guerra The Disasters of War Plate 11." Madrid: Calcografia for the Real Academia 1923. 5th edition limited to 100. Aquatint copper-plate etching with lavis drypoint and burin lettered and faintly numbered in plate. Printed black on thin laid paper with vertical chain-lines and Joseph Guarro castle watermark along bottom edge. Sheet: 13 1/4 x 10 5/8 inches. Plate: 8 1/4 x 6 3/8 inches. "War always weakens and often completely shatters the crust of customary decency which constitutes a civilization. Beneath it lies - What Look through Goya's 'Disasters' and find out. The abyss of bestiality and diabolism and suffering is almost bottomless." - Aldous Huxley "The Complete Etchings of Goya" p. 12. "The Disasters of War" produced between 1810 and 1820 was not published until March of 1863 thirty-five years after Goya's death. The 80-to-85 plate series is Goya's caustic though humanitarian witness to the Peninsular War between Spain and Napoleon's French Empire which lasted from 1808 to 1814. Reaching beyond the particulars of Spain's immediate situation Goya instead condemned war's general irrationality and brutality the result of which as seen today in Palestine is always suffering pain and death. As such Goya's series of etchings transcends time and space touching on the eternal nature of man's inhumanity to man. It is considered the seminal work for social protest art. "The Disasters of War" was the title the Royal Academy of Fine Arts of San Fernando gave to the first published edition of Goya's etchings; Goya also referred to the series as "Ravages" and wrote a title on an early album of proofs given to a friend that read "Fatales consecuencias de la sangrienta guerra en Espana con Buonaparte y otros caprichos enfaticos Fatal consequences of the bloody war in Spain with Bonaparte and other emphatic whims." This plate captioned "Ni por esas Neither do these" forms a small sub-series with Plates 9 and 10 all of which deal with sexual violence as a war tactic and its title is a direct continuation of the previous two. Robert Hughes long the art critic for Time Magazine described this print in his 2003 biography of Goya as: "Compositionally the most developed of the three rape scenes an image that shows to a sublime degree what power Goya could develop when his talent for showing awful events in terms of utter compositional starkness was fully at work. The man a French soldier is dragging his victim backward over some obstacle. There is a brutal tension in their arms which creates the unifying diagonal of the design: the man pulling the woman's body helplessly extended. On the earth at her feet is a naked baby torn from her and thrown away. Behind them a second soldier is overwhelming another woman who holds up her hands in a useless prayer of supplication." And to the left of the composition a church haunts this scene of war between two ostensibly Christian countries like a specter. While in the lower right corner of the print almost lost in the darkness is a man hunched over in despair. One infers the man is related to one of the women and is on the verge of witnessing the rape that is likely to follow. Hofer translates the print's captioned title simply as "Or these" and Hughes as "Nor those." Goya's friend Juan Agustín Cean Bermudez 1749-1829 composed the series's piquant titles from Goya's own notes though another hand actually etched them. Their laconic power has been lasting: the contemporary artist John Baldessari 1931-2020 borrowed this print's title for an exhibition and catalog of his own. The print's copperplate is today found in the Calcografia while the original drawing from around 1810 to 1814 is in the collection of the Prado and is numbered 167. The preparatory drawing is in reverse in sepia pen and ink with red crayon retouches. Harris Harris describes the 5th edition of "Disasters" as having a "tendency to over-ink the plates" with "a curious spotty effect." But that same gritty blown-out visuality of the edition movingly parallels Goya's disturbed war-crime imagery in a manner similar to Xerox-ed punk flyers that use the disintegration of the surface image to reflect social disintegration. This print's paper is toned in sections from past matting and has four small pieces of tape on its verso from framing. Otherwise in very good condition. References: Beruete y Moret 113. Delteil 130. Harris 131. Hofer 11. Hofmann 155. Hughes "Goya" pp. 291-292. Huxley "The Complete Etchings of Goya" p. 12. LeFort 155. Loga 695. Mayer III.11. Madrid: Calcografia for the Real Academia unknown
