267 résultats
181230921PALMA: En la Imprenta de Brusi 1812. Segunda edición.- 4º.- Rústica cubiertas en papel de aguas de época.- 183 páginas. Precedencia: Al final de la obra hay un texto bibliográfico manuscrito de mano de Fray Luis de Villafranca 1770-1847. Erudito Capuchino que fue utilizado por el propio Jovellanos en sus escritos desde su destierro en Mallorca. Segunda edición del mismo año que la primera impresa en Cádiz que tuvo muchas otras hasta el Trienio Liberal. La obra analiza histórica y filosóficamente toda la Revolución Francesa el reinado de Carlos IV y la Guerra de la Independencia. Tiene una continuación en la obra de Matias Vinuesa López de Alfaro Observador Político-Religioso de hecho el Padre Vinuesa fue el encargado de imprimir y aumentar ediciones posteriores a partir de este año de 1812. Ver en este mismo catálogo: Vinuesa. Observador Político-Religioso. Palau 357747 - Bover Apéndice 685 En la Imprenta de Brusi unknown
1837B6661Berlin: W. Natorff & Comp. D. Friedländer. c.1837. Binding is worn but interior is good. Binding: Quarter bound black paper boards with calf backing worn. Notable edgewear and rubbing. Period marginalia on paste-in and free endpapers. All edges cut.<br><br> Notes: Hebrew to German lexicon containing teachings by Wilhelm Gesenius and Heinrich Ewald noted German theologians and orientalists. <br>Joachim Heinrich Raphael Biesenthal 1800-1886 was a German theologian and author.<br> Size: 8vo.186x101 mm Provenance: Ex-Llibris Franz Rosenthal; Rabbi Roy D. Tanenbaum. Category: Book Europe Germany; Book Religious Judaism; W. Natorff & Comp., D. Friedländer. hardcover
1871361923Mexico: Tipografia de J. Rivera Hijo y Compañía 1871. First Edition. Very good. A Spanish translation of Great European Conflict. Franco-Prussian War: Chassepot - Rifle vs. Zundnadelgewehr or the Needle Gun: Real Cause of the Struggle by a Mexican army general. <br /> <br /> 208 pages plus four inserted lithographic portraits of the leaders of the conflict including Napoleon III and Otto von Bismarck with a folding bird's-eye view of the defenses around Paris and a folding map of the theater of war. First edition of this translation. Bound in full Mexican purple leather stamped with geometric designs. Spine faded to brown. Tipografia de J. Rivera, Hijo y Compañía unknown
1848102483Madrid: Bailly-Bailliere 1848. First edition presumed. Paperback. Some wear to exterior a few small portions of pop-up elements are tender else very good. Tall narrow folio; 32 columns 16 p. p. 1 plate with 3 color anatomical figures attached on hinges illus; many movable pop-up parts. Very scarce anatomical pop-up book. In Spanish. Only one holding located in WorldCat. Pop up books. Pop-up books. Bailly-Bailliere paperback
1880019491Not Stated. Mauve colored cloth cover with black title bumped and discolored with corner cloth chipping. End papers are broken at the hinges some minor foxing. JC . Good. Cloth. Fifth Edition. 1880. Not Stated hardcover
18501307Paris: Chalcographie du Louvre Musées Imperiaux. c.1850. Set of 14 copperplate etchings printed on laid paper each numbered within the plate untrimmed. Each plate measuring 28.5 x 22cm sheet measuring 43.5 x 30.5cm and with "Chalcographie du Louvre Musées Imperiaux" blindstamp to the lower margin. Old collector's numbers in pencil to the blank bottom-right corners of the sheets. Condition is very good with some light scattered foxing and marking to the sheet margins occasionally to the plates themselves some marking to the head of sheet of no. 9 and 11 a 3cm tear to the blank foot of sheet of no. 5 and a 2cm tear to the blank top-left margin of sheet of no. 14 framing would largely solve these relatively minor issues. The impressions remain crisp and sharp. A beautiful set of etchings by the French engraver Gérard Audran 1640-1703 reproducing frescoes by Raphael printed from the original plates by the Louvre's chalcography workshop during the mid-nineteenth century.</p><p>In 1517 Agostino Chigi commissioned Raphael to decorate the ground floor loggia of the Villa Farnesina in Rome in which the artist had painted his 'Galatea' a few years before. The series of frescoes which Raphael produced traced the story of Cupid and Psyche a myth derived from the Golden Ass of Apuleius 2nd Century A.D. The present set of etchings first produced c.1662-1690 document each of the fourteen lunettes of the entrance loggia depicting various cupids accompanied by the animals and other assorted attributes representative of the deities who had paid homage to Love.</p><p>The Chalcographie du Louvre was established in 1797 with the purpose of collecting and preserving engraved copperplates as well as for establishing a workshop of skilled printers who would produce new impressions from the original plates on historic presses. Originally made up of the plates from Louis XIV's personal collection 'The King's Cabinet' the Calcography went on to acquire several thousand further plates and is still in operation today. Paris: Chalcographie du Louvre, Musées Imperiaux. unknown
1876000210Lisbon: Mattos Moreira & C. 1876. First Edition. Hardcover. Near Fine/No Jacket. 4to. Original red cloth binding. 30 p.p. preface plus 14 p.p. b/w illustrations. Bookplate on pastedown endpaper. Large stains to front and rear boards. Rubbed to spine edges and extremities. Pages lightly foxed. Raphael Bordallo Pinheiro 1846-1905 was a popular portuguese artist who was known for creating the comic book character Ze Povinho 1875 an iconic symbol of the Portuguese everyman. He is credited as being the first creator of Portuguese comics. Mattos Moreira & C. hardcover
184630852MADRID: Imprenta del Colegio de Sordo-Mudos 1846. Primera edición.- 4º menor.- 412 páginas.- 2 hojas índice y erratas.- Media piel de época lomera con filetes y adornos dorados. A partir de la página 283 hasta el final apéndice de Documentos. Jaime del Burgo en su obra de la Bibliografía de las Guerras Carlistas da una extensa disertación sobre esta obra entre ellas podemos destacar que: Maroto publicó su Vindicación en 1846 y busca la justificación de su comportamiento en las rivalidades y rencillas de que se supone víctima por parte de los individuos que rodeaban a Don Carlos a quien presentan como enemigo de Zumalacárregui de cuya muerte - dice - se llegó a alegrar. Más adelante dice: La Vindicación de Maroto fue redactada por Don Antonio Pirala que era amigo suyo. Palau 369894 - Jaime del Burgo II página 710 Imprenta del Colegio de Sordo-Mudos unknown
188990472Paris: J.-B Baillère 1889. Fine. J.-B Baillère Paris 1889-1890 12.5 x 20.2 cm 2 volumes reliés First edition illustrated with 883 figures in the text some heightened with colour.Contemporary half roan in a reddish-orange hue the spines with five raised bands ruled in gilt dots and decorated with gilt florets some rubbing to the spines and extremities marbled paper boards marbled endpapers and pastedowns.Manuscript ownership inscriptions partly erased from the endpapers of the first volume; an orange pencil line to an endpaper in the second volume; occasional pencil marginalia in the margins of several paragraphs in both volumes; a marginal note in red ink in the right margin of p. 37 of the first volume. J.-B Baillère hardcover
1886016429Washington: Department of the Interior Census Office / Government Printing Office GPO 1886. This is a solid reading/reference copy that was formerly in the Library of Congress/Smithsonian Institution. Good condition. See photos. New endpapers. Inner hinges are perfect. There is a small red ink stamp on the title page that reads: "Library of Congress February 25 1887 Smithsonian Deposit." Stamped over it in blue ink is: "Transferred Jan 7 1911." Otherwise all pages are unmarked. NO underlining. NO highlighting. NO margin notes. Bound in the original brown cloth moderately rubbed at the spine ends/edges. See photos. 76 tables. Profusely illustrated with 242 figures in the text and 102 full-page inserted maps and diagrams -- many folding and/or PRINTED IN BEAUTIFUL FULL COLOR. See photos. The List of Plates lists a total of 102 maps sections and diagrams. Of these 96 are bound-in as called for and all 96 are present. Of the remaining 6 plates that are supposed to be in a pocket at the rear only one plate LI is present. The 5 plates missing from the pocket are numbers XXIV Map of a group of iron mines in the town of Moriah Essex county New York and L LII-LIV Geological maps of the Cretaceous bituminous coal region of central Montana. Full title: "Report on the Mining Industries of the United States exclusive of the precious metals with Special Investigations into the Iron Resources of the Republic and into the Cretaceous Coals of the Northwest." Spine title: "Tenth Census of the United States 1880 Vol. XV Mining Industries." Oversize Hardcover. 9.5" wide by 12" tall by 3" thick. This large heavy book will require extra postage for Priority and International shipments but only the standard charge for media mail. First Edition. Oversize Hardcover. Good condition. xxxviii 1025pp. Department of the Interior, Census Office / Government Printing Office (GPO) Hardcover
182416016MONTPELLIER: Jean Martel 1824. Folio.- 23 páginas.- Rústica. Ejemplar intonso. Jean Martel unknown
182416017MONTPELLIER: Jean Martel 1824. Primera edición.- Folio.- 19 páginas.- Rústica. Ejemplar intonso. Jean Martel unknown
18765735Chalchuapa El Salvador 1876. Still very good. 3pp. on a bifolium. Folio. Crinkling and minor wear at edges. Faint dampstain to upper right corner. The president of Guatemala Justo Rufino Barrios invaded El Salvador in 1876 following the presidential election there. Barrios suspected that both the elected and former presidents had been harboring Guatemalan opponents to his regime and hope to install someone more favorable. The present "political plan" for El Salvador reads more as an indictment of the two leaders Santiago Gonzalez and Andres del Valle than an as organizing document for a new government. The first signer here is Rafael Zaldivar the choice of Barrios for next president of El Salvador and the work was printed in the field at Chalchuapa on April 10 1876 approximately one week before the decisive battles that forced the capitulation of the Salvadoran government. Not in OCLC. unknown
186450647Krotoschin Krotoszyn/ Vienna/ Frankfurt am Main: Printed by B.L. Monasch/ Jacob Schlossberg's Buchhandlung/ Printed by Ferdinand Hauch 1864. First German translations. Hardcover. g to vg-. Octavo. 3/4 black morocco over buckram boards. Gilt lettering and ruling on the spine. Red speckled edges of book block. A complete set of the three parts of Maimonides acclaimed work The Guide for the Perplexed in German and Hebrew bound in one volume. All of the editions included here contain the first German translations of their respective parts of the text.<br /> <br /> Maimonides' intention with this work was to reconcile Aristotelian thought and logic with traditional Rabbinical Jewish theology. Originally written circa 1190 in Judeo-Arabic as Dalalat al-Ha'irin these writings takes the form of a lengthy three-part letter to his student Rabbi Joseph ben Judah of Ceuta and are seen as the main source for understanding Maimonides' philosophic view rather than his strictly being his views on Jewish law. It is the most known of his works in the non-Jewish world. The work's first translation into Hebrew was in 1204 by Rabbi Samuel ben Judah ibn Tibbon c.1150 - c.1230 a contemporary of Maimonides.<br /> <br /> Content:<br /> <br /> Moreh li-Tsedakah. Hu Sefer Moreh Nevukhim FIRST PART. 1839. Second German-language edition. 19 double-sided leaves with Hebrew pagination. 392pp. 3. In 1835 the first part of Maimonides acclaimed work was first translated into German with added commentary in Hebrew by Jacob Raphael Fürstenthal 1781-1855. That first edition featured the German translation printed in Latin script to accompany the Hebrew text. However for this second edition of that translation it is interesting to note that the text of the German is printed in Hebrew script. Content finely printed in double and single-column layouts with commentary printed in Rashi script. Divided in 76 chapters this part of the work contains discussions of an understanding and definition of the nature of God and divine anthropomorphism in the Hebrew bible including a detailed analysis of the Biblical Hebrew of the text to these ends. The final three pages included here contain and index in both Hebrew and German.<br /> <br /> BOUND WITH<br /> More Nebochim. Wegweiser für Berirrte SECOND PART. 1864. First German-language edition. x 99pp. This is the first German translation of the work's second part taken from the original Arabic text by way of the French translation by Salomon Munk 1861. The original Hebrew translation of the text is accompanied throughout by a translation and commentary in German by Max Emanuel Stern 1811-1873. Divided into 48 chapters the second part involves Maimonides discussion of proof of the existence of God the nature of creation the concept of prophecy and an examination of the 26 propositions for Aristotle's metaphysics. The initial pages contain introduction and foreword by Stern. Also included is a fold-out plate containing facsimile text from an original signed manuscript note from the hand of Maimonides himself written in Japhet son of Solomon's corrected manuscript copy of the Mishneh Torah held at Bodleian Library at Oxford MS Hunt.80 leaf 165a. <br /> <br /> AND WITH<br /> Dalalat al Haiirin Burechtweisung der Verirrten. Dritter Theil. THIRD PART. 1838. First German-language edition. viii 9 454pp. 5. This is the first German translation of the work's third part. Simon B. Scheyer 1804-1854 provides the translation and scholarly commentary in German to accompany the Hebrew of the text. This third and final part of Guide for the Perplexed is divided into 54 chapters and is considered the climax of the work and the culmination of Maimonides' previous analysis. Discussed are concepts including Jewish mysticism the Chariot of Ezekiel the moral aspects of the universe the problem of evil free will and the 613 mitzvot of the Torah. The final pages contain a scholarly index in German.<br /> <br /> Binding tight with some rubbing to extremities including the hinges of the spine. Spine and covers lightly sunned. Text throughout with some sporadic minor to light foxing. Much of the text is quite clean. A very few instances of underlining or notes in pencil. Binding in good interior in very good- condition overall. Hebrew title: מורה לצדקה .×”×•× ×¡×¤×¨ מורה × ×‘×•×›×™×/ מורה × ×‘×•×›×™×/ מורה × ×‘×•×›×™×. ×•×”×•× ×¡×¤×¨ דל×לה ×לח×ירין .חלק שלישי<br /> Author: משה בן מימון רפ×ל בר"×™ ×¤Ö¼×™×¨×©×˜×¢× ×˜×”×ל<br /> Publication: ×¤×¨× ×§×¤×•×¨×˜/ קר×ט×שין תקצ״ט<br /> Alternate titles and transliterations: Moreh Nevukim Doctor Perplexorum<br /> <br /> Bibliographic references: PART 1 Vinograd Krotochin 14. PART 3 Vinograd Frankfurt 578<br /> <br /> Provinence: Previously owned by Oxford religion scholar O.H.M. Lehmann dated 1949. Printed by B.L. Monasch/ Jacob Schlossberg's Buchhandlung/ Printed by Ferdinand Hauch hardcover
189974817Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Février 1899 23.50 x 34.50 cm une feuille Rare original lithograph executed by Raphaël Collin for L'Estampe Moderne series number 22 published in February 1899. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the verso some foxing. Lithograph inspired by the poem Partenza by Francis Vièlé-Griffin. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was published in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft at once is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters grew in the early 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie"". The poster originally popular and plastered on the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
185611298London: Sherwood and Company; James Cornish Booksellers 1856. Fourth Edition. Full Calf. Very Good. Fourth Edition. Full Calf. "This essay is intended as a foundation for belief in revealed religion in connection with the theory of celestial influences or astrology." Richard James Morrison 15 June 1795 - 5 April 1874 was an English astrologer commonly known by his pen name Zadkiel and best known for the series known as Zadkiel's Almanac. Morrison in 1831 issued The Herald of Astrology subsequently known as Zadkiel's Almanac. In this annual pamphlet he published predictions of the chief events of the coming year. Morrison wrote with the signature Zadkiel Tao-Sze. Morrison wrote such articles as The New Principia or true system of astronomy in which the Earth is proved to be the stationary centre of the Solar System 1868 which made him a charlatan in the eyes of scientists. In 1863 he won a libel suite against Admiral Sir Edward Belcher who wrote in the Daily Telegraph that Morrison was "the crystal globe seer who gulled many of our nobility about the year 1852." He was awarded twenty shillings one pound damages but was deprived of his costs. The Athenaeum 16 May 1874 p. 666 noted that Morrison was "the restorer and Grand Master in this country of Tao-Sze a secret society intended to be of immense power and to outshine the Free-masons but which most probably by his death is reduced to two members and inanition". Robert Cross Smith 1795-1832 was an English astrologer writing under the pseudonym of "Raphael" Starting on upper and rear joints cracking rubbing to extremities repair to folding color plate otherwise tight bright and unmarred. Full blind stamped red calf with worn gilt decorative vignette. Red titling on tp. and charts. Elaborate large folding frontispiece printed in colors unprofessionally repaired backed with linen. xix 66pp. Illus. color b/w. Sherwood and Company; James Cornish, Booksellers unknown
18692005Baltimore: Kelly Piet & Co 1869. First Edition. Original cloth over boards. Tall octavo. xvi 17-833 pages 4 ads. Very good in original binding of dark green pebbled cloth over boards with gilt-stamped spine titles and ornamentation gilt-stamped author name to upper board dark brown coated endpapers. Old bookplate removal at top fore corner of front pastedown took that section of endpaper with it. Secondary old prior ownership name penned on front pastedown. A few light rubs to exterior with gilt remaining quite bright. Binding slightly shaken a few tissue guards laid in loose. A better than usual copy. Illustrated with steel engraved portraits 6 colored lithographs in text map and diagrams. A true classic by this native Marylander. Semmes was born in Charles County joined the U. S. Navy in 1826 and served in the Mexican War. At the start of the Civil War he took command of the CSS Sumter at New Orleans breached the Union blockade and launched a brilliant career as one of the greatest commerce raiders in naval history commanding the CSS Alabama. <br /> <br /> Semmes was considered by contemporaries to be one of the most cogent but bitter defenders of the 'Lost Cause' Southern mythology and is credited with popularizing the term 'War Between the States' as his subtitle herein. coining. A genuine classic superbly written and illustrated with portraits and 6 colored plates of naval scenes. <br /> <br /> Ref. NEVINS I p. 233; EICHER 341; WRIGHT S247. Kelly, Piet & Co unknown
18081308Roma: Studio di Folo Piazza di Spagna. c.1808. First edition. Large folio 41 x 54cm. Lacking boards but with remnants of calf spine originally issued in plain paper wrappers here with the upper wrapper present. Engraved title page followed by 31 plates of drawings by Vincenzo Camuccini engraved by Giovanni Folo after the original painting by Raphael. Printed on laid paper. WITH: Fifteen accomplished contemporary pen and ink drawings after the engravings twelve in black ink three in brown ink and wash three of which are annotated in manuscript by a contemporary English hand. The majority measuring 38 x 55cm. Several sheets watermarked "Turkey Mills J. Whatman 1818". The book itself with its subsequent binding lacking with the front wrapper detached and chipped at the edges and with the last three plates coming loose. The contents with scattered foxing a little heavier to a couple of plates mostly confined to the margins and with the odd minor mark. The additional drawings with some small tears and creases to the edges one with heavier creasing and a 10cm tear touching the image and the odd small mark are otherwise in good order. An uncommon book of engravings by the Italian Neoclassical engraver Giovanni Folo 1764-1836 after drawings by Vincenzo Camuccini 1771-1844 - considered to be the premier academic painter of his time in Rome - forming studies of the expressions of the figures in Raphael's painting the 'Transfiguration' 1518-20.</p><p>A pleasing example accompanied by fifteen drawings by an accomplished contemporary English artist.</p><p>LibraryHub records three institutional copies in the UK Trinity Cambridge; V&A; Wellcome. Roma: Studio di Folo, Piazza di Spagna. hardcover
1829742Venice: Tipografia di Giuseppe Antonelli 1829. Near Fine. Folio 15 7/8 x 11 inches 402 x 280 mm; pp. 4 30 plates printed on handmade wove paper with "EGA" watermark on each sheet. Bound in half vellum with brown marbled boards with some rubbing and small surface losses to the boards vellum somewhat soiled gilt decorations on spine edges trimmed. Armorial bookplate of Thomas Gainford pasted inside front cover. This elegant book presents reproductions from a sketchbook attributed to Raphael and acquired by the Accademia di Belle Arti in Venice including facsimile of the autograph writing of the artist as found on the verso of one of the drawings. <br /> Some of these prints are to be found in the Royal Collection Trust RCIN 853770 RCIN 850259.b etc. and the Hamburger Kunsthalle. Tipografia di Giuseppe Antonelli unknown
1853743Rome: P.P. Montagnani 1853. Good. Folio 16 5/8 x 11 inches 422 x 280 mm 56 pp. Title page 54 plates including 2 portraits and 2 floor plans. Stitched in a plain paper cover browned and somewhat loose with some chips. Scattered foxing on some plates. A handsome set of plates reproducing the scenes painted by Raphael in the Vatican under commission by Pope Julius II della Rovere 1503 to 1513 and Pope Leo X de Medici1513-1521 including the Sala di Costantino the court Stanze that were part of the pope's residential quarters. The set includes careful depictions of the scenes on the walls the vaults and ceilings as well as two floor plans and portraits of Raphael and Giulio Pipi. Some of these prints are to be found in the Royal Collection Trust RCIN 852668.b RCIN 852659 RCIN 853005.k etc. P.P. Montagnani unknown
1886961F17Washington: Government Printing Office 1886. First edition. Leather. Very Good. 12.5" by 10". Not Stated. The very scarce first edition of this impressively illustrated governmental survey of the USA's non-precious metal mining sectors. A very scarce first edition.Illustrated with one-hundred and two plates including a wealth of folding tables and charts many of which are in colour and with six folding colour maps in a pocket to the rear pastedown.Collated complete.The first edition of this impressively illustrated and very scarce major governmental survey authored by Raphael Pumpelly a prominent geologist and mining engineer.This work details the extraction and economic significance of base and industrial minerals such as coal iron lead zinc and copper offering detailed analysis of production methods geological formations labour conditions and the technological state of the industry across different regions of the United States.Rebound with endpapers renewed.Including special investigations into the iron resources of the United States and the Cretaceous coal deposits of the Northwest aiming to assess their economic and industrial significance. Rebound in quarter morocco with cloth covered boards. Endpapers renewed. Externally fine. Front free endpaper adhered to front pastedown. Front hinge lightly strained but firmly held. Internally firmly bound. Pages clean and bright with only the odd light handling mark. Edgewear to tissue guard fore edges. Very Good Government Printing Office hardcover
187424602CIUDADELA DE MENORCA: S. Fabregues 1874-1876. Primera edición.- 4º.- Media piel de época lomera con texto y filetes dorados y en seco.- 2 tomos.- I: 647 páginas.- II: 679 páginas.- 4 hojas Lista de los suscriptores.- Ilustraciones entre texto de lápidas. Sello de anterior poseedor y una dedicatoria manuscrita en las guardas de la obra no del autor a Bernardo Amer y Pons Gobernador Civil de Tarragona fechada en 1902. Muy buen ejemplar. No en Bover ya que la edición es de 1874 y la obra fue impresa en 1869 - Palau 200204 S. Fabregues unknown
1875129Cronica medico quirurgica de la habana revista mensual de medicina cirugia y ciencias auxiliares dirigida por los doctores jose r argumosa y j santos fernandez habana cuba 1875.encuadernacion en media piel.11 numeros encuadernados en un volumen comienza con el numero 1 mayo de 1875 y termina con el numero 11 noviembre de 1876.revista muy rara ilustradacon trabjos de grandes medicos cubanos de la epoca.conto con la colaboracion de.joaquin lebredocalixto oxamendifelipe rodriguezmanuel bangoserafin gallardoluis montanerafael cwleyjose argumosaantonio mestrejose r a montalvojose pulidoantonio reyneztomas plasenciagabriel garciajose francisco arangovicente de la guardiasiendo su redactor administrador don eduardo f pla la propaganda literaria hardcover
189974816Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Février 1899 23.50 x 34.50 cm une feuille et une serpente Rare original colour lithograph executed by Raphaël Collin for L'Estampe Moderne series number 22 published in February 1899. One of 50 deluxe copies printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp of the deluxe issue on verso; engraving preceded by a tissue guard captioned with the artist's name title and a poem. Lithograph inspired by the poem Partenza by Francis Vièlé-Griffin reproduced on the tissue guard of the print. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on the most prestigious of papers: Japan. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its quality of ink absorption and its affinity with colours also make it the ideal support for these very beautiful lithographs. The interest of French collectors in artistic posters grew in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown