2 577 résultats
1969nf3541SELF-REVEALMENT Random House/ Maecenas Press 1969 first edition fine in like dust-wrapper with a somewhat faded dust-wrapper spine. Profusely illustrated in both color and black & white. Inscribed by the artist to the former premier Walt Whitman collector bibliophile and philanthropist Charles Feinberg. Random House Maecenas Press unknown
1969561New York: Random House 1969. First edition. Hardcover. Orig. black and mustard cloth. Near fine in very good dust wrapper. 116 pages. Approximately forty illustrations many in full-color. The monograph is composed in the form of a journal kept by the artist over a three year period. Random House hardcover
1969003086New York: Maecenas Press / Random House 1969. 120 pages.; color and b&w reproductions of the artist's work. " . an honest and poignant glimpse into the life emotions and artistic philosophy of one of America's foremost and most beloved painters." Nearly full-page signed pen illustration "Susanna nude and the Elders" with inscription on the eve of 1971. Inscribed by the artist. First Printing. Cloth. Very Good/Very Good. 4to. Maecenas Press / Random House Hardcover
196950261New York: Maecenas 1969. First Edition. hardcover. fine/near fine. soyer. Illustrations in color and in black & white. Slim 4to black & tan cloth d.w. New York 1969. A fine copy in a near fine dust wrapper.<br/> <br/> Inscribed by the artist on the dedication page.<br/> <br/> Maecenas unknown
193733151937. Soyer Raphael. Soyer Raphael. SKETCH CLASS ART CLASS Cole 47. Etching 1937. 6 x 9 7/8 in. Edition of about 25. Executed for and printed by WPA Federal Art Project. Titled "Art Class" and signed in ink. "We used to have sketch groups. We artists would get together and hire a model then meet at someone's house and draw from the nude. I made many drawiings not only of the model but also of the whole scene of people drawing the model." Gettings #38 unknown
193764541937. Soyer Raphael. Soyer Raphael. SKETCH CLASS ART CLASS Cole 47. Etching 1937. 6 x 9 7/8 in. Edition of about 25. Executed for and printed by WPA Federal Art Project and with its stamp verso. An unsigned copy of this scarce print. The group of prints Soyer did for the WPA project were printed in small editions and not all copies were signed. "We used to have sketch groups. We artists would get together and hire a model then meet at someone's house and draw from the nude. I made many drawiings not only of the model but also of the whole scene of people drawing the model." Gettings #38 unknown
193251551932. Soyer Raphael. Soyer Raphael. JOHN REED CLUB - THE COMMITTEE. Lithograph 1932 Cole 22. Edition of 25 signed in pencil. 7 1/4 x 10 inches 185 x 255 mm. A fine impression but with a well-repaired tear top center. Scarce. John Reed Club Committee members pictured are Nemo Piccoli Adolf Wolff Walter Quirt Ivar Rose and Anton Refregier. We weren't poor. As I said before you know I had nothing to lose in the Depression so I didn't feel it very much. And as far as what happened politically I became a member of the John Reed Club. That was a club of writers and artists leftists all and I think Rebecca influenced me very much. She was more aware of the politics. She was more aware than I. And I still look back to this John Reed Club as a great kind of for me it was a great education. Nikolai Cikorsky indoctrinated me into the John Reed Club and. . . . Well there I knew what was taking place all the unrest all over the place the beginning of Nazism that you mentioned and the advance of Communism all those things you know. And I became aware of those things. And that was my political education the John Reed Club the John Reed Club for Artists and Writers. There were a number of writers there were a number of artists and. . . . And what's his name again William Gropper. Joe Jones. Philip Bard. A number of these people. And they were all left and all young in those days. And I came there completely as a novice. I didn't know much about it. Rebecca knew much more what was taking place. Raphael Soyer Smithsonian Oral History Archives interview with Milton Brown 1981. This is on loan to the Museum of the City of NY until ```````` unknown
193270431932. Soyer Raphael. Soyer Raphael. JOHN REED CLUB - THE COMMITTEE. Lithograph 1932 Cole 22. Edition of 25 signed in pencil. 7 1/4 x 10 inches 185 x 255 mm. In excellent condition. Scarce. John Reed Club Committee members pictured are Nemo Piccoli Adolf Wolff Walter Quirt Ivar Rose and Anton Refregier. We weren't poor. As I said before you know I had nothing to lose in the Depression so I didn't feel it very much. And as far as what happened politically I became a member of the John Reed Club. That was a club of writers and artists leftists all and I think Rebecca influenced me very much. She was more aware of the politics. She was more aware than I. And I still look back to this John Reed Club as a great kind of for me it was a great education. Nikolai Cikorsky indoctrinated me into the John Reed Club and. . . . Well there I knew what was taking place all the unrest all over the place the beginning of Nazism that you mentioned and the advance of Communism all those things you know. And I became aware of those things. And that was my political education the John Reed Club the John Reed Club for Artists and Writers. There were a number of writers there were a number of artists and. . . . And what's his name again William Gropper. Joe Jones. Philip Bard. A number of these people. And they were all left and all young in those days. And I came there completely as a novice and didn't know much about it. Rebecca knew much more what was taking place. Raphael Soyer Smithsonian Oral History Archives interview with Milton Brown 1981. unknown
194426001944. Soyer Raphael. Soyer Raphael. MODEL THE. Lithograph 1944 Cole 64. 11 3/4" x 7 3/4". Edition of 250 published by Asociated American Artists NY. Signed in pencil. Very good condition. unknown
196252621962. Soyer Raphael. Soyer Raphael. SCREEN THE. Cole 85. Lithograph 1962. 18 1/2 x 14 inches. Edition of 100 signed and numbered in pencil. Excellent condition. unknown
195454891954. Soyer Raphael. Soyer Raphael. SEAMSTRESS THE. Cole 75. Lithograph 1954. Edition of 250 published by A.A.A. 9 5/8 x 11 3/8 inches; 245 x 298 mm. Signed in pencil. With original A.A.A. label. Excellent condition. unknown
193225991932. Soyer Raphael. Soyer Raphael. THE TEAM. Lithograph with hand coloring 1932 Cole 23. 14 3/4" x 11." Edition of 25 published by Associated American Artists NY. A unique or one of a few colored by Soyer. Signed in pencil. In very good condition but with traces of glue verso. unknown
1934122811934. Soyer Raphael. Soyer Raphael. TOWARD THE LIGHT Girl at Window. Lithograph 1934-35. Cole 35. 15 1/4" x 12 1/2". Edition of 25. Signed lower right and titled "Girl at Window" lower left. Printed by George Miller. A very rare and fine print. "This was done directly on the stone and was not based on a drawing or a painting. I just asked the model to face the light streaming through the window." Soyer quoted in Gettings Raphael Soyer - Sixty Five Years of Printmaking Hirshhorn Museum 1982. Until AAA began publishing Soyer's prints in editions of 250 his editions were very small usually 25 or 30. unknown
193420261934. Soyer Raphael. Soyer Raphael. TOWARD THE LIGHT Girl at Window. Lithograph 1934-35. Cole 35. 15 1/4" x 12 1/2". Edition of 25. Signed lower right and titled "Girl at Window" lower left. Printed by George Miller. A very rare and fine print. "This was done directly on the stone and was not based on a drawing or a painting. I just asked the model to face the light streaming through the window." Soyer quoted in Gettings Raphael Soyer - Sixty Five Years of Printmaking Hirshhorn Museum 1982. Until AAA began publishing Soyer's prints in editions of 250 his editions were very small usually 25 or 30. unknown
192918911929. Soyer Raphael. Soyer Raphael. UNION SQUARE. Lithograph 1929. Cole 17A Edition of 10 titled and signed in pencil. 7 1/8" x 8 3/4". With the blindstamp of the printer Jacob Friedland center bottom and the date stamp of Downtown Gallery "Nov 15 1932" on reverse. In Very Good condition. One of five New York scenes produced by Soyer in 1929-30 Cole 15-18. All were done in very small editons 10-25 and are therefore very rare. unknown
1980605264on an illustrated with a reproduction of one of his paintings signed with an inscription. 4 1/8" x 57"; very good; 1980. Printed Sentiment: "Season's Greetings from Rebecca and Raphael Soyer" With an Autograph Note Signed by Raphael Soyer: "Dear Blosson & Jay Thank you for the magnificent bouquet. Rebecca & I wish you a very joyful healthy and very productive 1980. Raphael."
194220081942. Soyer Raphael. Soyer Raphael. WAITING. Drypoint 1942. Cole 59. AAA ed of 250. 7 1/8" x 9 1/8." Signed. Excellent condition framed. unknown
193056051930. Soyer Raphael. Soyer Raphael. WASHINGTON SQUARE PARK Cole 18 Gettings 15. Lithograph 1930. 9 1/4 x 7 inches; 235 x 178 mm. Edition of about 25 of which some were signed in pencil. Signed in the plate only. unknown
193056041930. Soyer Rapahel. Soyer Raphael. WASHINGTON SQUARE PARK Cole 18 Gettings 15. Lithograph 1930. 9 1/4 x 7 inches; 235 x 178 mm. Edition of about 25. Titled and signed in pencil and with the blindstamp of the printer "Jacob Friedland/Lithographic Printers/55 E. 9th Street N. Y. C." Provenance: Gift of the artist to Nathaniel Dick; Estate of Margaret Dick per annotation on frame backing paper. Margins apparently trimmed else in very good condition. Scarce. unknown
196933101969. Soyer Raphael. Soyer Raphael. WOMAN WITH LOCKET. Lithograph 1969. 15 1/4 x 11 3/8 in. 399 x 288mm. Edition of 100. Signed and numbered in pencil. Framed unknown
196126011961. Soyer Raphael. Soyer Raphael. YOUNG GIRL Lithograph 1961 Cole 83. 14 3/8" x 10 1/16." Edition of 250 published by Associated American Artists NY. Signed in pencil. Very good condition. unknown
194018321940. Soyer Raphael. Soyer Raphael. YOUNG MODEL Lithograph 1940. Gettings 47 Cole 57 12 x 9 inches; 305 x 228 mm. Signed and titled "The Model" in pencil. AAA edition of 250. Matted some tape residue at edges verso else a very good impression. unknown
1967210054Paris: Galerie Denise René 1967. Hardcove. VG: In great condition- all the little cut flaps on the front are present and full! Clean body pages and solid binding. A white softcover book. The front cover is designed with many small cut strips able to flap freely on their own. Unpaginated. Illustrations in both color and black-and-white. Galerie Denise René unknown
1970238584Zagabria: Galerije Suvremene Umjetnosti 1970. Brossura wrappers. Molto buono Very Good. Catalogo della mostra presso la Galerije Suvremene Umjetnosti Zagabria 19 giugno - 23 agosto 1970. Testo di <strong>Jean Clay. </strong>Con 22 illustrazioni in bianco e nero e <strong>una serigrafia originale</strong> a colori a piena pagina. Biografia. Cm 21x20. pp. 32. Molto buono Very Good. Edizione originale Original edition. Galerije Suvremene Umjetnosti, unknown
1967211958Parigi: Edizione a cura della Galleria 1967. Brossura wrappers. Molto buono Very Good. Catalogo della mostra tenutasi presso la Galerie Denise René"; Parigi maggio - giugno 1967. Testo di Jean Clay. 31 illustrazioni a colori e in bianco e nero. Alcune fotografie in bianco e nero di André" Morain Cy Perry Cornel Capa. Biografia dell'Artista. 8vo cm 23x23. pp. 32. Molto buono Very Good. . Edizione a cura della Galleria, unknown
