22 résultats
184975916London:: David Bogue 1849. old quarter calf; gilt spine; marbled boards. . Old ink name on pastedown; large dampstain to the lower inner corner of the frontispiece portrait and its tissue overleaf just touching the image; this stain much smaller except for one at the end of the book strangely affects some other leaves but is not at all evident on others. The leather is quite scuffed but the binding is tight and sound. . Folio. Illustrated by Examples from the Etchings of Rembrandt. David Bogue, hardcover
1868403958London Cambridge : Bell and Daldy ; Deighton Bell 1868. 2nd edition. Hardcover. Good copy in the original gilt-blocked and period decorated cloth over bevelled boards. Boards dust-toned. Spine bands and panel edges slightly bumped and rubbed as with age. Internally bright and clean. Remains quite well-preserved overall. Physical description; 191 pp. 30 unnumbered leaves of plates : photographs ; 28 cm. List of photographs: 0. Rembrandt with a drawn sabre Frontispiece. 1. The Angel appearing to the Shepherds. 2. Jesus Christ driving the money-changers out of the temple. 3. The Resurrection of Lazarus. 4. Christ healing the Sick. 5. The good Samaritan. 6. Ecce Homo. 7. The descent from the Cross. 8. The death of the Virgin. 9. Saint Jerome unfinished. 10. Haman and Mordecai. 11. Doctor Faustus. 12. The Rat Killer. 13. View of Omval near Amsterdam. 14. A view of Amsterdam. 15. The Three Trees. 16. A large landscape with a mill sail seen above a cottage. 17. Cornelius Anslo. 18. Clement de Jonge. 19. Young Haaring. 20. John Lutma. 21. Ephraim Bonus Le Juif à la rampe. 22. Uytenbogaert a Dutch Minister. 23. John Cornelius Sylvius. 24. Uytenbogaert the 'Banker'. 25. Van Coppenol the 'Writing-Master'. 26. The Burgomaster Six. 27. Portrait of Rembrandt drawing. 28. The great Jewish Bride. 29. Rembrandt's Mother. Subjects; Rembrandt Harmenszoon van Rijn 1606-1669 ; Catalogs. Art collections. British Museum. Etching Private collections England. London Cambridge : Bell and Daldy ; Deighton, Bell hardcover
18941385236London: William Heinemann 1894. Hardcover. Quarto Two volumes xxiv 320 pages ; xi 294 pages. In Fair condition. Spines are brown with gold print. Boards in brown/green cloth blind stamped design gold print. Tattering to spine caps and corners toning to boards blemishes shelf wear. Text block has deckle edges. Light tanning to endpapers intermittent spine breaks frontispieces loose from binding second volume has cracked hinges. Illustrated: b&w sepia some color “With sixty-seven full-page plates and two hundred and fifty text illustrationsâ€â€” title page; plates accompanied by tissue guard sheets with descriptive letterpress.<br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. <br /> <br /> <p>NOTE: Shelved in Locked Annex Area Netdesk Column QD ND-QD. 1385236. FP New Rockville Stock. William Heinemann hardcover
1866H22930London: James S. Virtue 1866. Hardcover. Very Good. Large quarto 13.5 x 10 inches publisher's olive cloth gilt very good light wear and soil stamp from an old art gallery in New Brighton PA and short ink notation to flyleaf contents very good with 35 engraved plates and numerous other illustrations. Some foxing to plates. Large heavy book will require extra postage. James S. Virtue hardcover
1854181164not identified: not identified 1854. Pamphlet. VG corners bumped and small tears overall age toning to pages soiling on front cover text and illustration is otherwise clear. Off-white pamphlet with black lettering one loose bw illustration in the folded 2 pg pamphlet. Text in English. Includes a bw illustration with the title "Key to the Picture". Text is titled: "Description of 'The Last Judgment' Explaining the 'Key' of Cartoon Drawing." Below title reads "Text- St. Matthew Chap. XXV Verses 31 34 41. Revelation Chap. 1 Verse 7" [not identified] unknown
183581248New York:: J. P. Peaslee 1835. First edition. publisher's gilt-lettered cloth. Endsheets a little tanned; slight use to cloth at edges; an attractive copy. 12mo. Illustrated; some color. Errata slip tipped in at rear. J. P. Peaslee, hardcover
1831198095Philadelphia: Carey & Lea 1831. Hardcover. Fair EX-LIBRARY from Library of the American Institute bookplate ifc and one stamp on page 2; spine strip is missing; boards are heavily worn; spine strip is missing; front cover is detached along with first two pages; textblock is broken; textblock edges are toned/foxed; interior is toned/foxed moderately. Publisher's original brown and white boards; missing spine strip; 328 pp. Scarce item. Carey & Lea hardcover
1843251136Philadelphia: Biddle 1843. hardcover. very good-. 40 plates plus text illustrations. xviii 132pp. 12mo rebound in modern red cloth; heavily foxed and with a damp stain in the upper margin of the last half of the book. Philadelphia: Biddle 1843. A very good - copy.<br/> <br/> Biddle unknown
1839BOOKS267174Philadelphia PA: Henry Perkins. G/No Dustjacket. 1839. . Cloth. library card pocket inside rear cover . Sm 8vo. 263 pp. cover rubbed faded edges frayed page foxing writing inside cover minor pencilling . Henry Perkins hardcover
1893228903Paris: Librairie Hachette 1893. Molto buono Very Good. Ouvrage contenant 343 reproductions directes d'aprè";"s les oeuvres du Maitre. Con 343 riproduzioni in seppia. 4to. pp. 632. Molto buono Very Good. Ex libris in seconda di copertina. Pagine in ottimo stato qualche lieve fioritura alle pagine con le illustrazioni senza interessamento delle figure Ex libris on inner front cover. Some light yellowing. . Librairie Hachette, unknown
183921872Philadelphia/Boston: Henry Perkins/Perkins and Marvin 1839. hard cover brown paper-covered boards with decorative embossing to both boards and spine which has gilt lettering. small crack to exterior hinge. scattered foxing to endpapers fore-edge and sparsely throughout. top edge dulled. early owner's name place in pencil to front pastedown. no text markings. no labels. no bumps. strong binding.; 263pp. rembrandt peale's collection of quotes citations excerpts and other texts by a wide range of poets artists philosophers. his own writings are sprinkled throughout including a preface. First Edition. Hard Cover. Good Plus/No Jacket as Issued. 8vo - over 7¾" - 9¾" tall. Henry Perkins/Perkins and Marvin Hardcover
185538658Leipzig: Weigel 1855-1856. TWO VOLUMES complete with the lists of prices realized. The auction catalogue of the outstanding collection of old master prints assembled by Hermann Weber who died in 1854 at the age of 37. VIII 122 12; VIII 69 8 pp. 1324 717 items. THE SECOND VOLUME IS DEVOTED TO WEBER'S UNSURPASSED COLLECTION OF REMBRANDT'S ETCHINGS plus prints after Rembrandt and prints by his disciples. Of the 717 prints in this volume 508 ARE ETCHINGS BY REMBRANDT. Priced throughout in a contemporary hand. 8vo. Attractively bound in contemporary decorated boards. Light wear to binding internally FINE AND BRIGHT. Rare. <br/><br/> Weigel hardcover
18806761880. Heliogravure on cream laid paper 6 1/2 x 5 1/2 inches 164 x 138 mm thread margins. Uniform toning on the recto and scattered light foxing and various notations in purple ink and pencil on the verso. Printed late 19th century. <br /> <br /> Bartsch 22 copy. unknown
1839198062Philadelphia/Boston: H. Perkins/Perkins and Marvin 1839. Hardcover. Fair Brown boards are very loose and heavily worn all over; boards are bowed at the corners; covers are very loose and starting at both ends; spine strip is heavily damaged and loose from the textblock; notes on endpages; textblock edges are moderately toned; interior has light toning and moderate foxing throughout. Brown boards with gilt lettering and debossed illustration; 263 pp. This particular copy was from the library of Peale Scholar Charles Coleman Sellers as indicated by the name ifc. H. Perkins/Perkins and Marvin hardcover
1890928CG1890. München u. a. Franz Hanstaengl nicht datiert um 1890. Portrait Profil von Saskia van Uylenburgh 16121642. Plattengrösse: 63 x 49 cm. Rahmengrösse: 91 x 76 cm. Rembrandt malte das Profilbild seiner Frau 1633/34. In Holzrahmen. Das Glas bildseitig etwas angestaubt. unknown
1891927CG1891. München u. a. Franz Hanstaengl 1891. Selbstportrait. Plattengrösse: 63 x 49 cm. Rahmengrösse: 91 x 76 cm. In Holzrahmen. Das Glas bildseitig etwas angestaubt. unknown
188862832New York Dodd Mead & Company 1888. Folio 405 x 305 mm. In publisher's original full white cloth with gilt lettering to spine and a gilt portrait of Rembrandt to front board. Upper edge gilt outer and lower edge uncut. Binding with wear and corner bumped with some loss of the cloth. Cloth with tears and and cloth on front hinge detached. Front hinges weak. 24 pp. 50 numbered photogravure plates each preceded by title leaf and followed by description. <br/><br/><em>A rare first edition of Curtis’s important study of Rembrandt’s most notable etchings illustrated with fifty photogravure plates. Issued after the author’s 1883 descriptive catalogue of Velasquez and Murillo this work opens with a biographical introduction asserting that an appreciation of Rembrandt’s etched oeuvre is essential to true artistic cultivation: “No test of one's taste and higher cultivation is more sure than the love for and capacity of appreciating these marvelous works. … If we may judge from the past there is nothing whose value is more sure than the etchings of Rembrandt.†From the introduction to the present work. Each of the fifty plates is accompanied by a title leaf and followed by detailed historical and descriptive commentary. </em> hardcover
1897311367Berlin: Photographic Society of Berlin 1897. First Edition; First Printing. Hardcover. Very Good in boards. Owner personalization on second front end page. Owner notes on pamphlet of photograph contents published in German. Shelfwear on panel and spine edges. Open tear on front panel top edge. Light foxing throughout pages. Photographic Society of Berlin hardcover
185733895Philadelphia: Rembrandt Peale 1857. 1st Edition. 1st Edition. Signed by Author. Peale Rembrandt. Uncommon Autograph Letter Signed November 6th 1857. 8vo. 1 page. To "<br /> H. P. Beck Esq. Dear Sir. / Learning that you are now at home Mrs. Peale in returning the pictures you were so kind to lend her / expresses her sincere thanks for the favor. And I must add that I am sure you will be pleased with the success of her copy. / Respectfully yours / Rembrandt Peale". <br /> <br /> Rembrandt Peale 1778 1860 was an American artist and museum keeper the second son of Charles Wilson Peale A prolific portrait painter he was especially acclaimed for his likenesses of presidents George Washington and Thomas Jefferson. <br /> <br /> One of his most famous works Patriae Pater 1824 is a portrait of George Washington designed to project the dignity and gravitas of Washington's character. This portrait known for its idealized and almost monumental quality became one of the most recognized images of Washington and was widely reproduced. He put the original painting on display in the U.S. Capitol in Philadelphia during the winter of 1823-24. In late February 1824. Rembrandt Peale unknown
1890P2629Paris and London: Francois Buffa et fils; Obach & Co. 1890. Very Good. Image Size : 640x830 mm 25.20x32.68 Inches Platemark Size : Paper Size : 750x890 mm 29.53x35.04 Inches Coloring: Black & White Medium: Etching Categories: Medical; Francois Buffa et fils; Obach & Co. unknown
181523646Amsterdam 1815. In this etching Rembrandt has depicted his wife Saskia surrounded by six other subjects of different ages including his mother. The etching is reminiscent of a sketchbook page in which the artist practices different facial expressions and the fall of drapery on his subjects. Saskia receives the most detailed study with very fine lines used to draw her curls and a thin headdress. Each figure looks out in a different direction. <br /> <br /> There are approximately 125-225 known impressions of this work many posthumous. Nowell-Usticke B365. This impression is pre-1815 signed by the french printseller Naudet in 1801. This impression predates the 1815 restrike.<br /> <br /> Signed on the verso by the early Parisian print seller Naudet - "Chez Naudet Md au Louvre 1801". The "Md" is an abbreviation for 'Marchand" merchant. See Maberley Joseph "The Print Collector: An Introduction to the Knowledge Necessary for Forming." 1880 p.84 and Fagan Louis "Collectors' Marks" 1883 p. 73. There are several prints held in the Fitzwilliam Museum Cambridge with Naudet inscriptions one being "Two boys blowing bubbles. Bartsch 365; Hollstein White and Boon 365. 5 x 6 1/16". Usticke's second state of 2 with the horizontal scratches between the head of Saskia and the turbaned head in profile upper left. With slight loss on three corners and a small closed tear. Signed in the plate "Rembrandt f 1636" in the bottom left the "f" somewhat faint. unknown
187881884John Murray. As New. 1878. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - lx 341 pages 12 plates. -- with a bonus offer-- . John Murray hardcover