Renoir JeanABAA
49 résultats
196424554Paris: L'Avant-Scène. Very Good. c.1964. No. 44. Magazine. moderate external rubbing and a bit of edgewear; binding stapled wraps is firm. B&W photographs The full scenario in French for Jean Renoir's 1937 anti-war classic. Includes: full credits numerous scene stills a selection of contemporary press commentaries on the film and an introductory article by Erich von Stroheim "Ma Première Rencontre avec Jean Renoir" "My First Meeting with Jean Renoir". Also in this issue are briefer treatments of two additional films: Dominique Delouche's short film about Edith Stein including an interview with Delouche and Hiroshi Teshigahara's WOMAN IN THE DUNES French title LA FEMME DU SABLE. . L'Avant-Scène unknown books
1988043892University Park and London: Pennsylvania State University Press 1988. xiv 224p. lightly chipped dj on the edges Pennsylvania State University Press unknown books
1971218846Lausanne: Editions Durand-Ruel 1971. Copy XII of 150 "imprimé spécialement pour Madame Charles S. Payson. 624 illustrations. 429 3 pp. 1 vols. 4to. Red cloth. Very fine in dust jacket and cloth slipcase. Copy XII of 150 "imprimé spécialement pour Madame Charles S. Payson." 624 illustrations. 429 3 pp. 1 vols. 4to. DELUXE EDITION. Editions Durand-Ruel unknown books
19133940Framed and authenticated by Charles Hamilton with his seal affixed to the backing paper. Felt-lined frame with raised platform for the note and recessed Georges Lay bronze medal of Renoir above. Note shows adhesive bleed at corners; medal has been paper-taped to the back. On letterhead of the Farm at Les Collettes Cagnes: "Monsieur J'ai recu votre amiable lettre et je serai heureux de lire votre petit roman pour faire connaissance avec vous. Recevez mes salutations meilleures. Renoir 23 Septembre 1913" Sir I received your amiable letter and I will be happy to read your little novel to get to know you. Receive my best regards.; 12mo 11 x 17 cm; ; All shipments through USPS insured Priority Mail. books
1960151352N.p.: N.p. 1960. Draft script for an unproduced English-language adaptation of Jean Renoir's 1960 play. Presentation copy inscribed by Renoir on the title page: "Pour Ruth et Mark / en tout amitie / Jean Renoir" "For Ruth and Mark / in all friendship / Jean Renoir". <br/><br/>Based on Renoir's 1960 French play. A beautiful troubled stage actress in Nazi-occupied Paris finds her attentions torn between a Resistance leader whom she is hiding and a handsome Nazi officer. Renoir's final film effort one which was ultimately never completed before his death in 1979. <br/><br/>Set in France. <br/><br/>Self wrappers. Title page integral with front wrapper undated with credits for screenwriter Jean Renoir and translation credits to Robert Goldsby and Angela Goldsby. 146 leaves with last page of text numbered 142. Spirit duplication rectos only. Pages Very Good plus bound with two gold brads. <br/><br/>Housed in a custom quarter-leather clamshell box. N.p. unknown books
19042231904. From Douze Lithographs Originales de Pierre-Auguste Renoir. Lithograph. Delteil 39; second and last state. Image: 7 x 7 . Margins: 13 x 10. Signed in the plate. With deckled edge. Vollard books
1961151476N.p.: N.p. 1961. Collection of three typed letters signed from director Jean Renoir to Atlantic Monthly Press publisher Seymour Lawrence planning a meeting and discussing the forthcoming publication of the director's book "Renoir" a biography of Renoir's father. <br/><br/>Three concise but personable letters in which Renoir discusses his travel plans and the reception of his latest film "Picnic on the Grass" and expresses his hope to send a typed manuscript of his book to literary agent Helen Strauss as soon as possible.<br/><br/>8.5 x 11 inches. Near Fine with brief creasing to the edges. N.p. unknown books
1951015916Firenze Italy: Del Turco Editore 1951. Book. Very good condition. Hardcover. Signed by Authors. First Edition. Octavo 8vo. 217 pages of text followed by iv 217 black & white plates. Full green Morocco leather binding by Giulio Giannini of Firenze Florence with an inlaid red leather spine label; protected in custom-fitted archival mylar. There is minor shelfwear including a number of tiny scuffs. Number 3 of a limited edition of 45 copies signed by Lionello Venturi with an original etching by Renoir tipped-in. The etching which is unsigned is titled "Baigneuse debout a mi-jambes" and was printed in 1910 or shortly thereafter. It is in excellent condition as one might expect being protected inside a book. There is only the first state of this etching Delteil 23. There are at least three distinct impression categories depending upon when and the order in which they were printed. This impression is an early one but not among the earliest with a very good plate tone and maintaining very good detail in the dark areas. Later impressions lose detail and allow much more ink on the paper. The limitation page reads "Tiratura limitata a 45 esemplari numerati oltre a cinque fuori commercio. Copia No 3. L'incisione allegata a ogni copia e originale di Auguste Renoir." Previous owner's gift inscription on the front endpaper that of Boston teacher and poet Antonio Alfredo Giarroputo. The text is clean and unmarked. First edition. Del Turco Editore Hardcover books
19052712<p><b>RENOIR PIERRE-AUGUST 1841-1919 </b>FEMME COUCHÉE TOURNÉE À GAUCHE Paris Gazette des Beaux- Arts 1906. Etching. From the 2nd edition published for Gazette des Beaux- Arts XXXVII 1907 facing P. 260. Stella 15 ii/ii. 5 1/2 x 7 3/4. 139mm x 199mm In fine condition on watermarked paper. With full margins with the exception of a very small clipped right corner. </p> Gazette des Beaux- Arts books
19062483Paris Gazette des Beaux- Arts 1906. Etching. From the 2nd edition published for Gazette des Beaux- Arts XXXVII 1907 facing P. 260. Stella 15 ii/ii. 5 1/2 x 7 3/4. 139mm x 199mm In fine condition on watermarked paper. With full margins with the exception of a very small clipped right corner. Gazette des Beaux- Arts books
1906340231906. Etching. Printed on laid paper. Later impression from the original plate. In pristine condition. Image size: 5 1/8 x 7 ½ inches. Son of a tailor and dressmaker Renoir moved with his family from Limoges to Paris in 1844. He was apprenticed to a porcelain manufacturer from 1854 to 1858 where he painted rococo-style decorations. In 1862-63 he attended the Ecole des Beaux-Arts in the studio of Charles Gleyre where he met Sisley Pissarro Monet and Fantin-Latour. Renoir first exhibited at the Salon in 1864 and began at about this time to work out-of-doors. Courbet Corot and Daubigny were important early influences although his progress toward a more vivid and sketchy style was encouraged by the work of Monet and Manet. He participated in the first impressionist exhibition of 1874 but subsequently in only the second third and seventh group shows. In 1881-82 Renoir traveled to Algeria and Italy where his exposure to ancient and Renaissance art led him to introduce into his impressionism a new linear and sculptural direction. After years of financial struggle a retrospective at Durand-Ruel in 1892 signaled greater popular success. Although his health began to fail in the late nineties Renoir continued to paint and even experiment with sculpture until his death.<br/> <br/>Delteil Loys. Le peintre-graveur illustré vol. XVII no. 14; Biographical description taken from the Fine Arts Museum of San Francisco. unknown books
19854833JParis: Edilig 1985. First Edition. Film director Peter Bogdanovich’s copy with autograph signature and ownership stamp. Text in French. Fine in wrappers. Illustrated. Study of the great French film director’s work. Edilig unknown books
1973301745New York Simon and Schuster 1973. 1973. First edition. 8vo. Edited with an introduction by Francois Truffaut. Translated by W.W. Halsey II and William H. Simon. With an appreciation of Bazin by Renoir. Illustrated. Filmography. Dust jacket designed by Charles Schmalz unclipped. Very good. 320 pages. 1st Edition. Hardcover. Very Good/Very Good. New York, Simon and Schuster [1973]. hardcover books
197215120EGarden City: Doubleday 1972. First Edition. Illustrated. Near fine copy with a few very tiny tears to the cloth at the top and bottom edges of the spine in a very good lightly dust soiled price-clipped dust jacket with a few tiny tears and nicks. A comprehensive critical study of the work of the great French film director Jean Renoir whose films include such classics as The Grand Illusion The Diary of a Chambermaid The Woman on the Beach Rules of the Game and many more. Includes an index filmography and bibliography. Doubleday hardcover books
1931403364Paris: Bernheim-Jeune 1931. 2 volumes folio. Numerous plates and illustrations throughout. Contemporary cloth red leather spine labels original wrappers bound-in. Some minor soiling to cloth labels worn. LIMITED EDITION number 224 of 425 copies on "papier velin" from a total edition of 500. <br/><br/> Bernheim-Jeune hardcover books
1938131891Paris: Paris Film 1938. Vintage oversize black-and-white double weight still photograph from the 1938 film a strong image of Jean Gabin in full train engineer regalia. Shot by acclaimed portrait photographer Sam Levin who worked with Renoir on several other productions including "La Grande Illusion" 1937 and "The Rules of the Game" 1939 and whose early photographs of Brigitte Bardot helped create her image as a "sex kitten."<br/><br/>Based on Zola's social realist novel Renoir's film remains true to the proletarian source material while grafting on elements of film noir and his own humanist philosophy. One of the director's biggest commercial successes with a powerful lead performance by Jean Gabin. Remade in the US by Fritz Lang in 1954 as "Human Desire."<br/><br/>11.5 x 12 inches. Near Fine. <br/><br/>Criterion Collection 324. Paris Film unknown books
1966140941132Paris: Gallimard 1966. First Edition. Very Good. First edition. Signed by author Jean Renoir the famous French-born film director and inscribed to Henry Miller author of Tropic of Cancer "A Henry Miller hommage de mon amicale admiration. signed Jean Renoir 27 October Octobre 1966 Beverly Hills." 322 4 pp. Publisher's illustrated wraps in wrap-around belly band. Very Good with a little shelf wear and light foxing to edges in a lightly rubbed belly band. A great association between two taboo-breaking 20th century titans of culture. The epic meeting of the two figures through mutual friends was the subject of the 2015 book Titans of The Muses: When Henry Miller Met Jean Renoir. Gallimard unknown books
199445818London: Faber and Faber 1994. First printing. 8vo pp. xxv 605. Filmography theater productions boooks index. Illustrated with photographs. Translations by Craig Carlson Natasha Arnoldi Michael Wells Anneliese Varaldiev. About as new in slightly scuffed dj. Faber and Faber unknown books
197415317JNew York: Atheneum 1974. First Edition- American. Signed by the author / director Jean Renoir on a label affixed to the half-title. Illustrated. Fine copy in a very good price-clipped dust jacket with some fading at the spine. Jean Renoir was the famous French director of such classics as Grand Illusion and The Rules of the Game. Atheneum unknown books
1974398New York: Atheneum 1974. First American Edition. Octavo 287 pages. Near Fine slight fading of lettering on spine. Dust jacket has a small tear at top of the spine and front panel and at the bottom of the spine. Overall an attractive copy. <br/><br/> Atheneum unknown books
1974131970New York: Atheneum 1974. hardcover. Illustrated. 287pp. 8vo two-toned cloth. N.Y.: Atheneum 1974. Good copy in a good dust wrapper. Ex- library. Missing back free endpaper.<br/><br/> Atheneum unknown books
1974WRCLIT57036New York: Atheneum 1974. 2871pp. Cloth. Frontis. Numerous black & white photographs. First American edition translated from the French by Norman Denny. Very slightly cocked with small stain to lower edge ink name on front free endsheet and sporadic ink highlighting throughout else very good in a spine-sunned pictorial dust jacket with a moderate edge wear and a few short closed tears. Atheneum hardcover books
197418312ENew York: Atheneum 1974. First Edition - American. Inscribed and signed by the author / film director Jean Renoir on the title page: “To Bob and Pat McCuen. Best wishes Jean Renoir.†Illustrated. Fine in a near fine dust jacket with some slight fading at the spine. Jean Renoir was the famous French director of such classics as ‘The Grand Illusion’ ‘The Diary of a Chambermaid’ ‘The Woman on the Beach’ ‘Rules of the Game’ etc. Considered by many to be France’s greatest film director. Atheneum unknown books
197414311JNew York: Atheneum 1974. First American Edition. Inscribed and signed by Jean Renoir on the title page: “To My Friend Ulric de Vaere Jean Renoir.†The recipient was a playwright. Fine in a near fine dust jacket wtih some slight sunning at spine. Renoir was the famous French director of such classics as The Grand Illusion The Diary of a Chambermaid The Woman on the Beach Rules of the Game. Considered by many to be France’s greatest film director. Atheneum unknown books
197413980JNew York: Atheneum 1974. First American Edition. Inscribed and signed by Jean Renoir on the title page: “To an admirer of La Grande Illusion Jean Renoir.†Fine in a near fine dust jacket wtih some slight sunning at spine. Renoir was the famous French director of such classics as The Grand Illusion The Diary of a Chambermaid The Woman on the Beach Rules of the Game. Considered by many to be France’s greatest film director. Atheneum unknown books
