Jean Auguste Dominique INGRESBiblio.com
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186323678Paris: Didier & Cie 1863. Fine. Didier & Cie Paris 1863 14 x 22 cm broché First edition. A pale dampstain at foot of the text block light foxing affecting mainly the edges. Complete with the publisher's catalogue at rear. Didier & Cie unknown
18671801Paris: Imp. Pillet 1867. First edition. In publisher’s half cloth with printed title on front panel. Endpaper and first leaves discolored due to the acidic paper. Notes in ink on front panel by a contemporary neat hand. Prices added by the same hand in ink to each item. In fine condition. First edition. In publisher’s half cloth with printed title on front panel. 3 IV–V 4 10–23 1 p. <p><br /> Scarce catalogue of on of the earliest posthumous sale of Ingres’s works.<br /> <p><p><br /> The sale was held on April 27 1867 and included sixteen works belonging to Ingres’s widow as well as the Odalisque with a Slave owned by Charles Marcotte d’Argenteuil's heirs. All prices indicated in ink by a contemporary hand. <br /> <p>. [Imp. Pillet] unknown
185139407Paris 1851. An outstanding signed autograph letter from celebrated painter Jean Auguste Dominique Ingres 1780-1867 to Jean-Jacques Berger 1790-1859 prefect of the Seine in which Ingres recommends the services of his notable student Pierre-Auguste Pichon 1805-1900 who would go on to become rather well known. About a hundred words written neatly in brown ink on fine wove writing paper. Signed by Ingres and dated April 2 1851. Ingres and Pichon had collaborated on the famous portrait of Ferdinand-Philippe the Duke of Orléans in the Château de Fontainebleau. Pichon would go on to decorate many French public buildings both civil and religious with his paintings. With the red stamp denoting reception by the prefecture. AN IMPORTANT LETTER IN EXCELLENT CONDITION. <br/><br/> unknown
186084083Paris: Eugène Disdéri 1860. Fine. Eugène Disdéri Paris 1860 6 x 10.50 cm une feuille Full-length carte-de-visite albumen photograph of the painter Ingres. Taken by Disdéri who himself developed this carte-de-visite process in 1854. Photograph mounted on card bearing the name of Disdéri et Cie. Photographer's advertisement on verso at the address on boulevard des Italiens. Fine print. This sitting at Disdéri's studio produced several photographs of the painter with slightly different poses. This same photograph can be found at the Ingres Museum in Montauban and at the Musée d'Orsay. Eugène Disdéri unknown
1823829561823. Fine. s. d. jeudi 9 13.50 x 20.80 cm une feuille Autograph letter signed by painter Jean-Auguste-Dominique Ingres about his pupil Albert Magimel with whom he worked in close collaboration. Magimel published a catalogue raisonné of his master's artworks. Handsome signature of Ingres in the lower part of the letter. unknown
1870C91898Plon. As New. 1870. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. Description: "Orné d'un portrait gravé par Morse et du facsimilé d'un autographe." / "Decorated with an engraved portrait by Morse and a facsimile of a signature. " Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Plon paperback
187091898Plon. As New. 1870. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. Description: "Orné d'un portrait gravé par Morse et du facsimilé d'un autographe." / "Decorated with an engraved portrait by Morse and a facsimile of a signature. " Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee -- with a bonus offer . Plon paperback
1829893861829. Fine. ""these two paintings morally bound by their subject can only be exhibited together"" 15 mai 1829 18.5 x 24 cm Deux pages sur une feuillet Autograph letter signed by Jean-Auguste-Dominique Ingres to Charles Paillet with autograph address and title ""Honorary Expert Commissioner of the Royal Museums"" with postal stamps. Usual fold marks. A marginal tear repaired without affecting the text. Ingres provides descriptions and exhibition instructions for his two paintings Aretino and the Ambassador of Charles V and Aretino in the Studio of Tintoretto. Ingres had painted these two works in 1815 and presented them at the 1824 Salon in Parisselecting episodes from the romantic and scandalous life of Aretino: By choosing this subject Ingres affirms the independence of the artist in the face of power. He also reflects the widespread success in the early 19th century of representations of episodes from the lives of past painters and writers illustrated in an anecdotal mode. Musée des Beaux-Arts de Lyon. This letter refers to the reappearance of the paintings in 1829 at an Exhibition in support of the fund for the eradication of begging held at the Lebrun Gallery founded by the late husband of Elizabeth Vigée-Lebrun. The descriptions given by Ingres in this letter would be published in the exhibition catalogue Explication des ouvrages de peinture et sculpture . Coniam 1829 pp. 2021. Ingres sends them here to the respected art dealer Charles Pailletwhile noting his status as an expert to the Louvre on the reverse of the letter. The works are now held in private collections Aretino and the Ambassador of Charles V was recently sold by the Stair Sainty Gallery. Ingres later revisited the subject and painted another version in 1848 now housed at the Musée des Beaux-Arts de Lyon. Fascinating letter revealing that Ingres himself authored the descriptions of his works for the 1829 exhibition. Sir I have the honour of sending you the notices for my two paintings on Pietro Aretino. These two paintings morally connected by their subject must be exhibited togetheralthough a single painting may separate them. I respectfully ask you sir to display them in the aisle opposite that of the Philip V painting. I will bring them myself when I come on the 24th to collect those that are to be withdrawn from the exhibition. I remain sir yours sincerely Ingres Subject of the first painting on Pietro Aretino known as the scourge of princes. Charles V on his return from Africa sent him a gold chain worth 100 ducats to silence him: There said the satirist is a very small gift for such great folly. Subject of the second painting Rivalry turned to jealousy had caused a rift between Tintoretto and Titian. Aretino a close friend of the latter took his side and unleashed his wrath against Tintoretto. One day Tintoretto met him near his home and invited him in under the pretext of painting his portrait. Hardly had the scourge of princes sat down when the painter approached him pistol in hand. Ah Jacopo cried the frightened poet what are you doing Taking your measurements replied Tintoretto gravely. And after measuring him he added in the same tone: You are two and a half of my pistols high and let him go. unknown
