Raoul DUFYBiblio.com
97 résultats
193886746Vence: S. n. 1938. Fine. S. n. Vence 29 Janvier 1938 20.50 x 26.50 cm une page recto verso une enveloppe Autograph letter dated and signed by Raoul Dufy 34 lines in blue ink from his property at Villa Beethoven in Vence. Creases inherent to postal delivery. Envelope included. Date and sender indications in Laboureur's hand in red and blue pencils on the envelope. The painter will not be able to attend the P.G.I. meeting independent painters and engravers and will miss his friend Jean-Emile Laboureur: ""J'ai quitté Paris pour un moment. J'aurais bien aimé aussi vous revoir."" I have left Paris for a moment. I would have very much liked to see you again as well. Moreover he envisions his future only in painting: ""Pour moi personnellement je crois bien que ma carrière de graveur est terminée : tombé dans la litho et la peinture d'histoire comme vous savez je me demande si jamais je pourrai refaire un beau bois au canif car comme graveur je ne sais ou plutôt n'ai su faire que ça et malgré le désir que j'en ai je me demande si jamais j'en aurai le loisir."" For me personally I do believe that my career as an engraver is finished: fallen into litho and history painting as you know I wonder if I will ever be able to make a beautiful penknife woodcut again because as an engraver I don't know or rather have only known how to do that and despite the desire I have for it I wonder if I will ever have the leisure for it. even though he will keep his place within this association bringing together engravers and painters: ""Donc malgré que je n'assiste jamais ou presque aux réunions je crois même que ma cotisation ne soit pas en règle je suis quand même PGI de tout coeur et quand je rentrerai à Paris j'aurai bien du plaisir à vous revoir tous."" So although I never or almost never attend the meetings I even believe that my dues are not up to date I am nevertheless PGI with all my heart and when I return to Paris I will have great pleasure in seeing you all again. S. n. unknown
192244550Paris: Nrf 1922. Fine. Nrf Paris 1922 13.50 x 18.50 cm broché First edition one of 1035 numbered copies on Rives laid paper the only printing with 35 Japan copies. The work is illustrated with a frontispiece portrait of the author by Raoul Dufy engraved by Gorvel. Handsome copy. Nrf unknown
1988Q-2070300072Editions Gallimard 1988-01-01. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! Editions Gallimard paperback
1985DYTWW10489DEAGOSTINI 1985. Soft Cover. Fine. Number of books£º1 DEAGOSTINI paperback
1953149651953. Dufy Raoul. Letter concerning a photograph of one of his paintings written by the French artist whose work became associated with Fauvism and modern decorative painting in the early twentieth century. Raoul Dufy developed an internationally recognized style characterized by vivid color rhythmic line and scenes of leisure music and coastal life while also producing designs for textiles ceramics book illustration and large decorative murals. The letter records Dufy's response to receiving a photograph of a painting that had previously been outside his possession providing a brief but revealing document of the ways modern artists used photography to record and preserve images of their own work.<br /> <br /> Dufy Raoul. Typed Letter Signed. One page written in French and signed in ink "Raoul Dufy." In the letter Dufy expresses gratitude to the recipient for sending a photographic image of one of his paintings writing: "Cher Monsieur Je vous suis très reconnaissant de l'amabilité que vous avez eue de me faire remettre par un de vos collaborateurs la photographie d'un de mes tableaux qui était entre vos mains. Celle-ci manquait à ma collection et je vous remercie encore de me l'avoir fait tenir. Veuillez croire Cher Monsieur à mes meilleurs sentiments." In this statement Dufy notes that the photograph "manquait à ma collection" indicating that the image filled a gap in his own documentation of his artistic production.<br /> <br /> During the early twentieth century photography became an important tool for artists seeking to document works that had entered private collections or exhibitions beyond their immediate control. For painters such as Dufy whose work circulated widely through galleries collectors and decorative commissions photographic reproductions functioned as records of artistic output and as a means of preserving visual documentation of completed works. The letter therefore illustrates a practical aspect of artistic practice in the modern art world where painters increasingly relied on photographic images to maintain a record of paintings no longer physically accessible to them. Light wear to paper edges; otherwise well preserved. Overall very good condition. unknown
19932111902153301123TBS Britannica 1993. Soft Cover. Fine. Number of pages: 158 pages Size: A4 TBS Britannica paperback
193032964Montpellier N.D. Circa 1930: R.D. 1930. Original Autographed Letters. Original Autographed Letters. Signed by Author. Dufy Raoul. Autograph letter Signed. n. d. Two full pages. Quarto. On blue/beige paper in French. Dufy complains that he can't come to Paris as he's suffering the effects of an anti-rheumatism vaccine. He stays in Montpellier because he's in need of warmth and "serious" doctors. Dufy is sending his wife with 40 watercolors of a group which he qualifies as "beautiful & new". Dufy thinks the average price of 1000 francs each is reasonable. A fine letter with trade content. Quite uncommon. R.D. unknown
193033000N.p. Montpellier N.d. C. 1930: R.D. 1930. Original Autographed Letters. Original Autographed Letters. Signed by Author. Dufy Raoul. Autograph letter Signed. n. d. Octavo 1 page on blue paper in French. An excellent letter Dufy mentions that he is expecting Valery and that if it were not for our "grand poète" I wouldn't be so accommodating and would have accepted your invitation. Extend to Picasso my friendship - I hope to see him soon. I'm happy to know he is recovering. A very good letter in fine condition. R.D. unknown
1915191415SSParis: MOT 1915. First Edition. all issues bound in one volume. Very Good. LE MOT hedomadaire illustre published and printed by MOT gerant: Paul Iribe Paris.<br /> Vols. 1-20 Nov. 1914 - July 1915 all published. Contemporary private half leather. Folio. 17.5" x 11.5" Untrimmed. With various invitation-leaflets for subscription bound in. Each title page has a very small stamp "J de Sainte Foy" on top<br /> <br /> Complete set of famous satirical bi-monthly by Jean Cocteau marked by its pacifist and anti-militaristic stance with pronounced anti-German sentiment. Contributors incl. a.o.: Raoul Dufy Sem Gleizes Iribe André Lhote Léon Bakst and Cocteau some contributions signed under his pseudonym Jim after his dog's name. MOT unknown
198382820David R Godine Publishers Inc U.S. As New. 1983. Hardcover. 0879233192 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ISBN: 0879233192.66 pages. -- with a bonus offer-- . David R Godine Publishers Inc, U.S. hardcover
198082819Godine. As New. 1980. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 67 pages 30 illus. ; small 8vo. -- with a bonus offer-- . Godine paperback
193039336Paris: Le Portique 1930. Raoul Dufy. WITH AN ORIGINAL ETCHING BY RAOUL DUFY. An exceptional copy of the first and only edition of the first bibliography of Vollard's livres d'artiste which revolutionized the modern illustrated book. From a total edition of 625 numbered copies this is ONE OF ONLY 125 LARGE-PAPER COPIES BEAUTIFULLY PRINTED ON FINE MONTVAL LAID PAPER WITH THE ORIGINAL ETCHING PRINTED IN SANGUINE AND SIGNED IN THE PLATE. Folio original wraps. Completely uncut. A bit of foxing especially to front cover otherwive very good. The Dufy etching is in perfect condition. <br/><br/> Le Portique paperback
1920DUFYRAOU020338Gazette du Bon Ton - No. 1 Paris. F�vrier 1920. First edition. Small quarto. Eight hand-coloured lithographs from drawings by Raoul Dufy preserved in the original paper folder which has an explanation of the plates on the rear cover. Fashion plates of women wearing clothes designed by Doeuillet Doucet Lanvin Paquin Poiret Vionnet and Worth. Dufy's fashion illustration began in 1909 with the great French couturier Paul Poiret and continued with the Lyons-based silk manufacturer Bianchini-Ferier who invited Dufy to work on an industrial scale.The first plate is just a little rubbed at bottom edge otherwise a very good and attractive set in a very good indeed clean folder. Gazette du Bon Ton - No. 1, [Paris]. F�vrier hardcover
19441607110072Louis Carre 1/1/1944. Paperback. Very Good. Folio in slipcase. Loose as issued wrappers uncut. 34 cm. Collated all pages present: 28 double-page folded plates. 19 pages; double page chapter and plate lists. Clean unmarked pages. One of 703 Copies this copy Hors Commerce G/1. Reproductions of drawings printed by Georges Duval. Unsewn gatherings. Slipcase broken. Louis Carre paperback
194430794Paris: Louis Carre 1944. paperback. very good. Numerous plates in black & white protected with tissue loose as issued in stiff printed wrappers. Paris: Louis Carre 1944. A very good copy lacking the outer slipcase.<br/> <br/> Limited numbered edition.<br/> <br/> Louis Carre unknown
1958mon0000089632Mermod 1958-01-01. Paperback. Good. in x in x in. PAPERBACK - Minor cover wear - clean unmarked text - tight binding. Mermod paperback
1956323768Paris: Mourlot Editions 1956. unbound. Raoul Dufy. Poster. Lithograph. Measures 28" x 20".<br/> <br/> Lovely original poster advertising an exhibition at the Musee de Grenoble featuring Raoul Dufy's painting "Homage to Claude Debussy". Includes Mourlot watermark on lower right hand corner of the page. In excellent condition with minimal creasing to edges of paper. <br> <br> Printed by Mourlot Studios a fine art lithography printer founded in Paris in 1852. Mourlot is known for pioneering and popularizing the art poster collaborating with prominent painters including Matisse Bonnard Miro and others. Pablo Picasso began collaborating with the studio in 1945 producing over 400 lithographs from his private corner of the studio where he lived for months at a time.<br/> <br/> Mourlot Editions unknown
198796135New York: Harry N. Abrams 1987. First Edition; First Printing. Hardcover. Near Fine in a Near Fine dust jackets. ; 8vo 8" - 9" tall. Harry N. Abrams hardcover
1953E9338Paris: Louis Carre 1953. First edition. fine. Quarto in color illstrated card wrappers. 41 pp. plus Catalogue des Ouevres Exposees Table des Textes Table des IllustrationsWith double-page original color lithographs and a black and white sketch at the head of first page of text and another on p. 17. Text in French. A fine bright example. In the original glassine dust wrapper with aprox. 40% of the lower left front side gone not affecting the "DUFY" black lettering. Louis Carre unknown
1998018553<p>Catalogue of an exhibition at Galerie Fanny Guillon-Laffaille Paris 24 Sept. - 27 Nov. 1998 and Neffe-Degandt London Feb. - Mar. 1999. In French and English. 88 pages : illustrations some color ; 24 cm. Slight shelf wear to edges no inscriptions tight and square binding. Exhibition invite to the London show loosely inserted. Photographs available on request. All books dispatched same or next working day in robust packaging.</p> Galerie Fanny Guillon-Laffaille paperback
1972041524022Skira 1972. hardcover. Very Good/Very Good. the original dust jacket is included; there is wear on the corners and edges of dust jacket; the inner pages are free of markings notes or highlighting; Skira hardcover
1954111824003Skira 1954-01-01. hardcover. Good. 9x7x1. Book is in very good condition with a good dust jacket. Dust jacket has some tears but still presentable. Spine is strong and inside pages are clean. Skira hardcover
1954mon0000032479Skira 1/1/1954 12:00:00 AM. hardcover. Very Good. 1.1102 in x 9.1299 in x 6.5709 in. Unread. No markings in book. Binding is fine. 229pp. DJ with shelf wear to edges. Tipped in plates. Small droplet mark on top page edges. Skira hardcover
1930B-2022-0852Catalogue Complet des Editions Ambroise Vollard – Complete catalogue of Vollard editions. 1930 Le Portique. One of the 125 numbered copies in Montval paper with an eau-forte by Dufy in sanguine. Loose as issued in wrapper and clamshell box.<br />Very good. Please ask for complete conditions report. Dufy, catalogue, Portique, Montval paper
195340418Paris: Louis Carré 1953. First edition. Near fine. Uncommon spectacular exhibition catalog issued in the year of the artist's death. Brilliant lithographs of Dufy's work with a preface by Jean Cassou and praise and reminiscences from the Fauvist's friends and colleagues. Among the contributors are Hans Hartung Fernand Léger and Jean-Louis Barrault who writes of Dufy as a poet an essentially French artist with the lightness of a winged creature a maker of song: "Car il y a de la chanson dans ses tableaux." 10.5'' x 7.5''. Original lithographed wrappers. In original glassine jacket. 46 pages. With five illustrations including three double-page color lithographs. Considerable chipping to glassine. Moderate edgewear to wrappers particularly at spine ends. Louis Carré unknown
