42 résultats
191911568Paris: Imprimerie Francois Bernouard / Editions de la Galerie Simon 1919. Limited Edition. Softcover. Very good. Quarto unpaginated 24pp. illustrated by Andre Derain. This copy with an applied label on the front wrap for Editions de la Galerie Simon--a famous art gallery with strength in cubist pieces--which presumably purchased a number of copies for distribution. A very good copy with some uneven offsetting and foxing to the wraps but the interior fresh bright and partly unopened. The page block is beginning to pull from the wraps with but remains attached and the interior contents are fine. This is number 13 of 100 limited copies on Arches paper SIGNED by Derain on the limitation page another four copies were on Japan paper. In a neatly folded partly clear tissue cover with some small chips which may or may not be original but is certainly contemporary. Uncommon. Imprimerie Francois Bernouard / Editions de la Galerie Simon unknown
191933676Paris: François Bernouard 1919. 1st Edition. 1st Edition. Rare first edition. Thin 4to. unpaginated 24 printed stiff card covers. 1 of only 104 numbered copies 4 on Japon & 100 on Arches. This copy lettered "G" and signed by Derain although no lettered copies are indicated which might account for a possible 26 additional copies printed. Designed with four full page black & white Derain illustrations. A bit of offsetting to the prelims heavy cover stock mildly aged with light soiling. Very uncommon. Vlaminck's satirical 'poeme' about "life" has 4 chapter headings in French: Spring Summer Autumn & Winter - Derain's "Fauve" sketches illustrate the chapters & are typical of his heavier lines - bold & thickly rendered. A fine example of Fauvism in spirit & illustration. A movement said to have begun in June 1909 when Vlaminck first met Andre Derain at Chatou resulting in the formation of the school of Chatou & ultimately the birth of Fauve art - joined formatively by the likes of; Matisse Gaugin Van Dongen Camoin Dufy Marquet & others. The important collaboration between Derain & de Vlaminck was not a solitary happening as their association & friendship lasted a lifetime resulting in many important works. "Quand c'est le printemps et qu'on n'a pas d'argent ça a moins d'importance qu'a quarante ans On court après la blonde on prend la brun on a vingt ans aux prunes. François Bernouard unknown
1919007669Paris: Editions de la Galerie Simon. Imprimerie François Bernouard 1919. Limited First Edition. Wraps. Very Good Plus. No. 95 of 104 copies in limited edition signed by artists rather indistinctly. 4to. 27.5 by 20.5 cm. Unpaginated ten leaves with four full page illustrations by Derain. Wraps have light film of soil and some light wear. Interior clean and fresh. Editions de la Galerie Simon. Imprimerie François Bernouard unknown
192767381Printed in France 1927. First edition. Paper wrap. Very good. Softcover paper grey wrap covered in glassine. 12 mo. 46 6 pp. Illustrated with 5 b/w woodcuts made by the author. Rubricated text. Deckled edges. Number 193 out of a limited print run of 750 copies. French text. Text bock is clean unmarked and square with a strong binding. The paper wrap is sunned along the spine fore edge and head but is otherwise fine. Very good condition overall. unknown
1927H5114Paris: Des Editions de la Belle Page 1927. Paperback. Near Fine. Published 1927 no. 12 of 29 SIGNED copies on vieux Japon with extra suite of woodcuts. 8vo gray printed wraps 46 6 pp with the five woodcuts housed in separate printed gray folder. Near fine lightest bumping to top inner corner of text beautifully printed. Vlaminck is better known for his Fauvist paintings but these are charming meditations and reveries mainly set in WWI. Des Editions de la Belle Page paperback
194416-1269Paris: Correa 1944. 1944 66pp illus. No. 1629 of 1800 text entirely in French corners somewhat bumped slight shelfwear to cover contents clean. Original Wraps. Very Good -/No Jacket. Illus. by Vlaminck. Correa Paperback
1944004471Paris: Corréa 1944. 68 4 pages. 14 text illustrations townscapes landscapes; 1 illustration vase of flowers on the limitation page at the back; 5 decorated initials; 2 short stories. Most illustrations muted browns with black. Pages darkened in the margins. First four leaves 2 blanks half-title and title pages opened carelessly leaving the top edges frayed. Glassine cover in poor condition. Limited Numbered Edition. Printed Wrapper softcover. Very Good. 9 1/4"x 7 1/2". Corréa Paperback
194453366Paris : CorrÂa 1944. 250x195mm. 15 illustrations et lettrine de Vlaminck brochÂŽ. couverture rempliÂŽe. Tirage limitÂŽ. Exemplaire sur Bambou TÂŽka numÂŽrotÂŽs n¡ 1263/1600. Non coupÂŽ! TrÂs bel exemplaire. 165 CorrÂa unknown
1958309091Paris: Georges Burnier 1958. Hardcover. Fine. First edition. With five original lithographs. Octavo. Loose signatures in paper folder cloth chemise and slipcase. With original vinyl record. Two gift inscriptions otherwise a fine copy in lightly dust-soiled slipcase. Georges Burnier hardcover
196355806Paris: Bernard Klein 1963. Limited. hardcover. good. Vlaminck Maurice. Presente par Georges Duhamel. 19 pages of text in French. Illustrated with 12 of 13 full page plates most color loose as issued in cloth box with pictorial vellum cover label. Paris & Boston: Bernard Klein & Boston Book and Art Shop 1963. Box well-worn at edges and with smoke damage; margins of 3 plates are slightly effected. Scare. Overall a good copy.<br/> <br/> Limited edition - number 97 of 200 numbered copies on velin de Rives.<br/> <br/> Bernard Klein unknown
193132306Paris: Librairie Stock 1931. 1931. Good. SIGNED BY THE AUTHOR AND IMPORTANT ARTIST VLAMINCK - Octavo softcover bound in printed creamy white wraps. The covers are soiled with some creases to the corners and edges and a couple of tiny chips to the head and tail of the spine. 195 pages. The front hinge is starting at the top and the pages are toned. Good. <p>First edition with "S.P." Service de Press printed on the spine.<p>Inscribed and signed by Maurice de Vlaminck on the front endpaper: "A Pierre Hudiat / Hommage de l'auteur / Vlaminck".<p>Along with Andre Derain and Henri Matisse Maurice de Vlaminck was one of the central figures of the Fauve movement. He was the only major French artist who was also a significant literary figure. Paris: Librairie Stock, 1931. paperback
1930007660Paris: Librairie Stock. Delamain et Boutelleau 1930. Limited Edition. Wraps. Slipcase. Chemise. Near Fine/Slipcase chemise: Fair. No. 220 of a total of 320 copies issued this one in a lower tranche on Velin d'Arches paper. 4to. 203 2 pp. Six plates of Vlaminck artwork. Plates counted in pagination. The book has a few stray fox marks including on the fore-edge. The ones on the fore-edge encroach onto the far edge of the flat part of the page as a slight rounded stain. But for the small number of fox marks anywhere and because the fox marks that are present in total seem relatively minor to us the book proper is in fine condition. Indeed with the wax paper dust jacket the book looks virtually untouched. The slipcase and chemise are another matter. The slipcase has fallen apart completely. We have all the pieces -- there is no loss whatsoever but the slipcase needs to be rebuilt. The chemise is intact having been repaired along its edges somewhat amateurishly. The tape used is visible along its outer edges for example and the marbled paper along these edges needs some attending to to secure it back onto the chemise boards. Librairie Stock. Delamain et Boutelleau unknown
1930000199<p><strong>Limited edition of Maurice de Vlaminck's autobiographical text this being no. 133 from a total edition of 320.</strong></p><p><strong>Description:</strong> Publisher's wrappers titled in black. Quarto: 28.5 × 23 cm; pp. 202 2. With initials ornaments and 6 original lithographs by Vlaminck.</p><p><strong>Condition:</strong> Binding in very good condition despite some minor creases. Internally quite fresh and clean some foxing as usual to margins and edges. Overall a well-preserved copy.</p><p><strong>Notes:</strong> Maurice de Vlaminck 1876–1958 was probably as great a writer as he was an artist. In his most important autobiographical work <em>Tournant Dangereux</em> Dangerous Corner he describes his path and his relationship to art in evocative texts based on a car journey. His credo was: "If you are a painter look only at yourself". What counts for him is reality in its historical moment. For him painting is the language of feelings. "I struck all the notes and translated all the feelings I could perceive into an orchestration of pure colours. I was a tender barbarian full of violence". The French poet and art critic Guillaume Apollinaire once described Vlaminck as "one of the most talented painters of his generation. His simple and intense technique" Apollinaire wrote "allows the lines their full freedom the volumes their full relief and the colours their full clarity their full beauty". Vlaminck illustrated <em>Tournant Dangereux</em> with six beautiful lithographs characteristic of the Fauvist landscape painter.</p> Librairie Stock paperback
1993Q-1856272192Park Lane 1993-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Park Lane paperback
1987RVLAVLA00fpEaston Press 1987. Fine. Vlaminck Maurice de. Vlaminck. Selz Jean. Norwalk Connecticut: Easton Press 1987. 94pp. Illustrated. 4to. Full blue leather with gilt lettering. Book condition: Near fine. Easton Press hardcover
192553220Paris France: Les Editions Bernheim-Jeune. As New. 1925. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 5 page introductory essay by Werth followed by black and white images of 21 works by Vlaminck. -- with a bonus offer-- . Les Editions Bernheim-Jeune paperback
196225507Paris.: Aux depens d'un amateur. 1962. Loose as issued in publisher's portfolio. Boxed. Folio. With 33 illustrations by Vlaminck of which 5 are coloured 3 double page. Edition limited to 298 copies one of 183 copies with the illustrations in their final states on 'Grand vélin d'Arches' this copy unnumbered. Aux depens d'un amateur. unknown
195242754Monte-Carlo: Éditions du Livre 1952. Paperback 218 pp. with 2 original engravings. Untrimmed edges Limited ed. of 200 copies. Text in French 20.5x14.5 cm. Limited ed.: 200 exemplaires sur vélin filigrané des Papeteries dArches comprenant 2 eaux-fortes originale de Vlaminck numérotés de 1 à 200. Lédition originale a été tirée sur grand vergé des Papeteries de Renage. Exemplaire no 38 Éditions du Livre paperback
1920007670Paris: Galerie Simon 1920. Limited Edition. Wraps. Fine/Very Good. No. 19 of 100 copies signed by both Vlaminck and Vanderpyl. Folio. 32.5 by 23 cm. Unpaginated 16 pages. With Vlaminck woodcut of varying size on every page except limitation page. Glassine shows minor wear. Galerie Simon unknown
1926RADIGUET005033Marcel Seheur Paris. 1926. First edition thus: illustrated by Maurice de Vlaminck with a frontispiece etching and ten black and white lithographs of which three are full-page and seven in the text. Folio. Original wrappers. Publisher's prospectus laid in.Out of a total edition of 345 copies this is one of twenty hors commerce and ad personam copies the recipient's printed name being Lucien Boucher printed on japon with a suite of the ten illustrations on chine bound in at the end and with a separate portfolio containing them printed on japon. Also included is yet another suite with seven of the lithographs on chine and three on japon. Lucien Boucher was an engraver and poster artist who illustrated at least four books for Marcel Seheur in the twenties.Fine in custom-made leatherette chemise and slipcase. Marcel Seheur, Paris. hardcover
1917ZB1237477Stockholm: A.B. Nord 1917. Price HAS BEEN REDUCED by 10% until Monday June 29 SALE item folio 12 pp. two tipped in b&w plates by E. A. Bourdelle and Andre Derain; original illustrated paper wrappers light ring stain to the front cover else very good. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Stockholm: A.B. Nord unknown
19902090202120415236Sankeishinbun-sha 1990. Soft Cover. Fine. Number of books: 1 Sankeishinbun-sha paperback
194186962Rueil-la-Godelière Eure-et-Loir Rueil-la-Godelière 1941. Fine. Rueil-la-Godelière Eure-et-Loir Rueil-la-Godelière 16 Juillet 1941 15.50 x 19.50 cm deux pages sur un double feuillet Autograph letter dated and signed by Maurice de Vlaminck addressed from his house ""la Tourillière"" in Rueil-la-Godelière in Eure-et-Loir to his friend Francis Carco 31 lines in black ink on a double sheet. A central fold inherent to postal delivery light dampstains at head of the double sheet without any damage to the text of the letter. The painter shows himself deeply affected and saddened by his friend's refusal of a project involving them both: ""J'ai l'impression que tu ne dis pas la vérité. Ces raisons que tu invoques pour expliquer ton refus ne sont pas les vraies. Tu as peut être du travail mais cela n'a rien à faire ""je ne suis pas bon"""" ""I have the impression that you are not telling the truth. These reasons you invoke to explain your refusal are not the real ones. You may have work but that has nothing to do with 'I am not good'"" He attempts to reassure Francis Carco convinced that his friend has been misinformed or influenced: ""Je peux t'affirmer que personne ne connait le manuscrit. A mon avis c'est regrettable pour nous deux. Mon cher Carco les gens sont vaches !"" ""I can assure you that no one knows the manuscript. In my opinion it is regrettable for both of us. My dear Carco people are awful!"" Without great resentment he invites him to his house in Eure-et-Loir at ""la Tourillière"": ""Viens donc dîner à la Tourillière. Tu ne perdras pas ta soirée. Enfin avec toute mon amitié mes deux mains. Vlaminck. P.S. Qu'est-ce que tu risques "" ""Do come and dine at la Tourillière. You won't waste your evening. Finally with all my friendship my two hands. Vlaminck. P.S. What do you risk"" but remains deeply troubled by his friend's rejection: ""Cette histoire m'agace. Quant à la pièce je m'en fous ! Mais je voudrais savoir ce qu'il y a derrière ton refus. Ce qu'on a t'a dit !"" ""This whole affair annoys me. As for the play I don't care! But I would like to know what lies behind your refusal. What they told you!"" unknown
195730462Paris: Flammarion 1957. Fine. Flammarion Paris 1957 12 x 19 cm broché First edition one of 30 numbered copies on Lana paper deluxe copy. Spine sunned small light marginal stains on boards slight corner loss to front board handsome interior condition despite minimal worming affecting some margins. Flammarion hardcover
196477110Paris: Scripta et Picta 1964. Fine. Scripta et Picta Paris 1964 28.50 x 38 cm en feuilles sous chemise-étui First edition illustrated with 48 color lithographs by the author one of 260 numbered copies on Arches wove paper the only printing with a few on japon. The work is further adorned with 40 initials designed by the distinguished bookbinder Paul Bonet. This is the most important illustrated book by Maurice de Vlaminck the fruit of nearly ten years of work. A handsome copy complete with its chemise and slipcase. Scripta et Picta unknown
