270 résultats
195124595Textes Prétextes 1951 2 dessins de Gus Bofa, (1951) dont 1 gouache et mine de plomb, titrée en bas à gauche "Déblais", 26 x 22 cm. (format à vue), 27.8 x 22.8 cm. (format de la feuille), 1 gouache sur calque, 25 x 22.3 cm. (format de la feuille).
1928YMX-1961Editions les amis de Nandette 1928-Illustrations de Gus Bofa-Un volume,broché,in-4°.Tiré sur vélin,non justifié,pour Mr.Léon Baranger (sam)
192713077Toulouse, Editions Richard, 1927 ; in-4, broché, étui de papier marbré de l'éditeur ; (4), 177, [178] pp., (1) f. achevé d'imprimer, 20 planches hors-texte en couleurs de Georges Gaudion, à la manière de : Laboureur, Marie Laurencin, Utrillo, Joseph Hémard, Henri Rousseau, Le Brun, Hermine David, Rouault, Picasso, Victor Hugo, Fernand Léger, Modigliani, Chas Laborde, Van Dongen, Gus Bofa, Henri Matisse, Cézanne, Vlaminck et Charles Martin ; couverture crème rempliée, imprimée en rouge et noir.
1945214731945 Grenoble, Marcel Besson, imp. Générale, 1945. Grand in-4°, non paginé,broché,20 planches couleurs de Gus Bofa, Lucien Boucher, Brunelleshi, Pierre Brissaud, Carlégle, Chimot, Hermine David, Dignimont, Dubout, Dunoyer de Segonzac, Pierre Falké, Joseph Hémard, Chas Laborde, Laboureur, Mariette Lydis, Berthold Mahn, Charles Martin, André Marty, Syvain Sauvage, Jacques Touchet. Présentation de Raymond Escholier. Edition originale tirée à 750 exemplaires numérotés sur vélin blanc N°663.
1923ABE-1659229309912COLLECTION LA COLLECTION ORIGINALE-EXEMPLAIRE HORS COMMERCE SUR PAPIER DE RIVES N°XLI IMPRIME POUR MONSIEUR GUS BOFA-250 PAGES-18 CM X 21,8 CM-COUVERTURE A RABATS-TRES LEGERS MANQUES EN COIFFE DE PIED-(300C)
1933ABE-1746135447122SOPHOCLE, FRAGMENT D'ANTIGONE ESSAI DE MISE EN PAGE PAR CASSANDRE-FERNAND FLEURET: GUS BOFA, 10 PAGES-BERTRAND GUEGAN: CLEMENT MAROT EDITEUR-MAURICE TABARD: NOTES SUR LA SOLARISATION-MAX JACOB: FEUILLETS INUTILES-JEAN GALLOTTI: L'INVENTION DE L'IMPRIMERIE EN CHINE-J.POUTERMAN: "BABAR" REFLEXIONS SUR UN LIVRE D'ENFANTS-MARCEL JACNO: LE "FILM" NOUVEAU CARACTERE DE TITRE-EDOUARD DOLLEANS: DAUMIER 1933-JACQUES ARNNA: AUTOGRAPHES DE VENDEENS ET CHOUANS-D.GALANIS: LA GEOMETRIE DU COMPAS-JEAN BRULLER: L'OEIL DU BIBLIOPHILE-HORS TEXTE: EAU FORTE INEDITE DE GUS BOFA, DESSIN DE GUS BOFA POUR "MALAISES", FEUILLET INUTILE PAR JACQUES MARET, COUVERTURE DE "BABAR" PAR JEAN DE BRUNHOFF, LITHOGRAPHIE DE DAUMIER, PHOTOGRAPHIE PAR STEINER-(400D)
1931ABE-176696791229124,5 CM X 31,2 CM-MANQUES ANGLES INF ET SUP DROITS DU PREMIER PLAT SINON ETAT PARFAIT-(DG1224)
1932ABE-176703545466125 CM X 31 CM-COUVERTURE PAR ANDRE DERAIN-(DG24)
1933395260Paris: Arts Et Métiers Graphiques 1933. Softcover. Near Fine. Magazine. Folio. Perfectbound in illustrated wrappers. 71pp. Near fine with tear at the crown and a subtle tidemark to the bottom of a few pages. A copy of the influential French graphic arts magazine founded by Charles Peignot which ran from 1927-1939. This issue a features an eight page article Gus Bofa with two black and white plates four pages on surrealist photographer Maurice Tabards and a three-page look at Jean de Brunhoff with a color plate of the the cover of his book Le Roi Babar along with numerous other articles and illustrations examining Daumier and contemporary advertising. Arts Et Métiers Graphiques unknown
194787360Paris: Albin Michel 1947. Fine. Montmartre and Montparnasse parties moments before WW1 Albin Michel Paris 1947 13.50 x 19 cm relié ""It's war!"" we shouted that night over and over again. The terrible word brought us bad luck. It was 1913: the following year we were packing our kits again. This time for real. And not all the guests came back."" p. 335 First edition one of only 6 copies printed on Hollande this being copy no. 1 of the deluxe issue. Bound in navy blue morocco backed boards with corners spine very lightly sunned with raised bands gilt date at foot marbled paper-covered boards and endpapers edges untrimmed top edge gilt covers and spine preserved. Binding signed Lavaux. A fine copy with wide margins attractively bound. Bookplate pasted to a flyleaf. The author's own copy profusely extra-illustrated of this magnificent Montmartre chronicle. Tipped in is an original ink portrait of Roland Dorgelès by Gus Bofa humorously captioned: ""Monsieur Roland Dorgelès dans son uniforme de rédacteur à la petite semaine"" Alongside two original photographs one depicting the famous Montmartre figure Francisque Poulbot in his Guignol theatre Agence Rol 1910 and the other a very rare photograph of the legendary Fête des Dernières Cartouches organised by Poulbot on 23 May 1913. We have located only one other known image of this event. The photograph shows the merry band of participants at Poulbots place on rue de lOrient dressed as soldiers from the Franco-Prussian War of 1870. The celebration which created quite a stir is recounted by Dorgelès in this book: One day or rather one night the uproar reached its height: when Poulbot gave his famous Dernières Cartouches party. The idea came to him after a dispute with his landlord on rue de lOrient who had refused to renew his lease. Poulbot had only recently moved in and had built a studio in the garden at his own expense. Does he think Im going to give it to him as a gift he fumed. He can rot! Ill barricade myself inside and wait for eviction. Right away we all swore to join him in defying the police just like at Fort Chabrol. But our tall friend was already improving the plan: Even better! Well dress up as soldiers from 1870 and defend ourselves like the Last Cartridges! The Maison des Dernières Cartouches was an inn in Bazeilles where French soldiers had made a heroic last stand during the fall of Sedan. Their sacrifice inspired a famous history painting by Alphonse de Neuville. By firing from the windows! By blowing everything up! The operation was immediately planned. Orders were issued stamped with the imperial eagle and the recruits assembled their own equipment not from a costume hire that wouldve been too easy. Old relics were unearthed ragmen looted the flea market raided for red trousers: in less than two weeks the battalion was fully outfitted. Everything was period-accurate down to the Chassepot rifles of Gravelotte. Even the weapons were authentic. Not a single gaiter button was missing. As the evening began rifle butts rattled the doors. The police No reinforcements. The Montparnasse reservists arrived soaked to the bone having marched across Paris in fours bayonets fixed greeted along the way by bewildered officers. We drank we sang we roared. Then we set off on patrol brimming with spirit and the honest folk returning from the cinema were startled to see soldiers appearing on corners and aiming at them: Halt! Who goes there Some caught on others stammered in fright: Whats happening What You didnt know War has been declared. There are some things though one shouldnt joke about. When our martial energy waned we all poured into the Lapin Agile and started singing Le Père la Victoire in chorus. It wasnt period-accurate but never mind. At dawn as the sky began to pale we gathered on rue Lepic officers drew their sabres the bugle sounded the charge and we launched an assault o Albin Michel hardcover
194787360Albin Michel | Paris 1947 | 13.50 x 19 cm | relié
195723241paris Gallimard NRF "Bibliothèque De La Pléiade" 1957 in-8 bradel cartonné 1 fort volume, reliure cartonnage polychrome de l'éditeur in-octavo d'après la maquette de Paul Bonet (sans l'étui)(23 x 18,5 cm), orné de 32 aquarelles hors-texte reproduites en couleurs de Gus BOFA , P.E CLAIRIN , DIGNIMONT , GRAU SALA, Edition Numérotée, tirage limité sur vélin Plumex (N°8946), 892 pages, 1957 Paris Gallimard NRF Editeur,
1921114691921 Paris, Editions de La Banderole, 1921; in-12 de XIII - 113pp.; texte encadré d'un double filet noir. Illustré dans le texte de 20 gravures sur bois de Gus Bofa, tirés en deux tons noir et orangé et nombreux culs-de-lampe tirés en noir. demi-chagrin bleu à coins, dos orné en long de deux rectangles de filets à froid, titre doré entre deux faux-nerfs, couverture et dos conservés. Ouvrage tiré au total à 621 exemplaires, celui n28 est un des 50 exemplaires sur Hollande (après 20 japon).
1953122946NRF Gallimard 1953 In-8 cartonnage éditeur Paul Bonet 23,5 cm sur 18,9. Sous étui. 906 pages. Bon état d’occasion.”’’’’’’’’’’”’”’”’
1953173001953. Paris Éditions de la NRF 1953 tirage num. sur vélin Plumex - Cartonné 18 5 cm x 23 cm 907 pages 32 aquarelles - Textes de Marcel Aymé aquarelles de Gus Bofa gravées sur bois par G. Angiolini et G. Rougeaux maquette de G. Bonnet - Bon état
195369880Paris Gallimard 1953 1 vol. relié petit in-4, cartonnage éditeur d'après une maquette de Paul Bonet, étui, 906 pp., 32 aquarelles en couleurs hors-texte par Gus Bofa. Tirage limité. Bon exemplaire.
195369880Paris Gallimard 1953 1 vol. relié petit in-4, cartonnage éditeur d'après une maquette de Paul Bonet, étui, 906 pp., 32 aquarelles en couleurs hors-texte par Gus Bofa. Tirage limité. Bon exemplaire.
19535218Paris, Gallimard, 1953. 1 vol. in-4 de 912 p., chagrin ivoire décoré d'après les maquettes de Paul Bonet. Etui décoré du même motif que les gardes, à savoir les initiales de l'auteur accompagnées du sigle de la NRF. Rhodoïd manque mais très.
195323436Paris Librairie Gallimard - Editions de la Nouvelle Revue Française 1953 -in-8 cartonné un fort volume, reliure bradel cartonnage polychrome éditeur ivoire à décor de motifs géométriques vert, rouge et or(d'après la maquette de Paul Bonet) (hard-back editor Paul Bonet in-8) in-octavo (23 x 18,5 cm), le rhodoïd et l'étui Editeur manquent, dos et plats illustrés (spine and cover illustrated), tranches lisses (smooth edges), tirage limité - 1 des exemplaires sur papier Plumex des Papeteries Téka (limited edition) (N°2525), orné de 32 aquarelles en couleurs par GUS BOFA, 906 pages, 1953 à Paris Librairie Gallimard - Editions de la Nouvelle Revue Française Editeurs,
1950ABE-1552168469409102 PAGES-24,5 CM X 31,5 CM-DESSINS DE SENNEP EN COUVERTURE (AURIOL, CARCO, COCTEAU, CHEVALIER, DUCLOS, DUHAMEL)-RICHE ICONOGRAPHIE
1910753871910. Fine. s. d. ca 1910 50 x 17.80 cm une feuille Original ink drawing heightened with blue pencil signed ""G.B."" and titled ""Rallye-Paper"". A light shadow around the subject vestige of a frame as well as some fold marks. Numbered stamp on verso as well as a manuscript indication for printing probably in a newspaper: ""à la largeur de la page"" ""to the width of the page"". unknown
191075387s. d. [ca 1910] | 50 x 17.80 cm | une feuille
193511291EDITIONS NATIONALES 1935 1 Aquarelles et dessins de GUS BOFA. Paris, Les Editions Nationales, 1935, in-8, demi-chagrin vert à coins, couverture et dos conservés, 284 pp.
1935821861935 Paris, Editions Nationales, 1935, grand in 8° broché, 285 pages ; petite déchirure sans manque au plat supérieur, plat inférieur taché ; intérieur parfait.
195139091Paris: Textes Pretextes 1951. AN OUTSTANDING COPY of this fascinating livre d'artiste written and illustrated by Gus Bofa. Most books illustrated by Bofa feature photomechanical reproductions of drawings but this book is illustrated with original etchings throughout. Includes full-page etching with aquatint on the cover printed in green and black; full-page hors-texte frontispiece etching with aquatint printed in green and black; 10 full-page hors-texte etchings with aquatint printed in black; and 30 etched ornaments printed in green. From a total edition of 250 copies this is one of 65 numbered copies beautifully printed on fine wove paper with a suite of the 10 hors-texte etchings with remarque a suite of the 30 etched ornaments printed in black on Malacca wove paper and a suite of 4 rejected etchings with aquatint and remarque on Arches wove paper. Signed by Bofa on the justification. THIS COPY EXCEPTIONALLY INCLUDES BOFA'S AUTOGRAPH MANUSCRIPT OF "SOLITUDE" a poem printed for the first time in the book; and two brochures about Bofa one of which is the scarce auction catalogue of his collection printed shortly after his death. From the collection of JACQUES CRÉPINEAU noted theatre critic and historian and distinguished bibliophile with his bookplate. 4to loose as issued in original wraps. FINE AND BRIGHT with no defects in the original board chemise and slipcase. <br/><br/> Textes Pretextes paperback