Daumier, Granville, Gavarni, et alBiblio.com
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1839H37001Paris: Chez Aubert Marchand D'Estampes 1839. Second Edition. Hardcover. Good. Tall 8vo 10 x 7 inches old half leather and marbled boards with recent cloth over spine good with ex-library marks from CMU including their withdrawn stamp ownership signature of William Lucien Scaife 1853-1924 who studied engineering and metallurgy in Germany after college and then came back to Pittsburgh where he was involved in Scaife family businesses. 580 pp illustrated with in-text woodcuts throughout attributed to Daumier Grandville Meissonier Gavarni and other prominent French illustrators by a European seller who is offering a copy of this but we are not certain of all those artists -- some of the illustrations are indeed signed by Daumier. Chez Aubert, Marchand D'Estampes hardcover
18442745DAUMIER HONORE 1808-1879 .Un Diner a Prix Fixe. Lithograph. 1844. From the series <br />"Les Etranger à Paris". Lithograph On Chine Collee. Sheet: 13 7/8 × 10 9/16 in. 35.2 × 26.8 cm. Image: 8 3/8 × 7 1/4 in. 21.3 × 18.4 cm. Delteil Daumier IV.1283 ii/ii; Hazard & Delteil 1722.
18444566Paris: D'Aubert & Cie / Chez Bauger 1844. Two black and white engraved lithographs by Daumier. 1 Actualités #110. The Grand Prince Muley sitting and looking rather sad smoking a pipe is being protected from the sun by a servant with a dishevelled and broken umbrella. Signed in the plate. imp. d'Aubert to the lower right corner with text in French below. The sheet is 35cm x 26cm on stiff card. Grand Prince Muley was Abd al-RahmÄn ibn HishÄm Sultan of Morocco. Together with 2 "Nouveau Parapluie" 1840. Published as part of the Émotions Parisiennes #33 series. A man emerges into a downpour with his new umbrella. Printed to stiff card. Signed in the plate by Daumier and below printed Chez Bauger to the left and imp. d'Aubert & Cie to to right. Text in French below about the improved umbrella. The title Émotions Parisiennes has not properly printed to the top edge and just a feint line is showing. 33cm x 24.5cm. Both prints are in sound condition with light foxing and darkening to the sheets. Still attractive. First edition. . Deux lithographies gravées en noir et blanc de Daumier. 1 Actualités #110. Le Grand Prince Muley assis et l'air plutôt triste fumant une pipe est protégé du soleil par un serviteur avec un parapluie ébouriffé et cassé. Signé dans la planche. imp. d'Aubert dans le coin inférieur droit avec un texte en français en dessous. La feuille mesure 35 cm x 26 cm sur carton rigide. Le Grand Prince Muley était Abd al-RahmÄn ibn HishÄm Sultan du Maroc. Avec 2 "Nouveau Parapluie" 1840. Publié dans la série Émotions Parisiennes #33. Un homme émerge dans une averse avec son nouveau parapluie. Imprimé sur carton rigide. Signé dans la planche par Daumier et en dessous imprimé Chez Bauger à gauche et imp. d'Aubert & Cie à droite. Texte en français ci-dessous sur le parapluie amélioré. Le titre Émotions Parisiennes n'a pas été correctement imprimé sur le bord supérieur et seule une petite ligne apparaît. 33 cm x 245 cm. Les deux tirages sont en bon état avec de légères rousseurs et un assombrissement des feuilles. Elles sont encore attrayantes. D'Aubert & Cie / Chez Bauger unknown
1836296442Paris: Chez Aubert 1836. hardcover. Lithograph with original hand coloring. 10 x 13 1/4 inches. Plate 23. Some scuffs foxing and toning on left of image and margins but luminous coloring.<br/> <br/> Text below in French."Example: Buy a new process it doesn't matter which or whether it's good or bad buy it for 600F 500F 25F for as little as possible. Create 500'000F worth of shares as many as possible. Make out monster advertisements monster posters monster promises. Make the capital pocket it put the key under the door file your bankruptcy papers that's to say the company's papers. that's the end of that little game. You then go on to another." From the rare album of 100 caricatures called Caricaturana Les Cent Robert-Macaire.This collaboration with Philipon takes aim at French society through satire behind the vehicle of invented swindler Robert Macaire.<br/> <br/> Chez Aubert unknown
18377241837. Lithograph. 325mm by 255mm sheet. Plate 57 from the Robert Macaire 'Caricaturana' series. <br /> 'Confound it Mr. Dentist you have pulled out two good teeth and have left the two bad ones' Robert Macaire aside 'The devil' aloud 'No doubt and for good reasons there is always time to extract the bad ones ; as to the others they would have decayed and caused you pain. A false set will never make you suffer and it is of a better kind ; people wear nothing but that now'.From a series of lithographs that show the character Robert Macaire in a variety of guises. Macaire originally a character in a play is a swindler who takes on a number of professions such as journalist librarian and so on always ruthlessly pursuing personal gain. Macaire's character symbolised the mood in France at the time of the July Monarchy of the 1830s and 1840s when wealthy financiers and company owners dominated politics and looked after their own interests at the expense of others. In this print Macaire is in the guise of a dentist. CONDITION : There is some discolouration at the bottom of the sheet and a little in the title area. Some toning to the edges of the sheet. unknown
1836296440Paris: Chez Aubert 1836. hardcover. Lithograph with original hand coloring. 10 x 13 1/4 inches. Plate 69. Some scuffs foxing and toning on margins but luminous coloring.<br/> <br/> The caption below the image is in French and translates to: "Be careful !! If you are asked for the Racahout of the Arabs for the fattening of all kinds of sultanas the Nafé from Arabia for breastfeeding children of all ages the Kaïffa of orient for gastritis and corns on the feet Théobrome for vomiting Amandine Indostane Osman-Iglou Paraguay-Roux Creosote Chocolate with Salep hypocras White Mustard for black moods toothaches and size deviations Colossal Cabbage Seed you will take in this bag always in the same do not go wrong !!! and you serve it in powder paste liquor or seed depending on your idea. Either farina gruel or the origins of hot chocolate. From the rare album of 100 caricatures called Caricaturana Les Cent Robert-Macaire. This collaboration with Philipon takes aim at French society through satire behind the vehicle of invented swindler Robert Macaire.<br/> <br/> Chez Aubert unknown
18331153Dec. 5 1833. Hand-colored lithograph printed on white wove paper Sur Blanc. Lithograph with contemporary hand coloring. Delteil 73 as pub. in La Caricature No.161 pl. 337 & 338. 13 ¼ x 17 3/8 with full margins. Chez Aubert, La Caricature
1833122DAUMIER HONORE 1808-1879. PRIMO SAIGNARE DEINDE PURGARE POSTEA CLYSTERIUM DONARE FIRST HE BLEEDS THEM THEN HE PURGES THEM THEN HE GIVES THEM AN ENEMA. Lithograph with contemporary hand coloring sur blanc. Dec. 5 1833. Ref: Delteil 73 as published in La Caricature No. 161 pl. 337 and 338. 131.4mm x173.8mm. 13 x17. With full margins. Framed.<br />This lithograph depicts the bleeding purging and medication of a man. The print shows from left to right: King Louis-Philippe a coachman the French people Ferdinand Duc d'Orléans and Marshal Lobau with his famous syringe. Louis-Philippe in 1833 bleeds a mail messenger postillon who has fallen off his horse thereby saving his life. The King had learned the art of blood-letting in a hospital in his youth and always carried a bleeding-knife on him. Symbolically it is not the postillon but rather the French nation which is being bled.<br />Brandeis Univ. Chez Aubert, La Caricature
184179083Paris: J. Laisné 1841. Fine. J. Laisné Paris 1841 9 x 14 cm broché Rare first edition of this physiology by Edmond Tixier published under the pseudonym Sylvius. Numerous wood engravings in text by Honoré Daumier not mentioned in the catalogue raisonné. Spine entirely restored. J. Laisné unknown
186971240Paris: A. Thierry 1869. Fine. A. Thierry Paris s. 12 juin 1869 6.30 x 10.50 cm une photographie Very rare original albumen photograph in carte-de-visite format and medallion mounted on yellow cardboard with red edges. We have found no other copy of this photograph in international public collections. Although undated this photograph would have left J. Thierry's studio on June 12 1869 as indicated in the Bibliographie de la France: ""June 12 1869 no. 779 -- Hervé. -- Michel Masson. -- Florian Pharaon. -- Jules Vallès. -- H. Daumier. -- Mme Montaubry. Paris phot. J. Thierry. PORTRAITS -- CARTES"". J. Thierry and A. Thierry actually designating the same person or at least the same studio. We thank Mr. Eric Bertin researcher in 19th-century art and literary history for this kind and very valuable information. A. Thierry unknown
187571195Paris: Carjat et Cie 1875. Fine. Carjat et Cie Paris s. d. circa 1875 6 x 10 cm une photographie Exceptionally rare original albumen photograph carte-de-visite format mounted on card. We have found no other copy of this photograph in international public collections. Carjat et Cie unknown
187571406Paris: Pierre Petit 1875. Fine. Pierre Petit Paris s. d. circa 1875 6.20 x 10.50 cm une photographie Extremely rare original albumen photograph carte-de-visite format in a medallion mounted on cardboard. We have been unable to find any copy of this photograph in international public collections. Pierre Petit unknown
1860P4903Paris c.1860. Very Good. Notes: Signed in pencil h.b. and numbered 820.<br>One of Daumier's lithographs published in Le Charivari. Image Size : 260x220 mm 10.24x8.66 Inches Platemark Size : Paper Size : Coloring: Black & White Medium: Lithograph Categories: Caricatures; unknown
185634116Chez Aubert. Very Good with no dust jacket. 1856. Leaf. Lithograph ; Oblong folio; 1 pages; During the aftermath of the French Revolution Honore Daumier "the Michelangelo of caricature" rose to prominence as the caricaturist of 19th century French. Lithograph probably by Destouches ca 1856. H. D. 2058. Partial unidentified Seated Liberty circular ink stamp in L/L corner. Possibly a 5c revenue stamp. . Chez Aubert unknown
184273008Paris: FurneDubochetHetzel & Paulinpuis Alexandre Houssiaux 1842. Fine. Furne Dubochet Hetzel & Paulin puis Alexandre Houssiaux Paris 1842-1855 14.50 x 22 cm 20 volumes reliés Honoré de BALZAC & Honoré DAUMIER & Charles Constant Albert Nicolas d'Arnoux de Limoges Saint-Saëns dit BERTALL & Paul GAVARNI & Tony JOHANNOT & Célestin NANTEUIL uvres complètes de H. de Balzac Complete Works Furne Dubochet Hetzel Paulin puis Alexandre Houssiaux Paris 1842-1855 14.5 x 22 cm 20 volumes in contemporary half shagreen First collective edition sold as the Works comprising as well as numerous texts published for the first time a new version of the Human Comedy reviewed and revised by Balzac. This is also the first illustrated edition. Contemporary half blue shagreen over marbled paper boards spines slightly sunned in five compartments with thin raised bands decorated with gilt dots and compartments with triple blind-ruled frames gilt fleurons to centre marbled endpapers and pastedowns. A little foxing in some volumes a very small stain to page 119 of volume 4 another to page 321 of volume 8 a tear to half-title of volume 9 a small damp stain to corner of pages 449 and following of volume 10 stain to pp. 173-74 of volume 14 stains to pages 303 to 307 of vol. 16. The full set of 152 hors-texte plates by the best artists of the age including Bertall Daumier Gavarni Johannot Nanteuil as well as illustrations to text. Four rejected plates have been added bringing the number of plates in this copy to 156. There are so many reasons for emphasising the interest of this edition one of the most important in French literature. Having had a turbulent existence and confused and having been several times republished in a great number of copies it is very rare in its first form and in this first version even rarer in a contemporary uniform binding than with a modern binding and the wrappers preserved cf Clouzot. A very good and rare copy in a contemporary uniform binding ca 1855 with all the plates called for by Clouzot and four additional ones. FurneDubochetHetzel & Paulinpuis Alexandre Houssiaux hardcover
18401649991840. FABRE Francois. Némésis Médicale Illustrée. Recueil de Satires. Two volumes. xxxii 278; 360 pp. illustrated throughout with woodcuts by Honoré Daumier. 4to 245 x 155 mm. marbled boards. Paris: Au Bureau de la Némésis Médicale 1840. A collection of medical satires written in twenty-five poems in rhyming couplets. Illustrated with thirty woodcuts and numerous vignettes by Daumier. hardcover
18405680Paris: Bureau de la Nemesis Medicale 1840. First Edition. Leather bound. Good. In two volumes contemporary quarter calf and marbled boards. Good with some shelf wear trace of foxing. Bureau de la Nemesis Medicale hardcover
184247668Paris.: Chez Aubert et Cie. 1842 – 1843. Original publisher's cream boards with elaborate pictorial titles later cloth spine and corners; boards somewhat dusty. 2 vols. Folio. 352 x 278 mm. Half-title for each part with 'Table des Matières' verso printed title for each part with vignettes by Grandville 48 livraisons each of 4 leaves of text and illustration recto and verso livraison nos. 25 30 34 41 and 46 with text printed in red four double-numbers of 8 leaves in vol. II illustrated throughout in monochrome by various artists see below with more than 1400 vignettes and plates. A fine copy of Philipon's profusely illustrated satirical magazine.It is a testament to Philipon's tireless satirical efforts that after the problems he experienced in editing La Caricature - constant harassment by the authorities numerous arrests and prosecutions - he could continue to publish and in a similar vein. Announced in the first livraison as consisting of a prospective 96 livraisons publication was curtailed after only 48. The illustrators used include several principally Grandville and Daumier employed by La Caricature as well as many making their names for the first time. Illustrators included as mentioned on the title pages Cham Daumier Dollet Eustache Forest Gavarni Grandville Eugène Lami Lorentz Plattier Tromolet Vernier and others. Literary contributors included Philipon himself as well as Bourget P. Borel Cham L. Huart Lorentz and Marco Sainte-Hilaire.' . important et d'un réel intérêt.' Carteret.'Les folies les plus courtes sont les meilleures; nous avons craint que la nôtre fût trouvée trop longue et nous l'avons arrêtée court.' Philipon announcing the cessation of publication of the magazine after 48 issues.Carteret III 426. Chez Aubert et Cie. hardcover
1841316512Paris: Beauger et Cie 1841. First edition. 350 wood-engraved vignettes by Granville Gavarni Daumier Traviès Lécurieux and Monnier. iv 395 pp. 8vo. Contemporary full red pebbled morocco gilt a.e.g. Head of spine and joint repaired foxing dampstain to top margin and portion of text still an attractive copy in a contemporary French romantic binding. Bookplate. First edition. 350 wood-engraved vignettes by Granville Gavarni Daumier Traviès Lécurieux and Monnier. iv 395 pp. 8vo. "Rare en belle condition importante par son texte sur Paris et par son illustration due à une belle pléiade d'artistes" Carteret. Carteret III pp. 297-8 Beauger et Cie unknown
18264572Paris: Chez Giraut et Martinet 1826. Two lithographs picturing Parisians with umbrellas ! 1 Edme Jean Pigal Moeurs Parisiennes #55. Two elderly Parisians huddle under an umbrella whilst waiting for a carriage driver. Nice bright colours. The sheet is a little foxed but still presentable. Image is 19cm x 19cm. The sheet is 34cm x 24.5cm. Together with 2 Honoré Daumier "Flibustiers Parisiens #6 - Le tour du Parapluie." This was produced in 1835 in Le Chariviari. Here it is produced and numbered as an individual lithograph on stiff card. This copy is uncoloured. Attractive engraving of two men battling with the wind and rain and carried by their umbrellas. Published by Chez Aubert. Illustration is 21cm x 18cm. The sheet is 31cm x 23cm. A little darkening and marking only. Together both are attractive caricatures. First edition. . Two lithographs of Parisians with umbrellas! 1 Edme Jean Pigal Moeurs Parisiennes #55. Two elderly Parisians huddle under an umbrella while waiting for a carriage driver. Beautiful bright colors. The sheet is a little scorched but still presentable. The image measures 19 cm x 19 cm. The sheet measures 34cm x 24.5cm. Together 2 Honoré Daumier "Flibustiers Parisiens #6 - Le tour du Parapluie". This illustration was produced in 1835 in Le Chariviari. It is produced and numbered here as an individual lithograph on stiff card. This copy is not colored. Attractive engraving of two men struggling against the wind and rain and carried by their umbrellas. Published by Chez Aubert. The illustration measures 21cm x 18cm. The sheet measures 31cm x 23cm. Some darkening and marks only. Both are attractive caricatures. Chez Giraut et Martinet unknown
183948449Paris: Le Charivari 1839. Lithograph. 4to 8 1/8" X 11 1/8". Very good. Faint age toning only. Tipped to backing board and cream paper matte old but nice and faintly age toned. This is the December 7 1839 lithograph trimmed of Plate 15 in this illustrated newspaper's "Emotions Parisiennes" Emotions of Paris series -- a bold clean impression. A flustered elderly gentleman at left hat pulled down over his eyes addresses a waiter clutching a serving tray in a restaurant. Partial title cited above continues: "que voulez-vous que je fasse de ca; j'anne mieux une marmte: donnez-moi une marmite!" An attractive copy with news text and advertisements on verso. "Le Charivari" literally "Hullabaloo" was a satirical newspaper that began in 1832 and continued until 1935 publishing reviews as well as political cartoons and caricatures such as Daumier's. Le Charivari unknown
1833207654N.P.: Chez Aubert 1833. SLight surface soil; tiny bits of tape at upper margin from a mounting. Lithograph on single leaf 10-3/4 x 14-1/4 in. Caricature of the writer and political figure Auguste-H. Kératry 1768-1859 from La Caricature No. 150 pl. 314 19 Sept. 1833. Chez Aubert unknown
1840163291840. Paris chez Aubert et Galerie VÂŽro-Dodat s.d. circa 1840. Dimensions : 321 x 272 mm. Lithographie originale marouflÂŽe sur papier fort ici en coloris gommÂŽs du temps. ''Caricaturana Les Cent et un Robert Macaire la sÂŽrie de cent lithographies consacrÂŽe au personnage imaginaire de Robert Macaire rÂŽsume ˆ elle seule lÕanalyse amÂre et dÂŽsabusÂŽe de Daumier sur ses contemporains. Macaire dÂŽsigne en effetun affairiste profiteur de toute situation dÂŽnuÂŽ de tout sens moral. En lui donnant une image par voie de presse Charles Philipon et Daumier auteurs respectifs des lÂŽgendes et des dessins sÕattachent ˆ dÂŽnoncer la malhonnÂtetÂŽ de la sociÂŽtÂŽ du XIXe siÂcle. Cette entreprise remporte immÂŽdiatement un grand succÂs auprÂs du public. Outre la publication ordinaire sur les pages du Charivari 1836-1838 lÕimprimeur Aubert met en circulation les albums de la sÂŽrie complÂte des lithographies ainsi que plusieurs ÂŽditions du livre Les Cent et Un Robert Macaire avec des copies rÂŽduites des illustrations de Daumier. Messieurs et DamesÊ! à crie Macaire interpellant la foule afin de lui vendre des actions aux gains improbables dans une mise en scÂne assez pittoresque. Il appara”t trÂs ˆ lÕaise lÕÃil bandÂŽ et revÂtu ˆ la maniÂre du bohÂŽmien romantique accompagnÂŽ dans sa harangue de la grosse caisse du fidÂle et dupe Bertrand. Dans les autres planches de la sÂŽrie Macaire pratique au mieux son art dÕescroquerie dans les mÂŽtiers de la bourgeoisie arrivisteÊ: journaliste notaire mÂŽdecin avocat et mÂme ÇÊschismatiqueÊÈ avec le propos farfelu de fonder une nouvelle religion.'' in Exposition Daumier ˆ la BibliothÂque municipale de Lyon. Marge gauche lÂŽgÂrement effrangÂŽe. DiscrÂtes aurÂŽoles marginales. Du reste trÂs belle condition. b42961 unknown
1840163281840. Paris chez Aubert et Galerie VÂŽro-Dodat s.d. circa 1840. Dimensions : 321 x 272 mm. Lithographie originale marouflÂŽe sur papier fort ici en coloris gommÂŽs du temps. ''Caricaturana Les Cent et un Robert Macaire la sÂŽrie de cent lithographies consacrÂŽe au personnage imaginaire de Robert Macaire rÂŽsume ˆ elle seule lÕanalyse amÂre et dÂŽsabusÂŽe de Daumier sur ses contemporains. Macaire dÂŽsigne en effetun affairiste profiteur de toute situation dÂŽnuÂŽ de tout sens moral. En lui donnant une image par voie de presse Charles Philipon et Daumier auteurs respectifs des lÂŽgendes et des dessins sÕattachent ˆ dÂŽnoncer la malhonnÂtetÂŽ de la sociÂŽtÂŽ du XIXe siÂcle. Cette entreprise remporte immÂŽdiatement un grand succÂs auprÂs du public. Outre la publication ordinaire sur les pages du Charivari 1836-1838 lÕimprimeur Aubert met en circulation les albums de la sÂŽrie complÂte des lithographies ainsi que plusieurs ÂŽditions du livre Les Cent et Un Robert Macaire avec des copies rÂŽduites des illustrations de Daumier. Messieurs et DamesÊ! à crie Macaire interpellant la foule afin de lui vendre des actions aux gains improbables dans une mise en scÂne assez pittoresque. Il appara”t trÂs ˆ lÕaise lÕÃil bandÂŽ et revÂtu ˆ la maniÂre du bohÂŽmien romantique accompagnÂŽ dans sa harangue de la grosse caisse du fidÂle et dupe Bertrand. Dans les autres planches de la sÂŽrie Macaire pratique au mieux son art dÕescroquerie dans les mÂŽtiers de la bourgeoisie arrivisteÊ: journaliste notaire mÂŽdecin avocat et mÂme ÇÊschismatiqueÊÈ avec le propos farfelu de fonder une nouvelle religion.'' in Exposition Daumier ˆ la BibliothÂque municipale de Lyon. TrÂs belle condition. b42961 unknown
1840163261840. Paris chez Aubert et Galerie VÂŽro-Dodat s.d. circa 1840. Dimensions : 321 x 272 mm. Lithographie originale marouflÂŽe sur papier fort ici en coloris gommÂŽs du temps. La scÂne figure un marbrier prÂŽsentant d'appuyÂŽes condolÂŽances ˆ une mÂre ÂŽplorÂŽe. ''Caricaturana Les Cent et un Robert Macaire la sÂŽrie de cent lithographies consacrÂŽe au personnage imaginaire de Robert Macaire rÂŽsume ˆ elle seule lÕanalyse amÂre et dÂŽsabusÂŽe de Daumier sur ses contemporains. Macaire dÂŽsigne en effetun affairiste profiteur de toute situation dÂŽnuÂŽ de tout sens moral. En lui donnant une image par voie de presse Charles Philipon et Daumier auteurs respectifs des lÂŽgendes et des dessins sÕattachent ˆ dÂŽnoncer la malhonnÂtetÂŽ de la sociÂŽtÂŽ du XIXe siÂcle. Cette entreprise remporte immÂŽdiatement un grand succÂs auprÂs du public. Outre la publication ordinaire sur les pages du Charivari 1836-1838 lÕimprimeur Aubert met en circulation les albums de la sÂŽrie complÂte des lithographies ainsi que plusieurs ÂŽditions du livre Les Cent et Un Robert Macaire avec des copies rÂŽduites des illustrations de Daumier. Messieurs et DamesÊ! à crie Macaire interpellant la foule afin de lui vendre des actions aux gains improbables dans une mise en scÂne assez pittoresque. Il appara”t trÂs ˆ lÕaise lÕÃil bandÂŽ et revÂtu ˆ la maniÂre du bohÂŽmien romantique accompagnÂŽ dans sa harangue de la grosse caisse du fidÂle et dupe Bertrand. Dans les autres planches de la sÂŽrie Macaire pratique au mieux son art dÕescroquerie dans les mÂŽtiers de la bourgeoisie arrivisteÊ: journaliste notaire mÂŽdecin avocat et mÂme ÇÊschismatiqueÊÈ avec le propos farfelu de fonder une nouvelle religion.'' in Exposition Daumier ˆ la BibliothÂque municipale de Lyon. Infime jaunissement en marge. Du reste trÂs belle condition. b42961 unknown
