Dore, GustaveBiblio.com
365 résultats
187736301New York: Harper & Brothers 1877. A plate from the volume The Rime of the Ancient Mariner by Samuel Taylor Coleridge. Measures roughly 36 x 46 cm 14 x 18". A near fine copy. ; Prints; 36 x 46 cm. Harper & Brothers unknown
187713933New York: Harper & Brothers 1877. A plate from the volume The Rime of the Ancient Mariner by Samuel Taylor Coleridge. Measures roughly 36 x 46 cm 14 x 18". Water stain to lower left and three short tears to the edges not affecting the image. A very good copy. Larger scan available on request. ; Prints; 36 x 46 cm. Harper & Brothers unknown
187736306New York: Harper & Brothers 1877. Non-Book. A plate from the volume The Rime of the Ancient Mariner by Samuel Taylor Coleridge. Measures roughly 36 x 46 cm 14 x 18". Small stain to lower edge not affecting image. A near fine copy. ; Prints; 36 x 46 cm. Harper & Brothers unknown
187713929New York: Harper & Brothers 1877. A plate from the volume The Rime of the Ancient Mariner by Samuel Taylor Coleridge. Measures roughly 36 x 46 cm 14 x 18". Water stain to lower left barely affecting the image. A very good copy. Larger scan available on request. ; Prints; 36 x 46 cm. Harper & Brothers unknown
187736299New York: Harper & Brothers 1877. A plate from the volume The Rime of the Ancient Mariner by Samuel Taylor Coleridge. Measures roughly 36 x 46 cm 14 x 18". Small faint stain to lower edge not affecting image. A near fine copy. ; Prints; 36 x 46 cm. Harper & Brothers unknown
187736295New York: Harper & Brothers 1877. A plate from the volume The Rime of the Ancient Mariner by Samuel Taylor Coleridge. Measures roughly 36 x 46 cm 14 x 18". Small faint stain on the lower edge not affecting the image. A very good copy. ; Prints; 36 x 46 cm. Harper & Brothers unknown
1857198592Paris France: La Librairie Des Publications Illustrees 1857. Hardcover. Good front board detached. back hinge split. boards scuffed scratched & smudged; dark spotted foxing to board edges. corners bumped curled & rubbed. spine ends rubbed. textblock edges darkened w/ foxing. brown pebbled boards w/ red & gilt leather spine plate. 339 pgs w/ bw illustrations. Text in French. Pages lightly tanned. Text and illustrations remain dark and detailed. Pages will have a variety of spotted and speckled foxing with instances of more concentrated areas. La Librairie Des Publications Illustrees hardcover
1888652605Ticknor and Company 1888. Later Printing. Hardcover. Very Good/No Jacket. 8vo. - over 7¾ in. - 9¾ in. 1888 Printing. Hardcover bound in green cloth gilt stamped titles to front and spine red and white stamped illustration to front cover. Mild wear to boards front cover image and gilt clean mild wear to upper spine end front inner hinge showing faint signs of starting yet binding solid and strong interior text and images clean. Very Good copy. Ticknor and Company hardcover
18881755592925BWMEyre and Spottiswoode 1888. Hardcover. Good. 1888. No Edition Remarks. 395 pages. No dust jacket. Fully bound in brown leather with full tree calf binding. Contains black and white illustrations at rear of the book. Clean pages and illustrations with light tanning. Brown marbled patterned pastedowns and free endpapers. Pencil markings to front free endpapers. Textblock edges dyed gilt. Ownership plate stuck to front pastedown. Hinges are slightly cracked with exposed netting. Front free endpaper is loose but rest of binding is firm. Boards have mild edge wear with slight rubbing to surfaces and bumping to corners. Moderate sunning to spine and edges with crushing to spine ends. Minor peeling and splits to leather elements. Gilt lettering is darkened. Visible wear marks to boards. Eyre and Spottiswoode hardcover
1888907Z37London: Eyre and Spottiswoode 1888. Cloth. Very Good. 8" by 5.5". None stated. J. R. Dore's comprehensive guide to early English bibles with illustrations to aid in identifying editions. The second edition. With the preface of the version of 1611 added at the request of the late Right Rev. Christopher Wordsworth. Illustrated with seventeen plates to the rear including one folding plate. Collated complete. This guide to early English bibles was written by J. R. Dore and provides a helpful handbook for bible collectors with descriptions of various collectable editions. The work features plates depicting the title pages of some of the bibles mentioned in this work. In the publisher's original cloth. In the publisher's original cloth. Externally generally smart with fading and handling marks to the spine marks to the boards and bumping to the extremities. Front hinge tender and rear starting. Internally firmly bound with clean and bright pages with only the odd handling mark. Very Good Eyre and Spottiswoode hardcover
1894W2705<p>Sandown Isle of Wight England: J.Dore 1894. 8 pages 6 pages of supplementary views. No illustrations. James Dore 1854-1925 was a photographer in Sandown Isle of Wight England. He exhibited at the Royal Photographic Society and the Crystal Palace and in 1893 he was awarded a gold medal and diploma for his lantern slides at the Columbian Exposition in Chicago in 1893. The catalogue lists title and numbers of hundreds of lantern slides in the following categories: 1 Isle of Wight 2 Frost and Snow Scenes 3 Pictures from Life Animals Country Scenes etc. 4 Clouds and Water 5 Yachts Shipping etc. 6 Ships of War 7 Military 8 Isle of Wight Militia 9 Royal Inniskilling Fusiliers in Camp 10 Volunteers etc. 11 Rocket Life Saving Drill 12 "Queen Victoria" Lifeboat 13 Stranding of the Eider 14 Miscellaneous Views Portraits etc. 15 Isle of Wight and Miscellaneous Views 16 New Forest 17 Pictures from Life etc. 18 Marine Subjects 19 Cloud Effects 20 English War Ships 21 Yachting and Marine. The catalogue is in fair to good condition: it is complete generally clean and bright but the paper cover is split along the spine-fold. Original. Paperback. About Good. 8vo - over 7¾" - 9¾" tall. Manuscript.</p> J.Dore paperback
187241485Paris: Hachette & Cie 1872. Fine. Hachette & Cie Paris 1872 22.50 x 31 cm reliure de l'éditeur Third edition. Publisher's full navy blue cloth binding smooth spine faded headcaps lightly rubbed front cover decorated with gilt ornament marbled endpapers and pastedowns corners slightly bumped marbled edges. Work illustrated with 43 wood vignettes by Gustave Doré. Occasional foxing two ink stains in margins of pages 72 and 73. Hachette & Cie hardcover
1874045186New York: Henry Holt and Company 1874. First American edition 1874. Worn copy in dark green cloth over beveled boards lettered and decorated in gilt all edges gilt additional engraved title page many additional engravings throughout xvi 523 pages. Heavy external wear with a horizontal tear to the spine covering fabric separated along front joint wearthrough at corners and spine ends chips to spine ends hinges inexpertly reglued but secure text block sound pages clean with just a couple of instances of finger soil to margins decorative name stamp at bottom of engraved title page no other markings. This book is from a collection of alpine and mountaineering books owned by Jeffery and Beverly Parrette who traveled the world climbing challenging peaks and often presented the books to one another as gifts. First US Edition. Hard Cover. Fair. 8vo - over 7¾" - 9¾" tall. Henry Holt and Company Hardcover
1900115307New York: Cassell & Company 1900. New Edition. Hardbound. Fair Age toning; Cover is loose; spine cloth is stripped at head and foot end. Front cover and back cover are worn on edges; Inner hinge is broken and some pages are loose and slightly torn. Dark green cloth over boards wtih black lettering; 183 pp. Richly illustrated in bw. Translated by The Rev. Henry Francis Clay M.A. from The Original of Dante Alighieri and translated With The Designs of M. Gustave Dore. Cassell & Company hardcover
18640087405Londres: John Camden Hotten 1864. Later edition. Hardcover. Very Good. Sixiesme Edition" 1864. Handsome green leather-backed patterned boards raised bands spine label gilt top edge illustrated by Dore 664 pp. clean unmarked text Very Good copy light foxing or soiling to the pages and the page-edges light discoloration to the covers minor rubbing to the covers no dust jacket. Text in French. John Camden Hotten hardcover
1889SKU0000005P. J. Kennedy 1889. Hardcover. Good. folio decortaed front board 30 Dore plates solid and tight P. J. Kennedy hardcover
1890mon0003145954Cassell & Company ca. 1890. Hardcover. Good. . Illustrated cloth cover shows minor wear and rubbing. Loose hinges. Name of former owner on the front free endpaper. Title page is detached and chipped but present. Pages are tanned and clean. Cassell & Company hardcover
1867H31718London: Virtue 1867. First Printing. Hardcover. Very good. Large quarto 13.5 x 10 inches publisher's green cloth gilt. Very with recent cloth reinforcement under the spine light wear to covers ink stamp from a Beaver County PA art gallery on flyleaf and short ink note contents very good. With 29 full page plates and numerous illustrations. Also includes special 216 pp. illustrated section on decorative arts at the Paris Universal Exposition of 1867. Full page engraved plates of Doré Eastlake and many others. Virtue hardcover
1871019550London: John Camden Hotten 1871. 1st Edition . Hardcover. Very Good. 8vo - over 7¾ - 9¾" tall. Half-leather hardcover. Rebound. New endpapers. Foxing throughout heavily on the first few pages <br/> <br/> John Camden Hotten hardcover
1888226281London : Eyre & Spottiswoode 1888. Second Edition. Hardback. Good copy in the original gilt-blocked two-tone cloth. Spine cover tanned. Spine bands and panel edges somewhat dulled and rubbed as with age. Some staining to boards. Bumped corners. Remains quite well-preserved overall. Further scans images etc. and additional bibliographical material available on request. ; 8vo 8"" - 9"" tall; 395 pages; 2nd edn with the preface to the version of 1611 added. iii-xvi 395 p. : ill. 17 facsim. 1 fold. on 9 l ; 21 cm. Subjects: Bible. English. - Versions. Bibe -- History. [London] : Eyre & Spottiswoode hardcover
186279669Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Charles Maurand on China paper and mounted on laid Holland paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. Occasional worming and soiling to lower right corner not affecting the engraving. These illustrations of the Contes are considered the most successful of this text: Gustave Doré presents an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the scene to the smallest details that generate terrifying realism through the technique known as ""tinted wood"". He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the time were employed to engrave with burin the forty wooden plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic criticism notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault like there never was before and as will never be seen again. . I can only say that these drawings seem very beautiful to me of a rich and opulent turn that they have a grandiose character that renews the aspect of these humble tales and restores to them their original marvelous quality that existed before Perrault himself."" Hetzel unknown
186279633Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on chine collé mounted on Holland laid paper commissioned by publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. A light marginal dampstain not affecting the design. These illustrations for the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique known as ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the period were enlisted to engrave with burin the forty wood plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault like there never was before and like there will never be again. . I can only say that these drawings seem very beautiful to me of a rich and opulent manner that they have a grandiose character which renews the aspect of these humble tales and restores to them their original marvel that preceded Perrault himself."" Hetzel unknown
186279661Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed in the plate by the artist and engraver. Composition by Gustave Doré and engraved by François Pannemaker on China paper and laid down on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. Worming to margins not affecting the engraving. These illustrations of the Contes are considered the most successful for this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique known as ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the period were employed to engrave with burin the forty wood plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic criticism notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault such as there never was until now and such as will never be seen again. . I can only say that these drawings seem very beautiful to me of a rich and opulent turn that they have a grandiose character that renews the aspect of these humble tales and restores to them their first marvelous quality prior to Perrault himself."" Hetzel unknown
186279641Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed on the plate by the artist and engraver. Composition by Gustave Doré and engraved by Hélène Boetzel on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. A pale marginal dampstain not touching the image. These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate a terrifying realism through the technique known as ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven finest engravers of the period were enlisted to engrave with burin the forty wooden plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true narrative object. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis 23 December 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault such as there has never been until now and such as will never be seen again. . I can only say that these drawings seem very beautiful to me rich and opulent in style that they have a grandiose character that renews the aspect of these humble tales and restores to them their first wonder anterior even to Perrault."" Hetzel unknown
186279672Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed in the plate by the artist and the engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. Worming in margins not touching the engraving. These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the scene to the smallest details that generate terrifying realism through the technique known as ""tinted wood"". He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the time were enlisted to engrave with burin the forty wooden plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true narrative object. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault like none before and like none to come. . I can only say that these drawings seem very beautiful to me richly and opulently executed having a grandiose character that renews the aspect of these humble tales and restores their original wonder that predates even Perrault."" Hetzel unknown
