Robaudi, Alcide (Illustrator)Biblio.com
5 résultats
192320473Paris: A. Ferroud 1923. Original Wraps. Orig. illustrated wrappers. Very good. 93 pages in text. 19 x 14.5 cm. Limited edition copy 96 of 300 total edition of 1500 on Japon with three states of the plates. Plethora of pochoir illustrations: initial letters text illustrations and an extra sets in color and in black and white. . Partly unopened interior contents fresh and crisp nicks with small loss front fore-edge and rear cover head. A. Ferroud unknown
1923224191923. Paris A. & F. Ferroud / Librairie des Amateurs 1923. Un vol. au format gd in-12 194 x 143 mm de 93 pp. brochÂŽ sous couverture ˆ rabats rempliÂŽs. Un des 199 exemplaires numÂŽrotÂŽs du tirage sur beau vÂŽlin blanc d'Arches ; outre les illustrations en couleurs qu'il se doit de contenir il recÂle in fine une suite desdites illustrations en noir. Il est revÂtu de la paraphe ˆ la plume de l'ÂŽditeur au colophon. Alcide Robaudi fut ''l'ÂŽlÂve de Bonardel Malard et GÂŽr™me. Il dÂŽbuta au Salon de 1874. Robaudi a fait de l'illustration de luxe et a entre autres travaillÂŽ pour les maisons d'ÂŽditions Conquet Hachette Clamann-LÂŽvy ou encore Lemerre''. in BÂŽnÂŽzit. ''Cette farce normande met en scÂne Toine cabaretier ˆ Tournevent surnommÂŽ Toine-ma-Fine. Ce dernier aime rire et sÕamuser jusquÕau jour o il est paralysÂŽ suite ˆ une attaque. Il se retrouve alors ˆ la merci de sa femme qui dÂŽcide de lÕemployer ˆ une bien ÂŽtrange besogne. Sans doute l'une des romans les plus divertissants de Maupassant.'' Exemplaire ˆ grandes marges. MahÂŽ RÂŽpertoire des ÂŽditions de luxe p. 209 - Carteret V Le TrÂŽsor du bibliophile / IllustrÂŽs modernes p. 134 - BÂŽnÂŽzit VIII Dictionnaire des peintres p. 790 - Osterwalder I Dictionnaire des illustrateurs p. 900. Plats prÂŽsentant un ÂŽclat lÂŽgÂrement altÂŽrÂŽ. Du reste trÂs belle condition. b42961 unknown
190375216Paris: A. Bélinac 1903. Fine. A. Bélinac Paris 1903 17.50 x 25 cm broché Edition illustrated with 11 original compositions by Alcide Théophile Robaudi engraved with burin and etching by H. Manesse one of 100 numbered deluxe copies on Japan paper from the deluxe issue. Joints slightly cracked at head and foot. Bookplate pasted to verso of front board designed by Paul Collin sic and engraved by Devambez. Handsome copy with duplicate state of the etchings with remarque. A. Bélinac unknown
192775235Paris: Stendhal & Cie 1927. Fine. Stendhal & Cie Paris 1927 14.50 x 23.50 cm relié First edition one of 10 numbered copies on Japan imperial paper the only deluxe copies. Full green morocco binding faded spine with four raised bands black roulettes on headcaps boards marginally faded pastedowns in full almond green morocco set with a vegetal frieze of forest green mosaicked morocco moiré silk and embroidered endpapers following endpapers of marbled paper original wrappers preserved top edge gilt retaining deckled edges superb full morocco doublure and mosaic binding by Marius Michel. Cover illustrated by Alcide Théophile Robaudi. Copy established in a full morocco doublure and mosaic binding by one of the most important binders of the 20th century. Stendhal & Cie hardcover
1920005884Paris: Ferroud 1920. Limited Edition. Full Morocco. Slipcase. Very Good Plus. Number 1 of 30 copies done on Japon ou velin d'Arches and with three states of the illustrations and an original watercolor by Robaudi. A total of 1000 copies were printed if all the limitation tranches are combined. 8vo. 19 by 13 cm. 302 1 pp. full of pochoir colored illustrations then followed by two suites of plates of all the illustrations in the text one rendered in black and white the other colored as the illustrations are also rendered in the text. With the original wraps bound into a custom full blue morocco binding done by G. Levitzky. The binding has raised bands and three pictorial vignette onlays on the binding one of a windmill one of a wheat stalk stem and the last of the wheat sprout. Ruled turn-ins with a few floral device decorations. A.e.g. Marbled papers such as epitomizes Art Deco period book design. Slipcase with the same paper pasted down. Condition: slipcase has wear and some minor separation along edges. The binding itself has slightly dulled color on the spine. Minor edge bump. Pristine within. Ferroud unknown
