27 résultats
1977223889Firenze: Vallecchi 1977. Rilegato tela sovracoperta custodia cloth dust jacket slip-case. Molto buono Very Good. Testo di Carlo L. Ragghianti. 702 illustrazione in bianco e nero. 10 tavole a colori f.t. Nota bibliografia. 8vo cm 27x20. pp. 572. Molto buono Very Good. . <em>Esperto d'arti applicate scultore provetto grande architetto messo "a bottega" ed educato alle arti già"; in tenera età Filippo Brunelleschi rappresenta per eccellenza la poliedricità dell'uomo d'ingegno rinascimentale. La sua immensa versatilità" accompagnata da un metodo saldamente razionale e realmente "ingegneristico" ne fa per Carlo Ludovico Ragghianti una lente privilegiata per la comprensione di un'epoca. Ne emerge un Rinascimento complesso affascinante tecnicamente all'avanguardia popolato da figure d'artista esemplari alla costante conquista di linee prospettiche e spaziali pure e ricercate. </em> Vallecchi, hardcover
1948HAY025651948. Paris Gibert Jeune Librairie d'Amateurs. broché avec couverture rempliée . Très bon état. in-4. avec 46 illustrations en noir dans le texte et 16 compositions en couleurs de Brunelleschi ; également orné de bandeaux culs-de-lampe et couverture illustrée d'un dessin en couleurs. unknown
1931654361L’Edition D’Art H. Piazza 1931. Limited Edition. Leather Binding. Very Good. One of 3200 machine numbered copies printed on vellum paper; this being #3194. This is the sixth volume in the collection Tales From France and Elsewhere translated from the Danish by Charles Guyot and E. Wegener and illustrated by Umberto Brunelleschi one full color pochoir plate the rest b/w and duotone vignettes; introduction by D’Edmond Pilon. 5.5 x 7.5 in. 233pp. text in French. Bound by Flammarion in three quarter brown morocco over marbled boards with four inlaid raised bands and gilt titles on spine. Original front illustrated paper cover bound in at the front with rear cover and spine bound in at the back. A Very Good copy with moderate rubbing along the edges of the spine corners rubbed and worn; internally clean and Fine. L’Edition D’Art H. Piazza unknown
1940JC14528Paris: Gibert Jeune 1940. Limited Edition. Hardcover. Fine. Traduit de l'Italien par Antoine Le Maçon. Illustrations de Brunelleschi. Limited edition this being number 2445. Nicely rebound in 3/4 red leather and marbled paper original wrappers bound in. Attractive illustrations in color. Superb copy. <br/><br/> Gibert Jeune hardcover
194275055Paris: Gibert jeune 1942. Fine. Gibert jeune Paris 1942 16 x 21 cm broché Edition illustrated with 302 original woodcuts by Emile Bernard and printed in a numbered edition of 375 copies on laid Arches paper. Some light foxing mainly to margins of certain leaves two tears to head of spine lacking at foot of spine. Gibert jeune unknown
19550036154Paris: Gibert Jeune Librairie d'Amateurs 1955. First Thus. Softcover Paperback. Near Fine Condition. 26cm x 20cm. iv 345 5; iv 337 7 pages 2 volumes 32 colour plates black and white illustrations in the text. Illustrated wrappers slipcase. Text is in French. Illustrated by Umberto Brunelleschi a number of which are erotic. One of 3000 numbered copies. Text is in French. Very minor handling wear. Partially uncut. Category: Fiction; Foreign Language::French; French Language; Sexuality - Art & Erotica. Inventory No: 0036154. BZDB407 Fiction; Foreign Language::French; French Language; Sexuality - Art & Erotica. Unbranded Jacques Casanova; Brunelleschi Memoires de Jacques Casanova de Seingalt 2 Volumes Gibert Jeune, Librairie d'Amateurs paperback
1932205032Milano - Roma: Treves - Treccani - Tumminelli 1932. Rilegato tela cloth. Buono Good. Fiaba in tre atti e un epilogo. Con 8 figurini di Umberto Brunelleschi in tavole fuori testo. 4to. pp. 96. Buono Good. Copertina sciupata ai margini con mancanze agli angoli. Timbro di biblioteca dorso riparato Some chipping at corners of covers. Library stamp. Repaired spine. . <em>Bellissimo libro per l'infanzia splendidamente decorato dal Brunelleschi con 8 figurini a colori e dorati in delicato stile art-dé";"co.</em> Treves - Treccani - Tumminelli, hardcover
1934205210Paris: Gibert Jeune. Librairie d'amateurs 1934. Brossura wrappers. Molto buono Very Good. Les Cinq derniè";res Journées. Traduit de l'italien par Antoine Le Macon. Illustrations de Brunelleschi. L'opera è" illustrata da 16 tavole a colori fuori testo e da 86 disegni in bianco e nero nel testo. 8vo. pp. 282. Molto buono Very Good. Fioriture alle prime pagine Yellowing of first pages. . Gibert Jeune. Librairie d'amateurs, unknown
193759056Paris:: Gibert Jeune; Librairie d'Amateurs 1937. First edition thus; No. 1554 of 3000 copies. later half morocco; original wrappers bound in. Owner's name stamp at lower corner of bound-in front wrapper; front joint starting; contents fine. Folio. Illustrations en Couleurs de Brunelleschi. Gibert Jeune; Librairie d'Amateurs, unknown
1981462659London : Thames and Hudson 1981. First Edition. Hardcover. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper now mylar-sleeved. Remains well-preserved overall. Physical description; 400 pages : illustrations facsimilesplans ; 29cm. Notes; Translation of Filippo Brunelleschi. Subjects; Brunelleschi Filippo 1377-1446. Architects Italy Biography. Architecture Renaissance Italy. London : Thames and Hudson hardcover
195521340Paris: Gibert Jeune 1955. Later printing. Stiff Wraps. Orig. illustrated tan wrappers. Very good in very good slipcase. 2 vols. 346 338 pages. 26.5 x 20 cm. Thirty-two full-page pochoir plates and seventy-nine black and white designs by Brunelleschi. Limited edition copy 1192 of 3000 copies. Casanova illustrated with Brunelleschi panache: high socks hi-jinks and high-camp. Bright fresh set backstrips slightly darkened. Gibert Jeune unknown
195554997Paris: Gibert Jeune Libraire d'Amateurs 1955. Near fine. Lavish French limited edition set of Casanova's infamous memoirs featuring elegant and erotic illustrations. Italian artist Brunelleschi moved to fin-de-siècle Paris where he worked as an artist illustrator and fashion designer. He designed sets and costumes for Folies Bergère in the 1920s including for Josephine Baker and for the Scala in Milan and the Roxy Theater in New York; according to Jane Merrill "his style was opulent yet humorous and light" 152. Among his known specialties was 18th-century Venetian styles and "refined coloring" both on their best display in this work. 2 volumes 10.5'' x 8'' each. Original cream pictorial wrappers with French flaps. In original cream paper slipcase. Illustrated by Brunelleschi with 32 full-page color plates and 79 black-and-white in-text images. 4 346 4; 4 338 6 pages. One of 3000 copies. Slipcase with moderate wear and bumping still intact. Wrappers with only light soil. Gibert Jeune Libraire d'Amateurs unknown
1947002932Paris. Printed in Saint-Ouen: Eddis. Printed by L'Imprimerie Gaston Maillet & Cie 1947. Limited Edition. First Edition thus. Quarter Morocco. Cloth Boards. Very Good. One of 500 copies with a second suite of the color plates separate from the book itself. This copy carries No. 884 out of a total of 3000. 8vo. 138 pp. Original wrap covers bound in. Corners with cloth worn through. A few other spots of rubbing and wear on cloth boards. Clean within and extra suite of plates is pristine. Eddis. Printed by L'Imprimerie Gaston Maillet & Cie unknown
1955017084Paris: Gibert Jeune Librairie d'Amateurs 1955. Hardcover. Very Good. First edition thus. Limited to 3000 copies this being number 348. Two volumes complete rebound in full red leather with a unique design: the front has the form of a naked lady reclining in gilt outline and the rear board is the gilt outline of a pair of buttocks. Housed in a thick card slipcase with central division. Fore edge untrimmed. Silk endpapers. Each book is 27 × 20.5cm the slipcase is 28 × 20.5 × 9cm. 346pp & 337pp. French text. From the library of noted collector Gordon R Smith with two different Ex Libris bookplates by David Bekker one to each volume. Volume one's bookplate is full page shows naked ladies with cats signed lower right and numbered lower left 36/60 whilst volume two is smaller and shows three dancing ladies again signed and numbered. The bookplates are printed in colour. The memoirs of Casanova the eighteenth century Venetian gambler eroticist and spy. The volumes cover the years 1734 to 1755 & 1755 to 1772. This set illustrated with 32 full page colour plates with tissue guards and 79 smaller illustrations within the text fleurons and tailpieces by Umberto Brunelleschi printed on velin de Condat paper. Condition: A very good set. There is a hint of fading and a little marking to the spine and the slipcase has a bump to the lower rear right corner. The contents of the books are in very good condition with clean pages and secure binding and with all plates present. <br/> <br/> Gibert Jeune, Librairie d'Amateurs hardcover
19559644<p>An attractive two volume set. Limited to 3000 copies of which this set is number 2417. Illustrated by Brunelleschi with 32 hors-texte and numerous colored in text illustrations throughout. Half red morocco over marbled boards. Max Fonseque signed binding. Four raised bands and gilt lettering. Top edge gilt. Marbled endpapers. Housed in marbled slipcase. Bound with the original wraps and the spine to rear. A very nice clean set with no previous owners' names or any other defacements.</p><p>Each book measures approximately 8.25 x 10.5 in 21 x 26.5 cm</p> Gibert Jeune Libraire d'Amateurs hardcover
1926551626Paris: l’Estampe Moderne 1926. Softcover. Near Fine. First edition. Illustrated in color by pochoir from images by Umberto Brunelleschi. Octavo. 207 2 pp. Text in French. Printed wrappers with integral glassine dust jacket. Glassine toned with a couple of small tears endleaves with some light tanning bond between textblock and spine of wrappers neatly strengthened including a small tear at the crown a couple of leaves with a tiny marginal stain at the bottom edge a bright near fine copy of an attractive publication. Housed in a fair example of the chemise and slipcase with one of the chemise shoulders split. Copy number 439 one of 434 copies on Arches of 500 total. l’Estampe Moderne unknown
192618273Paris: L'Estampe Moderne 1926. Original Wraps. Orig. illustrated wrappers. Fine in patterned chemise portfolio spine worn and evenly faded to brown. In matching edgeworn slipcase. Brunelleschi Umberto. 208 pages. 22 x 17 Twenty-six pochoir plates including fifteen color engravings. Limited edition copy 135 of 435 copies on Velin Arches. Brunelleschi's polite décolleté nudity romantic rather than hard core paints a style popular in its day. L'Estampe Moderne unknown
191335728Paris: L'Edition d'Art H. Piazza 1913. Limited edition. Hardcover. Brunelleschi Umberto. #24 of 500 copies signed by the artist. Folio textured cloth original wraps bound in. Three plays by de Musset 20 mounted color plates by Umberto Brunelleschi with captioned tissue guards. L'Edition d'Art H. Piazza hardcover
191813557Paris: Se Trouve": 3 Rue de Chaillot 1918. Original wraps. Near Fine. A clean very well-preserved copy of the 5th fascicule of 11 total of "La Guirlande: Album D'Art et de Litterature" c. 1918. Includes 8 lovely full-page color pochoir illustrations by Barbier Brunelleschi and others and multiple additonal color pochoir plates within the text. Under the literary direction of Monsieur Jean Hermanovitz and the artistic direction of Monsieur Brunelleschi. The portfolio in its elegant pictorial wrappers is loosely bound as issued. The wrappers are crisp and VG to Near Fine with just a touch of very light soiling. And all of the plates internally are bright and near-pristine to pristine. Se Trouve": 3, Rue de Chaillot unknown
191232069-69Paris Piazza 1912. With 20 tipped-in color plates by Umberto Brunelleschi. 122 1 pp. 2 leaves. Large 4to. Half calf spine gilt with gilt lettering orig. wrappers printed in blue and gold bound in by Sim. Kra. rel. Paris Piazza 1912. Collection of five fairy tales: La Belle aux cheveux d'or; L'Oiseau bleu; Gracieuse et Percinet; L'adroite Princesse; Le Prince chéri. With striking color illustrations by Umberto Brunelleschi from Pistoia 1879-1949 active as fashion costume and stage designer in Paris. He contributed to French de luxe magazines like "Journal des Dames et des Modes" "Gazette du Bon Ton" and "Les Feuillets d'Art". In the 1920s he made stage and costume designs for the Folies Bergères and other theatres; among his outstanding works are costumes created for Josephine Baker. Simon Kra 1853-1940 was a French bookbinder and publisher. Among his publiations is the first printing of André Bretons's first Surrealist Manifesto. - Slight even browning plates clean nice copy. - Monod 3120-21; Bénézit II 180. MODERN ILLUSTRATED BOOKS 1900-1999 ; Paris, Piazza unknown
1998101202Konemann. New. 1998. Hardcover. 3829002416 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 120 pages. -- with a bonus offer-- . Konemann hardcover
200070785Walker & Company; Et Al. New. 2000. Hardcover. 0802713661 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 208 pp. With 26 ills. 23 x 16 cm. -- with a bonus offer--; 0.9 x 8.86 x 6.3 Inches . Walker & Company; Et Al hardcover
194311388Paris: F. Guillot 1943. One of only 3 copies on Japon imperial numbered 23 to 25 this no.24 the total edition was 525. With an original watercolour signed by Brunelleschi. 12 full page illustrations 3 headpieces and 3 initials by Brunelleschi vibrantly coloured in pochoir by Vairel. 4to. original printed wrappers housed in the original chemise with blue lettering on spine and card slipcase. An extremely good bright and unopened copy the slipcase has a little wear.A tale of two childhood friends set on the Ile de France Mauritius which was published in 1788 and supported the philosophy of Rousseau. Although Paul and Virginie do own slaves the book does argue for the emancipation of slaves. <br>The watercolour is particularly striking being a strong full length portrait of a Mauritian slave. A fine display of pochoir with an original signed watercolour of a Mauritian slave by Brunelleschi F. Guillot unknown
1926140948149Paris: Mornay 1926. First Edition. Near Fine. First edition. Number 172 of 468 copies printed on Holland van Gelder paper from a total edition of 500 copies. Text in French. Bound in publisher's pictorial wraps with 14 full-page color pochoir plates and 54 color pochoir vignettes by Brunelleschi. Near Fine with lean to binding and light creases to spine. Foxing to edges occasional offsetting from illustrations. A striking production filled with pochoir illustrations by famed Art Deco illustrator Brunelleschi best known for his elaborate fashion plates and costume designs. Mornay unknown
191219390AB1912. Paris Piazza 1912. 30 : 14 cm. 122 pages 2 leaves 20 tipped in coloured plates by Umberto Brunelleschi. Redbrown crushed morocco opulently gilt ornamented oval center piece on booth boards front board with title surrounded by gilt frames spine lavishly giltwith floral ornaments and title in goldtop edge gilt inside dentelles red brown and gilt endpapers original illustrated covers bound in signed Durvand. One of 400 numbered copies imprint signed by Brunelleschi bound in a signed master binding. Printed on Japon paper. Contains five fairy tales: La Belle aux cheveux d'or - L'Oiseau bleu - Gracieuse et Percinet - L'adroite Princesse - Le Prince chéri. With striking colour ilustrations by Umberto Brunelleschi 1879-1949 active as fashion costume and stage designer in Paris. The beautiful master-binding correspond with the lovely illusstrations. The binder Lucien Durvand 1852-1924 operated one fo the finest workshops in turn-of-the-century Paris. In 1900 he was awarded a silver medal for his bindings at the Universal exhibition and according to Flety he was devoted to improving the craft of binding rightup to his death. An almost untouched breathtaking copy of this splendid book. Umberto Brunelleschi was a brilliant Italian painter book illustrator and fashion designer probably best known nowadays for his erotica. Here though he applies his bold flair with color and his puissant imagination to fairy tales and resulting is something truly extraordinary! This material would seem his true calling for here his sensual proclivities are expressed with none of the lurid excess that one might find in some of his other work. And the images are sheer delight which enchant and arrest the eye. The costuming and elegance of the figures depicted are evocative of dance and the images surely benefit from Brunelleschi's fashion career. And there is still the languid androgyny that spills forth the erotic sensibility. This and the immersion in atmospherics make the pictures also squarely belong to the high Art Nouveau fancy an association reinforced by the foliate borders which curiously have a formal lineality not necessarily affiliated with that fin-de-siecle aesthetic movement. What is most conspicuously Art Nouveau it should be recognized is the panache of the whole book production represented here. This is truly a book that in and of itself is artwork. hardcover