32 résultats
191337466Paris.: Chez l'Auteur. 1913. Original publisher's blue paper wrappers with titles and large vignette illustration to front cover in black titles to spine and vignette to rear cover black endpapers later blue cloth box. Folio. 474 x 408 mm. Half-title with justification verso printed title with large monochrome vignette matching the front cover 51 leaves each with mounted reproduction drawing after Hermann-Paul with printed title beneath and numbered 1 - 51 final leaf with list of illustrations recto and vignette verso matching that for the rear cover; the present example see below includes all of Hermann-Paul's original drawings for the book inserted loose as appropriate each mounted to grey blue paper initialled 'HP' in pencil and numbered and titled beneath in ink as for the printed versions. An exceptional copy marked 'Hors Tirage' and including all of Hermann-Paul's original drawings.From the edition limited to 300 copies with this unique example inscribed 'hors tirage originaux' and including all of Hermann-Paul's original drawings for the work each initialled 'HP' in pencil.As well as all 51 of the drawings for the book executed in ink and initialled by Hermann-Paul in pencil many of these also feature pencil attributions as to place by the artist the imprint for the cover has been effaced and marked 'Chez / l'Auteur' presumably by Hermann-Paul himself the justification has been altered to reflect this unique copy marked 'Hors tirage originaux' as above and the title imprint has been effaced; the original illustrations for the covers have also been included together with a version of the title itself executed in ink.The vignette for the rear cover is inscribed in pencil by Hermann-Paul as follows: 'croquis pour le cul de lampe de l'album 'Sur le Rhône' / c'est le St. Nicolas patron des bateliers du Rhône qui est au / Musée d'Arles. / Hermann-Paul'. Chez l'Auteur. hardcover
19762080502106511392Kodansha 1976. Soft Cover. Fine. Number of books: 2 Kodansha paperback
19762111902160801418Kodansha 1976. Soft Cover. Fine. Number of books: 2 Kodansha paperback
19200086896Paris: Artheme Fayard 1920. Hardcover. Fine. Large 8vo original yellow wraps bound into calf backed patterned boards very good with 16 woodcuts by Hermann Paul. Very handsome. Artheme Fayard hardcover
192631596Paris: Editions Mornay 1926. Near Fine. Paris: Éditions Mornay 1926. First Edition Limited to 360 copies on Arches paper of which this is no. 292. Small quarto; mid-century three-quarter brown crushed morocco over marbled paper boards gilt spine in five compartments top edge gilt marbled endpapers original wrappers bound in; 300pp.; illus. throughout. Very light shelf wear to leather margins spine slightly sunned spotting to half title faint offsetting from illustrations else a Very Good to Near Fine example. Editions Mornay unknown
1905201511905. Paris Librairie FÂŽlix Juven s.d. 1905. Un vol. au format in-4 314 x 238 mm non paginÂŽ 2 ff. n.fol. 24 planches et 1 f. bl. brochÂŽ. Edition originale rare de ce recueil constituÂŽ de 24 planches lithographiÂŽes en couleurs. ''Peintre caricaturiste admirateur de Paul CÂŽzanne Hermann-Paul opte pour une carriÂre dans la presse. Ironique et violent se pose en redresseur de torts au graphisme sombre. Son trait volontaire solide et jetÂŽ dÂŽpasse bien des fois celui de Forain auquel on l'a fort souvent comparÂŽ''. in 5.000 dessinateurs de presse. ''On lui doit une satire de la bourgeoisie de son ÂŽpoque constituÂŽe par une suite de dessins prÂŽsentant dans leur ensemble une assez pÂŽnÂŽtrante ÂŽtude de moeurs''. in Osterwalder. ''Il est le peintre de la laideur morne de la mÂŽdiocritÂŽ satisfaite et soi et irrÂŽmÂŽdiable. Ses figures flÂŽtries de bassesse ont un achevÂŽ parfait dans leur voulu d'ÂŽbauche. Le rire sans joie d'un cynisme dÂŽnuÂŽ de courage la triste perpÂŽtuitÂŽ de la veulerie M. Hermann-Paul en dÂŽlimite en ses dessins toute la platitude et tout le dÂŽsespoir.'' Francis Carco. ''Artiste digne de mÂŽmoire''. in BÂŽnÂŽzit. Saint-Martin 5.000 dessinateurs de presse p. 408 - Osterwalder I Dictionnaire des illustrateurs p. 496 - BÂŽnÂŽzit V Dictionnaire des peintres p. 506. LÂŽgÂres marques d'usage affectant les plats. Petite restauration en marge infÂŽrieure et au revers du faux-titre. Plusieurs feuillets constellÂŽs de petites rousseurs. Du reste bonne condition. b42961 unknown
19044844Paris: Librairie Charpentier et Fasquelle 1904. A very nice copy of this first edition. Bound in a lovely Randeynes art nouveau binding with half leather gilt titles and blind stamped design to the spine. Marbled boards. The binding is a touch rubbed but overall in sound condition. Signed J.D. to the base of the spine. Binder's label to the verso of the marbled end paper. Original soft covers bound in. These are a touch darkened but sound. 87 numbered full page caricatures printed to recto of each leaf. René Georges Hermann-Paul 1864-1940 designed caricatures for L'assiette au Beurre Le Sourire Je suis partout. 20cm x 14cm. . Un très bel exemplaire de cette première édition. Relié dans une belle reliure art nouveau de Randeynes en demi-cuir avec titres dorés et motifs estampés à froid au dos. Les plats sont marbrés. La reliure est un peu frottée mais dans l'ensemble en bon état. Signé J.D. à la base du dos. Étiquette du relieur au verso du papier marbré de la fin de l'ouvrage. Les couvertures souples d'origine sont reliées. Elles sont un peu assombries mais en bon état. 87 caricatures à pleine page numérotées imprimées au recto de chaque feuille. René Georges Hermann-Paul 1864-1940 a dessiné des caricatures pour L'assiette au Beurre Le Sourire Je suis partout. 20cm x 14cm. Librairie Charpentier et Fasquelle paperback
190482816Paris: Charpentier & Fasquelle 1904. Fine. Charpentier & Fasquelle Paris 1904 14.50 x 22.50 cm relié First edition one of 50 copies on China paper printed specially for the bookseller Carteret ours bearing No. 1 the only deluxe copies. Work consisting of 87 plates of drawings by the author which he captioned in order to ridicule bourgeois marriage. Bradel binding in half green morocco with corners smooth spine slightly discolored gilt date at foot marbled paper sides covers and spine preserved endpapers and pastedowns of combed paper top edge gilt on deckled edges contemporary binding signed Durvand. Handsome full-margined copy agreeably bound in contemporary binding signed Durvand. Charpentier & Fasquelle unknown
190430684Paris: Charpentier & Fasquelle 1904. Fine. Charpentier & Fasquelle Paris 1904 13.50 x 20 cm broché First edition on ordinary paper. Inscribed by Hermann-Paul to Karl Boès. Illustrated with drawings by the author. Charpentier & Fasquelle unknown
192839057Paris: Manuel Bruker 1928. A charming livre d'artiste illustrated with color woodcuts by Hermann-Paul. From a total edition of 305 numbered copies this is one of 275 copies on extremely fine Arches wove paper. Large 4to. Original wraps. FINE AND BRIGHT. <br/><br/> Manuel Bruker paperback
192879184Paris:: Manuel Bruker 1928. First edition; No. 25 of 25 copies on Japon Imperial total edition 350 copies; inscribed and signed by Dr. Lucien Grauz on the colophon page and again on the front free endpaper. publisher's printed wrappers in glassine. Short closed tear at the top of the rear joint; otherwise a very fine copy partially unopened in glassine wrapper with a little damage in the same location as the wrapper. 4to. Gravures dur Bois de Hermann - Paul. Manuel Bruker, unknown
192866472Paris: Manuel Bruker 1928. Fine. Manuel Bruker Paris 1928 23.50 x 28.50 cm broché First edition one of 275 numbered copies on Arches vellum the only printing along with 5 Madagascar and 25 Japan. Work illustrated with original color woodcuts by Hermann-Paul. Handsome copy despite two slight sunning marks at head and foot of spine. Manuel Bruker hardcover
192850766Paris: Manuel Bruker 1928. Fine. Manuel Bruker Paris 1928 23.50 x 28.50 cm broché First edition one of 275 numbered copies on Arches laid paper the only printing with 5 Madagascar and 25 Japan. Work illustrated with original colored woodcuts by Hermann-Paul. Endpapers lightly shadowed handsome copy. Manuel Bruker unknown
191952226Paris: Léon Pichon 1919. Fine. Léon Pichon Paris 1919 25 x 35 cm en feuilles Edition illustrated with 20 original wood engravings by Hermann-Paul one of 35 numbered copies on Japan paper deluxe printing after 1 grand vélin De La Rue. Our copy is complete with its suite of 20 wood engravings. Front cover detached. Two small tears at head and foot of spine which has a slight lack at head foxing on front cover back cover and flaps marginally sunned handsome interior condition. Léon Pichon unknown
192838255Paris: Editions Mornay / Les Beaux Livres 1928. A livre d'artiste illustrated with 12 ORIGINAL WOODCUTS BY HERMANN-PAUL of the masters of the technique. Edition limited to 1000 numbered copies of which this is ONE OF ONLY 38 COPIES PRINTED ON FINE DUTCH LAID PAPER WITH AN EXTRA SUITE OF THE WOODCUTS ON JAPANESE PAPER. Large squarish 8vo. Original wraps ENTIRELY UNCUT WITH HUGE MARGINS. Minimal traces of wear to wraps else FINE AND BRIGHT. <br/><br/> Editions Mornay / Les Beaux Livres paperback
19722080502106501808Kodansha 1972. Soft Cover. Fine. Number of books: 2 Kodansha paperback
1921ST12683-014Paris: Léon Pichon 1921. Edition Nouvelle. No. 353 OF 967 COPIES. 283 x 222 mm. 11 1/8 x 8 3/4". 180 1 pp. colophon. <br/> Publisher's brown paper wrappers uncut edges spine and fore edges very neatly reinforced with Japanese rice paper. In a slightly scuffed marbled paper slipcase. With 105 woodcut head- and tailpieces woodcut initials and printer's device by Hermann-Paul. Half title page and title page printed in red and black as are the initials chapter headings printed in red. ◆Occasional faint offsetting from woodcuts otherwise a fine copy internally in a solid and very clean binding.<br/> <br/> Striking Modernist woodcuts by French artist René Georges Hermann-Paul enliven our edition of this comic masterpiece in which Rabelais ca. 1494-1553 uses the giant Gargantua and his son Pantagruel to satirize scholastic education the monastic system which Rabelais knew from his time as a monk the papacy French magistrates and considerably more. Hermann-Paul 1864-1940 was a French artist who produced a great many illustrations for magazines and newspapers and his works of fine art found themselves displayed in galleries next to those by some of the great names of the Impressionist age. Léon Pichon unknown
192124496Paris: Léon Pichon 1921. Limited edition. Softcover. vg. 1/480. Folio. 62pp. Uncut. Original printed wrappers with gold Hebrew lettering on front cover. Title-page in red and black lettering with publisher's device. Decorative initials. Text in red Latin and black French lettering. Somptuous limited edition of the first book of the Bible profusely illustrated with numerous original wood engravings by Hermann-Paul and printed on paper Vergé d'Arches. Signature of publisher Léon Pichon at bottom of colophon. Head and tail of wrappers slightly chipped. Hebrew title on front cover somewhat faded. Offset on endpapers. Text in French and Latin. Wrappers in overall very good interior in near to fine condition. Léon Pichon unknown
191962005Paris: Chez l’imprimeur Leon Pichon 5 Rue Christine 1919. 12mo. 6.5 x 6.5 3 leaves unnumbered. title w/ woodcut borders & printer’s device 20 numbered woodcut engraved plates. Softcovers minor shelfwear w/ woodcut-decorated jacket folded over the covers minor spotting foxing on back cover very minor bumping to corners still VG copy numbered on colophon & ownership markings on ffep. First edition No. 353 of 400 copies printed of the noted engraver’s first major post-World War I work as a Dance of Death depicting Death’s passage in the blighted and stricken era and a firm protest against modern mechanized warfare. Hermann-Paul 1864-1940 rose to fame during the Belle Epoque with his cutting satiric depiction of the foibles of French Society was a noted defender of Alfred Dreyfus whom after the war departed from his previously leftist ideals of the Parisian art scene and spent much of the between-the-wars period as an outsider. Chez l’imprimeur Leon Pichon, 5, Rue Christine, paperback
1919329346Paris: Leon Pichon 1919. Limited. hardcover. fine. 20 wood engravings by Rene Hermann-Paul. No text save title and plate names. Square 12mo rebound by J.A. Quereuil in full black crushed morocco decorated on the cover spine and dentelles with skulls & cross-bones; original front wrapper bound in. Paris: Leon Pinchon 1919. Limited edition. Fine.<br/> <br/> Number 18 of 20 copies printed on grand veil Turkey Mill with a double-suite of proofs on chine and on japon.<br/> <br/> Leon Pichon unknown
191958443Paris: Léon Pichon 1919. Fine. Léon Pichon Paris 1919 16 x 16.50 cm broché First printing of the 20 original woodcut by Hermann-Paul one of 50 numbered copies on vergé ancien du Japon deluxe edition after 20 grand vélin Turkey. Nice copy. Léon Pichon unknown
1901D1713Paris 1901. Paperback. Very Good. Wraps; 13 lithographs printed in b/w with the occasional flourish of color. Staple-bound supplement laid in 8 pages of text. Tape repair along spine; some light soiling and chipping along the edges -- but overall a clean visually striking copy. Supplement is in fine condition. <br/><br/> paperback
192738908Paris: Aux dépens de la société Les Exemplaires printed by Léon Pichon 1927. A beautiful livre d'artiste illustrated with 16 ORIGINAL COLOR WOODCUTS BY HERMANN-PAUL 2 large compositions and 14 lettrines. Edition limited to 109 numbered copies printed on extremely fine Arches wove paper. Initialed in pencil by the printer. Large folio. Loose as issued in original wraps. FINE AND BRIGHT WITH NO DEFECTS in the original qurter cloth portfolio extremities of portfolio lightly faded. <br/><br/> Aux dépens de la société Les Exemplaires (printed by Léon Pichon) paperback
19482091202133206379Artheme Fayard 1948. Soft Cover. Fine. Number of books: 3 Artheme Fayard paperback
192757232Paris: André Delpeuch 1927. Fine. André Delpeuch Paris 1927 19.50 x 25 cm broché First edition one of 220 numbered copies on Montval the only printing with 25 Japan and 20 hors commerce copies. Work illustrated with original woodcuts by Hermann-Paul. Rare and light foxing without significance a crease mark at the head of the second cover handsome copy. André Delpeuch unknown
