Locke, Simeon, edited byBiblio.com
Chardin
2000Q-3791323393Prestel Pub 2000-05-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Prestel Pub hardcover
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19691190116.10Little Brown & Company Boston 1969. Hardcover. Good. 8vo hardcover. No dj quarter leather over mustard yellow cloth. First edition specially bound by the publisher and presented to the editor. Correspondence from the publisher laid in. Top edge gilt and sharp gilt titling to the spine. Covers and contents clean unworn no marking or writing. Binding sturdy and tight; leather still supple. 626 pp. A lovely copy Little Brown & Company, Boston hardcover
198119477-HISigned by Jack Marr for second edition he revised and enlarged NO dust jacket. Seems unread very tight copy crisp text slight outer wear to brown boards with gilt lettering. Jack Marr Publishing Co. hardcover
2000Q-3791323393Prestel Pub 2000-05-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Prestel Pub hardcover
1996AME_9780397514564LWW 1996. 1st. Hardcover. New/New. LWW hardcover
1914002983Henry Holt and Company. Publishers boards with bright gilt titles and design. Gilt topstain. . Fine. Hardcover. 1st Edition. 1914. Henry Holt and Company hardcover
1986Q-0880701757Multnomah Press 1986-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Multnomah Press paperback
1995BIBRR1118810771995. Hardcover. New. THIS RARE/ANTIQUE BOOK PUBLISHED IN THE YEAR 1995 BY K.B.Publications HAVING 418 PGS AND SIZE 8.755.75 WRITTEN IN English. THE BOOK IS IN READABLE CONDITION Originally in Hardcover with some issues like loose binding and some Pin Holes. The book is having B/W Maps. THE IMAGE OF THIS BOOK IS GIVEN FOR YOUR REFERENCE. WE CAN REBIND THE SAME IN LEATHER BINDING FOR EXTRA $ 25. hardcover
19586841958. Plattner Samuel; Graubündens Alterthümer 1876/Simeon A.; Begleiter durch die Kathedrale von Chur 1914/Schmucki Die Kathedrale von Chur 1928Poeschel E; Zur Baugeschichte der Kathedrale und der Kirche St.Lucius in Chur Poeschel E; Sonderdruck aus Anzeiger f.Schweiz.Altertumskunde 1930 Vier Schriften in Halbleineneinband. Handschriftl.Widmungen von Erwin Poeschel 4°. Hln. marm. Raetica unknown
192585649Paris: Editions Mornay 1925. Fine. Editions Mornay Paris 1925 15.50 x 20.50 cm broché Edition illustrated with original woodcuts by Fernand Siméon one of 895 numbered copies on Rives paper. Light foxing to endpapers otherwise a handsome copy. Editions Mornay unknown
192054711Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris Février 1920 18 x 24 cm une feuille Original color print heightened with gold printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
192154839Paris: Lucien Vogel éditeur 1921. Fine. Lucien Vogel éditeur Paris 1921 18 x 24 cm une feuille Original color print heightened with gold printed on vergé paper signed in plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
193075475Paris: Henri Babou 1930. Fine. Henri Babou Paris 1930 20.50 x 26.50 cm en feuilles sous chemise à lacets First edition one of 50 numbered copies on Japon ours unjustified deluxe copy. Fine copy spine and boards of the chemise marginally sunned and spotted. Letter-preface by Jean-Jacques Brousson. Photographic portrait of Fernand Siméon by Laure Albin Guillot. Work illustrated with a frontispiece black illustrations in the text as well as 15 hors-texte plates in black and colors extracted from works illustrated by the artist. Our copy lacks the original drawing by Fernand Siméon which should appear in the deluxe copies. Henri Babou hardcover
1997429461London : Thames and Hudson 1997. New edition. Hardcover. Near fine cloth copy in a very good if slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: 40 98p. ; 38cm. Subjects: Haggadot Texts. Seder Texts. Judaism Liturgy Texts. Illumination of books and manuscripts Jewish Germany. Manuscripts Hebrew Facsimiles. London : Thames and Hudson hardcover
194668618Carl Fischer 1946. hardcover. Used good. Rated only "good" condition due to assignment dates written in pen next to nine exercises. This is a very large hardcover green heavy duty cloth cover with gold lettering on spine 1946 published by Carl Fischer revised edition 3 volumes bound as one 434pp. Cover has the slightest wear very lightly soiled from use. Binding just a liitle loose at a couple of places. Page edges have very slight foxing. HEAVY/OVERSIZE. We provide professional service and individual attention to your order daily shipments and sturdy packaging. Carl Fischer, hardcover
1979Q-0852494459Stainer and Bell 1979-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Stainer and Bell hardcover
2000mon0000020473Brill Nijhoff 9/10/2020 12:00:01 A. hardcover. New. 1.2598 in x 9.4882 in x 6.4173 in. Hardback. No dust jacket. Cover edges and corners in good shape. Spine is tight. Pages are clean no markings notes or stains. Ships from Friends bookstore to benefit Beaverton Oregon library. Brill | Nijhoff hardcover
198613515Paris: J.-C. Bailly Editeur 1986. Limited Edition. Original Wraps. Near Fine in Wraps. Limited Edition. Original Wraps. Précédé de Alchémie cabale et kabbale: introduction à la "Cabala mineralis" par Jacques van Lennep; "Cabala mineralis": réflexions sur un titre par Nicolas Séd; Créations microcosmique et macrocosmique : la "Cabala mineralis" et l'interprétation alchimique de la Genèse par Sylvain Matton. Facsimile colors reprint of the manuscript. Originally published in the 1700s. A medieval neologism on urine work and alchemy.<br /> From the personal library collection of Brian Cotnoir alchemist artist and award-winning filmmaker. Author of Practical Alchemy: Guide to the Great Work The Emerald Tablet a series of Alchemical 'Zines Alchemical Meditations Alchemy: The Poetry of Matter and most recently On Alchemy: Essential Practices and Making Art as Alchemy. He has presented seminars and workshops around the world on various aspects of the alchemy. Khepri Press was started in 2014 as a place to organize and distribute his work. It is a very small press dedicated to alchemical book arts. Some of this work is publishable and others may exist only in manuscript or object form - alchemical results or talismans. Near fine light shelfwear light toning else tight bright and unmarred. 8vo. 268pp. Illus. b/w. Color printed wrappers. Former owner library stamp. Text in French. 500 examples this being 190. J.-C. Bailly Editeur unknown
194413370Biobooks Oakland & Grabhorn 1944. VG. Biobooks, Oakland & Grabhorn unknown
198527771NY: Harry N. Abrams. As New with No dust jacket as issued. 1985. First Edition Thus. First Printing. Hard Cover. 0810918196 . Publisher's full royal blue covers of both volume and slipcase gilt lettering in English of upper cover and Hebrew on lower cover. Profusely illustrated with magnificant full-page full-color facsimilies of a Hebrew Manuscript of the Mid-15th Century from the Collections of the British Library Written and Illuminated by Joel Ben Simeon called Feibusch Ashkenazi with a Commentary atributed to Eleazar Ben Judah of Worms. The first 40 pages provide the original Hebrew text and an English translation and Commentary. The next 49 pages are the full-color reproductions of the original manuscript. . The volume is in perfect immaculate condition still in its original shipping box from Harry N. Abrams; unmarked unread tight square and clean. An extremely large folio heavy book seven pounds - additional shipping charges may apply. AS NEW. . Color Facsimiles. Folio 13" - 23" tall. 40-text 49-plates pp . Harry N. Abrams hardcover
192631594Paris: Chez A. & G. Mornay 1926. Very Good. Paris: Chez A. & G. Mornay 1926. First Illustrated Edition Limited to 1000 copies of which this is no. 257. Small quarto; mid-century three-quarter brown crushed morocco over marbled boards gilt spine in five compartments top edge gilt marbled endpapers original wrappers bound in; 401pp.; illus. throughout. Very light wear to leather spine a shade sunned brief spotting at spine crown attractive Montreal bookseller ticket of Libraire Deom to front pastedown else a Very Good to Near Fine example. Chez A. & G. Mornay unknown
1914371020New York: Henry Holt and Company 1914. Hardcover. Very Good. First edition. Important New York book collector's bookplate small mark on front board very good without dustwrapper. Uncommon title. Henry Holt and Company hardcover
1996Q-0801090164Baker Pub Group 1996-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Baker Pub Group paperback
1992DADAX0534139329Chapman & Hall/CRC 1992-01-09. 1. hardcover. New. 6.75x0.75x9.75. Buy with confidence. Excellent Customer Service & Return policy. Chapman & Hall/CRC hardcover
20001324986PN. New. 2000. Soft Cover. Date is original print. This is a reprint edition . PN paperback
2000mon0003982001McGraw Hill / Medical 7/11/2023 12:00:01 A. paperback. Very Good. 1.5748 11.0236 8.6614. McGraw Hill / Medical paperback
