172 résultats
1978105842Toronto: Champlain Society 1978. Hardcover. Fine. First edition limited to 1400 copies. liii 520 xxiv pp. Octavo in original red cloth with gilt lettered. Crested spine for members only. Not illustrated. Previous owner's name and date on front free endpaper. Copy #432. Fine condition. The fifth volume of the diary of Simeon Perkins and Volume L of the Champlain Society. 1978 Champlain Society hardcover
1978143624Toronto: Champlain Society 1978. Hardcover. Fine. First edition limited to 1400 copies. liii 520 xxiv pp. Octavo in original red cloth with gilt lettered. Gilt top edge others untrimmed. Crested spine for members only. Not illustrated. Fine condition. The fifth volume of the diary of Simeon Perkins and Volume L of the Champlain Society. 1978 Champlain Society hardcover
1992SONG0534139329Chapman & Hall/CRC 1992-01-09. 1. hardcover. Used: Good. 6.75x0.75x9.75. Buy with confidence. Excellent Customer Service & Return policy. Chapman & Hall/CRC hardcover
1985059142New York Ny: Harry N Abrams 1985. 1st Edition . Hardcover. Fine/Slipcase. Blue Cloth Gilt. First P;Rinting Of This Edition 1985 The 1997 Reprint Is Just Slightly Smaller. Hardcover Inn Matching Blue And Gilt Slipcase. Also With The Original Abrams Mailing/Storage Box. Fine. Gift Quality. <br/> <br/> Harry N Abrams hardcover
1967044202The Rio Grande Press 1967. Hardcover. Very Good. Minimal wear to hardcover. The titles on the spine are fading. Titles are front cover and bright and clear. No marks inside except owner name. <br/> <br/> The Rio Grande Press hardcover
1905mon0000006065R.L. Allan 1905. Unknown Binding. Good. in x in x in. First edition without jacket on red cloth will send out 1 st class post - rare and collectable R.L. Allan unknown
19670908T626886AMS Press Inc. Good. 1967. Hardcover. Columbia Univ. Press 1950. Green cloth lightly marked edge worn. Tips bumped top tips blunted as if dropped. Not cracked.; Columbia University Studies In History Economics And Public Law No. 560; 420 pages . AMS Press, Inc. hardcover
195878455Moskva: Izd-vo Vostochnoi literatury 1958. Hardcover. Very Good. 398p. Corners bumped. No Jacket. Russian text. Izd-vo Vostochnoi literatury hardcover
1906011929London: Longmans Green and Co 1906. 1st ed. . Hardcover. VG/No Jacket assume none issued. 15 Cm x 22.5 Cm. f/piece with tissue-guardxiii inc. 4 pp.intro. and poem to King by Swift332 6 further ill.plates ex-pagination 2 w.tissue guards 4 text ills all as called for; internally clean tight and quite unmarked with good gutters and no tanning. Green gilt-decorated cloth covers clean and quite bright with only hints of rubbing to some extremities gilt mitre motifs centre fr. and spine with gilt spine lettering. Quite scarce. <br/> <br/> Longmans, Green and Co hardcover
1906ZB367429Barcelona: J. Sabate ca. 1906. 12mo 156 pp library markings text age toned with light margin flaking lacks paper wrappers and spine strengthened with cloth tape complete but good only. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Barcelona: J. Sabate, hardcover
192054798Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris Septembre 1920 18 x 24 cm une feuille Original color print printed on vergé paper non signed. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
192043226Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris circa 1920 19.50 x 25 cm une feuille Original color print printed on vergé paper non signed. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
1996x-0896801942Ohio Univ Pr 1996. Paperback. New. 299 pages. 8.75x5.75x0.75 inches. Ohio Univ Pr paperback
1996218683Montreal & Kingston - London - Buffalo: McGill-Queen's University Press 1996. Hardcover. Near Fine/No Jacket. 493 pages in near fine condition. Pages are crisp and clean with charts and tables throughout. Page edges are lightly smudged. Red cloth with black titles. Lightly worn around the corners. Boards are lightly smudged. NF/- - <br/> <br/> McGill-Queen's University Press hardcover
199113.2032aMadrid: Galería Fucares 1991. 1ª ed. Rústica con sobrecubierta. 16x23. Profusamente ilustrado. Galería Fucares paperback
196731488New York: Holt Rinehart & Winston 1967. First Edition; First Printing. Hardcover. Very Good in boards. ; 4to - over 9¾" - 12" tall. Holt, Rinehart & Winston hardcover
1973126<p>Hardback 135 pages very good condition spots on first and last two pages.</p> C. C. Thomas hardcover
1993151042Providence: American Mathematical Society 1993. Hardcover. ex library-good. Translations of Mathematical Monographs Vol. 116. 223 3 p. 26 cm. Ex library with labels on spine and rear pastedown ink stamps on top edge and title. Lower corners a bit bumped. <br/><br/> American Mathematical Society hardcover
1944734881944. IDE Simeon. A Biography of William B. Ide. Oakland CA: Biobooks 1944. viii188pp. Frontis. folding map. Orig. cloth-backed boards pictorial paper spine label. Fine. One of 500 copies printed by the Grabhorn Press. William Ide was leader of the Bear Flag movement at Sonoma and has often been referred to as the `President' of California"-Zamorano 80 45. Graff2059. HOWES I-4. unknown
194423519Oakland: Biobooks 1944. First edition thus. Spine label cracked else fine. Oirginal beige cloth and red boards paper spine label octavo 9 188 pp. Illustrated with a frontispiece a facsimile title page from the 1860 first edition and a large colored folding map of Sonoma County at rear. <br/><br/>Limited edition of 500 copies printed at the Grabhorn Press. Text is a reprint of the 1860 "A Biographical Sketch of the Life of William B. Ide." This copy inscribed and signed on the colophon by Joseph Sullivan: "To the Scotts best wishes Joe Sullivan 9/10/45 Biobooks hardcover
1978463Toronto: The Champlain Society 1978. Hardcover. Edited with an introduction and notes by Charles Bruce Fergusson. Small 4to. Red cloth. liii 520pp xxiv. Top edge gilt. Near fine. First edition limited to 1400 numbered copies this #1118. The Champlain Society hardcover
197789004Mexico: Siglo Veintiuno 1977. First Spanish Edition first published in French 1885. Octavo 24cm; grey cloth-covered boards with titling stamped in gilt and black and blocking stamped in red on spine and front cover; 783pp. Text in Spanish. From the library of noted poet translator and anthropologist Nathaniel Tarn 1928-2024 with his pictorial bookplate to front pastedown. Crown lightly convexed with modest shelf-wear and -soil and crack to gutter at title page; Good. Dictionary of Indigenous language Nahuatl of central Mexico. 89004. Siglo Veintiuno unknown
1911004912New York: Dodd Mead 1911. Three small dents in rear outer edge. First Book-form Edition. Original Cloth. Very Good. Dodd, Mead Hardcover
1996416607-XZ17Hogeschool voor de Kunsten Utrecht 1996. Hardcover. Good. Original burgundy cloth gilt lettered spine 8vo. Hogeschool voor de Kunsten Utrecht hardcover
1986D6A241111008Multnomah Pub 1986. hardcover. Like New. 9x6x1. New never used. Cover has minor shelf rubbings. Your Satisfaction Guaranteed. We ship daily. Expedited shipping available. Multnomah Pub hardcover
