56 résultats
1928010822Amsterdam: Verlag P. A. Hemerijck A. T. Kleerekoper 1928. Book. Very good- condition. Hardcover. First Edition. Folio. 14 pages of text followed by 24 mounted plates about half of which are in color. Minor staining to edge of final few mounting pages not affecting the plates. Moderate browning to text pages and minor chipping to a few pages. Original portfolio case is heavily stained at the fore-edge with minor to moderate shelfwear remaining intact and attractive. Limited to 500 printed of which this is numbered 047. Verlag P. A. Hemerijck (A. T. Kleerekoper) Hardcover
1911034930London: Chatto & Windus 1911. 1st Edition 1st Printing. Hardcover. Good/No Jacket. Elephant Folio - over 15 - 23" tall. Steinlen. Good. Spine joint split to upper board. 'With a critical introduction and descriptive notes'. <br/> <br/> Chatto & Windus hardcover
19116429612 pages followed by 24 plates including some in colour with a critical introduction and descriptive notes unsigned Published by Chatto & Windus hardcover
1901780R29Paris: Sevin et Rey 1901. Cloth. Very Good. 8" by 6". Theophile Steinlen. A beautiful collection of the artworks of Theophile Steinlen in colour. Theophile Steinlen 1859-1923 was a French Art Nouveau painter. He depicted Montmartre often as well as his daughter Collette; he also did poster art for cabaret owner Aristide Bruant.Illustrated with one hundred marvellous examples of the artist's work in colour.With a foreword by Camille de Saint Croix.The H. Piazza et cie. edition of this work. In a full cloth binding. Externally a trifle worn with marks to the spine and ink stains to the front board as well as some wear to the extremities and head and tail of the spine. Internally firmly bound. Pages are a touch age-toned but otherwise clean. Very Good Sevin et Rey hardcover
19172802931917. unbound. very good. 1 page on personal stationery 6.25 x 4.5 inches no date circa 1917 signed "Steinlen" untranslated but apparently sending good wishes to the recipient. Several surface creases; very good- condition. Also included: a scarce 1917 edition of the "Exposition Steinlen" -- a retrospect of the artist's work that was offered for sale in war-torn France during World War I. Very good- condition.<br/> <br/> Swiss-born French Art Nouveau painter and print maker.<br/> <br/> unknown
1901144556Paris: Piazza/Sevin et Rey 1901. paperback. very good. 100 black & white illustrations. Tall 12mo original printed wrappers illustrated on both sides and spine in color wrappers are lightly foxed and discolored at edges; one small stain at top center. Unopened pages. Paris: Edition H. Piazza/Sevin et Rey 1901. Text in French. Very good .<br/> <br/> Despite the title none of the 100 illustrations are printed in color.<br/> <br/> Piazza/Sevin et Rey unknown
19161346500Paris 1916. Original 1916 WWI benefit poster for the 1916 tri-annual exposition of French Art in Paris. Features art by Steinlen and measures 39 1/8in x 51 1/8in<br /> <br> <br /> <br> <br /> Poster currently sealed behind plastic; creasing wrinkling edge-wear and evidence of minor water damage to upper left corner. Shipping flat will likely be expensive--and risky--so plan on removing poster from plastic and shipping folded or rolled in sturdy tube unless buyer has specific shipping preferences. CX Consignment. Shelved in Rockville 1107. 1346500. Special Collections. unknown
190727750Paris: Bibliothèque Internationale d'Édition E. Sansot & Cie 1907. First Trade Edition. Quarto 24.5cm.; original grey pictorial wrappers; 207pp.; frontispiece & 14 tissue guarded plates; numerous text illus. throughout. Wrappers a bit worn especially at spine edges; preliminaries foxed else Very Good and sound overall. <br /> <br /> Bleak collection of stories following in the footsteps of Zola's naturalistic novel Germinal. Mostly set in the mines of northern France; beautifully albeit lugubriously illustrated by the Art Nouveau painter and printmaker Théophile Steinlen. CRAUZAT 639. Bibliothèque Internationale d'Édition, E. Sansot & Cie unknown
191196228Chatto & Windus 1911. Hardcover. Very good/No jacket. Covers rebound. Chatto & Windus hardcover
1911B6673Chatto & Windus De Nieuwe Tijd. c. 1911. Some fraying to top of spine but interior is good plates clean and crisp.<br><br>. Binding: Original full yellow cloth boards. ‘Steinlen’ in red lettering on upper cover featuring large colour engraving of cartoon depicting man with accordion and woman in headscarf. Green paste-in and free endpapers. Notes: Theophile Steinlen 1859–1923 was a Swiss-born French Art Nouveau painter and printmaker. Size: Folio390x282 mm. Illustration: A collection of Steinlen’s art reflecting on political and social ills and scenes.<br>24 plates in total tipped-in at corners. With a critical introduction and descriptive notes.<br><br> Category: Book Social Sciences; Chatto & Windus, De Nieuwe Tijd. hardcover
191479124Paris: E. Rey 1914. Fine. E. Rey Paris 1914 15.50 x 20 cm broché First edition on ordinary paper. Spine lightly sunned otherwise handsome copy. Work illustrated with 174 drawings by Steinlen. Rare signed autograph inscription by Théophile Alexandre Steinlen. E. Rey unknown
191888522Paris: s. n. 1918. Fine. s. n. Paris 1er avril 1918 21.3 x 29.5 cm Une feuille Autograph letter dated and signed by Théophile-Alexandre Steinlen 30 lines in black ink written from his Montmartre residence at 21 rue Caulaincourt addressed to his friends the Lefèvres.Folding marks inherent to mailing minor marginal tears.The painter inquires after the health of Madame Lefèvre who was unwell at the time and asks his correspondent to see that everything is put in order at their house in Saint Ay where his wife and model Massia would soon be staying.Steinlen is held back in Paris: ""Pour moi je ne se sais trop ce que je ferai en tout cas je ne puis quitter Paris avant le 15 - d'ici là des évènements peuvent survenir qui me bloqueront ici. ou ailleurs - s'ils ne s'arrangent pas de la façon que je souhaite St Ay ne me verra pas cette année."" s. n. unknown
1901168104Paris 1901. paperback. fine. Black & white frontispiece 99 beautiful color illustrations. Tall 12mo original printed wrappers with wrap-around color illustration; original glassine; unopened pages. Paris: Edition H. Piazza/Sevin et Rey 1901. Text in French. A very fine unused copy.<br/> <br/> unknown
190374987Paris: Editions d'art Edouard Pelletan 1903. Fine. Editions d'art Edouard Pelletan Paris 1903 14.50 x 20.50 cm relié First edition of this exhibition catalogue held at 32 place Saint Georges in NovemberDecember 1903. Bound in contemporary chocolate brown morocco-backed marbled boards spine plain corners in matching morocco marbled endpapers gilt top edge original wrappers and spine preserved; signed binding by Lortic. Pasted on the rear pastedown is the invitation card to the exhibition illustrated by Théophile-Alexandre Steinlen. Preface by Anatole France. A handsome copy finely bound by Lortic son of Charles Baudelaires bookbinder. Editions d'art Edouard Pelletan hardcover
19201797AG1920. um 1920. Zeichnung mit brauner Tusche. Bildformat: 115 x 15 cm. Blattformat: 14 x 235 cm. Unten links mit monogramiertem Nachlasstempel. unknown
198518914TANNER STAEHLIN 09/1985. 1. hardcover. TANNER + STAEHLIN hardcover
190186266Paris: H. Piazza et CieSevin & Rey 1901. Fine. H. Piazza et Cie Sevin & Rey Paris 1901 15 x 20.50 cm broché First edition one of 100 numbered copies on Japan paper the only deluxe copies. Handsome copy. Work illustrated with 100 colored drawings by Théophile Alexandre Steinlen. H. Piazza et CieSevin & Rey unknown
1916318737Paris 1916. Drawing. Conte on paper. Signed in conte.<br/> <br/> Haunting study of a young girl with side profile and lip studies. Foxing toning small tears in the margins otherwise in good condition. Theophile Alexandre Steinlen 1859-1923 was a Swiss-born French Art Nouveau painter and printmaker. He was politically engaged and collaborated with anarchist and socialist groups. Frequently referred to as just Steinlen he is best known for his 'Chat Noir' advertisements for the cabaret of the same name.<br/> <br/> unknown
191666844Paris: Georges Crès & Cie 1916. Fine. Georges Crès & Cie Paris 1916 12 x 19 cm broché First edition on ordinary paper. Frontispiece by Théphile Alexandre Steinlen. Beautiful autograph inscription signed by Colette to her lover Valentine Feydeau : ""A Valentine Feydeau 1 / 1 Elle n'aura le reste de la dedication que si elle revient."" Georges Crès & Cie unknown
19015213<p>3 Portfolios containing approximately 165 individual issues of <i>L'Assiette au Beurre.</i> One cream full cloth portfolio with strap and buckle; another black quarter cloth over marbled boards with three black ties; lastly white paper boards and linen spine with strap and buckle. Occasional tears & soiling but overall in very good condition. Issues included: Nos. 1-7; ; No. 11; Nos. 14-17; Nos. 26-40; Nos. 44-47; No 49-50; Nos. 54-58; Nos. 62-63; No. 66; No. 69; Nos. 70-72; No. 74;; Nos. 337-342; No. 344; Nos 347-349; Nos. 351; No 353; Nos 355-357; Nos. 360-364; Nos. 367-368; Nos. 370-372; No. 374 Nos 377-382; No. 384; No. 387; Nos. 389-396; No. 398; No. 400; Nos. 408-409; No. 412; Nos. 415-417 Nos 419-421; No. 424; No 427; 429-430; No. 433; Nos 436-439; Nos 441; No 443; 445--450; No.454; Nos. 458-465; No. 474; Nos. 477-478; No. 482; No. 498; No. 509; No. 512 plus special issues. 10 1/4 x 12 3/4 inches.</p> Samuel Sigismond Schwarz paperback
19163398Paris: D'Alignan Editeur; A. Vernant & E. Dolle Imprimeurs 1916. First Edition One of 400 sets printed on velin. All in Very Good to Fine Condition/Title and publisher label from the original folio have been preserved on the cover of a new wrap. Now preserved in an attractive matching clam shell of brown and beige marbled paper. Uncommonly found complete set as issued with all eighteen 18 lithos each is signed by the artist in pencil. Too often individual lithos have been seperated from the set for individual sale making complete copies quite rare. 3 3/4" x 5 1/4" lithographs on velin tipped on to 7" x 9" sheets. Croquis de Temps de Guerre "Sketches from Wartime" is Steinlen's major World War I print portfolio. The scenes depicted take place between 1914 and 1916 and are the head and torso studies from his larger series on Serbian refugees. Included is an upper torso preliminary of the most famous of these "La Poilue". D'Alignan was the director of the "La Guerre editions" and exclusive publisher of Steilen's work between 1915 and 1919. Steinlen was well known for his sympathetic eye in depicting the miseries of war. One can discern even from these small poignant drawings of face and torsos the suffering and burdens of war on especially the mothers and children. This was originally intended to be a series of four albums alas this is the first and only one published.<br /> <br /> Theoophile Steilen 1859 - 1923 was born in Switzerland. He initially studied Theology in Lausanne a precursor to his humanitarian sentiments as well as being a commited socialist and anarchist. He moved to Paris and in 1883 became part of the bohemian collective of Monmartre along with Henri Toulouse-Lautrec and Emil Zola. He was the primary illustrator of song books for Aristide Bruant and served as the resident illustrator for the magazine "Chat Noir". When not creating art the crew often gathered at the cabaret of the same name. HIs enduring best know creation is the "Tournee du Chat Noir" poster the iconic black cat advertising the cabaret which remains one of the most reproduced images in poster history. "Tout vient du peuple tout sort du peuple et nous ne sommes que ses porte-voix. Everything comes from the people everything comes out of the people and we are merely its mouthpieces." - T. A. Steinlen. D'Alignan, Editeur; A. Vernant & E. Dolle, Imprimeurs unknown
196353666New York: Charles E. Slatkin Galleries. As New. 1963. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 139 works catalogued and illustrated. -- with a bonus offer-- . Charles E. Slatkin Galleries paperback
199971091Museum. New. 1999. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . Museum paperback
19101720Paris: Edouard Pelletan 1910. Limited Edition. Near fine. Théophile Steinlen. 4to; 10 1/8 x7 3/4 inches 258 x 197 mm; half-title limitation title with publisher's device 366 pp including a glossary of slang Glossaire argotique 1 8 advertisements printed in black and red with additional colors for title page. 252 illustrations from works by Théophile Steinlen engraved by Ducourtioux. Full red morocco binding by Vautrin gilt stamped in dentelle; gilt fillets on covers raised bands with gilt titles and decorations in compartments wide gilt dentelles marbled endpapers t.e.g.; original paper boards bound in; minimal rubbing on bottom corners and edges internally clean and bright with a very faint water mark on bottom right corner not affecting texts or images firmly bound. <br /> Copy 218 of 340 numbered and signed by E. Pelletan on limitation page one of 267 copies on Marais Mills hand-made paper. <br /> <br /> Carteret IV 341; Crauzat 643. A very beautiful work by Jean Richepin 1849 - 1926 superbly illustrated by Théophile Alexandre Steinlen 1859-1923 in an elegant contemporary binding.<br /> Richepin was virtually unknown until the publication in 1876 of this volume of verse entitled La Chanson des Gueux a declaration of war against the bourgeoisie. Richepin's outspokenness resulted in his being imprisoned and fined for "outrage to morals." The collection was republished without the contentious pieces which were published separately in Brussels in 1881. The book is divided into several parts: 1°/ Beggars of the Fields; 2°/ Beggars of Paris; 3°/ We Other Beggars; Epilogue: The End of the Beggars. A slang glossary concludes the work. <br /> <br /> For this 1910 edition the illustrations were entrusted to the Swiss-born Steinlen who was politically engaged and often collaborated with anarchist and socialist press. "You will find Steinlen at the entrance to the construction site at the workshop door at the factory exit; he is everywhere where people gather on days of celebration riot or strike. . He succeeds in establishing the link which unites simple hearts in showing the intimate cohesion of the group of the theory of the collection; no one possesses to the same degree as Steinlen the gift and the power to make the shiver of a common anguish run through an assembly Roger Marx preface to "L'Oeuvre gravé et lithographié de Steinlen" Paris Société de Propagation des Livres d'Art 1913. Edouard Pelletan unknown
19053003771905. 9-1/2 x 12 inches. Blue conté crayon on plain paper signed in autograph lower left; hinged to backing board; small unrepaired tear at lower right edge not affecting image. 9-1/2 x 12 inches. An original Steinlen drawing of a sitted nude woman beautifully rendered and shaded in blue conté crayon and signed by the artist at lower left. This is one of numerous studies Steinlen made during the early 1900s of what appear to be the same model in nearly all cases with her face obscured though most are far more loosely sketched than this finely drafted example. unknown
