[Steinlen, Christian Gottlieb]Biblio.com
33 résultats
1833316700Lausanne: Spengler & Cie 1833. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. The first 15 plates mounted on the back of the latter 15 some minor spotting and light creasing folding concertina-style into modern marbled boards. Bound without wrappers. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. An impressively large panorama running over 14 meters in total. The fête of 1833 was held over two days in August involving nearly 800 participants pulling numerous floats and was organized by David Constantin and Steinlen. In the present day the Swiss fête is organized by the Confrérie des Vignerons Brotherhood of Winegrowers and while they are free to choose how often the festival takes place it can only happen five times each century. The next Fête des Vignerons was held in July 2019.<br /> <br /> There were two showings with tickets costing between one and three francs each. The vignerons Jean-Louis Blanchoud and the Lécheyres brothers were crowned. A further thirty-two vignerons also received awards. This scroll depicts the actual participants in the procession wearing costumes also designed by Steinlen. Many of the floats are symbolic and represent the seasons or Bacchus but many of them show the actual tools of the trade such as a display of barrel making various crop management tools and even a large wine press. The final image is that of Noah's ark as Noah is considered to be the first vigneron. This publication is one a number of illustrative depictions of the 1833 Fête Simon lists three alone in Bibliotheca Gastronomica. Andre Simon Bibliotheca Gastronomica no.1558; Reed p. 87; Bobins 1313. OCLC locates copies at California State University Fresno the Getty and Bibliotheque d'Art et d'Archaelogie Switzerland Spengler & Cie unknown
18964158Paris 1896. Large folio 17 x 12 inches image size on cream wove paper 13 x 20 inches. Paris 1896. Original lithograph poster printed in three colors: black pale green and gold. The scarce poster by Theophile Alexandre Steinlen 1859-1923 for the book “Chanson de femmes†which was issued in the same year as the poster 1896 Paris Enoch & Cie. Theophile Steinlen Theophile Steinlen Swiss-born French Art Nouveau painter illustrator and printmaker is best known for his iconic posters and depictions of Parisian life. He moved to Paris in the 1880s and became a key figure in Montmartre artistic scene associating with figures like Toulouse-Lautrec. His art combined realism with Art Nouveau influences making him a significant contributor to the Belle Epoque visual culture. A most delicate image. Extremely scarce thus. Fine. unknown
188588582Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 25 juillet 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features an illustration by Steinlen: ""Le plus vexé des trois"". With literary contributions by Alphonse Allais ""Absinthes"" dedicated to Adolphe Willette Rodolphe Darzens with the poem ""Le conseil de la chair"" Camille de Sainte-Croix ""Paul Margueritte"" Louis Marsolleau ""Villon"" among others. A handsome copy despite a small paper flaw at the head of the first page due to a printing defect. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name which it sought to document. It featured texts performed during the shows and stands as a major literary and artistic record of late 19th-century bohemian life and Parisian effervescence. Au cabaret Le Chat noir unknown
188888811Paris: Au cabaret Le Chat noir 1888. Fine. Au cabaret Le Chat noir Paris 27 octobre 1888 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features a comic strip by Steinlen ""Du dernier bien avec le général"" as well as drawings by Henry Somm on the facing page. Literary contributions by Alphonse Allais ""La forêt enchantée"" dedicated to George Auriol Raoul Gineste ""Les vieux chats"" and José Rolla ""A l'église"". A well-preserved copy despite a few faint marginal stains. Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as a major literary and artistic testimony to the late 19th century capturing the bohemian spirit and vibrant Parisian scene of the time. Au cabaret Le Chat noir unknown
188783169Paris: Au cabaret Le Chat noir 1887. Fine. Au cabaret Le Chat noir Paris 1887 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen dedicated to Alphonse Allais. Literary contributions by Alphonse Allais ""Idylle"" Rodolphe Salis Georges Auriol Pierre Mille . Handsome copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its memory. It published texts recited during the shows. It is moreover an important literary and artistic testimony of the end of the 19th century around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
188683280Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Henry Somm: ""Dévouement et repentir"". Literary contributions by Rodolphe Salis ""La dévotion de Jacques de Pissardière illustré de 2 dessins de Théophile Alexandre Steinlen"" text dedicated to Jules Barbey d'Aurevilly Alphonse Allais ""Une mauvaise blague"" George Auriol. Handsome copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its chronicle. It published texts recited during performances. It also forms an important literary and artistic testimony of the late nineteenth century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
190039119Paris: Edouard Pelletan 1900. AN EXCEPTIONAL COPY OF THIS IMPORTANT EXAMPLE OF FINE PRINTING AND WOOD-ENGRAVING. A livre d'artiste devoted to Gutenberg illustrated with 15 OUTSTANDING ORIGINAL WOOD-ENGRAVINGS by Deloche Ernest and Frédéric Florian Froment and Mathieu after G. Bellenger Bellery-Desfontaines F. Florian and Steinlen. From a total edition of only 113 numbered copies this is ONE OF ONLY 6 COPIES the best copies aside from the unique copy on real vellum printed on antique Japanese paper with two additional suites of the wood-engravings on Chinese paper and on antique Japanese paper. EACH OF THE WOOD-ENGRAVINGS IN THE SUITES IS SIGNED BY THE ENGRAVER. This copy printed for FELIX LESEUR a French doctor and atheist who mocked his devoted young wife's beliefs until she too became an atheist. She later recovered her faith and after she died he became a priest. Large 4to. BEAUTIFULLY BOUND BY GRUEL signed IN FULL JANSENIST CHERRY MOROCCO with quintuple gilt filets on the turn-ins. Original wraps and backstrip preserved. All edges gilt. FINE AND BRIGHT WITH NO DEFECTS inside and out. In the original morocco-lined slipcase. A GORGEOUS PRODUCTION BRINGING TOGETHER LEADING ARTISTS AND ENGRAVERS AND OF COURSE ONE OF THE GREAT BINDERS OF THE PERIOD. UNIQUE. <br/><br/> Edouard Pelletan paperback
188577552Paris: Furne & Cie 1885. Fine. Furne & Cie Paris 1885-1900 13.50 x 19 cm 4 volumes reliés First edition of each of the four volumes one of 50 copies for the first and third works or one of 150 copies for the second and fourth printed on Japan paper the only deluxe issue. Bradel bindings in citron half morocco with corners smooth spines slightly darkened marbled paper boards pebble-grained endpapers and pastedowns covers and backstrips preserved in one piece contemporary bindings signed Champs. Covers and in-text or full-page drawings by Théophile Alexandre Steinlen for the first and second volumes by Francisque Poulbot for the third and by Louis Borgex for the fourth and final volume. Each volume bears Aristide Bruants autograph signature beneath the colophon; the last volume also includes Louis Borgexs handwritten signature. A handsome complete set of four volumes uniformly bound at the time by Champs. Furne & Cie hardcover
1889314591889. Paris Aristide Bruant s.d. 1889. Un vol. au format in-12 188 x 118 mm de 207 pp. Reliure signÂŽe de l'ÂŽpoque de demi-percaline satinÂŽe cerise ˆ coins dos lisse ornÂŽ de doubles filets dorÂŽs fleuron central dorÂŽ piÂce de titre de maroquin ÂŽbÂne titre dorÂŽ couvertures et dos conservÂŽs faÂon ''leporello''. Carayon. ''PremiÂre ÂŽdition illustrÂŽe recherchÂŽe et cotÂŽe''. in Carteret. Elle est ici dÂŽpourvue de toute mention de ''mille''. Elle s'agrÂŽmente de nombreuses compositions in et hors-texte d'Alexandre Steinlen. L'exemplaire - revÂtu d'une reliure signÂŽe de Carayon - a conservÂŽ son dos et ses couvertures agrÂŽablement illustrÂŽs ; se dÂŽployant ici faÂon ''leporello''. ''Sorti des Beaux-Arts ˆ Lausanne Steinlen dÂŽbuta dans le dessin industriel pour le textile ˆ Mulhouse. ArrivÂŽ ˆ Paris en 1882 il frÂŽquenta aussit™t le cabaret du Chat noir et commenÂa alors ˆ dessiner pour de nombreuses revues ainsi que plusieurs ÂŽditeurs. A partir de 1898 il grava ˆ l'eau-forte et produisit des affiches qui le rendirent cÂŽlÂbre. Anatole France ÂŽcrivit de lui : ''DouÂŽ d'une sensibilitÂŽ subtile vive attentive d'une infaillible mÂŽmoire de l'oeil et de moyens rapides d'expression en somme tout destinait Steinlen ˆ devenir le dessinateur et le peintre de la vie qui passe le ma”tre de la rue. Le flot clair et matinal et le flot sombre et nocturne des ouvriers et ouvriÂres les groupes attablÂŽs sur le trottoir les r™deurs des noirs boulevards la rue enfin la place publique les lointains faubourgs aux arbres maigres les terrains vagues tout cela est ˆ lui. De ces choses il sait tout. Leur vie est sa vie leur joie est sa joie leur tristesse sa tristesse. Il a ri et souffert avec les passants. L'‰me des foules irritÂŽs ou joyeuses a passÂŽ en lui. Il en a senti la simplicitÂŽ terrible et la grandeur. C'est pourquoi l'oeuvre de Steinlen est ÂŽpique''. in Osterwalder. Premier ouvrage de l'auteur il ne manqua - dÂs parution - de faire sensation les critiques sont enthousiastes. Chacun salue le ÇÊpoÂte sincÂre et vibrant d'une rare originalitŽÊÈ louant ''sa verve ˆ exprimer le pathÂŽtique de la crapule''. FranÂois CoppÂŽe le fait recevoir ˆ la SociÂŽtÂŽ des gens de lettres en 1891 et il ne mÂŽnage pas ses ÂŽloges au comitÂŽ des gens de lettresÊ: ÇÊJe fais grand cas de Dans la rue et je le tiens pour un descendant en ligne directe lÂŽgitime de notre Villon.ÊÈ. Immense rÂŽussiteÊpour Bruant : ses chansons sont mises aux rÂŽpertoires d'artistes cÂŽlÂbresÊ: EugÂŽnie Buffet dÂŽguisÂŽe en fille de barriÂre fait applaudir Ë la Cigale Ë la Villette et Ë la GlaciÂre et lance Ë Saint-Lazare ; Yvette Guilbert vedette du caf'conc' interprÂte Ë Belleville et Au Bois de Boulogne. Bruant connait alors une gloire internationale et en 1895 abandonne son cabaret et part en tournÂŽe ˆ l'ÂŽtranger.Bruant se revendique comme un travailleur sÂŽrieux. Dans sa poÂŽsie apparemment simple la puissance du raccourci et la prÂŽcision du terme dissimulent de longues recherchesÊ: ÇÊsept mois pour une chansonÊ!ÊÈ a-t-il dÂŽclarÂŽ ˆ propos de Ë Biribi. FlÂŽty Dictionnaire des relieurs fran!ais p. 38 - Carteret IV Le TrÂŽsor du bibliophile / Livres illustrÂŽs modernes p. 83 - Vicaire I Manuel de l'amateur de livres du XIXÂme siÂcle col. 938. Quelques lacunes en marge de la page de titre. Dos de la couverture papier originelle doublÂŽ prÂŽsentant en outre un manque en tÂte. Du reste trÂs belle condition. b42961 unknown
188588817Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 14 février 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This 4-page issue features a comic strip by Steinlen: ""La mauvaise aventure de Maigriou."" Includes literary contributions by Charles Cros Pour en avoir le coeur net Charles Chincholle Les jours dabsinthe George Auriol La saint Charlemagne François Coppée Lesclave ivre . A well-preserved copy. Le Chat Noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famed cabaret of the same name of which it served as a living memory. It featured the texts performed during the shows. The publication also stands as a significant literary and artistic testimony of the late 19th century centered on the bohemian world and the vibrant cultural scene of Paris at the time. Au cabaret Le Chat noir unknown
188683164Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen: ""La rose"". Literary contributions by Charles Cros ""Un drame interastral"" Caran d'Ache ""Carnet de la semaine"" Albert Tinchant Rodolphe Salis ""Comment fut parachevée l'église saint-Pierre de Poictiers"" dedicated to Guy de Maupassant. Handsome copy despite minor worming. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name of which it serves as the memory. It publishes the texts recited during the performances. It is furthermore an important literary and artistic testimony of the late 19th century around bohemian life and the Parisian effervescence that characterizes it. Au cabaret Le Chat noir unknown
188588583Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 1er août 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features an illustration by Steinlen: ""Coqs et poule"". Literary contributions by Alphonse Allais with ""Le pauvre bougre et le bon génie"" dedicated to Henry Somm François Villon with the poem ""Rondel"" George Auriol with ""Au diable vert"" dedicated to Steinlen Rodolphe Salis. A handsome copy. Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 created to promote the famous cabaret of the same name and to serve as its memory. It published the texts performed during the shows. More broadly it constitutes a major literary and artistic record of the late 19th century centered on bohemian life and the unique creative fervor of Paris at the time. Au cabaret Le Chat noir unknown
189486064Paris: Flammarion 1894. Fine. Flammarion Paris s. d. 1894 12 x 19 cm relié First edition one of 10 numbered copies on Japan paper the only deluxe copies. Bound in full mustard yellow morocco spine very slightly faded with four raised bands underlined with black fillets green morocco doublure yellow moiré silk endpapers following endpapers of marbled paper original wrappers and spine preserved bookplate pasted on one pastedown all edges gilt elegant contemporary binding signed Cretté. Small glue stains on the page opposite the bookplate. Cover illustrated with a drawing by Théophile Alexandre Steinlen. Handsome copy perfectly bound in morocco doublure by Georges Cretté. Flammarion hardcover
188683276Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen ""Actualité brûlante"". Literary contributions by Francisque Sarcey ""Chronique du bon sens"" Jean Richepin ""Le chat noir"" Abel Hamel ""Qui a bu ne peut plus boire"" Georges Courteline ""Madame Dieu-nous-voit"". Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its memory. It published texts recited during the performances. It constitutes moreover an important literary and artistic testimony of the end of the 19th century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
189030948Paris: Marpon & Flammarion 1890. Fine. Marpon & Flammarion Paris s. d. 1890 11.50 x 18 cm relié First edition on ordinary paper with only 10 deluxe copies printed on Holland paper. Contemporary half-green shagreen binding spine with 5 raised bands covers and spine preserved at front of volume front cover illustrated in colors by Steinlen. Our copy is enhanced with an autograph visiting card by the author mounted on stub on the half-title page. Minor surface wear to headcaps otherwise handsome copy. Marpon & Flammarion hardcover
18945215<p>Five small folio volumes. Contemporary half cloth over marbled paper-covered boards; three volumes disbound with covers still present. <i>Le Rire</i> was a successful French humor magazine published from October 1894 through the 1950s. Black and white and color illustrations copiously throughout. Artists who contributed to Le Rire include: Henri de Toulouse-Lautrec Théophile Steinlen Georges Goursat Hermann-Paul Juan Gris Georges Meunier Lucien Metivet Jean-Louis Forain Adolphe Willette Albert Guillaume Jules Grandjouan Abel Faivre and many others. Boards rubbed and scuffed board edges heavily abraded spine ends and corners bumped. Text blocks shaken with some sporadic gatherings and leaves loose leaves toned multiple places over-opened. Hinges in two volumes cracked. Large tear on page 7-8 of No. 49 in the first volume. Fifth volume with front cover detached. Backstrips separating on second and fifth volumes. </p><p>First volume: Nos. 1-50 1894-1895. Second volume: No. 51-100 1895-1896. Third volume: Nos. 209-260 1898-1899. Fourth volume: Nos. 261-312 with <i>Numero Special hors Serie </i>1899-1900. Fifth volume: Nos. 313-364 1900-1901. 2 vol: 9 1/2 x 12 inches // 3 vol: 9 1/2 x 13 inches</p> hardcover
19001381584Paris: Édouard Pelletan 1900. Limited Edition #79/127. Softcover. Quarto xv 28 pages. In Good minus condition. Bound in publisher's tan illustrated covers. Heavy tearing and chipping to spine. Rubbing to edges and corners of covers. Heavy age toning and moderate staining to covers. Textblock completely detached from covers. Rear two gatherings detached from textblock. Previous owner's signature and penciling to front free endpaper. Light penciling to rear free endpaper. Mild age toning with scattered foxing and staining throughout textblock. DH Consignment. Shelved Case 11. 1381584. Shelved Dupont Bookstore. Édouard Pelletan unknown
189584795Paris: Librairie Gueteville 1895. Fine. Librairie Gueteville Paris 1895 12.50 x 19.50 cm broché First edition illustrated with a cover and drawings by Théophile Alexandre Steinlen. Spine cracked at head and foot. Autograph inscription dated and signed by Paul Chambot with the additional signature of Ambroise Girier to A. Patay. Librairie Gueteville unknown
189577940Paris: Librairie Gueteville 1895. Fine. Librairie Gueteville Paris 1895 12.50 x 19.50 cm relié First edition illustrated with a cover and drawings by Théophile Alexandre Steinlen. Bradel binding in half red shagreen smooth spine date in gilt at foot pebbled paper boards covers illustrated by Théophile Alexandre Steinlen and spine preserved in one piece. Handsome copy despite a small restoration to the upper corner of page 93 a slight lack at foot of the second cover of the illustrated wrapper. Librairie Gueteville hardcover
189628558Paris: Imprimerie Chaix 1896. First edition. Print. Very good condition. Steinlen 1859-1923 the famed Swiss born printmaker who settled and worked in Montmartre Paris is noted for his impressive posters of cafes and night life. He was a socialist whose images display his lifelong support and focus on the working class.<br /> <br /> Art nouveau style poster for this opera set in Greece. Color lithograph image size varies on paper 11 1/4 x 15 1/2" with the blind stamp in the lower right corner. <br /> <br /> Maitres de l'Affiche Masters of the Poster was an outstanding publication publishing in a small format the best of poster art from the Belle Epoque. They are lithographs printed by Imprimerie Chaix in Paris between 1895-1900. Imprimerie Chaix unknown
189131052AB1891. 11 Bände. Paris. 18911891 Klein-Folio 395 x 28 cm. Mit über 800 meist farbigen Lithographien von Steinlen Bulluriau Guillaume und anderen Künstlern. Halbleinenbände. Vicaire III 978. - Jahrgänge 111 dieser schönen Zeitschrift der Jahrhundertwende mit Texten von Baudelaire S. Bernardt Bruant Colette Daudet France Maupassant Schwob Mallarmé Verlaine Zola und anderen Autoren. Die meisten Illustrationen stammen von Steinlen. Ohne die Nr. 44 aus Jahrgang 10. Vorgebunden sind 2 Vorläufernummern des Gil Blas. unknown
189924502Paris 1899. First edition. Fine. Printed color lithographic cover art with block color for the Parisian journal 'Le Mirliton' by the noted Paris Art Nouveau printmaker. <br /> <br /> Dramatic poster depicting a Parisian dancer armed with bottle of wine accosting a group of upper class men in top hats as they recoil in shock. With the price of the journal Le Mirliton incorporated into the scene at the left.<br /> <br /> Aristide Bruant 1851-1925 established his cabaret Le Mirliton in Paris in 1885; Steinlen was commissioned by Bruant to create poster art for the cabaret as well as advertisement for its journal. <br /> <br /> With period pencil notation on the verso "Tirage a part du Mirliton". Image size varies on paper 13 x 18" unknown
1900422<p>Drawing in pencil. c. 1900. With the Steinlen estate stamp. 19 x 12½. On paper with a CF watermark. Deckled edges on 3 sides. Margins: 48 ½ x 31.</p>
1900264<p>n.d. Pencil and crayon. With the Steinlen estate stamp and estate code number. Deckled edges on 3 sides Margins: 48½ x 31.</p>
189723234Paris: Gil Blas 1897. Stiff Wraps. Illustrated stiff wrappers. Very good. Steinlen Theophile. Steinlen's illustrations 25.5 x 22.5 cm. All are covers for "Gil Blas" the popular French journal for which Steinlen produced a host of illustrations. All the issues were cut to remove the top portion noting the publisher and the lead title the latter cut and pasted below the illustration. One cover presents Steinlen's noted love and enthusiastic illustrations of cats. The issue title by Alphonse Allais journalist and humorist translates "Against Dogs." All the magazine covers matted to stiff dark green stock. Some of the covers have a hook at rear for hanging. Slight creasing to a few covers. A unique archive of Steinlen's efforts for Gil Blas. Gil Blas unknown
