33 résultats
188681940Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen ""La rose"". Literary contributions by Charles Cros ""Un drame interastral"" Caran d'Ache ""Carnet de la semaine"" Albert Tinchant ""Philanthropie"". Handsome copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name of which it considered itself the memory. It published texts recited during the shows. It is moreover an important literary and artistic testimony of the late nineteenth century around the bohemia and the Parisian effervescence that was characteristic of it. Au cabaret Le Chat noir unknown
189723234Paris: Gil Blas 1897. Stiff Wraps. Illustrated stiff wrappers. Very good. Steinlen Theophile. Steinlen's illustrations 25.5 x 22.5 cm. All are covers for "Gil Blas" the popular French journal for which Steinlen produced a host of illustrations. All the issues were cut to remove the top portion noting the publisher and the lead title the latter cut and pasted below the illustration. One cover presents Steinlen's noted love and enthusiastic illustrations of cats. The issue title by Alphonse Allais journalist and humorist translates "Against Dogs." All the magazine covers matted to stiff dark green stock. Some of the covers have a hook at rear for hanging. Slight creasing to a few covers. A unique archive of Steinlen's efforts for Gil Blas. Gil Blas unknown
18964158Paris 1896. Large folio 17 x 12 inches image size on cream wove paper 13 x 20 inches. Paris 1896. Original lithograph poster printed in three colors: black pale green and gold. The scarce poster by Theophile Alexandre Steinlen 1859-1923 for the book “Chanson de femmes†which was issued in the same year as the poster 1896 Paris Enoch & Cie. Theophile Steinlen Theophile Steinlen Swiss-born French Art Nouveau painter illustrator and printmaker is best known for his iconic posters and depictions of Parisian life. He moved to Paris in the 1880s and became a key figure in Montmartre artistic scene associating with figures like Toulouse-Lautrec. His art combined realism with Art Nouveau influences making him a significant contributor to the Belle Epoque visual culture. A most delicate image. Extremely scarce thus. Fine. unknown
189030948Paris: Marpon & Flammarion 1890. Fine. Marpon & Flammarion Paris s. d. 1890 11.50 x 18 cm relié First edition on ordinary paper with only 10 deluxe copies printed on Holland paper. Contemporary half-green shagreen binding spine with 5 raised bands covers and spine preserved at front of volume front cover illustrated in colors by Steinlen. Our copy is enhanced with an autograph visiting card by the author mounted on stub on the half-title page. Minor surface wear to headcaps otherwise handsome copy. Marpon & Flammarion hardcover
1900264<p>n.d. Pencil and crayon. With the Steinlen estate stamp and estate code number. Deckled edges on 3 sides Margins: 48½ x 31.</p>
1900422<p>Drawing in pencil. c. 1900. With the Steinlen estate stamp. 19 x 12½. On paper with a CF watermark. Deckled edges on 3 sides. Margins: 48 ½ x 31.</p>
18945215<p>Five small folio volumes. Contemporary half cloth over marbled paper-covered boards; three volumes disbound with covers still present. <i>Le Rire</i> was a successful French humor magazine published from October 1894 through the 1950s. Black and white and color illustrations copiously throughout. Artists who contributed to Le Rire include: Henri de Toulouse-Lautrec Théophile Steinlen Georges Goursat Hermann-Paul Juan Gris Georges Meunier Lucien Metivet Jean-Louis Forain Adolphe Willette Albert Guillaume Jules Grandjouan Abel Faivre and many others. Boards rubbed and scuffed board edges heavily abraded spine ends and corners bumped. Text blocks shaken with some sporadic gatherings and leaves loose leaves toned multiple places over-opened. Hinges in two volumes cracked. Large tear on page 7-8 of No. 49 in the first volume. Fifth volume with front cover detached. Backstrips separating on second and fifth volumes. </p><p>First volume: Nos. 1-50 1894-1895. Second volume: No. 51-100 1895-1896. Third volume: Nos. 209-260 1898-1899. Fourth volume: Nos. 261-312 with <i>Numero Special hors Serie </i>1899-1900. Fifth volume: Nos. 313-364 1900-1901. 2 vol: 9 1/2 x 12 inches // 3 vol: 9 1/2 x 13 inches</p> hardcover
189924502Paris 1899. First edition. Fine. Printed color lithographic cover art with block color for the Parisian journal 'Le Mirliton' by the noted Paris Art Nouveau printmaker. <br /> <br /> Dramatic poster depicting a Parisian dancer armed with bottle of wine accosting a group of upper class men in top hats as they recoil in shock. With the price of the journal Le Mirliton incorporated into the scene at the left.<br /> <br /> Aristide Bruant 1851-1925 established his cabaret Le Mirliton in Paris in 1885; Steinlen was commissioned by Bruant to create poster art for the cabaret as well as advertisement for its journal. <br /> <br /> With period pencil notation on the verso "Tirage a part du Mirliton". Image size varies on paper 13 x 18" unknown
188531053AB1885. Jahrgänge 121. Paris. Directeur Aristide Bruant. 18851905. Quarto 275 x 14 und 375 x 275 cm. 190 von 194 Heften. Nummern 1142 ohne die Hefte 69 und 103m Serie 2: Nummern 130 Serie 3: Nummern 121 ohne die die Hefte 6 und 22. Lose Hefte mit meist farbigen Titeln in Lithographie von Toulouse-Lautrec und Steinlen. Fast vollständige Serie dieser seltenen Zeitschrift herausgegeben vom Pariser Chansonniert Aristide Bruat der zu dieser Zeit auf dem Montmartre ein Cabaret mit dem Namen "Le Mirliton" führte. - Die ersten 100 Nummern und alle der 3. Serie sind im Format 275 x 14 cm von Nummer 101 bis zum Schluss der 2. Serie im Format 375 x 275 cm. Ab dem Jahr 1895 erschien die Zeitschrift nur noch sporadisch. Zwischen Juni 1896 und Mai 1903 erschienen keine Ausgaben. Sehr seltene bis auf 4 Nummern komplette Folge dieser Jugendstil-Zeitschrift. unknown
188588582Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 25 juillet 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features an illustration by Steinlen: ""Le plus vexé des trois"". With literary contributions by Alphonse Allais ""Absinthes"" dedicated to Adolphe Willette Rodolphe Darzens with the poem ""Le conseil de la chair"" Camille de Sainte-Croix ""Paul Margueritte"" Louis Marsolleau ""Villon"" among others. A handsome copy despite a small paper flaw at the head of the first page due to a printing defect. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name which it sought to document. It featured texts performed during the shows and stands as a major literary and artistic record of late 19th-century bohemian life and Parisian effervescence. Au cabaret Le Chat noir unknown
188888811Paris: Au cabaret Le Chat noir 1888. Fine. Au cabaret Le Chat noir Paris 27 octobre 1888 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features a comic strip by Steinlen ""Du dernier bien avec le général"" as well as drawings by Henry Somm on the facing page. Literary contributions by Alphonse Allais ""La forêt enchantée"" dedicated to George Auriol Raoul Gineste ""Les vieux chats"" and José Rolla ""A l'église"". A well-preserved copy despite a few faint marginal stains. Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as a major literary and artistic testimony to the late 19th century capturing the bohemian spirit and vibrant Parisian scene of the time. Au cabaret Le Chat noir unknown
188783169Paris: Au cabaret Le Chat noir 1887. Fine. Au cabaret Le Chat noir Paris 1887 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen dedicated to Alphonse Allais. Literary contributions by Alphonse Allais ""Idylle"" Rodolphe Salis Georges Auriol Pierre Mille . Handsome copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its memory. It published texts recited during the shows. It is moreover an important literary and artistic testimony of the end of the 19th century around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
188683280Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Henry Somm: ""Dévouement et repentir"". Literary contributions by Rodolphe Salis ""La dévotion de Jacques de Pissardière illustré de 2 dessins de Théophile Alexandre Steinlen"" text dedicated to Jules Barbey d'Aurevilly Alphonse Allais ""Une mauvaise blague"" George Auriol. Handsome copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its chronicle. It published texts recited during performances. It also forms an important literary and artistic testimony of the late nineteenth century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
188588817Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 14 février 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This 4-page issue features a comic strip by Steinlen: ""La mauvaise aventure de Maigriou."" Includes literary contributions by Charles Cros Pour en avoir le coeur net Charles Chincholle Les jours dabsinthe George Auriol La saint Charlemagne François Coppée Lesclave ivre . A well-preserved copy. Le Chat Noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famed cabaret of the same name of which it served as a living memory. It featured the texts performed during the shows. The publication also stands as a significant literary and artistic testimony of the late 19th century centered on the bohemian world and the vibrant cultural scene of Paris at the time. Au cabaret Le Chat noir unknown
188683164Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen: ""La rose"". Literary contributions by Charles Cros ""Un drame interastral"" Caran d'Ache ""Carnet de la semaine"" Albert Tinchant Rodolphe Salis ""Comment fut parachevée l'église saint-Pierre de Poictiers"" dedicated to Guy de Maupassant. Handsome copy despite minor worming. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name of which it serves as the memory. It publishes the texts recited during the performances. It is furthermore an important literary and artistic testimony of the late 19th century around bohemian life and the Parisian effervescence that characterizes it. Au cabaret Le Chat noir unknown
188588583Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 1er août 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features an illustration by Steinlen: ""Coqs et poule"". Literary contributions by Alphonse Allais with ""Le pauvre bougre et le bon génie"" dedicated to Henry Somm François Villon with the poem ""Rondel"" George Auriol with ""Au diable vert"" dedicated to Steinlen Rodolphe Salis. A handsome copy. Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 created to promote the famous cabaret of the same name and to serve as its memory. It published the texts performed during the shows. More broadly it constitutes a major literary and artistic record of the late 19th century centered on bohemian life and the unique creative fervor of Paris at the time. Au cabaret Le Chat noir unknown
188683276Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen ""Actualité brûlante"". Literary contributions by Francisque Sarcey ""Chronique du bon sens"" Jean Richepin ""Le chat noir"" Abel Hamel ""Qui a bu ne peut plus boire"" Georges Courteline ""Madame Dieu-nous-voit"". Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its memory. It published texts recited during the performances. It constitutes moreover an important literary and artistic testimony of the end of the 19th century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
188788808Paris: Au cabaret Le Chat noir 1887. Fine. Au cabaret Le Chat noir Paris 9 avril 1887 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This four-page issue features a large double-page illustration by Steinlen. Literary contributions by Alphonse Allais Bébert Pimpinelli Pose de lapin dedicated to Albert Tinchant and Narcisse Lebeau Paravent. Some marginal tears and stains. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name which it sought to commemorate. It published the texts recited during the performances and stands as a major literary and artistic document of late 19th-century bohemian life and the distinctive Parisian vitality of the era. Au cabaret Le Chat noir unknown
188481915Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition. This issue consists of 4 pages and is illustrated with a full-page comic strip by Théophile Alexandre Steinlen ""Le chat et la grenouille"" ""The cat and the frog"". Literary contributions by Georges Auriol ""Fleur d'orange"" ""Orange blossom"" Rodolphe Salis Léo Niversac ""Bulletin du Chat Noir"" ""Chat Noir bulletin"" Jules Jouy. A few minor marginal tears of no consequence. Le Chat noir was a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name of which it served as the memory. It published texts recited during the shows. It is moreover an important literary and artistic testimony of the end of the 19th century centered around the bohemian lifestyle and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
188681973Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen: ""Les mésaventures d'Auguste"". Literary contributions by Alphonse Allais ""L'avancement"" Maurice Mac Nab ""La vue de Naples"" Eugène Godin ""Ronds de cuir"". Fine copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name of which it intended to be the record. It published texts declaimed during the performances. It is moreover an important literary and artistic testimony of the late nineteenth century around the bohemia and the Parisian effervescence that was its own. Au cabaret Le Chat noir unknown
188481999Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition. The issue is illustrated with a drawing by Théophile Alexandre Steinlen ""Au clair de la lune drame sombre"". Other contributions by Jules Jouy J. Chevalier Léopold Stapleaux ""Hugo ne mourra pas"". One fold to right margin of the third and final pages. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its memory. It published texts recited during performances. It constitutes moreover an important literary and artistic testimony of the late nineteenth century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
1833316700Lausanne: Spengler & Cie 1833. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. The first 15 plates mounted on the back of the latter 15 some minor spotting and light creasing folding concertina-style into modern marbled boards. Bound without wrappers. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. An impressively large panorama running over 14 meters in total. The fête of 1833 was held over two days in August involving nearly 800 participants pulling numerous floats and was organized by David Constantin and Steinlen. In the present day the Swiss fête is organized by the Confrérie des Vignerons Brotherhood of Winegrowers and while they are free to choose how often the festival takes place it can only happen five times each century. The next Fête des Vignerons was held in July 2019.<br /> <br /> There were two showings with tickets costing between one and three francs each. The vignerons Jean-Louis Blanchoud and the Lécheyres brothers were crowned. A further thirty-two vignerons also received awards. This scroll depicts the actual participants in the procession wearing costumes also designed by Steinlen. Many of the floats are symbolic and represent the seasons or Bacchus but many of them show the actual tools of the trade such as a display of barrel making various crop management tools and even a large wine press. The final image is that of Noah's ark as Noah is considered to be the first vigneron. This publication is one a number of illustrative depictions of the 1833 Fête Simon lists three alone in Bibliotheca Gastronomica. Andre Simon Bibliotheca Gastronomica no.1558; Reed p. 87; Bobins 1313. OCLC locates copies at California State University Fresno the Getty and Bibliotheque d'Art et d'Archaelogie Switzerland Spengler & Cie unknown
189584795Paris: Librairie Gueteville 1895. Fine. Librairie Gueteville Paris 1895 12.50 x 19.50 cm broché First edition illustrated with a cover and drawings by Théophile Alexandre Steinlen. Spine cracked at head and foot. Autograph inscription dated and signed by Paul Chambot with the additional signature of Ambroise Girier to A. Patay. Librairie Gueteville unknown
189577940Paris: Librairie Gueteville 1895. Fine. Librairie Gueteville Paris 1895 12.50 x 19.50 cm relié First edition illustrated with a cover and drawings by Théophile Alexandre Steinlen. Bradel binding in half red shagreen smooth spine date in gilt at foot pebbled paper boards covers illustrated by Théophile Alexandre Steinlen and spine preserved in one piece. Handsome copy despite a small restoration to the upper corner of page 93 a slight lack at foot of the second cover of the illustrated wrapper. Librairie Gueteville hardcover
190039119Paris: Edouard Pelletan 1900. AN EXCEPTIONAL COPY OF THIS IMPORTANT EXAMPLE OF FINE PRINTING AND WOOD-ENGRAVING. A livre d'artiste devoted to Gutenberg illustrated with 15 OUTSTANDING ORIGINAL WOOD-ENGRAVINGS by Deloche Ernest and Frédéric Florian Froment and Mathieu after G. Bellenger Bellery-Desfontaines F. Florian and Steinlen. From a total edition of only 113 numbered copies this is ONE OF ONLY 6 COPIES the best copies aside from the unique copy on real vellum printed on antique Japanese paper with two additional suites of the wood-engravings on Chinese paper and on antique Japanese paper. EACH OF THE WOOD-ENGRAVINGS IN THE SUITES IS SIGNED BY THE ENGRAVER. This copy printed for FELIX LESEUR a French doctor and atheist who mocked his devoted young wife's beliefs until she too became an atheist. She later recovered her faith and after she died he became a priest. Large 4to. BEAUTIFULLY BOUND BY GRUEL signed IN FULL JANSENIST CHERRY MOROCCO with quintuple gilt filets on the turn-ins. Original wraps and backstrip preserved. All edges gilt. FINE AND BRIGHT WITH NO DEFECTS inside and out. In the original morocco-lined slipcase. A GORGEOUS PRODUCTION BRINGING TOGETHER LEADING ARTISTS AND ENGRAVERS AND OF COURSE ONE OF THE GREAT BINDERS OF THE PERIOD. UNIQUE. <br/><br/> Edouard Pelletan paperback
