464 résultats
192915275Waterbury CT: The Waterbury Metal Wares Co. ca. 1929. First Edition. Wraps. Very good. Large 8vo. commercial album. Limp leather wraps over metal ring binding. Printed catalogue with 75 added leaves holding 85 professional black-and-white photographs loosely corner-mounted. Some stamped on verso with company name. With numerous additional manuscript notations and dozens of sketches. An unmodified copy of the print catalog a supplemental catalog and various related scrap and ephemera additionally laid in. General wear. Overall sound. Very good. <br/><br/>Draft production binder used in creation and revision of a 1929 catalogue of electric lighting fixtures and accessories belonging to Lauritz W. Andersen industrial designer and owner of The Waterbury Metal Wares Co. Andersen was a prominent inventor and designer of electrical socketry in the early 20th century; his career can be traced through patent office records where over 60 items bear his name. He was with the firm of Plume and Atwood for approximately 25 years leaving in 1915 to form Waterbury. The firm specialized in fixtures and other components for lamps and lighting — including earlier methods candles lanterns. Sconces candelabras floor and desk lamps as well as more specialized piano drafting much in evidence. The clear professional photographs as well as sketches and notes within the binder provide a thorough glimpse into the early industrial design and marketing of electrical lighting. The Waterbury Metal Wares Co. paperback books
193490303a<p>DESIGN Ôzu Dôjin design group. <b>HIMEKESHI REISHUN</b>. Uchida Bijutsu Kyoto Showa 9 1934 .x. cm. Orihon in brocade covers with printed paper title label all in the original publisher's clasped chitsu with title label. There are 32 pages 16 double page printes in color woodblock of flower and botanical based designs. Beautifully printed by Uchida masters of their craft in the 1930s. About fine in fine impressions and colors.</p><p><br /></p> Uchida Bijutsu books
1910891951910. DESIGN Hagino Issui designer. ZUAN HYAKUDAI. 3 Vols. Kyoto Unsodo Meiji 43 1910 An orihon in 3 volumes 27 X 19 cm with woodblock printed covers all in a later fitted clasped cloth chitsu case. Unsodo outdid itself in this early design effort. Dozens of double page horizontal designs which become large prints the paper size being 37.5 x 27 cm as well as circular and fan-shaped and single page designs too. Most in the neo-Rimpa style which Unsodo artists pioneered at the beginning of the last century - bold and lovely. A bit of browning and fading the covers show some wear but overall very good condition a very nice impression of this important set. Complete. One of the very best of the Unsodo design books which is very good indeed. unknown books
1917891151917. DESIGN NAKAGAWA Yoshinaga designer. NAKAGAWA ZUANSHÛ. Nagoya Fukada Zuan Kenkyûsho Taishô 6 1917. Wonderful portfolio of lithographed designs in a Deco idiom. Reminiscent of the early work of Sugiura Hisui but with its own unique quirky sense of boldness and fun. Animal and vegetal themes for the most part. Very unusual. Complete as issued. unknown books
1912855151912. DESIGN Sugiura HISUI. KODAKARA. Tokyo: Mitsukoshi Gofukuten Meiji 45 1912. 29 x 23.5 cm. decorated boards and cloth in decorated dustwrapper and original tied decorated portfolio covers. A lovely package designed and illustrated by Hisui 1876-1965 the head designer for Mitsukoshi for the first half of the 20th century and one of the most important commercial designers of his day. Profusely illustrated throughout in color lithographs and relief prints. The text was written by Iwaya Sazanami this wonderful book was created for the new mothers of the burgeoning middle class who were buying their baby clothes and furnishings at Mitsukoshi. It was meant as a child's diary of development. from birth to the age of seven. Originally published in 1909 this second printing is nearly perfect there is some spotting to the tied outer covers and original and as such very scarce and desirable. See pp. 70-71 for more on this book in the Hisui special issue of the magazine HANGA GEIJUTSU #140 Summer 2008. Near fine. unknown books
1967008323New York: Holt Rinehart and Winston 1967. RARE Review Copy of this groundbreaking behind-the-scenes look into the New York art scene of the 1960s. With four 8" x 10" B&W glossy photos from the book laid in; George Segal's "Couple at the Stairs"; Andy Warhol in his studio; Marcel Duchamp in his Manhattan apartment; and Lee Bontecon relaxing in her studio first 3 photos Fine last photo small faint spot bottom margin and faint bottom corner crease. The book is Near Fine small prior owner name 2nd front end page slight bowing to boards. In a Very Good dust jacket 1/4" chip across head and 1 1/2" chip base of spine narrow chip at top edge front flap fold several small closed edge tears. Original photographs from this New York collection are uncommon at auction.RBH. While these four are not originals they would be striking framed as a set. . First Edition. Cloth. Near Fine/Very Good. Tall 4to - over 9¾" - 12" Tall. Review Copy. Holt, Rinehart and Winston Hardcover books
1938894341938. DESIGN HAPPÔDÔ publisher/printer. KOKUGA ÔGI. Kyôto Happôdô N.D. other sources indicate a date of 1938 Very large oblong brocade porfolio 36.5 x 59.0 cm. Contains an undated Happôdô colophon and 50 design prints 49 in color and one as a textual calligraphic introduction to the work A source indicates the designs were done by Yamaoka Chinpei. The prints are extraordinarily lavish with sprinkled metal flakes overprinting metallic inks etc. A wonderful tribute to the Neo-Rimpa and Deco sensibilities of the age. The case has been restored the prints are quite clean. unknown books
1934849061934. DESIGN Kamisaka SEKKA. UTA-E Kyoto & Tokyo: Unsodo Showa 9 1934. 1 volume 31 x 22 cm cloth ribbon bound covers paper label. 25 color full page images after designs by Sekka. As Sekka's last work it crowns his remarkable career with a lovely evocation of Koetsu's Saga-bon. For more on this important work see Hillier's description on p.976 of the second volume of his ART OF THE JAPANESE BOOK. The condition is a bit better than average with relatively little of the offsetting from the prints to the poems that is usual in this book. Slight foxing and slight edgewear. The printing is very good the colors lovely. It is a very good copy overall. Housed in the original professionally repaired chitsu case with title label that shows general soiling all over and is lacking its clasps. One volume complete:. unknown books
1933900971933. DESIGN FUJII Tatsukichi designer. SÔSAKU SENSHOKU ZUANSHÛ. A Collection of Designs for Dyework Tokyo & Osaka: Bungado Showa 8 1933. Large portfolio 41 x 31 cm. decorative cloth covered clasped chitsu case with a printed decorative label all enclosed in the publisher's folding cardboard outer box. A 4 page fascicle of preliminaries and a table of contents. With the chitsu design the cover design 3 preliminary page designs and 61 designs on the 50 content fascicles. The designs are primarily in color woodcut printed on both paper and occasionally cloth. A beautiful production here in almost perfect condition. Fujii Tatsukichi 1881-1964 was one of the most important reformers of the traditional arts in Japan. His creativity touched nearly every area: lacquer pottery papermaking dyeing - his influence was enormous. This scarce and lovely portfolio of his original designs helps to illustrate why he was so important. This deluxe production cost 25 yen in 1933 - a princely sum during the depths of the Depression in Japan. Complete. $4500.00. unknown books
1908884571908. DESIGN Sugiura HISUI designer. MITSUKOSHI; MITSUKOSHI TIMES; ÔSAKA MITSUKOSHI Tôkyô & Ôsaka 1908-1923. Western-style magazines 24.9 x 18.4 cm decorated wrappers. Lovely covers most by Sugiura Hisui 1876-1965 or designed under his supervision. Hisui is the most important figure in the development of Japanese commercial art in the 20th century the progenitor of "Taishô Chic" and a force to be reckoned with as a practical designer at Mitsukoshi and an educator at the Japan School of Art the Imperial School of Fine Art and the Tama Imperial School of Art which he co-founded. He even spent two years in Europe in the early 20s researching design. He created many portfolios of design examples for professionals wrote treatises on the principles of design and was a tireless creator of posters and magazine covers. He began work at Mitsukoshi in 1908 as a design consultant in charge of cover art for the house organ MITSUKOSHI TIMES. When MITSUKOSHI magazine began in 1912 he had already been promoted to head of design for the company a year earlier and stayed in that position for decades. His artwork graced the covers of many magazines over the years but it was his work for MITSUKOSHI and MITSUKOSHI TIMES and ÔSAKA MITSUKOSHI that began his design career. We are offering here a group of issues of those magazines most with his brilliant cover art. The magazines as a form of trade catalog and guide to fashion for the well-heeled clientele of Mitsukoshi department store were intrinsically ephemeral. They are hefty magazines a vade mecum for the bon ton with pictures of summer frocks kimono fabrics morning coats shoes - with instructions on how they should be cleaned stored worn. With pictures and prices and order sheets. Useful and used then thrown away they are seldom found today. A gathering of this size is quite unusual especially as it begins with issues of MITSUKOSHI TIMES from 1908 - the year that Hisui took over design reponsibilities for the house organ. The issues: MITSUKOSHI TIMES 11 issues from 1908-13 Oct & Nov Meiji 41 1908; V.8 #s 4 & 6; V.10 #s 9 & 11; V.11 #s 4 7 11 & 14 V.12 #3. MITSUKOSHI 31 issues from 1912-1923 V.2 #4; V.4 #s 5 6 7 & 8; V.5 #s 4 5 7 & 8; V.6 #s 2 & 11; V.7 #s 6 7 & 8; V.8 #s 2 3 4 5 & 7; V.9 #s 4 5 6 7 9 & 12; V.10 #s 4 6 & 12; V.11 #11`; V.12 #3; V.13 #6. OSAKA MITSUKOSHI 2 issues V.4 #8 1915 a. unknown books
1913D7495Paris 1913-1918. Hardcover. Very Good. Morocco backed original cloth; oblong 380 x 305 mm; contains over 100 drawings of dresses hats jackets and more done primarily in pen and ink and colored in pencil or gouache; and highlighted by 5 mounted photographs of a woman modeling different gowns. From the Parisian fashion house Detrois et Cie. Women's garments shown from the front and back and professionally presented -- drawings are polished and nicely detailed and colored. Scuffing along spine and edges of boards; binding a bit shaken. <br/><br/> hardcover books
19341653411934. JAPANESE DESIGN. Juraku Cho. 3 Volumes. Illustrated with a total of 90 colour and monochrome woodblock plates. Oblong folio 390 x 270 mm bound in publisher's silk over boards in a new chitsu case. Kyoto: Unsodo 1934. A spectacular series of designs with the superb colour woodblock plates with each volume devoted to a different motif. Volume 1 is Ryu no maki the dragon. Volume 2 is Hoo no maki the phoenix and Volume 3 is Shishi no maki the lion. Both the full colour plates and the monochrome plates facing them are masterpieces of the woodblock maker's art. Unsodo is the name of a large Japanese publishing company with branches in both Tokyo and Kyoto. Founded in 1891 this company is still in existence today. From the 1890s through the 1930s the Unsodo publishing house was involved in printing high quality pattern books for various crafts including textiles and lacquer. Some wear to the boards but otherwise a fine set. Rare. hardcover books
196721850New York and East Greenville PA ca. 1967. Very good . Production archive for a 1967 article on the Knoll company by Olga Gueft. Collection includes 65 original photographs of the Knoll workshop and designs with contact prints dated 7/66 and negatives; several production sheets with layout and markup; notes and ephemera; a 1966 Knoll catalog with color and black-and-white photography and price list; and one complete 17-page typescript article draft by Olga Gueft dated 3/27/67. About a quarter of the photographs have numbers or notes on the back identifying the subject or photographer either Gueft herself or as "Not Gueft Photo." Most are approx. 10'' by 7'' with a few others in smaller sizes. A few photographs thumbed at corners; otherwise very good or better. All housed in large archival box. <br/><br/>Production archive of contact prints original photographs page mock-ups ephemera typescript and other primary materials from INTERIORS MAGAZINE editor Olga Gueft 1915-2015. Gueft a highly influential figure in the history of 20th century design joined INTERIORS as managing editor in 1945 and ascended to editor in 1953 remaining in that position through 1974. Her eye for promising designers led her to commission early cover artwork from Andy Warhol and under her guidance the magazine showcased the work of Florence Knoll Vladimir Kagan and Edward Wormley among many others. Tucked inside a 1966 Knoll Leisure Collection catalog is a 17-page typescript article on the history and contemporary design direction of the Knoll company titled NEW HANDS FOR THE TORCH and most likely intended for publication i INTERIORS. Gueft always an editor with strong opinions begins by reviewing the unspeakable ugliness of the early 1940s — "Most disgusting of all were the chairs" — as a reminder to the reader of what horrors preceded the midcentury modern aesthetic and what a great and gracious service Hans and Florence Knoll did for America and for the world. The article then details the several periods of Knoll through Hans's death and Florence Knoll's departure in 1965 concluding with an overview of the then-current design and development team. The remainder of the archive consists of 65 photographs with contact sheets negatives and other notes and ephemera all associated with Knoll. A memo from Gueft to "Christine" specifies that none of her photos may be used without credit or without payment outside of "a Knoll or Knoll International in-company house organ or newsletter." A few of the photographs thus have "Not Gueft Photo / Can Be Used" scrawled on the back. The East Greenville Pennsylvania workshop described in the article is the setting and subject of the majority of the photographs many of which include identified or identifiable designers and other figures at Knoll — Warren Platner Don Albinson Richard Schultz Don Pettitt William Stephens — and their work both in progress and in finished form. The remarkable series of photographs shows Knoll workers assembling furniture some in extreme close-up or documenting technical details. Another group focuses specifically on the Platner chair both in the process of assembly and finished. Gueft cites Platner's wire furniture Richard Schultz's "elegant aluminum frames" Albinson's "remarkably strong remarkably elegant" stacking chair all pictured in photographs as exemplars of "the continuity of the Knoll ideal . maintained without a break." A detailed portrait of midcentury design from the height of perhaps its greatest practitioner: Knoll. unknown books
1940WRCAM49639New York 1940. Forty-two original works from approximately 9 x 7 1/4 inches to 14 1/2 x 11 1/2 inches. Most on paper and mounted to cardboard backing some executed on art board some matted. Minor dust-soiling to some several examples have pencil drawings of room layouts or floor plans on the verso Hofstatter stamps on verso of two a few examples detached from mount. Overall clean and in excellent condition retaining vibrant coloring. A stellar group of thirty-nine original watercolors and three original pencil drawings depicting early 20th-century furniture designs largely in the French Provincial style. The artwork was executed by New York furniture designer and interior decorator Theodore Hofstatter or artists working for his firm. The group includes wonderful depictions of mirrors beds window drapes chairs desks bureaus tables and stands. Additionally there are eleven works showing the interior design of various room settings. <br> <br> Theodore Hofstatter succeeded his father in their New York City business of furniture design and construction naming the firm Hofstatter's Sons when his brother Adolph joined him in the concern in the early 1870s. The Hofstatter family concentrated their efforts on building quality furniture at wholesale prices. In 1885 Theodore Hofstatter founded a branch of the business to focus on interior decorating opening a separate location on Broadway near Twelfth Street. Eventually the business would move to at least two different addresses on Fifth Avenue evidenced by Hofstatter labels affixed to the verso of several of the watercolors here a few of these labels are also marked "Special Design" by Hofstatter. According to THE NATIONAL CYCLOPEDIA OF AMERICAN BIOGRAPHY 1894 Theodore's design business "kept abreast ever since its opening with the current of fashionable taste in illustrating in the styles reproduced all those characteristics with which the names inseparably connected with the history of the three Louis are essentially a part. Berain Lebrun Watteau Andre Charles Boule have now a historical significance; Cailleri Gouthiere Reisener Fragonard Greuze Boucher Martin and the rest awaken a whole train of associations. It is through their influence and such as theirs that Theodore Hofstatter's designs possess the material to produce only those effects that can be truthfully termed good style." Hofstatter restricted his decorating contracts largely to commercial interests furnishing the City Club the Downtown Club the Arkwright Club and nine floors of the Hotel Savoy. He also cultivated a small group of private clients one of whom was Cornelius Dresselhuys Dutch consul to Great Britain. Two of Dresselhuys's rooms the Entrance Hall and Vestibule at 9 Kensington Palace Gardens in London are featured here in lovely full watercolors. <br> <br> A fascinating group of artwork featuring furniture and interiors from a prominent New York City furniture maker and interior designer. Such original illustrations of furniture and interior decoration are in our experience quite scarce. unknown books
