54 résultats
1878037592New York: Harper & Brothers 1878. 1st Edition . Hardcover. Good. No Pattern Supplements. 840 Pp. Quarter Morocco Over Marbled Boards Morocco Tips Marbled Boards And Matching Marbled Endpapers. 16" X 12". Light Wear To Binding On All Edges Spine Panel Dried And Lightly Chipped Hinges Broken And Both Boards Detached But Present Lacking Pages 37-40. A Few Pages With Small Light Stains Clean And Square But With Some Even Aging And A Few Pages Short Edge Tears. Price Includes Media Mail Within U.S.; International Shipment At Usps Priority Mail Box Rate For 11 Pound Package. <br/> <br/> Harper & Brothers hardcover
188348463Boston: Lee and Shepard Publishers 1883. Very Good. Boston: Lee and Shepard Publishers 1883. Later printing. Quarto 19 cm; unpaginated; black and white illus. throughout. Green cloth boards with gilt and black decoration and stamping and gilt edges. Boards shelf worn with corners rubbed and mild scuffing to covers. Interior has some light foxing but otherwise relatively clean. Very Good or better.<br /> <br /> Sweet Christmas gift inscriptions from two generations to blank prelim with ghostly offsetting of a missing paper doll to same and facing pages. Newspaper clipping of John Howard Paynes' remains returning to the United States in 1883 after his 1852 death in Tunis laid in at biography page with matching offsetting. "Home Sweet Home" was revived as a Civil War song embraced by both sides though it was originally written in 1822. Lee and Shepard Publishers unknown
18801895161880. Paperback. Fair covers off and are chipped and soiled. Contents better. Green cloth. iv 42 8 pp. 75 line engravings. Lists 765 works almost all of which are priced. The line engravings appear slightly exagerated but convey the sense of the work depicted. Quite rare in green cloth binding quite nice internally printed on fine paper. Included in this catalogue are appx. 130 etchings many of which are by members of the New York Etching Club. Addresses of members and non-members at rear. paperback
18632111902160201223Not Available 1863. Soft Cover. Fine. Volume: 1 Not Available paperback
1894886851894. DESIGN HARUNA Shigeharu editor. Kogei Oyo ZUAN ZASSHI 7 issues. No.'s 20-26 Tokyo Meiji 26-27 1893-4. 24.5 x 16.6 cm. Stab-bound wrapper's in woodblock printed paper covers. Haruna Shigeharu 1847-1913 was a pottery painter born into the upper classes in Ishikawa prefecture here using his artistic and design skills to organize and edit this "PRACTICAL ARTS DESIGN MAGAZINE" full of black and white design ideas and articles on such topics as the Columbian Exposition etc. Very unusual periodical here in very good condition inside and out. A short but continuous run. unknown
1820015887Paris Circa 1820 1820. Early Printing . Single Sheet. Near Fine. Color Engraving. Nineteenth Century Engraving 25 5/8" X 19 3/4" On Laid Paper Watermarked Mbm Produced In Color. Complete With Full Margins As Issued With Title In French Below The Image Which Is Approximately 39.5 X 30 Cm. The Engraver's Name Is Also Present At Lower Right. Philibert-Louis Debucourt 1755 - 1832 Was A French Painter And Engraver. Debucourt Was Born In Paris In 1755 And Became A Pupil Of Vien. He Executed A Few Plates In Mezzotint Such As The Heureuse Famille The Benediction De La Mariée And The Cruche Cassée After His Own Designs. Most Of His Work Was However In Aquatint. He Became The Leading Maker Of Multi-Plate Colour Prints Combining Washes Of Aquatint With Line-Engraving.2 He Used A Number Of Different Techniques But Most Involved Three Colour Plates And A Fourth Key Plate Outlining The Design In Black. Debucourt's Father-In-Law Was The Sculptor Louis-Philippe Mouchy. In The Marriage Contract Mouchy Generously Offered To Provide A Three-Room Apartment At The Louvre Where Debucourt Lived For Twelve And A Half Years. The Address Of This Apartment Is Often Given On His Prints. Some Of His Work Was Satirical Such As La Promenade Publique An Aquatint Of 1792 Showing A Crowd In The Gardens The Palais-Royal. As Well As Work From His Own Designs He Made Aquatints After Carle Vernet Including The Horse Frightened By A Lion The Horse Frightened By Lightning And The Strayed Huntsman. Debucourt Was Assisted For Some Years By His Pupil And Nephew Jean-Pierre-Marie Jazet. <br/> <br/> unknown
1893000444Paris: Charles Mendel 1893. First Edition. . Hardcover. See Description. Tall 4to. pp. XI 1 398 2. With frontispiece and 300 illustrations reproductions de miniatures bordures et lettres ornees with the text. Bound in quarter black morocco with marbled boards and end papers; head and tail caps as well as hinges are neatly restored; some rubbing and wear present to extremities. Original wraps are included. The outer edge of the front blank fly-leaf is chipped with a small tear repaired. Interior pages are clean; a short crease along with two small marginal tears neatly sealed are present on the outer edge of p. 375. A tiny marginal tear is also carefully sealed on p. 377. Contains a history and discussion of ornamentation and decoration in medieval manuscripts. <br/> <br/> Charles Mendel hardcover
18973382<p>Frederick A. Stokes Co. New York 1897<b> IN THE ORIGINAL LINEN DUST WRAPPER WITH LETTERING AND DECORATION BY BRADLEY </b>An octavo bound in the original rust colored cloth with a beautiful heavily gilt cover design by Bradley. The book is fine with no wear and the gilt clean bright and unworn. New endleaves with appropriate paper done at some point in the past. The paper backed linen dust-wrapper has wear and tear internally at the folds and is soiled with some darkening to the spine. Gilt titling and decoration by Bradley on the dustwrapper is bright and unworn. Very scarce and a nice example of the early cloth dust wrapper. Illustrated by Madeleine Lemaire.</p> Frederick A. Stokes, Co. hardcover
18512111902160201412Kawauchiya Shinjiro 1851. Soft Cover. Fine. Number of books: 5 Kawauchiya Shinjiro paperback
1820181123Likely Norwich: c.1820s. An eye-catching and infectious spectacle A prepossessing collection of textile swatches for clothing or furnishing likely produced in Norwich for selling to the German market. Using the whole spectrum of colours the designs incorporate stripes geometric shapes diaper patterns zigzags and chevrons floral and foliate motifs and ikat designs. The samples are arranged by pattern under titles in German and at times French and Italian. These include for example Weisbodige Croisé white strips and colour chevron-pattern stripes Rothbodige Köper thick red stripes alternating with those of other colours and Cuttni multicolour swatches with fine diaper or lozenge patterning. The samples are woven from wool a factor - together with their design - that points to their origin in Norfolk. "The presentation of choice in the books of samples from Norwich is literally fascinating with some pages so stunning and dazzling in their effect and we might argue that it could be the effect of the whole page that seduces the buyer rather than the individual sample. The almost infinite variations of colour and pattern accentuated in their intensity in the context of a book or card create an eye-catching and infectious spectacle" Mitchell. Accompanying these books are two other unrelated sets of several dozen samples both dating from later in the 19th century and at least one from France. Provenance: Cora Ginsburg 1910-2002 the expert in fine textiles purchased by her in England in 1962 - Stephen C. Massey. 2 vols tall octavo 260 x 150 mm. With 1063 unique samples of varying sizes mounted on rectos of 125 leaves printed in ornamental blue 2 folding at fore edge manuscript titles and numbers direct to leaves or on labels. Contemporary blue paper wrappers manuscript number or label on inner front covers. Housed in 19th-century calf pull-off box green lining and gilt decoration. Within custom blue cloth box with red label by James Brockman. Samples fine and bright wrappers creased pull-off box worn: a well-preserved collection. Victoria Mitchell "A Marketplace in Miniature: Norwich Pattern Books as Cultural Agency." hardcover
186863035steel engraving view from 'Les Promenades de Paris.'. <br />Reference: https://www.worldcat.org/title/promenades-de-paris-bois-de-boulogne-bois-de-vincennes-parcs-squares-boulevards/oclc/903118952referer=di&ht=edition<br />Condition: with small tear on paper edges cleaned. J. Rothschild in Ch. Chardon ainé, Paris.
18453220094<p><em>4to printed bifolio sheet 24 x 19.5 cm some marks and folds. Addressed to Joseph Hume M.P and signed by Richard Burchet R.W. Herman and W.D. Telfer. </em></p><p>In 1845 Richard Burchett became the ringleader of students protesting to the Board of Trade about the teaching methods at the Government School of Design: this was the first attempt to improve the instruction in the principles and practice of ornamental design. The complaint became so serious that eventually a Parliamentary Committee of Enquiry was instituted in 1846 at which he and others gave evidence. Oddly by that time Burchett had already become a master at the school and so was giving evidence against his own employees to the committee.</p><p>This copy was addressed to the radical Joseph Hume M.P who was a close friend of William Williams another radical M.P. who led the charge of incompetence by the School of Design in the House of Commons. After eight committee meetings it was agreed that the School was not in good shape 'the principles of Ornaments and the practice of original design as applicable to manufactures are not efficiently taught' and 'That a knowledge of manufacturing processes so as to enable the students to unite fitness and practicability in Ornament is not communicated.' Reforms were instituted but not in time for some woefully bad designs to appear at the Great Exhibition of 1851 for all the world to see.</p> [London], 17 Bond Street, Commercial Road. 10th July
1834019859Edinburgh London & Dublin: Fraser & Co.; Smith Elder & Co.; W. Curry Jun. & Co. 1834. Two volumes bound in one. Illustrated with 20 engraved plates including a map small thick octavo pp viii 368; 344 very slight age-toning and foxing of the text the plates are a little more marked recently bound in a simple green quarter calf and cloth very good. . Quarter leather. Good. Fraser & Co.; Smith, Elder & Co.; W. Curry, Jun. & Co. Hardcover
18472111902160200580Zenkoji Daimoncho Tsutaya Bangoro Bookbinding 1847. Soft Cover. Fine. Volume: 1 Zenkoji Daimoncho Tsutaya Bangoro Bookbinding paperback
1815832561815. DESIGN Matsuoka Tokikata; Honma Hyakuri. SHOKUMON ZUE. 7 vols. privately published by Hyakuri apparently from 1815-25 as a completion of work begun by Tokikata in the late 18th very early 19th century. 19.3 x 26.9 cm string-bound Japanese-style fukuro toji with printed paper title labels - all bindings match. Hundreds of beautiful color textile designs reproduced in color woodcut. Nobleman Ladies Ceremonial dress Brocades Imperial costumes all are covered. Important and quite scarce as few sets were produced. Some worming otherwise the overall condition is very good. unknown
1894057091London: William Harland & Son 1894. Book. Very Good. Soft cover. 1st Edition. 12mo - over 6¾" - 7¾" tall. Green limp cloth lettered in gilt rounded corners original to issue. Covers lightly soiled and showing a bit of rubbing along edges. Firm binding. 98 pp. illus. w/ 12 color plates 66 b&w plates. Text block edges somewhat soiled/foxed mild foxing to several early/late leaves. Dated based on intro. text. William Harland & Son Paperback
1894060531London: William Harland & Son 1894. Book. Good. Hardcover. 12mo - over 6¾" - 7¾" tall. Limp olive cloth lettered in gilt. Circa 1894. Covers show rubbing along edges and joints modest surface rubbing partial moisture ring on front cover. Binding lean. 91 pp. 12 color plates 56 pp. b&w decorative motifs. William Harland & Son Hardcover
18972111902160201434Kazuki Yoshida Dainippon Textile Association 1897. Soft Cover. Fine. Volume: 1 Kazuki Yoshida Dainippon Textile Association paperback
1862023031London: Day & Son Lithographers to the Queen 1862. With an illuminated half-title a title page and 36 illuminated pages all edges gilt original blue embossed cloth richly decorated in gilt on both covers and on the spine just slightly worn at corners and head and tail of spine probably recased with new endpapers . Cloth. Very Good. Day & Son, Lithographers to the Queen Hardcover
1873000021351Paris / London: Buckingham and Co./ London - 97 Newgate Street E.C. ca. 1873. hardcover. Good . Bertall. <br/><br/> Buckingham and Co./ London - 97, Newgate Street E.C. hardcover
185843744San Francisco: Whitton Towne & Co 1858. Hardcover. g- to g. Octavo. 324pp. Original blind-stamped cloth with gilt lettering on spine. Illustrated frontispiece. The life of Samson presents many examples of the principle on which the providence of God is conducted his power to deliver his people by whatever means he pleases the bitter consequences that results to them from their sins and the terrible judgments with which he overwhelms his enemies. Illustrated throughout with a total of 14 woodcut illustrations mostly plates with a few in-text. Binding with some bumping rubbing and sunning to extremities. Covers with some staining and scratches. Interior with light foxing. Starting at a few pages throughout. Binding tight overall. Binding in good- interior in good condition overall. Whitton, Towne & Co hardcover
1894013830Boston: Copeland and Day 1894. First Edition Thus. Hardcover. Very Good. As stated on the colophon the first complete edition this one of 500 copies on French paper with lettering and decorations by Bertram Grosvenor Goodhue in a custom inlay leather binding by Virginia Chester signed and dated 1911. Full dark green crushed morocco elaborately decorated front and rear covers and their versos aeg. Executed in Art Nouveau style perfectly appropriate to Goodhue's decorations. Signed by Chester with gilt pressed conjoined initials VC flanked by 19 and 11 for 1911 at the bottom of the rear inside cover. Spine moderately worn corners worn joints too more noticeably to front and shallow loss at spine ends more noticeably at top. Chester dropped out of university in Illinois in 1902 due to illness and took up bookbinding as a hobby. She never returned to college but continued professionally with bookbinding studying in Chicago with Gertrude Stiles in New York with Helen Haskell and in Paris with Henri Mulhae and Jules Domont. Around 1912 or so she returned to the Chicago and opened her own bookbinding studio in the Fine Arts Building. Penciled at the bottom of the fly leaf is perhaps her notes or a collector's: "Virgina Chester / Chicago/ 1024 Fine Arts Bldg/ code/ 11/28/13/ code". This binding appears to have been influenced by French design and technique. Copeland and Day hardcover
185055957London: Chapman and Hall 1850. 8vo. xi 1 216 pp. plus 32 pp. publisher’s catalogue. Steel-engraved frontisp. of Queen Victoria w/ nearly 200 woodcut text engravings designs & plates 30 Fabric paper and wallpaper samples 1 sample w/ small hole. Black ribbed publisher’s cloth gilt lettering & spine minor wear & fraying to spine rear outer joint minor bumping to corners some offsetting to a few leaves from the samples still a VG- copy. First edition thus of this famed journal which aimed to improve the standards of British manufacturers and artists for the decorative and applied arts targeting the fast rising Victorian British middle class. This second volume is dedicated to the Duchess of Sutherland Mistress of the Robes and close friend of Queen Victoria as well as prominent abolitionist. There are numerous references throughout to the forthcoming 1851 Crystal Palace Exhibition as Cole 1808-1882 continually encouraged designers to reach a balance between utility and ornament and raise the quality of British manufacturing. He was elected the chairman of the Society of Arts in 1846 and was able to direct the organizing of the Exhibition which received over 6 million visitors and turned the profits from the Exhibition into founding the South Kensington Museum now the Victoria & Albert Museum. The Journal displays many samples of textiles wall papers embroidered textiles and silks. In addition there are extensive sections on pottery glass metalwork lighting sculpture furniture and much more. Of interest are the excellent articles on book arts book design including expositions by Ruskin the report on the forthcoming Exhibition to Prince Albert and more. These Journal volumes have become quite scarce in the market of late and they were all heavily used throughout the 19th century for reference and inspiration. Chapman and Hall, hardcover
1853014581Philadelphia PA: Leary and Getz 1853. Book. Good. Decorative Cloth. First Edition. 16mo - over 5¾" - 6¾" tall. Original publisher's dark red blind-decorated cloth lettered in gilt on spine panel. Undated. Moderate overall wear with soiled covers and surface abrasion along portions of lower front cover. Some exposure at corners and along fore-edges rubbed with a bit of loss at spine extremities. Lacks front and rear flyleaves. Light dampstaining evident at bottom binding corner through most of text block nothing objectionable. Scattered internal foxing generally light. 207 pp. illus. with engraved plates 24-pp. publisher's catalog at rear. Overall worn but not abused. Scarce. Leary and Getz Hardcover
187730067London: William H. Harrison 1877. Very Good. London: William H. Harrison 1877. First Edition. Octavo 18.5cm.; publisher's purple pictorial cloth designed by Florence Claxton elaborately embossed in gilt and black all edges gilt black glazed endpapers; iv5-156pp. Cloth a bit scuffed and worn along extremities with brief exposure at corners and spine ends spine cloth faded brief split to rear joint rear hinge cracked but holding textblock slightly shaken in binding else a Very Good bright example. <br /> Inscribed on front flyleaf to the American medium "Mrs. Hollis Billing With the kind regards of The Author / November 1879. London."<br /> <br /> Scarce collection of humorous poems and vignettes by the British author and editor of The Spiritualist. Running in the London Spiritualist circles Harrison would presumably have made the acquaintance of the inscribee American medium Mary Hollis Billing and her husband who served on the 1877 Committee of the Theosophical Society in London. <br /> <br /> Contents only glancingly Spiritualist though true to form the imprint provides the publication date based on different calendars: A.D. 1877 Popular Chronology; A.M. 5877 Torquemada; A.M. 50800077 Huxley. Like many Spiritualists of the day Harrison was especially interested in photography and several pieces in this volume relate to the art and science of the form. Notably "The Lay of the Photographer" describes in nineteen stanzas the chemical transformations of pyroxylin iodine and silver to develop photographs. Needless to say the poem is not very good.<br /> <br /> Advertisements for the present work attribute the cover design to British illustrator cartoonist and fringe Pre-Raphaelite Florence Claxton 1838-1920. One contemporary reviewer aptly describes the book as "handsomely-bound and griffin-guarded" Liverpool Daily Courier. William H. Harrison unknown