74 résultats
195551762New York: The Devin-Adair Company 1955. First Edition. Octavo. Paper-covered cloth boards in dust jacket; 220pp. Trivial spotting to top edge of textblock corners and bottom edge of boards mildly bumped else a tight clean unmarked copy. Dust jacket showing minor spotting and shelf wear including a few nicks and chips to top and bottom edges. Very Good. The Devin-Adair Company unknown books
19191309020Paris: De L'Art Catholique 1919. Softcover. Small quarto; pp 184; G/paperback; dark tan spine with red text; covers show age toning to exterior minor chipping to edges slight rubbing to rear; text block has deckled edges age toning to exterior edges some light foxing toward page edges otherwise interior clean; French text. 1309020. FP New Rockville Stock. De L'Art Catholique unknown books
19549027888London: Folio Society 1954. Hardcover. Fine Condition. <br/><br/> Folio Society hardcover books
1986343291986. Softcover. VG. Brown ill. stapled wraps. Unpaginated. Numerous color plates. Comprised of illustrations and artist cv. unknown books
19876996New York: Pace Prints 1987. Softcover. VG edge-wear & scuffs to wrappers w/ a few instances of foxing. tight binding. White & yellow wraps w/ brown printing. appx. 92 pp. 55 bw plates. Introductory essay The Prints of David Smith written by Paul Cummings. Catalogue Raisonne assembled and written by Alexandra Schwarz. Some of the prints illustrated in this catalogue were made from original blocks in the Smith estate and are the only known impressions from these blocks. Includes a selected bibliography. The premier work on Smith as a printmaker. Exhibition held Feb. 27 to Mar. 21 1987. Pace Prints unknown books
1960140940127New York: Tiber Press 1960. First Edition. Fine. Complete in four folio volumes each measuring 17½" x14¼". Each volume with three full-page color silkscreen prints and additional prints at title page and upper cover original cloth-backed illustrated boards. First Edition. No. 47 of 200 copies. Each volume signed by the poet and artist on the limitation page. A Fine set bright and sharp in publisher's thick acetate jackets housed in cloth slipcase with light shelf wear.<br /> <br /> <p>A visionary collaboration between the leading lights of the New York School of poetry and four second generation abstract expressionist artists produced at the height of their creative collective powers. A heady encapsulation of the New York literary and visual avant garde at the dawning of the '60s. Tiber Press unknown books
1926176360Paris: Societe d'edition "le livre" Emile Chamontin directeur 1926. No. 10 of 20 of this edition. Paperback. VG but with soiling to covers where glassine was lacking minor age toning to extremities of some pages not bad overall a tight copy that could have been stored better. The front cover is slightly cattywampus from the two extra sets of engravings being inserted in the front of the book as might be expected. Printed wraps with glassine remnants on inside flaps. 24 pp. 15 engravings etchings withing the text and two extra sets of these illustrations each set representing a different state are included only 20 such sets were issued of the overall edition of 430 copies. Text is in French. The book itself has been printed on Imperial Japon and the extra engraving printed on Imperial Japon and on Holland Van Gelder it appears from the colophon and limitation at the rear of the book. Quite rare as a result of this limited configuration. Each set of plates is wrapped in glassine and the extremities of these plates show age-toning or light soiling. Societe d'edition "le livre", Emile Chamontin, directeur paperback books
1946002383Paris: Edition de la Galerie Charpentier 1946. Limited First Edition. Folio with slipcase. Near Fine. Exemplaire imprime pour Madame Fernand Leval and thus presumably among the small number of copies reserved for collaborateurs of the work. Folio 33 by 26 cm. 98 1 pp. Evocative charcoal drawings by Ayme. Clean with minor wear and some sunning to the perimeter of the slipcase. <br/><br/> Edition de la Galerie Charpentier unknown books
196012503Rutland VT: Charles E. Tuttle Company 1960. Used; Like New/Used; Like New. Folio original half-linen and boards pictorial dust jacket. Third Printing.<br><br><br />Association copy with a warm 1963 inscription from Peter Paul and Mary's Peter Yarrow to actor Theodore Bikel. The inscription reads: "May '63 For Theo In remembrance of 'Theo Bikel - he comes to Cornell - come & see Theo Bikel - ' and on your birthday Warmest regards signed Peter Yarrow". Peter was a 1959 graduate of Cornell University. Bikel's bookplate on the front pastedown. Jacket price clipped some light edge wear; volume fine. Charles E. Tuttle Company hardcover books
19691317567Cambridge: The Limited Editions Club 1969. 1083/1500. Hardcover. Large Octavo; pp 299; VG/no-DJ; bluish green spine with gilt text; signed limited copies this is no. 1083 of 1500; black slipcase has lightly rubbed exterior; intact panels; 1/4 bound leatherette spine; cloth covered boards show little wear; strong boards; text block has slight wear to exterior edges; interior clean; illustrated; signed by the illustrator;. 1317567. FP New Rockville Stock. The Limited Editions Club hardcover books
1929CNJL722Newtown Wales: The Gregynog Press 1929. Limited Edition. Hardcover. Fine. Bray Horace Walter. Two volumes complete no. 34 of 285 octavo size 488 total pp. The essays in this collection were first published in "The London Magazine" and brought Charles Lamb 1775-1834 fame and popularity; his essays have an easy-going and conversational style that appealed to his early readers and they roam through a variety of subjects all down-to-earth and taken from Lamb's actual experiences. This lovely two-volume set printed by The Gregynog Press in Wales comprises Lamb's essays collected under the name "Elia" a kind of pseudonym that refers to Lamb himself.<br/><br/>The essays are illustrated with wood-engraved headpieces by Horace Walter Bray whose attention to minute details and charming figures complements the gentle humour of Lamb's writing; overall a fine edition of one of England's foremost essayists.<br/><br/>___DESCRIPTION: Full grey cloth gilt lettering on the spines bevelled boards fore- and bottom edges rough cut both volumes with black-and-white wood-engraved frontispiece by Horace Walter Bray both volumes with black-and-white wood-engraved headpieces by Bray throughout; octavo size 9.25" by 6.25" pagination: Volume I: i-iv v-vii viii 1-265 266 1 colophon; Volume II: i-iv v-vii viii 1-219 220 1 colophon one of 285 copies this number 34. Bookseller's ticket "Philip C. Duschnes / Rare Books / New York" on the rear paste-down endpaper of Volume II. In a slipcase covered with brown paper with a cream paper spine label with black lettering and ruled borders and the edition number 34 written in pen on the bottom board.<br/><br/>___CONDITION: Both volumes are fine; the covers clean the corners straight and unrubbed the bindings tight with solid hinges the interiors clean and bright and free of prior owner markings; front paste-down endpaper of Volume I is slightly wrinkled else fine. The slipcase is almost very good still strong and sturdy clean overall with some ares of soiling some overall edgewear including a split at the seam where the top of the box meets the spine and a small tear to the spine near the bottom of the box. <br/><br/>___POSTAGE: Â International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Gregynog Press hardcover books
1929136253London: The Blackmore Press / Harper and Brothers 1929. First Edition. First Edition preceded by a French edition titled "Le voyageur sur la terre" 1927. One of 350 copies this being No. 56 printed on watermarked Rives vellum. Quarter-bound blue cloth cream calf gilt rule top page edges and spine titles. <br/><br/>From the collection of noted bibliophile Ruth Helen Kaufmann with her bookplate on the front pastedown. <br/><br/>Near Fine in a Very Good plus example of the scarce dust jacket housed in a Very Good example of the original slipcase. Jacket spine toned with a small puncture and brief chipping at the extremities. Slipcase extremities faded long split to one bottom edge. The Blackmore Press / Harper and Brothers unknown books
1962WRCAM36263San Francisco: Printed for the Book Club of California 1962. 8pp. followed by twenty-eight full-page colored prints each print preceded by a leaf identifying the artist and a leaf of explanatory text. Folio. Original half cloth and patterned paper boards paper label. Fine. In a plain red dust jacket slightly faded. One of 400 copies printed by the Grabhorn Press with the prints culled from the private collection of Edwin and Marjorie Grabhorn. The Grabhorns produced three such books the first focusing on figure prints and the second on landscape. This final volume in the trilogy centers around portrait prints or prints with people as their main subject. GRABHORN BIBLIOGRAPHY 638. Printed for the Book Club of California hardcover books
1924WRCLIT61967New York: The Grolier Club 1924. xiv89pp. plus frontis and 28 plates. Large octavo. Boards paper spine label. Extremities shelfworn with some chipping to spine extremities internally near fine. First edition board bound issue. One of three hundred copies printed at the Gilliss Press. 125 items were exhibited with extensive annotations including biographical information on the artists. The Grolier Club hardcover books
1935WRCLIT20880Np: Published by the Author 1935. Small folio. Gilt cloth. Frontis and twenty plates several on folding sheets. First edition. One of only 60 numbered copies printed for private distribution. Extremities a bit shelfworn but a good copy of an interesting and uncommon book. Published by the Author hardcover books
191819071903Ditchling Sussex: Printed at the Ditchling Press by Douglas Pepler 1918. First and Limited Edition. Wraps. Good . Gill Eric and Beedham R. John. One of 240 copies duodecimo size 126 pp. "Woodwork" contains twenty-one wood engravings of tools by the inimitable Eric Gill 1882-1940; a highly regarded printmaker sculptor and typographer as well as a complicated man Gill provided illustrations for numerous fine press publications by the Golden Cockerel Press and the Saint Dominic's Press as well as with Pepler under the imprint of the St. Dominic's Press.<br/><br/>An informative look at the art of carpentry by craftsman-woodworker Arthur Romney Green 1872-1945 who like Gill and Pepler was influenced by William Morris and the Arts and Crafts movement. Although the book is stated as "Volume I" no further volumes were issued.<br/><br/>___DESCRIPTION: Brown paper wraps black lettering on the front wrap fore- and bottom edges uncut title page with black-and-white wood engraving a total of thirty-one wood engravings in the text throughout: twenty-one wood engravings of carpentry tools by Eric Gill ten wood engravings by R. John Beedham; Caslon O. F. type Batchelor handmade paper duodecimo size 7.75" by 5" pagination: i-iv v-xvi 1 2-110 one of 450 copies this number 161.<br/><br/>___CITATION: Better than good with clean wraps a strong square text block the interior is clean and bright and entirely free of prior owner markings; overall minor edgewear to the wraps some loss to the paper at the spine exposing parts of the gatherings however text block still solid small loss to the bottom fore-edge corner of the title page.<br/><br/>___CITATIONS: Gill no. 269; Taylor and Sewell no. A31.<br/><br/>___POSTAGE: Â International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Printed at the Ditchling Press by Douglas Pepler unknown books
19961249563Washington DC: Sasakawa Peace Foundation USA 1996. First Edition. Octavo; VG/no-DJ slim foldout in slip cvr; spine purple w/white txt some wear/aging; foldout: no binding; pgs. have some wear/aging otherwise in very good cond. 9pp 8 prints. Art Collections Shelved in Netdesk office Ephemera box C. 1249563. Shelved Rockville Bookstore. Sasakawa Peace Foundation USA unknown books
1964240569Iowa City: Printed for the author at The Stone Wall Press 1964. Hardcover. 20p. 8x5 inches landscape layout preface woodcuts tissue guards rubricated title page #169/250 limited first edition thus in sewn blue boards and gilt. Printed for the author at The Stone Wall Press hardcover books
1993130195London England: British Museum 1993. Softcover. VG slight bends at top of spine and lower corner. White wraps BW pictorial. 61 pp. Profuse BW illustrations. Catalogue of a touring loan exhibition at Glynn Vivian Art Gallery and Museum Swansea 13 March-24 April 1993; Ashmolean Museum Oxford 25 May-18 July 1993; National Gallery of Scotland Edinburgh 7 October-19 December 1993; and Whitworth Art Gallery Manchester 14 January-5 March 1994. Includes works by Jules Dupre Henri Harpignies Jules Michelin Adolphe Appian Charles Jacque Paul Huet Daubigny Rousseau Millet Corot many others. British Museum paperback books
1970011151Barre MA: Barre Publishers 1970. 1st Edition Lim. Hardcover. VG. This one of 100 copies that has a suite of single-sheet engravings each signed by the artist in envelope on pastedown at rear of book not one of the 1000 as usually seen. Quarter leather over marbelized boards which is slightly sun-faded else near fine. Signed by the artist on colophon. Barre Publishers hardcover books
193117082110London: Jonathan Cape Printed by Walter Lewis at the University Press Cambridge 1931. Limited Edition. Hardcover. Near fine. Gill Eric. No. 129 of 160 octavo size 206 pp. signed by Eric Gill. Clothing has long been an integral part of society and can be used to reflect diverse religious and cultural identities. In this essay Eric Gill 1882-1940 discusses the significance of clothes in society and argues for a more egalitarian approach to clothing; for example Gill advocates the suitability of men's clothing trousers for women as a way to liberate the sexes and create a more equal society.<br/><br/>Gill provides wood engravings for the book illustrating his concepts and showcasing his masterful rendering of the technique; his illustrations have a slightly satirical slant while evoking the pathos of his arguments.<br/><br/>___DESCRIPTION: Quarter brown pigskin with marbled paper boards gilt rules and lettering on the spine top edge gilt fore- and bottom edges uncut illustrations include title page device "Woman Dancing" P712; "Art and Prudence" P714; "Clothes as Houses" P715; "Clothes as Workshops" P716; "Clothes as Churches and Town Halls" P717; "Clothes for Special Parts" P718; "The Tyranny of Tailors" P719; "Nature and Nakedness" P720; "Trousers" P21; and a tailpiece of "Trousers and Spats" P722; octavo 7.5" by 5.25" pagination: i-vii 1-2 3-196 197-198 1 colophon one of 160 copies this number 129 signed "Eric G" on the colophon.<br/><br/>___CONDITION: Volume is near fine with clean boards straight corners a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; some slight rubbing to the bottom edges of the boards and to the corners a faint stain to the gutter of Contents page and very slight cracking to the gutter at pages 128 and 129 but hinges are still tight.<br/><br/>___CITATION: Gill 22. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. <br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Jonathan Cape [Printed by Walter Lewis at the University Press, Cambridge] hardcover books
1934604838<p>1934. "Eric Gill" in black fountain pen ink Jerusalem June 13 1934. 8" x 10". 1 page recto only. Very good. To Mr. Sutcliffe: In full: "Many thanks for your letter of June 4. I shall be back home in July & will come and see you about the matter as soon as possible. . ." Probably the London book binder George Sutcliffe.</p> unknown books
192534365Bale: Heufeld & Henius 1925. Limited. hardcover. very good. Illustrated with 48 handsomely printed color plates mounted on heavy art paper protected with numbered tissue guards. No text other than title and list of plates. Slim folio original 1/2 blue calf over patterned boards with ornate gilt-decorated spine. Bale: Heufeld & Henius no date circa 1925. A very good copy of this unusual book.<br/><br/> One of 260 numbered copies.<br/><br/> Heufeld & Henius unknown books
19321340655New York: Privately Printed for Rarity Press Inc 1932. Hardcover. Octavo; G/G; yellow/brown spine with white text; dust jacket shows some soiling smudges to exterior; minor chipping to edges; mildly toned flaps; mylar wrap; cloth shows slight sun aging to exterior; lightly splayed boards; text block exterior edges some foxing; clipped head fore corner to ffep; previous owner's name to ffep; deckled fore edge; frontispiece; illustrated; interior good; tight binding; pp 317. 1340655. FP New Rockville Stock. Privately Printed for Rarity Press, Inc hardcover books
19321333153New York: The Macmillan Company Publishers 1932. First Edition. Hardcover. 12mo; pp 239; G/G-; blue spine with silver text; dust jacket shows sunned exterior; price clipped flap corners; small chips to exterior corners; cloth has slightly age darkened spine; lightly sunned exterior otherwise clean; slightly cocked spine; text block has age toning to exterior edges; deckled fore edge; frontispiece; illustrated. 1333153. FP New Rockville Stock. The Macmillan Company, Publishers hardcover books
