540 résultats
17828255Manière noire. Le Blanc 99; Très belle épreuve du 2è état sur 3, avant la lettre. Cadre moderne. Cadre moderne Très bon Londres John Boydell 1782 55 x 73 cm avec le cadre.
1720277591720 A Paris ches Esnauts et Rapilly, rue S.t Jacques a la Ville de Coutances. A. P. D. R., [17..]- eau-forte, burin ; 20 x 26,5 cm;bonnes margesNote(s) : de la Suite de 6 feuilles numérotées, comprenant chacune, à l'intérieur d'une bordure rectangulaire, quatre médaillons ovales ou circulaires, surmontés d'un trophée. Mêmes indications que sur les cahiers 14 et 15. En largeur. - Notice à partir de l'Inventaire du fonds français, graveurs du XVIIIe siècle
1720277581720 A Paris ches Esnauts et Rapilly, rue S.t Jacques a la Ville de Coutances. A. P. D. R., [17..]- eau-forte, burin ; 20 x 26,5 cm; bonnes margesNote(s) : de la Suite de 6 feuilles numérotées, comprenant chacune, à l'intérieur d'une bordure rectangulaire, quatre médaillons ovales ou circulaires, surmontés d'un trophée. Mêmes indications que sur les cahiers 14 et 15. En largeur. - Notice à partir de l'Inventaire du fonds français, graveurs du XVIIIe siècle
1720277601720 A Paris ches Esnauts et Rapilly, rue S.t Jacques a la Ville de Coutances. A. P. D. R., [17..]- eau-forte, burin ; 20 x 26,5 cm; bonnes margesNote(s) : de la Suite de 6 feuilles numérotées, comprenant chacune, à l'intérieur d'une bordure rectangulaire, quatre médaillons ovales ou circulaires, surmontés d'un trophée. Mêmes indications que sur les cahiers 14 et 15. En largeur. - Notice à partir de l'Inventaire du fonds français, graveurs du XVIIIe siècle
1792703499Paris, ohne Verlag, ohne Jahr (um 1792). Groß-Folio. VI, 236 Seiten und 57 von 58 nummerierte Blätter.. Goldgeprägter Halbledereinband der Zeit. Einband mit stärkeren Gebrauchsspuren, Überzugspapier teils gelöst und mit Fehlstellen. Buchrücken fleckig und Vordergelenk mit 6 cm Einriß. Innen sauber. Die breitrandigen Tafeln in kräftigen Abdrucken. Titelblatt fehlt.
174044533Paris, chez J. Chereau, rue St. Jacques, au Coq (Augsburg, Martin Engelbrecht, 1740 circa). 1 feuille (18,5 x 32,5 cm).
178149841781 Paris Lattré 1781-1791 5 cartes anciennes. Env. 30 x 41,5 cm hors marges, 36,5 x 51 cm toutes marges comprises. Frontières rehaussées. Bonnes conditions. Quelques menues déchirures marginales à certaines cartes. Pliure partiellement fendue à la carte du Dauphiné et de la Provence.
17443820DBZürich, zu finden bey David Herrliberger; Basel, gedr. bey Daniel Eckenstein, 1744-48. Folio. Seitenkollation folgend. Mit gesamthaft 189 Kupfertafeln. Kalbleder d. Zt., Rücken auf 6 Bünden mit reicher Vergoldung und Rückenschildchen. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + 3 Teile in 2 Bdn.
17761046537[I] Barby, Christian Friedrich Laux. - [II] Barby, Brüdergemeinde. - [III] Barby, [Brüdergemeinde]. [I] 1781. - [II] 1784. - [III] 1776. [I] 224 Seiten. - [II] 152 Seiten. - [III] 176 Seiten. - Mit einigen Titel-, Text- und Schlußvignetten in Holzschnitt, 8° (18 x 11,5 cm). Pappband der Zeit mit nachtblauem Papierbezug, dunkelbraunem, goldgeprägtem Rückenschild und gelb gefärbtem Schnitt.
17221045261[Salzburg, Mayr 1722]. (28), 436 Seiten, 38 Seiten Index. Mit einigen Vignetten und Kopfstücken in Holzschnitt. 2° (33,5 x 22,5 cm). Schöner Pergamentband der Zeit mit durchgezogenen Bünden, spanischen Deckelkanten, handschriftlichem Rückentitel und rot gefärbten Schnitten.
170839636Paris, Giffart, 1708-1710. 137 gravures en 1 album in-4 (18 x 25cm), veau brun, dos orné à nerfs, pièce de titre, tranches jaspées (reliure de l’époque).
17481046453[I+II] Frankfurt/Main, auf Kosten des Autors. - [III] Frankfurt/Main, ohne Verlag [I+II] 1743. - [III] 1748. [I+II] Titel, (14), 288; 366, (8) Seiten. - [III] Titel, (14), 246, (8) Seiten. - Mit einigen Kopfstücken, Vignetten und Initialen in Holzschnitt, 8° (18 x 10,5 cm). Pergamentband der Zeit mit fünf durchgezogenen Bünden, goldgeprägtem orangefarbigem Rückentitel und blau gefärbtem Schnitt.
173543274Paris, , Thévenard, 1735 ca ?. 12 planches (29,5 à 30 x 20,5 cm à la cuvette) reliées en 1 vol. grand in-folio (54 x 41 cm), demi-maroquin rouge à coins, dos orné à nerfs (relié vers 1850).
174042730Paris, chez J. Chereau, rue St. Jacques, au Coq (Augsburg, Martin Engelbrecht, 1740 circa). 8 gravures en taille-douce en feuilles (18,5 x 31,5 cm).
178842928Paris, chez l'auteur, Ponce, [1788]. In-4 de 1 page de titre, 24 planches, 24 pages de textes explicatifs en regard de chaque planche, demi-maroquin bordeaux, dos lisse orné, tête dorée (reliure du XIXe siècle).
178913599Acte d'achat d'une maison située à Uzès , rue d'entre les tours. L'acte est daté du 23 juin 1789 … Parchemin bon Nismes 1789 70 x 54 cm
1770600323Venedig, Baglioni, 1770. XXXI, 759 S. Moderner Pergament mit handschriftlichem Rückentitel. [2 Warenabbildungen]
1772702895Leipzig, Dyckische Buchhandlung, 1772. Titelblatt, 420 Seiten. Lederband der Zeit auf vier Bünden und geprägtes Rückenschild. Einband gering berieben und Buchschnitt etwas fleckig. Privater Name auf Vorsatz, sonst sauber.
1790ST19326Amsterdam: H. Keyzer H. Gartman en W. Vermandel 1790. 555 x 345 mm. 21 7/8 x 13 3/4". 2 p.l. 62 folding plates. <br/> Attractive late 19th or early 20th century retrospective polished brown calf by L. Guétant stamp-signed in gilt on tail of spine double gilt-ruled border floral cornerpieces raised bands spine panels with scrolling floral borders and central flower ornament gilt titling. With title vignette and 62 ENGRAVED FOLDING PLATES ALL WITH BEAUTIFUL HAND COLORING AND HIGHLIGHTED WITH GOLD depicting Bible scenes from the Old and New Testament 61 of which are by Jan Luyken. A Large Paper Copy. For earlier editions: Graesse IV p. 308; Brunet III 1245-46; Klaversma & Hannema 159-164. Light rubbing to joints and edges boards just a little marked trivial foxing and faint spots here and there but A REMARKABLY FINE COPY the binding lustrous and showing little wear the paper extremely bright and fresh the margins immense and the paint and gold unusually vibrant.<br/> <br/> The marvelous illustrations of Dutch engraver and poet Jan Luyken comprise this collection of "remarkable stories" from the Bible each depicted with panoramic grandeur and enhanced with a wide range of finely applied colors and gold. Luyken 1649-1712 had written and illustrated erotic poetry as a young man but later became a devout Pietist after reading the works of German mystic Jakob Böhme. He became a member of the Baptist Church in 1673 and thereafter devoted his talents to producing religious works. The vast scenes here are notable in their scale detail and animation. There are a number of battle scenes from the Old Testament as well as dramatic depictions of the plagues and a fascinating episode from the histories of Josephus depicting Herod's soldiers being lowered down the side of a cliff in large boxes suspended from chains in order to attack the thieves hiding in caverns on the cliffside. There is a majestic portrayal of the Queen of Sheba arriving at the court of Solomon a peaceful scene of Adam naming the beasts in the Garden of Eden and a festive celebration of the Feast of Tabernacles. New Testament scenes include a terrifying final judgment a blinding conversion of St. Paul and scenes from that Apostle's travels. The engravings have one common trait: they are heavily populated whether by men or beasts and one of Luyken's special gifts is to render every person in the crowd as an individual with his own concerns and reactions to the events at hand. The engravings while already greatly pleasing in black and white are even more stirring and memorable when seen in the full color and gold used here. Expansive tableaus are given greater definition and clarity and events such as Noah’s flood and the destruction of Sodom and Gomorrah are rendered even more successful in expressing the awesome powers of the Almighty. The illustrations are quite definitely Protestant in point of view: there are no depictions of the Virgin Mary not even a Nativity scene. Except for engravings of the Annunciation to the Shepherds and the Massacre of the Holy Innocents the illustrations focus on Jesus as an adult and on the work of his Apostles spreading the gospel. There were earlier editions containing Luyken's 62 large plates which originally appeared without text as here in 1708 and they appeared again with a text in Dutch in 1729 and in French in 1732. Copies of these editions appear with some regularity in the marketplace but are usually not colored and are often found incomplete or with other major condition issues. We can trace no record in RBH or OCLC of a copy of our 1790 edition and we can find nothing that compares with the quality of coloring and grand height attained by the monumental margins seen here. H. Keyzer, H. Gartman en W. Vermandel unknown
1740703979Ulm, Verlag Daniel Bartholomäi und Sohns, 1739-1740. 31 nnr. Bl., Text zweispaltig, 2304 Sp.; 25 nnr. Bl., Sp. 2305-4752, 3 3 nnr. Blätter (Gesamtregister). Schlichte Ganzpergamentbände der Zeit mit handschriftlichen Rückentiteln. Neueres Exlibris eines Vorbesitzers auf Innendeckel, Seiten teils schwach gebräunt, sonst von sehr guter Erhaltung.
17708615Burin d'après Rubens. Dédié à Monsieur Caulet d'Hauteville. en feuille. Très bon Paris 1770 70 x 50 cm
17306483CBTiguri, Typis Gessnerianis, 1730. 2°. (9) Bl. incl. gest. Titel und gest. Widmung, 22 Tafeln auf 21 Bl., gest. von Lochmann nach Wirz, ein zusätzl. Bl. eingebunden. Halbleder d. Zt. mit marmor. Deckeln, vergold. Wappen-Supralibros der Bibliothek des Klosters St. Urban. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, bild
17306483CBTiguri, Typis Gessnerianis, 1730. 2°. (9) Bl. incl. gest. Titel und gest. Widmung, 22 Tafeln auf 21 Bl., gest. von Lochmann nach Wirz, ein zusätzl. Bl. eingebunden. Halbleder d. Zt. mit marmor. Deckeln, vergold. Wappen-Supralibros der Bibliothek des Klosters St. Urban.
1720138891(Augsburg). (Um 1720). Kupferstichblatt in guter Erhaltung. Format ca. 16 x 27 cm
17713835<p>Three engravings by Paul Revere are certainly the most distinctive feature of this Boston almanac for 1772 namely:</p><p>Miss Emma Leach a dwarf born in Beverley Massachusetts on front cover.</p><p>The Patriotic American Farmer John Dickinson.</p><p>Mrs. Catharine M'Caulay.</p><p>Almanac making in colonial America was a rather unscrupulous affair at times. The notion of copyright was unknown among publishers. Indeed almanac piracy or perhaps liberal borrowing was the accepted industry practice.</p><p>The present almanac offers an excellent example of heavy borrowing. The Boston Ames <em>Almanack </em>for 1772 was published in two versions: one by Ezekiel Russell and the other a pirated version by an unnamed printer/publisher. The text and images of the two are very similar although the cuts of the three subjects differ very slightly between the two almanacs. Paul Revere's daybook for December 1771 identifies <strong>two</strong> purchasers of plates for a 1772 Ames almanac Ezekiel Russell and Edes & Gill. Within a matter of a week it's apparent that Revere produced two sets of plates of the same subjects for competing almanacs.</p><p>In an advertisement for Russell's version of the Ames almanac he "hopes that the publick with their usual impartiality will give him preference in buying of his Ames' genuine almanac before any pirated edition." Revere's contributions were in both the original and this pirated edition of the almanac.</p><p><strong>References: </strong> Evans: 11961; Drake <em>Almanacs of the U.S</em>.: 3205; Brigham <em>Paul Revere's Engravings</em>: pp. 202-203; Hamilton <em>Early American Book Illustrators and Wood Engravers</em>: 56; O'Neal <em>Early American Almanacs</em>: 115 mistakenly citing Russell as publisher.</p><p><strong>Condition:</strong> Disbound; leaves are separated with a later paper reinforcement in the gutter of two leaves. Chipping to lower corners of two leaves. Scattered mostly light staining and a few spots of foxing. Good.</p><p>ICN 7815.</p> [Printed by T. & J. Fleet and Edes & Gill. Price 2s. 8d. per dozen, and six coppers single. ]