Terry, DanielBiblio.com
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1825007775London: H. Berthoud 1825. Hardcover. Good . 72 p. frontispiece and 19 leaves of plates; 36 cm. Contemporary black leather spine with plain grey paper over boards. The publisher intended the plate of Mrs. Siddons to be bound as the frontispiece but here the plate of Mr. Kean was bound as the frontispiece and that of Siddons before the text about her. Contains 20 engraved portraits by R. Cooper of famous contemporary actors and dancers including Sarah Siddons as Lady Macbeth Edmund Kean as Richard III Samuel Simmonds as Baron Munchausen dancers Lisa Noblet Felicite Hullin and Etienne Le Blond opera singer Giuseppe de Begnis and Henry Gattie Maria Theresa Bland Sarah Booth Frances Copeland and Charles Young. The plates have not been hand-colored. In Good Condition: front board and frontispiece are detached but present; lacking leather over spine; foxing primarily in margins of plates; otherwise clean and solid. H. Berthoud hardcover
186726900Melbourne: Hamel & Ferguson 1867. Print. Plate XV from Eugene von Guérard's Australian Landscapes 1866-68.<br /> <br /> American Creek Mt. Kembla. Trees pictured include cabbage trees bangalow palms and flame trees. Timbermen are working in the foreground to fell the huge trees. Von Guerard describes the scene thus: This sylvan scene is situated at a distance of little more than ten miles from Wollongong near the junction of a little stream upon which some prosaic devotee of the bottle has bestowed the dishonouring appellation of the Brandy and Water Creek with the American Creek and at the foot of a noble range of mountains. With the lofty bangalow palm the cabbage palm the gigantic wild fig-tree the fire tree otherwise known as the blaze tree with its vividly scarlet blossoms are intermingled the nettle tree the rose-wood the sassafras the white-wood the wild rose numerous varieties of the fern tree and parasites innumerable the whole being woven together into one dense and almost impenetrable mass of foliage. Unfortunately the progress of settlement is necessitating the destruction of some of these magnificent forests which in many instances clothe a rich chocolate soil of especial value to the farmer. At the time this view was sketched numerous fires had been kindled by the wood-cutters and the stately giants were rapidly falling before the pitiless axe of the hardy pioneers of civilization.<br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 1/4 x 20 3/4" on paper 25 x 18 3/4". Archivally cleaned and backed repairing some marginal splits including one that would be visible when matted. Color tastefully enhanced. Libraries Australia ID 774462. Hamel & Ferguson unknown
1853010881London: H. G. Bohn 1853. FIRST EDITION first printing collated and complete. Full elaborately blindstamped decorated blue cloth which has aged to a brown at the extremities minor chip to the bottom of the spine with a litth fraying of the cloth previous owner's bookplate behind front cover some pages unopened plates lightly foxed and/or age-toned. Title condinues: ".incorporating the whole of Sweet's British Warblers; with numerous illustrations." Bechstein J. M. Illustrated by wood and steel Engravings Cage and Chamber-Birds Their Natural History Habits Food Diseases Management and Modes of Capture. With considerable Additions on Structure Migration and Economy Compiled from Various Sources by H. G. Adams." Collated and complete. Overall in VERY GOOD condition. . First Edition. Full Cloth. Very Good. 12mo - over 6¾" - 7¾" tall. Hardcover. H. G. Bohn Hardcover
1857179688London.: Illustrated London News. January 101857. Two half-page engravings 14.5 x 23 cms incomplete descriptive text on a single newspaper leaf marginal spotting and edge-wear but in very good condition. Tranquil views of Canton Guangzhou months prior to the attack on and four year occupation of the city by allied British and French troops during the time of the Second Opium War. <br> <br>From the Estate of the late collector and scholar Arthur Hacker with his pencilled catalogue note lower right. . Illustrated London News unknown
186726899Melbourne: Hamel & Ferguson 1867. Print. Otherwise very good condition. Plate 5 in Eugene von Guérard's Australian Landscapes 1866-68.<br /> <br /> "The bold and romantic headland which bears this title forms one of the most picturesque "bits" of scenery on the Victorian coast. The rocks have been worn into the most grotesque and fantastic shapes by the action of the waves which rush in with a majestic sweep from the Southern Ocean . the artist has indicated the entrance of Port Phillip by the position of the steamer faintly visible in the offing." NGV. <br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 1/4x19 1/4" on paper 25 x 18 3/4". Archivally cleaned and backed repairing some marginal splits including one that would be visible when matted. Color tastefully enhanced. Libraries Australia ID 7744596. Hamel & Ferguson unknown
1878biblio363George Barrie ca 1878. Fine. <p> Engraving after B Le Gempt paper 342x272mm image 240x305mm</p> George Barrie unknown
1870375224London: By order of the Trustees 1870. First Edition. Hardcover. 3 Volumes. Good to very good copies in gilt-blocked cloth. Spine band worn on volume three. Panel edges bumped and rubbed as with age. Internally bright and clean. Remains quite well-preserved overall. Physical description: 3 Volumes. Contents: Volume 1- 1320 to April 11 1689. Volume 2- June 1689 to 1733. Volume 3 Part One March 28 1734 to c. 1750. Subjects: Engraving England London; Catalogs.Drawing England London; Catalogs. Caricatures and cartoons; Catalogs. London: By order of the Trustees hardcover
1893411805London : Longmans & Co. etc. 1893. First Edition. Hardcover. Fine copy rebound in gilt-blocked blind-bordered cloth. Slightest suggestion only of dust-dulling to the panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical description; viii 138 pages ; 26 cm. Notes; Includes indexes. On spine: British Museum Department of Prints and Drawings. Subjects; Schreiber Charlotte Lady 1812-1895 Private collections ; Catalogs. Guest Charlotte Lady 1812-1895 Private collections Catalogs. Schreiber Charlotte Art collections Catalogs. British Museum. Department of Prints and Drawings ; Catalogs. Fans England London ; Catalogs. Fan painting Europe ; Catalogs. Fans Collectors and collecting Europe ; Catalogs. Flabella ; Catalogs. London : Longmans & Co., etc. hardcover
1812195892London.: J. J. Stockdale. 1812. Three handcoloured engravings 10.5 x 17.5 cms landscape and two portrait partial watermark sheets toned handsomely preserved in cerulean card window mounts all in very good condition. Three European engravings illustrating three stages in the manufacture of Chinese porcelain from an edition of "China: Its Costume Arts Manufactures &c." by Breton de la Martiniere very attractively handcoloured. . J. J. Stockdale. unknown
1893biblio367Hartford Conn: American publishing company 1893. Fine. <p>Chromolitography 7 3/4 x 12 1/4 Print provided from the portofolio: Our Navy Its Growth and Achievements</p> American publishing company unknown
188928035<p>Longman's Green London Printed by Stottiswoode & Co. 1889. Inlaid Slip Announcing Illustrated by Caton Woodville Reproduced by Permission of Proprietors of Illustrated London News Pictorial Endpapers Decorated Swans & Ships Introduction HB NODustJacket 1889 on Title pg. First edition. VG/VG AS-IS NOJACKET Bound Dark Black cloth with Beveled Edges & Gold Gilt on Front Bright & spine cvr has Gilt Egyptian decorations with tiny end Tears With 336 pages and 16 pages of ads dated January 1889 and 29 full page plates. Cover light rub wear tiny Chips Tears Extremities Slight Lean Interior nice Tight FOXing Some rubbing and bumping to the corners and spine ends binding is tight solid copy. Slight Roll to spine. Wear to extremities. . 1st Edition. Hardcover. Very Good/No Jacket. Illus. by Edward Whymper J. D. Cooper & B. Lloyd .</p> Longman's Green , London , Printed by Stottiswoode & Co. hardcover
1886278361886. Print. Otherwise very good condition. Multiple views in Constantinople in chromolithographs entitled Bridge of Galata Cemetery Street in Pera Sultan's Palaces Turkish Scissors Grinder Howling Dervish. Color chromolithographs. 6 plates 8 x 10.5" some marks in margins. unknown
186727483Melbourne: Hamel & Ferguson 1867. Print. Plate XVI from Eugene von Guérard's Australian Landscapes 1866-68. The location is now named Budj Bim and is a dormant volcano near Macarthur in southwestern Victoria Australia. The volcanic history of this part of Victoria is remarkable and the quarried black volcanic rock is seen throughout buildings & walls.<br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 13 x 19" on paper 18 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. Libraries Australia ID 7744685. Hamel & Ferguson unknown
1866biblio544Montréal: John Lovell 1866. Very Good. <p>Tinted lithograph after photograph 255x330 mm brownished margins not affected image</p> John Lovell unknown
1841V74754Wien Vienna: Mayer & Compagnie 3rd revised edition. 1841. Hardcover. Good. Frontisplate 59 other steel-engraved plates lacking pl.50 Sisyphus originally engraved on copper in 1815 by Franz St ber 1795-1858. Large octavo 24cm x 15.5cm newer linen-spined boards with old paper relaid on covers and spine has title but lacks original paper at spine head and foot. Unpaginated but each numbered plate has tissue guard and facing leaf of text in German to explain each myth. Lacks plate 50 maybe cut out by censor. Some foxing and light marginal damp marks at gutter not touching engraved part of plates. The steel-engraved images of gods nymphs and heroes are quite small 9.5cm x 6.5cm printed on strong paper at centre of each plate but of very fine quality and detail. They are closely based on similarly numbered copperplate engravings by Franz Xaver St ber first published Vienna 1815 in similar large octavo format but with completely different anonymous German text. The detail of these later steel engravings only differs from St ber's original 1815 copperplates by covering up some female breasts better to comply with 1840s more prudish moral code. They still retain the strongly erotic impression given by many of the originals thus helping to maintain their popularity over more than 25 years. Mayer & Compagnie 3rd revised edition. hardcover
189340313Paris: Damascène Morgand 1893. First edition no. 571 of 550 copies on Papier Vergé of a Total Edition of 600. 675 pp. 1 vols. Thick 8vo. Bound in three quarter green morocco and marbled boards t.e.g. Fine. First edition no. 571 of 550 copies on Papier Vergé of a Total Edition of 600. 675 pp. 1 vols. Thick 8vo. Damascène Morgand unknown
184347974Leipzig: Verlagsbuchhandlung von J. J. Weber 1843. First edition. Hardcover. poor to vg. Quarto. 40 leaves 38 hand-colored plates some of them with tissue guards including frontispiece. Bound in three-quarter brown leather over marbled boards. Double-framed half-title. Frontispiece. Double-framed half-title and illustrated title page with black double frame. Collection of plates by the celebrated and decorated French military painter and printmaker Hippolyte Bellangé. His work was included into the 1855 Exposition Universelle a major event in France exhibiting agricultural and industrial products and the fine arts. All plates signed Bellangé in plates.<br /> <br /> OCLC lists only one copy with this title in the University and City Library of Cologne. This OCLC listing refers to an 1844 publication by the publisher J. J. Weber a volume with 364 pages and fifty original drawings of all types of military corps and uniforms of the French Republic and the Empire by Hippolyte Bellangé. Our copy with the original title page is dated 1843 and contains thirty-eight lithographs on the subject without any text but the captions in the double-framed pages. The collection contains images of generals officers and soldiers from different corps of the French army from 1795 to 1814 with many of the plates not dated.<br /> <br /> Conceivably this copy was a limited pre-publication bound by the publisher in 1843 during preparations for the 1844 copy. The indication of this being a limited edition is typed only onto a label glued to the front free endpaper. In addition our copy contains an oval paper label with handwriting pasted to the front cover as well as two strips with imagery of French soldiers lined up printed in color glued to top and bottom of the cover. The copy contains four additional color printed strips of soldiers one glued to the inside front cover two to the front free endpaper and one to the half-title. The number of soldiers depicted on each strip varies. The oval paper label on the front cover contains the name Adolf Brougier and the year 1877 in calligraphy and the title in English in a different handwriting. The front free endpaper also contains a paper label with typed title subtitle and publisher's information glued in between the two printed strips. Publisher's information on this label ends with "Limited" but no printed indication of limitation. The Ex Libris on the inside front cover is from Robert Florey the French-American film director screenwriter and actor. Laid in a cutout lithograph of a cavalry officer 7 x 5" cut with black printed borders partially visible.<br /> <br /> Text in German. Wear along edges small chips and scuffing with spine missing except two narrow leather strips at head and tail. Some sporadic foxing hardly effecting lithographs small closed tears and rubbing throughout. Some penciled numbers in margins outside of lithograph borders. Starting at two places with one plate loose held only with tan paper tape at top. Some of the plates reinforced with tape at gutter. Binding in poor plates in very good condition. Adolf Brougier. Painter etcher. Born in Stuttgart Germany in 1870. Brougier studied art in France and Germany. He exhibited portraits and landscapes in Los Angeles for ten years before his death in Santa Barbara CA on March 11 1926. Exh: Curtis Gallery LA 1924; Holland & Garrison Gallery LA 1924. Ben; AAW; SCA; DR; AAA 1926; LA Times 3-12-1926 obit. Verlagsbuchhandlung von J. J. Weber hardcover
1848005411London: Hering & Remington 1848. Near Fine. 1 hand-colored lithograph 400 x 475 mm. image is 276 x 318 mm.; mat is 19.5 x 20 inches. The lithograph was created by Edmund Walker 1813 or 1814-1882 of Day & Son after James Rattray's drawing. James Rattray 1818-1854 was a lieutenant in the British Bengal Army during the first Anglo-Afghan War 1839-1842. The sketches he produced were published in 30 plates in Scenery Inhabitants & Costumes of Afghaunistan 1847-48. This is plate no. 2 a portrait of Dost Mohammed who had been deposed as Emir of Afghanistan. In January 1841 when Rattray was granted an audience with him in Peshawar Dost Mohammed was a prisoner on his way to exile in Calcutta. Rattray wrote that since Dost Mohammed had been "a ruler just and merciful and attentive to affairs of state" the people of Peshawur thought that he had been unjustly treated by the British. Green dealer's label on back of mat from Harold T. Storey London. Very scarce. In Near Fine Condition: lithograph is clean and bright; minor soiling to mat. Hering & Remington unknown
1886278351886. Otherwise very good condition. Seven chromolithographic views in Egypt entitled Bazaar in Alexandria Fountain of Moses The Wife of Khedive Travelling Fellahs At a well in Cairo Return of Caravan from Mecca Port Said Sphinx Mehemet Ali's Mosque Ascending the Pyramids.<br /> <br /> 7 plates 8 x 10.5" some marks in margins. unknown
1877biblio359London dec.29 1877. Fine. Sue. <p>Chomolithography 265x395mm original proof impression<br /> <em>“The second versions of the Vanity Fair caricatures are the proof prints or proofs before lettering First versions are the original watercolors; third versions are the widely available weekly/album prints  Produced to verify the colours and lines of the lithograph no more than twenty copies were printed </em><strong>Not true many more than that</strong><em> These prints have no captions or dates or other descriptive type and the magazine bound them in numbered albums in green leather with gilt tooling They were offered for sale and also awarded as prizes in the magazine’s acrostic contests At the front of each volume is a printed note from Vanity Fair giving the number of the proof volume and the numbered volume in the series </em><strong>However these volumes were "broken" to sell individually and one never sees the complete volume </strong><em>The quality of the colours in the proof prints their clarity of line and detail and their scarcity make them of considerable interest to the collectorâ€<br /> <br /> </em>Roy T Matthews and Peter Mellini <em>In “Vanity Fairâ€</em> Berkeley: University of California Press 1982 203</p> hardcover
1873004109Helsinki Finland: F. Tilgmanns förlag 1873. Hardcover. Very Good. 100 p. 35 steel-engraved plates; 26 x 33 cm. Red cloth with gilt-tooled cover title; gilt rules on spine. Blind-ruled border on both boards with additional gilt ruled border on the front board. White moire endpapers. Bound without the engraved title page and preliminary pages 1-viii. The author Zacharias Topelius 1818-1898 through his work as a writer journalist and professor of history played a pivotal role in the creation of the Finnish identity in the 19th century. En Resa i Finland Travel in Finland employs illustrations by the most famous Finnish artists of the time. The beautiful steel-engraved plates are based on original paintings by Berndt Lindholm A. v. Becker B. Reinhold Hjalmar Munsterhjelm Karl Emanuel Jansson Robert Wilhelm Ekman J. Knutson W. Holmberg Oslar Kleineh and Albert Edelfelt. Originally issued in parts in 1872 and 1873 this copy was apparently taken to the binder without the title page and 8 preliminary pages. The text is in Swedish. The plates were engraved by A. Weger and are captioned in Finnish Swedish and French. This is the first edition not the modern reprint. In Very Good Condition: corners rubbed; cover slightly soiled; spine faded; corners of a few leaves faintly dampstained not impacting image or text; light foxing on a few plates; otherwise clean and bright. F. Tilgmanns förlag hardcover
1893biblio364Hartford Conn: American publishing company 1893. Fine. <p>Chromolitography 7 3/4 x 12 1/4 Print provided from the portofolio: Our Navy Its Growth and Achievements</p> American publishing company unknown
189369768Paris France: Galerie Georges Petit. Very Good. 1893. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE-- IN STOCK AND AVAILABLE IMMEDIATELY-- - EXEMPLAIRE SUR IMPÉRIAL JAPON NO. 72 --Text in French; 1465 works catalogued. Many lovely b/w illustrations. Pages tight to spine. Leather-trimmed marbled coverboards; decorated endpapers; top fore-edge gilt -- with a bonus offer--; Folio - over 12" - 15" tall . Galerie Georges Petit hardcover
189337839Paris France: Galerie Georges Petit. As New. 1893. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE Text in French; 1465 works catalogued. Many lovely black and white illustrations. Cover wear front hinge cracked; pages tight to spine. Gold-embossed red coverboards top fore-edge gilt. -- with a bonus offer--; Folio - over 12" - 15" tall . Galerie Georges Petit hardcover
1866Q1211Chicago: Chicago Lithography & Engraving Co. 1866. First Edition. None. Good. Civil War era ornate family record with elaborate Spencerian style calligraphy and flourishingincluding imagery of angels cherubs birds and flowers"designed and wholly executed with a pen by R.H. Trumbull." Single sheet 24 x 20 inches. In Good condition with shallow dampstaining along the bottom edge small chip at the top edge and puncture in the lower right. The areas for recording births marriages and deaths have been filled with information about the Sweet family beginning with William Sweet b. 1829 and his wife Anna b. 1839. It descends to six children born throughout the 1860s their marriages in the 1880s and the death of William and Anna Sweet in 1895. Some of the writing is quite faded but helps illustrate how the record was kept in use through several generations. The lithograph will ship rolled in a tube; cost will be calculated based on buyer location. <br/><br/> Chicago Lithography & Engraving Co. unknown
