4 464 résultats
1956158827Culver City CA: Columbia Pictures 1956. Vintage studio still photograph from the 1956 film. <br /> <br /> Based on A.E.W. Mason's 1902 novel "The Four Feathers" previously adapted by Korda in 1939 under the title "The Four Feathers." A British lieutenant resigns in order to remain with his fiancee but this choice brands him a coward leading him to travel to the Sudan to fight incognito as a show of courage. <br /> <br /> Set and shot on location in Sudan. <br /> <br /> 8 x 10 inches. Very Good plus with light toning at the extremities and two faint diagonal creases at the bottom left and top right corners. Columbia Pictures unknown
1942149132Los Angeles: Walt Disney Productions 1942. Vintage borderless double weight reference photograph on the set of the 1942 film. "Photograph by Coburn" stamp and "Bison Archives" stamp on verso. <br /> <br /> Based on the 1894 collection of stories by Rudyard Kipling. <br /> <br /> The stunning Technicolor live-action version of the classic Kipling stories made by the Hungarian born filmmaking team the Korda brothers director Zoltan Korda producer Alexander Korda and art director Vincent Korda which brilliantly utilized live exotic animals on huge lush sets and featured Indian born actor Sabu as Mowgli the boy raised by wolves who can communicate with the animals of the jungle.<br /> <br /> Nominated for four Academy Awards including Best Cinematography.<br /> <br /> Set in a village in India shot on location in Sherwood Forest California. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Criterion Collection Eclipse Series 30. Walt Disney Productions unknown
1980151984Munich: N.p. 1980. Draft script for an unproduced film. Single manuscript ink annotation on the front wrapper noting copy No. 101. <br /> <br /> A power-hungry emperor demands the much-maligned Jewish people of his kingdom give him the Schem a mystical philosopher's stone leading a rabbi to create a golem for defense-a giant anthropomorphic creature made from mud and clay. <br /> <br /> Blue titled wrappers with credits for screenwriter Zev Mahler. Title page present with credits for screenwriter Zev Mahler. 162 leaves with last page of text numbered 161. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with perfect binding. N.p. unknown
1966158727London: Woodfall Films 1966. Shooting Script for the 1967 British short film. Two annotations in manuscript ink: one on the title page noting copy No. 11 and one on page eight noting a deletion. <br /> <br /> Clad in an ornate and eye-catching costume an opera singer must make his way through a succession of busy city streets in order to arrive on time for his performance. Originally commissioned by producer Oscar Lewenstein as one third of a planned anthology film titled "Red White and Zero."<br /> <br /> OCLC locates no holdings. AMPAS shows no holdings. <br /> <br /> Tall red untitled wrappers with a die-cut title window in the British style. Title page present dated 17.3.66 noted as Shooting Script with credit for director and screenwriter Peter Brook. 11 leaves with last page of text numbered 9. Mimeograph duplication rectos only. Pages Fine wrapper Near Fine bound internally with three silver brads. Woodfall Films unknown
1956167628N.p.: Banner Pictures 1956. Ten vintage studio still photographs from the US release of the 1950 West German film musical. <br /> <br /> A now-faded singer begins to regret her estrangement from her daughters after years of neglect while at the height of her career. Swedish-born actress Zarah Leander's first German film appearance after a seven-year hiatus. Although she declared no political position during World War II Leander was strongly associated with the Nazi Party due to her contract with UFA and multiple successful films with that studio in the late 1930s and early 1940s and was subsequently restricted from appearing in German films until 1949. <br /> <br /> 10 x 8 inches. Very Good plus to Near Fine. Banner Pictures unknown
1926148247Los Angeles: Paramount Pictures 1926. Vintage reference photograph of actress Arlette Marchal from the 1926 film. <br /> <br /> Based on the 1927 novel by Zane Grey not published until a year after the film's release. A fugitive is left in the desert to die by his outlaw partner but is rescued by a young rancher unaware that romantic entanglements with a neighboring rancher's daughter will complicate their friendship. Now considered to be a lost film.<br /> <br /> Shot on location in Hurricane Bluffs Utah. <br /> <br /> 10 x 8 inches. Very Good with light toning and edgewear and a small chip to the right edge. Paramount Pictures unknown
1962167657Copenhagen: Politikens Presse Foto 1962. Three vintage reference photographs from the 1962 Danish film. Printed mimeo snipes in English affixed to the versos along with the stamps of Politikens Presse Foto and Agence France-Presse. <br /> <br /> Not to be confused with the 1962 British crime thriller directed by Peter Maxwell.<br /> <br /> Based on South African writer Nadine Gordimer's 1958 novel "A World of Strangers" about a white liberal Englishman who befriends a Black man after moving to Johannesburg only to realize that their friendship carries unforeseen consequences for them both. <br /> <br /> Shot on location in Johannesburg. <br /> <br /> 9.5 x 7.25 inches. Lightly foxed on the margins and versos else about Near Fine. Politikens Presse Foto unknown
1954164753Universal City: Universal-International 1954. Vintage publicity photograph from the 1954 film showing actors Yvonne De Carlo and Joel McCrea in a passionate moment. Printed mimeo snipe affixed to the verso.<br /> <br /> A Confederate officer journeys with his men to an outlaw town in Mexico where they hope to use two million dollars in gold to acquire weapons and continue the war effort. A Union soldier determines to stop them. <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> Set in Zona Libra Mexico shot on location in Moab Utah and in Morelos Mexico. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Pitts 450. Universal-International unknown
1945164474Universal City: Universal Studios 1945. Vintage publicity photograph from the 1945 film showing actress Yvonne De Carlo. Printed mimeo snipe affixed to the verso. <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901. Jones worked for Paramount Pictures in the early 1930s and was the first still photographer to win an Academy Award. He went on to be the head of the still photography department at Universal Pictures where he worked well into the 1950s.<br /> <br /> Loosely based on the life of famed dancer and courtesan Lola Montez. De Carlo's breakthrough role about an exotic dancer who becomes a spy during the American Civil War. <br /> <br /> 8 x 10 inches. Near Fine. Universal Studios unknown
1945164487Universal City: Universal Studios 1945. Five vintage publicity photographs from the 1945 film all showing actress Yvonne De Carlo. Two with printed mimeo snipes and provenance stamps on the verso.<br /> <br /> Loosely based on the life of famed dancer and courtesan Lola Montez. De Carlo's breakthrough role about an exotic dancer who becomes a spy during the American Civil War. <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> 8 x 10 inches. Generally Very Good plus.<br /> <br /> Zimmerman p. 19. Universal Studios unknown
1947161132N.p.: N.p. 1947. Vintage reference photograph of choreographer Tilly Losch and actress Yvonne de Carlo on the set of the 1947 film. Printed mimeo snipe affixed to the verso. <br /> <br /> A fictional episode in the life of composer Nikolai Rimsky-Korsakov imagining a love affair with a Spanish cabaret dancer that leads him to pen the titular composition "Scheherazade." <br /> <br /> 8 x 10 inches. Very Good plus. N.p. unknown
1970167477Hollywood: Aaron Spelling Productions 1970. Final Draft script for Season 1 Episode 1 of the 1970-1971 television series. Copy belonging to actor Jack Naughton with his name in manuscript ink on the front wrapper. Laid in with the script is a xerographically duplicated shooting location map.<br /> <br /> The short-lived series followed three independent criminologists-George Maharis Yvette Mimieux and Ralph Bellamy-who took on especially dangerous high-profile cases. In this debut episode the trio attempt to solve a murder of a man found with a hole in his head that did not come from a bullet. The episode originally aired on October 10 1970 on ABC. <br /> <br /> Red titled wrappers noted as story No. 261 on the front wrapper. Title page present dated June 30 1970 noted as FINAL DRAFT with credit for screenwriter Burton Wohl. 70 leaves with last page of text numbered 62. Mimeograph duplication rectos only with rainbow revision pages throughout dated variously between August 7 and 18 1970. Pages Near Fine wrapper about Near Fine bound with two gold brads. Aaron Spelling Productions unknown
1953147147N.p.: N.p. 1953. Treatment script for the 1953 film here under the working title "Comme le sucre dans le cafe.". Text in French.<br /> <br /> A doctor turned homeopath poaches patients from his former medical colleagues but is challenged when his shady treatment further endangers the life of a woman with a brain tumor.<br /> <br /> Set in Brittany France.<br /> <br /> Tall yellow titled wrappers. Title page present with credits for director YVES CIAMPI. 56 leaves with last page of text numbered 54. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus lightly creased and soiled bound with two silver clamps. N.p. unknown
1961143969Paris: Cinedis 1961. Collection of 18 original single weight press photographs from a gala surrounding the 1961 French-Italian-West German-Japanese film. Most of the photos represent actress Kishi here as "Kiski" in kimono and director Ciampi on-stage behind a microphone and signing autographs presumably at the French premiere. Several photographs are rubber-stamped on the versos crediting photographer Jungmann or Andre also for Bar-le-Duc. Also included are a few leaves documenting travel expenses and locations associated with the film and a memo mentioning Kishi's travels signed by "F. Willkomm" at Cinedis the film's distribution company addressed to Maryse Martres dated May 29 1961. All photos and memo housed in original mailing envelopes with annotations in manuscript ink on the recto of the larger. <br /> <br /> Little is known of Willkomm but Martres Martin was a prolific French actress since 1948 notably "Girl on the Third Floor" 1955 and "The Happy Road" 1957 and she was later involved in press relations at Cinedis a notable film agency in operation since the Silent Film era. Kishi was born in 1932 and became a Japanese actress and writer. She married director Ciampi in 1957. Since 1996 she has been a Goodwill Ambassador for the United Nations Population Fund UNFPA. <br /> <br /> Based on the true story of Richard Sorge who was a spy for the USSR working at the German Embassy in Japan between 1935 and 1943. Holtzman plays Sorge and Kishi plays Yuki presumably involved with Sorge romantically and within the workings of his spy ring. Sorge's story was adapted once more "Spy Sorge 2003 a Japanese film directed by Masahiro Shinoda. <br /> <br /> Photos range from 3.5 x 6 inches to 7 x 9 inches several with white borders. Very Good plus overall slight curling and light creasing. Envelopes memo and travel ephemera Very Good overall. Cinedis unknown
1947138070Beverly Hills CA: Victor Glaser 1947. Draft script for the 1948 film. Carbon typescript on onionskin stock a draft of the novel produced for purposes of film development with brief annotations throughout in manuscript ink. Copy belonging to Victor Glaser with his name and address on the front wrapper in manuscript ink and the person to whom the internal annotations presumably belong. <br /> <br /> Based on the 1939 novel by Henri La Barthe writing as Ashelbe. Dedee Signoretworks in a bar and lives Marco Dalio the bouncer and her pimp. When she meets Francesco Pagliero she sees a way to a better life but must avoid the menacing embrace of Marco. <br /> <br /> Set in Antwerp. Censored upon release in both Finland and France. <br /> <br /> Blue wrappers with a credit for Ashelbe on the front wrapper. 145 leaves with last leaf of text numbered 143. Carbon typescript on onionskin stock. Pages Near Fine wrapper Very Good bound with three gold brads. Victor Glaser unknown
1958162097N.p.: Kingsley-Union 1958. Two vintage studio still photographs from the US release of the 1958 French film. Both photographs with provenance stamps on the versos. <br /> <br /> A sailor aboard a French merchant ship arrives at the Port of Hamburg and searches for a woman he knew when he was a prisoner of war in the city during the Second World War. <br /> <br /> Shot on location in Hamburg Germany. <br /> <br /> 8 x 10 inches. Near Fine. Kingsley-Union unknown
1953149721N.p.: N.p. 1953. Vintage borderless double weight reference photograph from the 1953 French film showing actress Michele Morgan. With manuscript ink annotations regarding layout on the verso along with the stamp of City Film N.V.<br /> <br /> In the midst of a deadly typhoid outbreak a French tourist finds herself widowed and stranded in a small Mexican village where she begins to fall in love with a depressed alcoholic expatriate. <br /> <br /> Set and shot on location in Veracruz and Mexico City Mexico.<br /> <br /> 8.5 x 9.25 inches. Very Good plus with light creases to the bottom edge. N.p. unknown
1957132691London: Miracle Films 1957. Collection of 7 vintage black-and-white double weight still photographs from the 1957 UK release of the 1957 French film. Distributor rubber-stamps on the versos. <br /> <br /> Based on James Hadley Chase's novel "Miss Callaghan Comes to Grief" 1941 banned in the UK upon publication due to its graphic sexual passages involving prostitutes and lost women. <br /> <br /> 8 x 10 inches. Near Fine. Miracle Films unknown
1969140854Moscow: Gorky Film Studio 1969. Treatment script for the 1972 film. A collaboration between Moscow's Gorky Studio and Stockholm's Omega Film. An English translation produced for consideration by English-speaking parties involved in production.<br /> <br /> After the October Revolution of 1917 a Russian engineer is assigned to purchase locomotives from Sweden. He is to purchase them with gold claimed by opponents of the revolution. <br /> <br /> Set in the Soviet Union. <br /> <br /> White titled self wrapper lacking rear wrapper noted as Literary Scenario on the front wrapper dated April 1969 with credits for screenwriters Semitiov Braginsky Yegorov and Soloviev and translator Alan Blair. 92 leaves with last leaf of text numbered 91. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with a comb binding. Gorky Film Studio unknown
1969143218Tokyo: Gendai Eigasha 1969. Draft script for the 1969 film. Front wrapper notes a date of 1969 and credit as a Gendai Eigasha production. <br /> <br /> The second page is a elegaic introduction to the film story: "On the erotology and insurrection of sugi Sakae who wrote of dancing as flowers strangled and left in spring and It Noe who lived her entire life in confused beauty-we the youth and you and I in our degenerate joy which reaches an unbalanced complicity are talking."<br /> <br /> Based on the life of anarchist Sakae sugi and his relationship with three women.It is the first film in Yoshida's trilogy of Japanese radicalism followed by "Heroic Purgatory" 1970 and "Coup d'Etat" 1973. Considered to be one of the most representative films from the Japanese New Wave movement. <br /> <br /> Set in and shot on location in Japan. <br /> <br /> White titled wrappers dated 1969. Title page present. 86 leaves with last page of text numbered d-44. Mechanical duplication. Pages Near Fine wrapper Very Good plus with mild foxing on rear wrapper title on spine. Gendai Eigasha unknown
1983150126Tokyo: Nikkatsu 1983. Three vintage borderless reference photographs and a triple parallel fold color brochure in Japanese from the 1983 pinku film. <br /> <br /> Directed by Yoshimitsu Morita director of the acclaimed film "Kazoku Gemu" "The Family Game" 1983 and winner of the Japanese Academy Award for Best Director for "Ashura no Gotoku" "Like Asura" 2003 and nominated for eight others.<br /> <br /> Mayumi and her friend Mai make a killing when they open a barber and beauty shop which serves customers in the nude.<br /> <br /> A Japanese "pink" film for Nikkatsu Studio's "Roman Porno" series. Pink film is a broad genre of low budget Japanese softcore films though often with artistic and visual inventiveness and narrative drive far beyond their American counterparts. Nikkatsu was particularly well known for allowing almost unlimited artistic freedom to filmmakers as long as they met the studio mandated requirement of four nude or sex scenes per hour of running time. <br /> <br /> Photographs: 6 x 4.25 inches Brochure: Folded 4.75 x 6.75 inches. Open 28.75 x 6.75 inches. Near Fine. Nikkatsu unknown
1988170390Tokyo: Nikkatsu 1988. Three vintage borderless reference photographs and a folded program for the 1988 Japanese film. Text in Japanese.<br /> <br /> A modern sexually explicit take on the Cinderella story about a young woman who discovers a pair of red shoes that give her luck and unstoppable sexual prowess. <br /> <br /> Photographs 4.25 x 6 inches. Fine.<br /> <br /> Program approximately 28 x 7 inches folded four times and measuring 5 x 7 inches folded. Near Fine. Nikkatsu unknown
1962149373Tokyo: Shochiku 1962. Vintage borderless reference photograph of Shima Iwashita from the 1962 Japanese film. With the stamps of Tele-Magazine and manuscript pencil and ink annotations regarding layout on the verso.<br /> <br /> An aging widower arranges a marriage for his only daughter. Director Yasujiro Ozu's final film a farewell to his mother whom he had lived with and cared for his entire life with the title drawn from a poem he wrote upon returning from her funeral. Ozu became ill shortly thereafter and died from cancer at age 60 in 1963.<br /> <br /> 9.75 x 8 inches. Very Good plus overall. Shochiku unknown
1956152463Tokyo: Shochiku 1956. Vintage borderless reference photograph from the 1956 film. With manuscript ink annotations on the verso noting the film's title and the names of director Yasujiro Ozu and actor Chishu Ryu.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A married white-collar worker begins an affair at his job with a young woman nicknamed Goldfish. Ozu's first film after a three year hiatus and one of the last of his marriage-related films. <br /> <br /> Set and shot on location in Tokyo Okayama Shiga and Kanagawa. <br /> <br /> 6 x 4.5 inches. Near Fine.<br /> <br /> Criterion Eclipse 3. Shochiku unknown
1958151339Tokyo: Shochiku 1958. Four vintage borderless reference photographs from the 1958 film. With the stamp of Shochiku Co. on the verso along with a mimeo snipe noting the film's Japanese title "Higanbana." <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Based on Ton Satomi's 1957 novel. A businessman hopes to arrange a marriage for his headstrong youngest daughter who has fallen in love with a musician. Director Yasujiro Ozu's first color film. <br /> <br /> Set and shot on location in Tokyo. <br /> <br /> 6 x 4.5 inches. Near Fine. <br /> <br /> BFI 1071. Criterion Eclipse 3. Shochiku unknown
