109 résultats
1976100695<p>Los Angeles California March 17th 1976. 1976. Fine. - Over 500 words typed on 2 sheets of her light gray 11 inch high by 8-1/2 inch wide "Ruth Webb Ent. Artists Representatives" stationery with a light web motif in teal as background to her name at the top. Sorry to have missed Jean Dalrymple when Jean was in Los Angeles Ruth Webb responds to the New York City producer's inquiry about possibilities in L.A. "I think it would be great to have you out here but I am not quite clear on what you want to do. If you thought you might be interested in agenting there is a vast field of activity in the film and TV end of things." "There isn't the same kind of live theatre going on year round as you must know. Outside of opening nights most of the social activity goes on in people's home. It just isn't the same aura or opportunity as used to be the case back East I mean going to the theatre." Though at a loss for ideas she does offer some possibilities: "I am not quite sure what would interest you in a production. I think that GLORIA SWANSON's new concert is top entertainment and has already proven it will draw well. I attach material if not sent previously. I can offer RICHARD EAGAN in MURDER AMONG FRIENDS the recent Jack Cassidy Broadway show." She goes on to mention EARL WRIGHTSON and LOIS HUNT as well as MARTHA RAYE "She is top box office as is MICKEY ROONEY however Mickey goes back to Drury Lane open end. He could be available at a very good price in excess pf $5000 for a Summer tour." Ruth Webb concludes: "Anything you would do would be a success and I would love to be a part of it." Signed "With Love Ruth". Jean Dalrymple has drawn a line in pencil across the cover page to indicate she has read the letter. Else fine.</p><p>Nicknamed "The Auntie Mame of Agents" the Hollywood talent agent Ruth Webb 1918-2006 was known as a master in reviving the dormant careers of former Hollywood stars. Webb was a former stage actress and nightclub singer who was said to resemble a cross between Zsa Zsa Gabor and Autie Mame and was partial to dressing in feathers and gold lame. As an agent she revived the careers of Kathrym Grayson Rhonda Fleming Dorothy Lamour Donald O'Connor Gloria Swanson Gig Young and Ann Southern and is credited with reviving the career of Mickey Rooney who returned in 1979 to make his Broadway debut in "Sugar Babies".</p><p>The recipient Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Carey Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jos Iturbi Andre Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member producer and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world.</p> Los Angeles, California, March 17th, 1976.
199325288ELos Angeles: Butterfield & Butterfield 1993 & 1994. First Editions. Lavishly illustrated catalogues with many black & white and color photographs. This set of presents costumes and memorabilia from such diverse films as Gone With The Wind Planet of the Apes Big Orson Welles’ crown from Macbeth Bruce Lee costumes and promotional material George Hamilton’s costume pieces from Zorro The Gay Blade a photograph collection of Sarah Bernhardt Elvis Presley’s costumes and signed photograph Tyrone Powers’ suit from The Razor’s Edge Billy Crystal’s vest from City Slickers dresses from The Sound of Music scripts from Star Trek and much more. Part I is 79 pages plus index Part II is 178 pages and has the prices realized sheet laid in and Part III is 167 pages plus an index. All copies are fine in glossy printed wrappers. Butterfield & Butterfield unknown
1995124003Angel Records 1995. Audio CD. Very Good. 5.7 x 5 x 2.2. Audio CD. Condition: Very Good. Angel Records 1995. 5 discs. Disc Quality: Excellent. Size: 5.7 x 5 x 2.2. Music CD CD27 CD27 Angel Records unknown
1953712472PN. New. 1953. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1954434717PN. New. 1954. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
192722298ENew York: Boni & Liveright 1927. First Edition First Printing. Signed and inscribed by the author Dan Ryan on the front free endpaper in the year of publication: “To Ethel - In gratitude for sympathetic encouragement while laboring on this opus. And - To Jim In memory of an old friendship. Sincerely Dan Ryan Oct. 28 1927â€. A lightly handled copy with some minor edge wear minor rubbing to the cloth and a few tiny tears to the cloth without dust jacket. The novel relates the life of Los Angeles newspaper reporter Will Pence who finds his material in the life of both the lowly and the famous. In the novel is a very thinly veiled portrait of the great Hollywood director Erich Von Stroheim whom Ryan knew intimately and he played an officer in Von Stroheim’s The Merry Widow 1925 and appeared as the Archbishop in The Wedding March 1928. Ryan went on to write for Hollywood films from the 20s into the 1940s. The title of this novel refers to the elevated railroad in Los Angeles that traveled up and down one uphill city block and had the distinction of being the shortest railroad in the world. Boni & Liveright hardcover
1993223357Schirmer Art Books 1993. Brossura wrappers. Ottimo Fine. Introduzione di José"; Alvarez. Fotografie di Helmut Newton. Biografia e attività" espositiva. 4to. pp. 80. Ottimo Fine. Prima edizione First Edition. Schirmer Art Books, unknown
1948015990New York: Grayson 1948. Book. Very Good. Soft cover. First Edition. Three oblong spiral bound illustrated softcovers devoted to the photography of the female human body with few exceptions light soiling marginal wear owner's name on one copy and owners stamp on a second copy. Grayson Paperback
1948197494New York Grayson Publishing 1948. 1948. Oblong 4to. 56 unnumbered pages of gravures of female nudes. Spiral bound red pictorial wrappers. Very good. No signatures or bookplates. F. Soft cover. New York, Grayson Publishing [1948]. paperback
200016975JPortland: Arts Propulsion Laboratory 2000. First Edition. One of only 25 numbered special copies signed by Norman Corwin out of an edition of 200 copies total. Finely printed. Paperbound. Norman Corwin’s dedicatory speech presented at the inauration of Blacklist a work of art by Jenny Holtzer on the campus of the University of Southern California in tribute to those affected by the Hollywood Blacklist of which Corwin was one of the victims. “Norman Lewis Corwin May 3 1910 – October 18 2011 was an American writer screenwriter producer essayist and teacher of journalism and writing. His earliest and biggest successes were in the writing and directing of radio drama during the 1930s and 1940s. The House Un-American Activities Committee also named him among a number of other entertainers and performers in a 1951 list of alleged Communist sympathizers. After leaving radio Corwin and produced some work for television including his first televised play "Ann Rutledge" which starred Grace Kelly. He also wrote a number of motion picture screenplays including The Blue Veil 1951 Scandal at Scourie 1953 Lust for Life 1956 and The Story of Ruth 1961. In the early 1970s Corwin produced and hosted the television show Norman Corwin Presents.†Arts Propulsion Laboratory unknown
1963721867PN. New. 1963. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
19949172N.p. 1994. First Edition First Printing. Paperback. Very good. Thin quarto. 8 x 11.75 in. Unpaginated. Fully illustrated with black & white reproductions of drawings photographs news articles etc. Very good in original stapled wrappers with foxing to exterior and interior endpapers. A fan zine published after Bukowski's death in 1994 with essays comics and tributes by Sean Penn Neeli Cherkovski Stephen Kessler Neil Berry Rikki Hollywood et al. and excerpts from his own work and interviews. N.p. paperback
1932056356Pasadena / Hollywood Ca: City Of Pasadena / O'dell Photo 1932. Original Photograph . No Binding. Near Fine. Large Framed Photograph 19 1/2" X 8" With Typewritten Chart Names Of Those Photographed. <br/> <br/> City Of Pasadena / O'dell Photo unknown
1942PT537NY: Culture Publications 1942. Magazine. Good to Very Good-. Wraps. Vol. 1 No. 5. Pulp magazine. Cover art by H. J. Ward for "League of Leeches" Dan Turner series by Robert Leslie Bellem. Includes "Killer's Union" "The Color of Murder" "Malibu Mess" "Daughter of Murder" "Broken Melody" and "Corpse by Mistake" All by Bellem. Illustrations are uncredited. Creasing; tanning; edge and corner tears with small losses; front cover corner loss; front cover marks in pencil and erasures. Culture Publications Paperback
1942PT829NY: Culture Publications 1942. Magazine. Good. Wraps. Vol. 1 No. 4. Pulp magazine. Cover art by H. J. Ward for "Four Minutes Past Nine" Novelette; Dan Turner series by Robert Leslie Bellem. Includes "Judas Jewels"; "Dummy Kill"; "Telephone Tangle"; Death's Dark Star"; "Homicide Haunt". All by Bellem. Illustrations are uncredited. Creasing; tanning; tears to rear cover and last few pages with corner loss to rear cover at upper foredge; other minor losses; pencil marks on front some erased. Culture Publications Paperback
199525283EPalo Alto CA: The Stanford Theatre Foundation 1995. Original program for a two-month celebration of ten major composers of classic film scores written by film and television composer David Raskin signed and inscribed by him on the front cover which bears his photographic portrait: “To Alan from David Raskinâ€. Illustrated. Staplebound 47 pages. Touch of handling else fine. The composers honored here include Max Steiner Erich Wolfgang Korngold Alfred Newman Miklos Rozsa David Raskin Franz Waxman Aaron Copland Hugo Friedhofer Bernard Herrmann and Dimitri Tiomkin. David Raskin 1912 - 2004 had more than 100 film scores and 300 television scores to his credit and was known as the “Grandfather of Film Musicâ€. One of his earliest film assignments was as assistant to Charles Chaplin in the composition of the score for Modern Times 1936. He is perhaps best remembered for his scores for Laura 1944 Apache 1954 Midnight in the Garden of Good and Evil 1997 and Captain America: The First Avenger 2011. The Stanford Theatre Foundation unknown
196923939Powell Publications Reseda PP155 on Cover & Spine 1969. PBO 1969 1st Edition COVER Illustrated Color WRAPS of Detective Red Tie & 2 other Men light Scuff Wear VG/VG- PAPERBACK Orginal Interior nice tight Clean light FOX WEAR 206 pgs AD. First Edition. Soft Cover. Powell Publications, Reseda, PP155 on Cover & Spine paperback
194521236EBerkeley and Los Angeles CA: University of California Press 1945 1946 1947. Eight original issues of ‘Hollywood Quarterly’ magazine published under the joint sponsorship of the University of California and the Hollywood Quarterly Associates: for 1945 - Volume 1 October 1945 Number 1; for 1946 - Volume 1 January 1946 Number 2 with a supplement to Volume 1 1946 Volume 1 April 1946 Number 3 Volume 1 July 1946 Number 4 and Volume II October 1946 Number 1; and for 1947 - Volume II January 1947 Number 2 Volume II April 1947 Number 3 and Volume II July 1947 Number 4. All paperbound 6 3/4†x 10â€. The condition runs from bright very good lightly handled copies with some small chips and tears to one Volume II April 1947 Number 3 with dampstaining to the covers slightly affecting a few interior pages. Hollywood Quarterly was a quarterly journal devoted to the study and coverage of film television and visual media which ran from 1945 - 1951 when it became Quarterly of Film Radio and Television from 1951 - 1958 until its present incarnation as Film Quarterly. University of California Press unknown
197016117New York: Film Culture 1970. First Edition. Quarto. Pictorial card wrappers; 84pp; illus. Mild overall dusting and wear; a few page-corners rolled; Very Good.<br /> <br /> Special double issue guest-edited by Gordon Hitchens devoted entirely to an examination of the 1950s Hollywood Red Scare. Contributors include Gordon Hitchens John Howard Lawson Dalton Trumbo Lew Irwin Joseph Losey many others. Film Culture unknown
198729036<p>New York::: Simon & Schuster 1987. First Printing of the First Edition. A Fine tight copy in a Fine bright unclipped dust jacket. This collection of 21 essays on movies movie-making and hollywood contains the best of McMurtry's magazine work from American Film Magazine. In "Film Flam " McMurtry takes a funny original and penetrating look at the movie industry and gives us the truth about the moguls fads flops and box-office hits. With successful movies and television miniseries made from several of his novels -- "Terms of Endearment The Last Picture Show Lonesome Dove " and "Hud" -- McMurtry writes with an outsider's irony of the industry and an insider's experience. In these essays he illuminates the plight of the screenwriter cuts a clean often hilarious path through the excesses of film reviewing and takes on some of the worst trends in the industry: the decline of the Western the disappearance of love in the movies and the quality of the stars themselves.</p> Simon & Schuster,, hardcover
195435897Beverly Hills California September 27 1954 through January 14 1955. 1954. 1954. Fine. - Five signed letters typed in green ink on Ray Stark's 10-5/8 inch high by 7-1/4 inch wide "Famous Artist's Corporation Agency" stationery with the firm's logo embossed in green at the top of creamy white paper. In his first letter of approximately 90 words dated September 27 1954 Ray Stark acting as Ben Hecht's agent writes to him about Frank Rosenberg's deal regarding "Miracle in the Rain". Stark pleads with Hecht to not "be a soft-hearted cuss and let him talk you into anything." He goes on to write that "Frankly this looks like a lot of crap to me. If he is producing the picture you should receive one-half unless he wants to give up his claim to the $10000." and closes by requesting that Hecht send him "a copy of the wire" in which Rosenberg claims to have told him of the details. Signed "Ray" in green ink.<p>In a retained carbon copy of his letter of the same date addressed to Frank Rosenberg Stark sets the scene for what he clearly sees unfolding. He writes Rosenberg that "I am still rather confused about the exact details of the sale of Miracle in the Rain to Warner Brothers" and inquires as to whether this is a definite sale or contingent upon the selection of a director. He then goes on to question Rosenberg's deal with Warner: "It is difficult for me to understand how you can be under contract to Warner's as a producer be assigned MIRACLE IN THE RAIN as your first picture and yet as you stated to me this morning consider the producer deal separate." He then urges that Rosenberg have his agent acquaint him with the details.<p>In a 114-word typed letter to Ben Hecht dated October 5th Ray Stark indicates that he's been in touch with Frank Rosenberg's agent Arthur Parks of MCA. Parks claims that Rosenberg's "producing at Warner Brothers is completely separate from the possible sale of the screenplay." Looking to make sure that Ben Hecht is protected in this deal he writes: "I told Parks that the only thing you and I wanted was the producer's salary he is now receiving to even out the $10000 that you have received -- and that if it didn't sell by January the we would have a chance to put it together." Signed "Ray" in blue ink.<p>In typed letter of over 140 words to Ben Hecht dated October 20 1954 Ray Stark inquires about "the Saltzman thing" Harry Saltzman's first film based on Ben Hecht's script "Not for Money" which was contentiously released as "The Iron Petticoat" in 1956. Mentioning that other projects were still "on the fire" he mentions that "Kirk Douglas is really really excited about the play and it would help very much if you could send him any portion of it that you are satisfied with. He has told me that if he liked the play he would rather do it than any of the films which are on tap for the next several months." Kirk Douglas had starred in the 1954 film "Ulysses" the script of which was co-written by Ben Hecht and subsequently co-produced and starred in the 1955 Western "The Indian Fighter" for which Ben Hecht wrote the screenplay from a story by Robert L. Richards. Here Stark is referring to Hecht's play "Not for Money" which was eventually released as "The Iron Petticoat" starring Bob Hope and Katharine Hepburn. Ray Stark concludes his letter to Hecht which he neglets to sign with a 14 word autograph note penned in blue ink "And please don't get involved privately with the play until you check with me".<p>A retained carbon copy of a letter to Ray Stark from MCA's Arthur L. Park Jr. acknowledges receipt of Stark's letter and that he Park will advise him as soon as the contract for "Miracle in the Rain" is signed. He goes on to say that "Incidentally Mr. Rosenberg has advised me that he discussed the Warner Bros. deal in detail with Mr. Hecht personally before accepting it and that Mr. Hecht had voiced his complete approval."<p>In a 241 word Typed Letter Signed dated October 25 1954 Ray Stark writes to Ben Hecht expressing his excitement at talking with him "this morning about the play." "I know how very rarely you are enthusiastic - at least this enthusiastic about your projects so I am really sitting on the edge of my chair waiting to read it." He further pens the following note at the end of this paragraph: "I hope you've sent act one". Going on to discuss other matters he writes: "I am also so very happy that you like Saltzman. He is a tough business man and this is good. Also I think he is a very honest guy - as well as a very good promoter. Once again Ben I just hope you don't sign any papers unless you send them through me." Stark goes on to write extensively about the need to protect Hecht's interests in these deals and then excitedly tells him that "There are still a number of assignments including the Barrymore story the Kirk Douglas Japanese story and others which I have been holding in abeyance for you." Signed "Ray" in blue ink.<p>In a retained carbon copy of a letter written by Stark to Harry Saltzman on the same day Stark writes that "I am very excited over the fact that you and Ben have formed a partnership on his new play. I would appreciate your sending me copies of any contracts which Ben may be requested to sign -- or which he may have signed since Ben in general is rather forgetful of these things. . Also as I told Ben if Kirk Douglas likes the play there is a very good chance of a big investment on his part."<p>Predictably on January 14 1955 Ray Stark has typed over 540 words on two pages this time addressed to "Rosie" Mrs. Ben Hecht: "I am answering your very sweet letter of January 9th. However I have to admit that I have taken a day to simmer down. I can't tell you how angry I was when I read of this swindle that Mr. Rosenberg had pulled. . Ben promised me that he would not deal with those guys and as I told Ben I would have been very happy to have the agency advance the money he needed against this contract. I just think it's a shame and a ruthless hunk of chicanery to have screwed Ben like this." The paragraph which follows speaks volumes as to Ray Stark's character waving the commission owed by the struggling Hechts: "It is very sweet Rosie that you mention the commission due me in reference to the Saltzman and other situations. However forget about it. It's more important that you people get into some kind of a liquid position." He goes on to mention Hecht's script "NOT FOR MONEY" and urges her to "persuade Ben to really keep me advised of all the various things that are happening. I have a couple of jobs possibilities for him when he is finishes with his present assignment." Signed "Ray" in blue ink. In a post script Stark states that he's enclosing a copy of a letter he will send to Frank Rosenberg with two corrections in his hand and the addition of a brief note penned in ink requesting that she "First let me have Ben's okay".<p>The carbon copy of Stark's angry letter to Frank Rosenberg dated January 14 1954 is included. Stark angrily denounces Rosenberg's actions: "For a long long time I thought that both Harold and yourself were two of the most ethical guys in this very unethical town. However after the bit of chicanery that either you or both Harold and yourself accomplished together in reference to the Ben Hecht situation I can't help but tell you how very strongly I feel about this fancy bit of mis-dealing." He goes on to list the mis-deeds the last being: ". the fact that you thought you had pulled a fast one at Warner's by having a separate producer contract etc. should all add up to many sleepless nights for you Frank."<p>All five of Ray Stark's original letters are in very good condition folded for mailing. The onion skin carbon copies are clear and legible but worn. <p>"Miracle in the Rain" was Ben Hecht's adaptation of his novella of the same name. The film is a World War II romance between a happy-go-lucky soldier played by Van Johnson and a lonely office worker played by Jane Wyman who meet on the streets of New York City during a downpour.<p>Ben Hecht's play "Not for Money" a British Cold War comedy was released as "The Iron Petticoat". The play was written by Ben Hecht from a story by Harry Saltzman who produced the film. It was intended as a vehicle for Katherine Hepburn. Major stars such as Carey Grant William Holden and James Stewart balked at playing second fiddle to Hepburn and the studio finally settled on reworking the film with Bob Hope as the leading man. Turning up in London at the last minute Hope threatened to pull out unless the film was re-written to his liking striking out many of Hepburn's scenes. The title was then changed and Hecht removed his name from the credits.<p>A man of many talents Ben Hecht 1894-1864 was an American journalist screenwriter producer director playwright and novelist. The author of 35 books he wrote screenplays for nearly 70 films. Among his most noted are "The Front Page" "Underworld" "Scarface" "Angels Over Broadway" "It's A Wonderful World" Hitchcock's "Spellbound" and "Notorious" etc.<p>One of the most successful independent Hollywood producers Ray Otto Stark 1915-2004 was Ben Hecht's agent through his "Famous Artists Corporation". His early experience as a literary and theatrical agent set the stage for his successful career as the producer of some of the most dynamic film of the latter part of the twentieth century. Among the most memorable films that he produced are: "West Side Story" "The Misfits" "Lolita" "The Night of the Iguana" "Reflections in a Golden Eye" "Funny Girl" "The Goodbye Girl" "Annie" and "Steel Magnolias". Beverly Hills, California, September 27, 1954 through January 14, 1955. [1954]. unknown
19502738861950. unbound. All the pages measure 3.75 x 4.75 inches and are signed by various actors and actresses of the Golden and Silver ages of Cinema including: Jackie Coogan 1914 - 1984 best remembered in Charlie Chaplin's classic film "The Kid" 1921 and for his television role as Uncle Fester in "The Addams Family"; Sabu 1924 - 1963 the first Indian actor to achieve great success in Hollywood -- he died at the age of 39; James Mason 1909 - 1984 an English actor who made the transition to American films and became one of the biggest stars in Hollywood; Douglas Fairbanks Jr. 1909 - 2000 iconic American actor and highly decorated naval officer during World War II; and Robert Donat 1905 - 1958 English actor best remembered for his roles in Alfred Hitchcock's "The 39 Steps" 1935 and "Goodbye Mr. Chips" 1939 the latter earning him the Academy Award for Best Actor. All items are boldly signed and in near fine condition.<br/> <br/> unknown
196231872Hollywood CA: Frederick's of Hollywood 1962. Very Good. Hollywood CA: Frederick's of Hollywood 1962. First Edition. Quarto 27.5cm.; publisher's pictorial staplebound wrappers; 47pp.; illus. throughout many full-color. Light wear and dust-soil to wrappers else Very Good and sound. Rear wrapper postally used to a Mrs. Betty Place of Worcester Mass. <br /> <br /> Lavish Mad Men-era fashion and lingerie catalog "with over 300 fashion finds just for you! Frederick's of Hollywood unknown
1973358010New York : Drake Publishers 1973. First Edition. Softcover. Good copy in the original stiff-card wrappers; edges slightly nicked and dust-dulled as with age. Physical description; 255 pages : chiefly illustrations ; 31 cm. Notes; ""A Strawberry Hill book"" - t.p. Subjects; Frederick's of Hollywood ; Catalogs. Clothing and dress Catalogues. Women's costume Trade catalogues U.S.A. 1950-1974. Women's costume U.S.A. 1950-1974. Hollywood Calif. U.S.A. Genres; Catalogs. Catalogue. Illustrated. New York : Drake Publishers paperback
194616852JLos Angeles: Monogram Pictures 1946. Original 102 mimeographed shooting script with blue rewrite pages. This script belonged to actor Mickey Kuhn with his pencil ownership signature on the front cover. High Conquest is a 1947 American drama picture shot on location in Switzerland which was directed by Irving Allen and starring Anna Lee Gilbert Roland and Warren Douglas. The film tells the story of “In 1932 at the Alpine Club in London Colonel Hugh Banning recounts a fatal expedition to the Matterhorn in Switzerland thirty years before in which a local guide fell and brought down an American climber both tumbling to their deaths. Jeffrey Stevens a chemist and the son of the American who fell is heading to visit his father's grave but rejects any suggestion that he should climb the mountain. He meets an attractive pianist Marie who is returning home and the two hit it off. This provokes jealous from Hugo the son of the guide who had died with Jeffrey's father decades before. Eventually Jeffrey is goaded into overcoming his fear of the mountain and taking part in a climb with Hugo who tries to murder him at the summit.†Some chipping to back covers and a few marginal tears used script bradbound in printed studio wrappers. Monogram Pictures unknown