1 169 résultats
1901004482Brooklyn NY: Hebrew Publishing Company 1901. Unique Handmade Ivory and Brass Cover on Rare 1901 Siddur Jewish Prayerbook Form of Prayers and Blessings of Israel with an English Translation published by the Hebrew Publishing Company Brooklyn New York Book opens right to left. 511 pages. 32mo: 4.75 by 3.5 inches in size and 1.75 inches thick. The original binding may have been green cloth which has been covered over. The first layer is a white or cream colored celluloid frame on the front and back covers with a brass frame. Teeny brass nails mark the midpoint of the frame closest to the spine on both front and back cover. A detailed brass clasp and peg to hold the volume closed are intact. The hinge and clasp are probably prefabricated pieces. The front cover was truly a labor of love with many layers of artistry. Working from the outside in: a brass frame then a celluloid border about a quarter of an inch all around. Then there is a very detailed frame of silver colored metal about 4 by 2.75 inches. A zig zag border design is around all inner and outer edges of the tin frame. The frame does not respond to a magnet and may be sterling silver or German silver. The center is kind of an ovoid cutout with embossed three dimensional embellishments at top bottom and both sides of the midpoint like compass points but not really a compass rose. The embellishments have been incised from a single sheet of silver colored metal some fine detailed work. The top and bottom or north and south points resemble somewhat half of a fleur de lis. On top of the silver colored frame and secured by eight teeny brass nails is a very detailed "lacey" ivory border. The ivory design ranges from a quarter of an inch at its narrowest to three quarter of an inch at its widest. There are two areas of losses to the ivory of about a quarter and a third of an inch. The piece on the left side does have some free movement - meaning it can pivot on the teeny brass nail. The left corner piece was Please see our photographs to view the missing areas. Inside the silver colored metal frame is green velvet backing now faded and in the center of that is a handcarved ivory medallion of the 10 Commandments Tablets which is about a half inch wide and 1.75 inches long. The back cover is celluloid. The spine has both remants of a paper cover and is about half covered with celluloid. The original green cloth cover is visible here. There are some green areas on the brass frame that may have some corrosion. It will be up to the new owner to clean and restore. As you'll note in our many photographs cello tape has been used across the spine and onto the covers. There is cello tape on the cover on both ivory and celluloid elements. The book itself is fragile. This was a beloved and well used volume that went to shul often and it does have handling wear and tear. The front cover and front hinge is loose. There is an inscription on the fep. There is some soil to the margins on pages 34 and 35 which is where the book splits. We note soil to page margins and tears to some pages including in the bottom margins of pages 63 and 65 69 and 71. Page 223 is chipped in the interior margin and the book splits again at pages 224. There is a loose section 225 to 254 detached and laid in. The remainder of the book appears firmly bound until we get to the last page and rear endpapers also detached and laid in. The pages were originally gilt edged all around this is largely faded. Thanks for shopping with us! 100% of your purchase benefits charity and supports literacy and lifelong learning. Ivory; Cloth; Brass; Celluloid. Fair/No Jacket. 32mo - over 4" - 5" tall. Hebrew Publishing Company
1964BOOKS017895ILeiden/Koeln:: E.J. Brill. 6 1/2" x 10" Paperback; G-VG unmarked. 1964. ISBN: HANDBUCH DER ORIENTALISK 398 pp. Catalogs: OLD TESTAMENT. Keywords: German Semitics Old Testament. E.J. Brill paperback
1943003617New York: American Bible Society 1943. Date of publication located on bottom of page 3 not on title page or verso; inscription on fep dated 1950. From title page: Translated out of the orginal Hebrew and with the former translations dilgently compared and revised. Set forth in 1611 and commonly known as the King James Version. 212 pages with red speckled borders all around. Psalm number circled in pencil on page 3 note on page of rear endpage short list of psalms and light soil to rear endpage. Black cloth with bright gilt titles on front cover; worn head and heel of spine and some light soil on back cover. Large type; similar in style to Primer. Thanks for shopping with us! 100% of your purchase benefits charity and supports literacy and lifelong learning. Cloth. Good/No Jacket. 8vo - over 7¾" - 9¾" tall. American Bible Society Hardcover
1989009008Nashville TN: Thomas Nelson Publishers 1989. Hardcover. Near Fine. Slimline Reference Edition: center-column references tranlation notes concordance and maps; Words of Christ in Red. v 3 1044 68 p. 8 p. of color maps; 21 cm. Faux leather endpapers. All page edges gilt. Red ribbon bookmark. Bonded leather binding with gilt spine title. "2005BG" at tail of spine. Gilt-rolled decoration on turn-ins. The "Presented by" page has not been filled in. In Near Fine Condition: slightly rubbed; clean and tight. Thomas Nelson Publishers hardcover
19281213E091London: J.M. Dent and Sons Ltd. 1928. Reprint . Hardback. Printed pages: xxxii 561 8 ads 4. Near Fine/Very Good. 4.5 x 7 inches 11 x 17.5 cm. Dust jacket: Rare original 'Lighthouse' jacket. Spine browned and has loss to ends. Preserved in a removable jacket protector. Overall jacket condition is Very Good. Book: Black cloth binding with gilt spine. A couple of very light marks to boards a little light foxing to page edges otherwise in first class condition throughout. A surprisingly scarce title in the Everyman's Library series. Overall book condition is Near Fine. Size: 4.5 x 7 inches 11 x 17.5 cm. J.M. Dent and Sons Ltd. hardcover
19225478The System Bible Company 1922. First Edition. Leather. VERY GOOD. 8vo smyth-sewn binding in brown Morocco goatskin leather with 3/4 yapp ironed calf liner art-gilt edges. Leather shows moderate wear to edges text a bit thumbed some light dampstaining; unmarked sound attractive copy. The System Bible Company unknown
19790010610New York: Limited Editions Club 1979. Limited Edition. Hardcover. Fine/poor. Quarto 121 pages quarter sheepskin cloth; glassine dust jacket lacks the spine; in publisher's slipcase scuffed. <br/><br/>Copy no. 881 of 2000. Illustrated with 11 watercolors by Chaim Gross. Introduction by Franklin H. Littell. Signed by both Chaim Gross and Littell. Handsomely printed with large type by A. Colish. Limited Editions Club hardcover
1992DEMO006065IStatesboro GA: The Boxwood Press 1992. First Limited edition. Hardcover. Fine. In a mahogany and copper scroll case with vertical slot and hidden crank handle; with a protective velvet cloth <br/><br/>Only 16cc.Remarkable bilingual presentation / re-interpretation of this Biblical work placing it in the the Reagan / Bush era. Illustrated with 16 color etchings by Bernard Solomon the translator and etcher. He realized there were remarkable parallels between the Biblical story of Esther and that of Anita Hill Clarence Thomas and the U.S. Senate Judiciary Committee. This interpretation unfolds sequentially as each leaf is unrolled from the 33 in. high scroll holder. The body of the scroll holder is one of the original copper plates used for the etchings which is why it is limited to an edition of only 16. The top and bottom of the handcrafted minaret-style case is finely shaped and polished mahogany by Anthony V. Mann. Designed with a hidden crank to rewind the scroll into the case. Altogether remarkable! The Boxwood Press hardcover
19742021569Franklin Center PA: The Franklin Mint 1974 1975. First Edition. Hardcover. Fine. Quarto 1480 pages sculpted sterling silver covers in velvet chemise in publisher's clamshell paper box scuffed with its quarto Prospectus octavo Supplementary Notes typed letter from the Mint Suggestions for the Care of Your Franklin Mint Family Bible and a special leather bookmark but lacking the silver polishing cloth. Calligrapher's inked name for the original purchaser in the Family Records preceding the Bible. Note: WorldCat cites only one copy of this. <br /><br />This is the very special deluxe edition of the King James Version of the Bible in English in a very special binding containing 12 ounces of sterling silver with a cross on top and bottom on the top are the sculpted images of the Four Evangelists: Mark Matthew Luke and John. The design was done by Barcelona silversmith Oriol Sunyer. The illustrations are reproduced - for the first time in a printed book - from the priceless original manuscript in the British Library which was executed in the mid-14th century. "As the most extensively illustrated of all surviving medieval psalters the Queen Mary Psalter is a unique treasure. . The Queen Mary style is one of the three main styles of English painting in the Middle Gothic period which encompasses the years 1280 - 1380. . Of particular interest in the development of the Queen Mary style is the fact that it can be traced to a single artist the Master of the Queen Mary Psalter." The Franklin Mint hardcover
19461263Paris: Editions du Sceau 1946. Aboulker Célestine. Quarto original wrappers slight wear to ends of spine margins slightly browned; a very good copy. One of an edition of 130 copies illustrated with 15 color lithographs by Celestine Aboulker. A member of a prominent Jewish family in Algiers Aboulker's paintings often biblicly inspired are in the collections of Le Musée d’art et d’histoire du judaïsme in Paris and the museums of Ein Harod and Dimona in Israel. Editions du Sceau unknown
1979365295Boston: Charles Goodspeed & Co 1979. One of 87 copies. Printed and bound at the Stinehour Press. 4 10 2pp. With a leaf from the first edition of the Eliot Indian Bible tipped in following the title as issued. 1 vols. Small 4to. Original blue cloth glassine dust jacket slipcase. Fine. One of 87 copies. Printed and bound at the Stinehour Press. 4 10 2pp. With a leaf from the first edition of the Eliot Indian Bible tipped in following the title as issued. 1 vols. Small 4to. Includes a leaf from the 1663 Eliot Indian Bible. The present example being D2 from the Psalms comprising Psalms 42:7 through Psalms 45:8. Charles Goodspeed & Co unknown
1930253119San Francisco: Printed by Edwin & Robert Grabhorn for John Howell at the Sign of the Open Book 1930. From an edition limited to 580 copies this is one of 515 copies in the "Colonial Edition. Inserted leaf from the Bible printed by Robert Aitken Philadelphia 1782 from Deuteronomy; and 8 illustrations. 34 pp. 1 vols. 8vo. Original half leather and paper boards spine gilt. Bottom corners and head and foot of spine rubbed. Bookplate on front pastedown. Very good. From an edition limited to 580 copies this is one of 515 copies in the "Colonial Edition" Inserted leaf from the Bible printed by Robert Aitken Philadelphia 1782 from Deuteronomy; and 8 illustrations. 34 pp. 1 vols. 8vo. From an edition limited to 580 copies this is one of 515 copies in the "Colonial Edition" printed for John Howell Books by the Grabhorn Press and containing an essay by Edwin Grabhorn on typography in America in 1776. This volume contains an original leaf from a copy of the Aitken Bible one of the most celebrated American bibles being the first complete English Bible printed in America. During the colonial era the monopoly on printing English bibles belonged to the Royal Printer and the colonies were supplied entirely with bibles printed in England. The only Bible printed in the British colonies in America was the famous Eliot Indian Bible in Algonquian issued in Cambridge in 1661-63 and reprinted in 1680-85. With the Revolution this monopoly naturally ended and the embargo on goods from England acted to create a shortage. Aitken a Philadelphia printer undertook the task producing the New Testament in 1781 and the Old Testament in 1782. On completion he petitioned the Continental Congress for their endorsement and received it in September 1782. Because of this official endorsement and the reasons behind its production the Aitken Bible is often referred to as "The Bible of the Revolution" Grabhorn Bibliography 131 Printed by Edwin & Robert Grabhorn for John Howell at the Sign of the Open Book unknown
192923537London: The Haymarket Press 1929. Limited edition. Hardcover. Very good. Illustrated with four color plates by W Russell Flint. Thin 4to. 47pp. One of 100 copies; this is number 8. Limp vellum spine and upper board with title in gilt. General light soil to the vellum and ties else a very good copy.<br /> <p><br /> The extra suite of plates has been mounted on blank pages leaving a small adhesive discoloration on the margin of the plates and on the supporting page.<br /> <p>. The Haymarket Press hardcover
1924371052London: Nonesuch Press 1924. Deluxe edition one of 75 copies on Arnold unbleached rag paper no. XXXIV. First vol. printed ad hominem for H. Malcom Hubbard with ink note below "Transferred to Ion Buchanan Pritchard F. Meynell. Each volume with an engraved title page head piece and tail piece by Stephen Gooden. 5 vols. Folio. Full brown crushed niger by Best with gilt rule borders and spine relatively unadorned raised bands a.e.g. on the rough. Book ticket of Philip Duschnes. Ex-library with labels from General Theological Seminary Rare Book Room to front paste-downs of each volume. Faintest traces of rubbing to board edges spines of vols. I & 3 slightly darkened from smoke interior fine. GOODEN Stephen. Deluxe edition one of 75 copies on Arnold unbleached rag paper no. XXXIV. First vol. printed ad hominem for H. Malcom Hubbard with ink note below "Transferred to Ion Buchanan Pritchard F. Meynell". Each volume with an engraved title page head piece and tail piece by Stephen Gooden. 5 vols. Folio. One of the great early books of the Nonesuch Press and Stephen Gooden's second book commission after the Nonesuch Anacreon of 1923.<br /> The copies on fine paper were offered at 5 guineas bound in full niger or full vellum. The name of the subscriber was printed in the first volume; this copy printed for railway magnate H. Malcolm Hubbard bears a note from Francis Meynell recording the transfer to Ion Buchanan Pritchard another railway executive.<br /> Uncommon and attractive. Dreyfus 21 and 20. The Nonesuch Century 21 and 20. Ransom Selective Check Lists pp. 163-164 nos. 20 and 21. Rumball-Petre 125 "a beautiful work of a famous press". Tomkinson p. 136 nos. 19 and 19a Nonesuch Press unknown
193530793Bergamo 1935. hardcover. good. With 160 plates 17 mounted and in color. Interior is nice and clean. Thick small folio rust cloth shaken & well-rubbed with extremities worn; one gathering loose. Bergamo: Istituto Italiano d'Arti Grafiche 1935. A good copy<br/> <br/> unknown
193340012Bergamo: Instituto Italiano d'Arte Grafiche 1933. hardcover. very good-. Preface di Cardinale Idelfondo Schuster; introduction by di Vescovo Adraiano Bernareggi. 151 plates including 24 mounted & in color. Folio decorative rust cloth rather rubbed and extremities worn. Bergamo: Instituto Italiano d'Arte Grafiche 1933. A very good- copy.<br/> <br/> Instituto Italiano d'Arte Grafiche unknown
1984278064New York: Ccar 1984. hardcover. near fine/very good. Baskin Leonard. Illustrated and designed by Leonard Baskin. Translations edited by Rabbi Albert H. Friedlander. Introductions co-edited by Rabbi Herbert Bronstein and Rabbi Albert H. Friedlander. xiii 323 pages. Thick folio blue cloth d.w. New Yorki: CCAR Central Conference of American Rabbis 1984/5744. Small dent in dw spine; neat inscription in English and Hebrew on front free endpaper still a near fine copy in a very good dust wrapper.<br/> <br/> Ccar unknown
198471486New York: Central Conference of American Rabbis 1984. hardcover. fine. Hebrew texts English translations introduction and new liturgies. Translations edited by Rabbi Albert H. Friedlander. Liturgies edited by Rabbi Herbert Bronstein. Illustrated and designed by Leonard Baskin. Original frontispiece lithograph signed & dated. 37 watercolor plates. 323pp. Folio cloth d.w. New York: Central Conference of American Rabbis 1984. A fine copy.<br/> <br/> New Translations of Ecclesiastes Esther Song of Songs Ruth and Lamentations with explanatory notes. Text in Hebrew and English. One of 175 copies printed on pure rag sheet paper & numbered and signed by the artist.<br/> <br/> Central Conference of American Rabbis unknown
1959251299New York: Kress 1959. Private. hardcover. near fine. 44 color plates. 253 pages. 4to cloth-backed boards t.e.g. slipcase solid but somewhat faded and worn at edges. New York: The Samuel H. Kress Foundation 1959. A near fine copy in very good slipcase.<br/> <br/> Kress unknown
1954268212London: The Dropmore Press 1954. First trade edition preceded by 100 numbered copies. 84 collotype plates 8 colored. vii 3 191 3 pp. Printed in 14 point Monotype Walbaum on Arnold & Foster mould-made vellum by Oxford University Press. With prospectus. 1 vols. Small Folio. Half red niger morocco and blindstamped parchement covers. Fine. First trade edition preceded by 100 numbered copies. 84 collotype plates 8 colored. vii 3 191 3 pp. Printed in 14 point Monotype Walbaum on Arnold & Foster mould-made vellum by Oxford University Press. With prospectus. 1 vols. Small Folio. Complete facsimile of a c. 1325 "Bible En Image" with 235 picture stories prepared for a 14th century block-book. Inscribed and with an ALS from Hassall to A.H. Carder one of the printers of the book. The Dropmore Press unknown
193655022New York: Limited Editions Club 1936. Limited edition. Hardcover. Very good- to fine condition. 5 octavo volumes. 1 of 1500 sets published. Original blue cloth with gilt tooling on front and rear covers gilt lettering on spines in original glassine jackets; housed in gilt paper-covered slipcase with white lettering on blue labels of spines. Blue edges. Decorative initials in red and black. Printed on specially made paper with a "Limited Editions Club" watermark. <br /> <br /> Entire work printed especially clear without verse numbers for easier reading. Production and publication designed by George Macy one of the founders of the Limited Editions Club in 1929 to produce elegant editions of classic as well as modern literature and printed under the supervision of Julian E. Berla.<br /> <br /> Some light wear of slipcases along edges and lightly rubbed. Glassines aged yellow and frail. Glassines with some chipping and medium to large closed tears volume one glassine split down the spine. Else these books are in near fine to fine condition. Limited Editions Club hardcover
197533966Stuttgart: Wurttembergische Bibelanstalt. Very Good. 1975. Second Revised Edition; First Printing. Hardcover. Very good with light spotting and wear to boards. Text in German. ; 8vo 8" - 9" tall; 1980 together pp . Wurttembergische Bibelanstalt hardcover
196252438Graz: Akademische Druck-u.Verlagsanstalt 1962. Hardcover. Very good. Two volumes large 8vo: pp. 16 966 6; 2 920 42. Publisher’s light blue cloth. A nearly fine clean set with some slight erosion/scuffing at the covers of the second volume. <br /> <br /> Modern photo-reprint of this celebrated work of early modern biblical scholarship. First published in 1752 it was until the twentieth century regarded as "the most elaborate and valuable of all the critical editions of the New Testament" Orme. Edited by the scholar Johann Jakob Wetstein 1693-1754 a scion of the Amsterdam printing family who produced Gerhard von Maestricht's New Testament of 1711 the original edition includes the editio princeps of two pseudepigraphic works ascribed to Saint Clement of Rome which survive in Syriac. At his native city of Basel in 1713 Wetstein defended a thesis on the various readings of the New Testament. "After collating MSS. in various libraries he at length obtained in 1733 a professorship in the Remonstrants’ college at Amsterdam in succession to Le Clerc. In 1730 the Wettstein press published his Prolegomena anonymously and in 1735 he edited for the same firm a revision of G. v. Maestricht’s Testament. At length in 1751-2 he produced the critical edition at which he had been labouring for many years. Perhaps in deference to the opinions of his friends Wettstein did not print in his edition the text of Codex A as he seems at first to have intended or a recension of his own but merely reproduced the Elzevir text with very few variations. Immediately below however he indicated the changes which he considered absolutely necessary from which it is easy to construct ‘Wettsteins’s text.’ Nearly all these proposed changed -- which according to Reuss number 159 -- had appeared in previous editions and are generally accepted do-day. . Below this matter stands the critical apparatus the most elaborate which had yet been published giving innumerable variants and citing as authorities for and against these a vast body of witnesses -- MSS. versions early fathers and printed editions. Wettstein introduced the practice of indicating uncial MSS. by roman letters and cursive MSS. by arabic numerals. In the revised and enlarged Prolegomena preceding the text which give some account of his labours and controversies Wettstein displays a marked antipathy to all the earliest MSS. which he suspected of having been corrupted by the Latin versions. The Animadversiones at the end of vol. 2 are more temperate and possess higher value. A distinctive feature of the book is the commentary printed at the foot of the page. This forms a curious treasury of notes illustrating both the matter and the language of the inspired writers by copious extracts from all kinds of authors -- classical patristic and rabbinicâ€. References for the original edition: Dibdin 4th ed. 1: 156. Le Long/ Masch 1 1778: 243-46. Orme Bibliotheca Biblica 465: “Wetsteins’s merits as a critic’ says Dr. Marsh “undoubtedly surpass the merits of his predecessors: he alone contributed more to advance the criticism of the Greek Testament than all who had gone before him: and this task he performed not only without support either public or private but during a series of severe trials under which a mind of less energy than Wetstein’s would infallibly have sunk.†Full title and imprint: He Kaine Diatheke Novum Testamentum Graecum editionis receptae cum lectionibus variantibus codicum mss. editionum aliarum versionum et patrum nec non commentario pleniore ex scriptoribus veteribus Hebraeis Graecis et Latinis historiam et vim verborum illustrante Joannis Jacobi Wetstenii. Tomus I -II. Continens quatuor Evengelia. . Epistolas Pauli Acta Apostolorum Epistolas canonicas et Apocalypsin. Amstelaedami ex officinia Dommeriana. MDCCLI. Akademische Druck-u.Verlagsanstalt hardcover
1926ST20084Waltham St. Lawrence: Golden Cockerel Press 1926. No. 48 OF CLXXV COPIES. 258 x 195 mm. 10 1/4 x 7 3/4". 15 3 pp. <br/> Understated black crushed morocco by J. Franklin Mowery stamp-signed "JFM 94" on rear turn-in wraparound design of blind-stamped L-shaped panels of intersecting lines smooth spine with vertical gilt lettering leather hinges edges untrimmed. Original illustrated upper cover of dust jacket repaired at one corner bound in at rear. In a matching morocco-lipped slipcase. Title page with large woodcut of the risen Christ four large vignettes in the text four pictorial half borders and four full-page woodcuts all by David Jones printer's device in colophon. Front pastedown with bookplate of Jan van der Marck. Chanticleer 40. A pristine copy.<br/> <br/> This is a wonderfully--if understatedly--bound copy of one of the most strictly limited Golden Cockerel Press productions. The binding is the work of J. Franklin Mowery retired Head of Conservation at the Folger Shakespeare Library and past president of the Guild of Book Workers. Mowery studied bookbinding under Professor Kurt Londenberg at the Staatliche Hochschule für bildende Künste Academy of Art in Hamburg and trained as a paper conservator under Otto Wächter in Vienna before returning to the U.S. to work at the Huntington Library. According to his article "A Binder's Training" Guild of Book Workers' Journal XX 1981-82 the blind-stamping technique seen here was "particularly favored by Professor Londenberg" and often employed by Mowery for the range of design possibilities it offers. The method uses dies to stamp the patterns: "a photographic process can transfer any black and white image onto zinc plates that are deeply etched and mounted onto type-high metal blocks for heated impressions or onto wood for cold embossing." Mowery stated that lines of the design here represent the driving rain of the storm that struck Jonah's ship. Founded in 1920 with the intention to print fine editions of important well-known books as well as new literary works of merit from young authors the Golden Cockerel Press was purchased in 1924 by the illustrator and wood-engraver Robert Gibbings. "Under his direction" says Cave the Press was "transformed into the principal vehicle for the renaissance of wood-engraved book illustration that took place in the years between the wars." In addition to doing wood engravings himself Gibbings employed a stable of eminent artists including among others Eric Gill Blair Hughes-Stanton John Nash John Farleigh Eric Ravilious and David Jones. The memorable woodcuts are the work of Jones 1895-1974 who had a brief but impressive career as an illustrator before eye strain forced him to abandon engraving in 1930. In his published study of Jones' work Douglas Cleverdon says that in the short time Jones was engraving "he produced a remarkable amount of work of great variety; some witty some mystical; some boldly cut some delicately shaded; some simple to print some virtually impossible. Although he never attained . . . the greatest technical mastery in the conventional sense his prints are nearly always distinguished by their excellence of design personal commitment and absolute individuality." Our binding was commissioned by collector and self-described "radical" museum administrator Jan van der Marck 1929-2010 who championed artists that pushed boundaries--often to the consternation of the museum boards who employed him. Golden Cockerel Press unknown
19520083231New York: A. Colish 1952. Limited ed. Hardcover. Very Good/Slipcase. Signed by the printer A. Colish on the front blank. Number 108 450 copies. 1952. Hardcover slim 12mo. red leather gilt title. Very Good in original slipcase. Leather scuffed at spine ends hinges and raised bands. Ownership stamp of calligrapher Arnold Bank on the front blank above author's inscription; slim horizontal abrasion to front pastedown from bookplate removal. Slipcase with slight loss to paper along openings; small piece of bottom panel missing; bottom panel expertly strengthened. A beautifully printed book. A. Colish hardcover