141 résultats
200168191São Paulo: Pro Editores Associados 2001. 23cm. 218p. b/w plates draws. plans bibl. pict. wrps. Collection of 22 essays on a wide variety topics on architecture by Ruth Verde Zein a professor of architecture in Brazil. The architect discusses architecture in Brazil architectural criticism innovation and roles. Some examples: "Arquitetura Brasileira pós-Brasília: um roteiro; "Vilanova Artigas: a obra do arquiteto"; Paulo Mendes da Rocha: a poesia em concreto"; "Sete motivos para a inexistencia da crítica de arquitetura." Pro Editores Associados unknown books
200834654Princeton: Princeton University Press 2008. Hardcover. Very good. xx 241pp index. Very good hardback in a very good dustjacket. <br/><br/> Princeton University Press hardcover books
200730474New York: Schocken Books 2007. 1st edition. Hardback. Dust jacket. A Fine copy in a similar jacket. xv 1 231 1 pp including Index. 12mo. <br/><br/> Schocken Books hardcover books
200314388Dallas: Southern Methodist University 2003. First edition. Hardcover. A fine copy in a fine dust jacket. This copy is signed and inscribed by the author and dated May 29 2004. Publisher postcard laid in dust jacket illustration. Ruth Whitney's debut novel set in a small interior country of Africa at the start of the AIDS epidemic. The aged president is more aggrieved by a journalist calling his country tiny than by the presence of the disease that threatens to decimate it. The novel centers on eight people awaking one dry season to the scourge among them a divorced young American orthopaedist a fifty-eight-year-old Scotswoman of faith and gynecologist by profession an idealistic young African journalist a short-sighted president of a backward country an ancient healer a feckless father ruined by promiscuousness and greed an ill-fated mother far from her native village and a boy whose prophetic images haunt the heart of the novel. <br/><br/> Southern Methodist University hardcover books
200226411Philadelphia: Schwarz Gallery 2002. Softcover. VG. Color illustrated stapled wraps. 41 pp. 30 color and 22 bw illustrations. "The Lambdin Family Collection of Paintings by James Reid Lambdin and George Cochran Lambdin adapted from an essay by Ruth Irwin Weidner." Includes a very detailed essay on the Lambdin Family as well as profuse annotation to go with each illustration. Page seven has a family tree; very beautiful works in the book. Schwarz Gallery unknown books
200345273Athens: Ohio University Press. Very Good. 2003. Softcover. Athens OH: Ohio University Press 2003. Stated first edition. 180 pages softbound. A VG copy in crisp paper wrappers. Ex-lib with typical markings. . Ohio University Press paperback books
2016UWARSOU00FPFlatIron Books 2016. Very Good. Wariner Ruth. The Sound of Gravel. New York NY: FlatIron Books 2016. 342pp. 8vo. Hardcover. Book condition: Very good. Light rubbing to edges and bumping to top corners. Dust Jacket Condition: Very good. Light rubbing to edges. FlatIron Books hardcover books
2015WELLER9781501112331Scout 2015. New. New book. Scout unknown books
2017WELLER9781501156205Scout Press 2017. New. New book. Scout Press unknown books
2017WELLER9781501132957Scout Press 2017. New. New book. Scout Press unknown books
201010294Octon France: Verdigris Press 2010. First Edition signed limited edition one of 42 copies only from a total edition of 50 8 deluxe copies with one of the original copper plates all on Hahnemulhe paper each hand-numbered and signed by the author Ruth Fainlight and the artist Judith Rothchild. Page size: 8-1/2 x 9-7/8 inches; 20pp. colophon. Bound by Mark Lintott: leporello style with wrap-around boards of marbled paper made by Judith Rothchild over boards in grey with hints of deep pink and pale blue raspberry-colored linen hinges title author artist and press printed in black in the spine title on front panel housed in custom-made matching grey paper over boards slipcase. The text has been hand set and printed letterpress in Vendome Romain on an Albion press of 1867 by Mark Lintott. The artist herself printed her mezzotints. The text has debossing on the title page with the title NACRE repeated twice in blind on either side of the printed title. The shaped colophon is debossed in the form of a cowrie shell. Noted American poet living in London Ruth Fainlight has contributed six poems; the first "Pearls" has four sections; the fifth "Clam Chowder" has two sections. Judith Rothchild has contributed eight mezzotints relating to or inspiring Ms. Fainlight's verse. The book was collaboration with each artist reacting and creating to her friend's work. The verse speculates on the beauty of the pearl and how it has been valued throughout the ages - reserved for the wealthy and powerful. Ms. Fainlight asks in "Pearls" "Entire villages holding their breath: how many divers' lives lost in the oyster beds for a royal crown" The first mezzotint certainly captures the mysterious dark lustrous glamour of this "crystalline substance iridescent nacre" and the interplay between text and image is set from this beginning. As Ms. Fainlight's text turns to the sensuous associations of love oysters - with great subtlety - the images take on a sensuality of their own. A stunning book that is at once provocative intimate and philosophical and more than a bit Proustian. An object as simple as a cowrie shell button causes the author to recall her mother's treasured memory. The reader / viewer is compelled to join in this lovely remembrance - and perhaps recall something of one's own. Verdigris Press unknown books
20049401Octon France: Verdigris Press 2004. One of 27 copies all on Hahnemuhle paper and signed in pencil by the artist and author Judith Rothchild and Ruth Fainlight. 12pp; page size: 6-1/4 x 8-1/4 inches; bound: leporello style in original wrappers screen printed in bright blue with abstract images sea or sky title in deeper blue on front wrapper repeated on matching blue slipcase. Illustrated with two mezzotints one etching and four blind embossed images by Judith Rothchild. Noted American poet Ruth Fainlight has written this prose poem as a response to a post card sent to her by the artist Judith Rothchild in February of 2003. Both the words and image capture the sun dust warmth smells - the atmosphere that is unique to the Mediterranean. Verdigris Press unknown books
20029115Octon France: Verdigris Press 2002. One of 30 copies all on Hahnemulhe paper each signed by the artist and the poet on the colophon page. The first eight copies have an original copper plate as well as an additional mezzotint and a text in the hand of the author. Page size: 15-1/2 x 10-1/4"; 10 double-fold leaves. Bound: publisher's wrappers in aubergine Canevas paper by Thibierge & Comar screen-printed in black by the artist matching screen-printed slipcase with wood edges by Claude Vallin and Mark Lintott. The eight mezzotints nine plates and the two embossments on the title and contents page were printed by the artist. The text is hand-set in Vendome Romain and printed letterpress on a Stanhope press by Mark Lintott fine. This is the third collaboration between poet Ruth Fainlight and artist Judith Rothchild. The poems inspired by the feather images and the mezzotints inspired by the poems form an ongoing dialogue. Verdigris Press unknown books
2006103273Milan: Skira 2006. Softbound. As New. Color illustrated wraps. 320 pp profusely illustrated with 289 color plates. The women in Impressionist painting represent the full spectrum of faces of the 19th-century woman from elite portraiture to working class scenes. Women and Impressionism examines the avant-garde position of the Impressionists whose paintings depicted a series of conceptual and historical shifts by depicting traditional visual schemes with added new meanings contributing visually to the breakthrough of the modern. The concept of "the new woman" came into existence in this confrontation of conflicting interests.Women and Impressionism begins with an examination of two works by Manet-La Maetresse de Baudelaire couchTe 1862 and Portrait de Zacharie Astruc 1866. The volume then traces the representation of women as it manifested in the work of the Impressionists in the 1870s and the early 1880s. The exhibition catalog includes a number of works from the Ny Carlsberg Glyptotek collection as well as from prestigious international private and public institutions. Skira unknown books
200554362Montgomery: Montgomery Museum. Very Good. 2005. Paperback. Montgomery Alabama: Montgomery Museum Of Fine Arts 2005. 53pp. softcover 6 1/2" x 8 1/2" Exhibition Catalogue a Near Fine Copy. . Montgomery Museum paperback books
200870917NY: Stewart Tabori & Chang 2008. First edition first prnt. Signed by Stevens on the title page and above her signature she has written "Best wishes." Introduction by Stevens. Black and white photographs. ten reproductions of memorabilia in tissue sleeves as issued. Unread copy in Fine condition in a Fine dustjacket with an archival cover. Signed by Author. First Edition. Hardcovers. Fine/Fine. 8vo - over 7¾" - 9¾" tall. Stewart, Tabori & Chang Hardcover books
2016134876N.P.: by the author 2016. cloth leather design on front cover. Bookbinding. 4to. cloth leather design on front cover. unpaginated. Second printing. Introduction acknowledgments. Originally published for the author's family on the occastion of her 90th birthday. Color illustrations with descriptive text of works produced by Stein over her many years as an amateur bookbinder. Frontispiece and color illustrations throughout text. by the author unknown books
2004163975Florence Italy: Gli Ori and by D.A.P. / Distributed Art Publishers Inc 2004. First edition. Hardcover. First printing. 279 pages. Features an introductory interview of Sonfist by Robert Rosenblum. Essays by Wolfgang Becker Jonathan Carpenter Lawrence Alloway Michael Danoff John Grande and Uwe Ruth. Includes numerous color and black and white illustrations. A clean very near fine copy in a very near fine dust jacket. Signed and inscribed by Sonfist on the front free endpaper to a long time New York Times art critic and editor. Scarce signed. Gli Ori and by D.A.P. / Distributed Art Publishers Inc unknown books
2005284606New Haven: Yale University Press 2005. hardcover. fine/fine. Beautifully illustrated with more than 300 photographs and drawings. 239 pages square 4to green cloth d.w. New Haven: Yale University Press 2005. A fine copy in a fine dust wrapper.<br/><br/> Yale University Press unknown books
200561239New Haven:: Yale Univeristy Press. As New in As New dust jacket. 2005. Hardcover. 0300107943 . Color photographs throughout. First edition. Publisher's press release included. As new in like dust jacket. Still in original shrinkwrap. . Yale Univeristy Press, hardcover books
200617555New York: Abbeville Press 2006. First Edition. Hardcover. Near fine/near fine. 4to. Publisher's boards in original dust jacket. Touches of edge wear to jacket. Boards fresh. Interior bright and clean. Near fine. 208pp. <br/><br/>A survey of the use of wood in contemporary residential architecture Illustrated by full-color photographs drawings and floor plans. Abbeville Press hardcover books
200158982Rochester:: University of Rochester Press. Very Good in Very Good dust jacket. 2001. Hardcover. 158046095X . Edited by Larry Polansky with Judith Tick. First edition. Front free endpaper has been removed else very good in a very good dust jacket. . University of Rochester Press, hardcover books
2015Embry 184325NYRB 2015. First edition first printing. Fine in fine dust jacket with a short closed tear to upper front panel in mylar cover. NYRB, 2015. First edition, first printing. unknown books
2015405339New York: Thames & Hudson 2015. As-new in shrinkwrap. Folio. 352 pages. Pictorial boards. FIRST EDITION. "The first definitive overview of typewriter art in decades--with a unique algorithm giving each volume its own cover design" the publisher. <br/><br/> Thames & Hudson hardcover books
2005124712New York: HarperCollins Harper Collins 2005. First printing of this HarperCollins edition. Fine and unread in illustrated boards and a Fine dust jacket. A lovely copy. HarperCollins [Harper Collins] unknown books